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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
OUD
Non classifié
51
Piano & claviers
Piano seul
88
Piano, Voix
6
Orgue
6
Piano, Voix et Guitare
2
1 Piano, 4 mains
2
2 Pianos, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 2 instrumentations
Retracter
Guitares
Guitare
17
Guitare notes et tablatures
6
Mandoline, Piano (duo)
1
Mandoline, Guitare (duo)
1
Voix
Chorale SATB
13
Chorale TTBB
7
Chorale 3 parties
2
Voix Soprano, Piano
2
Chorale SSAATTBB
1
Chorale SSAA
1
Chorale 2 parties
1
+ 2 instrumentations
Retracter
Vents
Saxophone
8
Clarinette
5
Flûte traversière
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Saxophone Alto et Piano
3
Flûte traversière et Piano
2
Quatuor de Flûtes : 4 flûtes
2
Quatuor de Saxophones: 4 saxophones
2
Saxophone et Orgue
2
Flûte, Hautbois, Clarinette, Basson
2
Quatuor de Clarinettes: 4 clarinettes
2
Saxophone Soprano et Piano
1
Saxophone Tenor
1
Saxophone Soprano
1
Quintette de Clarinettes: 5 clarinettes
1
2 Saxophones (duo)
1
Saxophone (partie séparée)
1
Saxophone Alto
1
+ 13 instrumentations
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Cuivres
Trombone et Piano
6
Ensemble de Trombones
4
Trompette
4
Trombone
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Cor
2
Ensemble de Cors
1
2 Euphoniums et 2 Tubas
1
Euphonium, Piano (duo)
1
Trompette, Piano
1
Quatuor de Cuivres
1
Cor et Piano
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 cors
1
+ 10 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
15
Violon et Piano
6
Harpe
5
Violoncelle
4
Violon
2
2 Violons (duo)
1
Contre Basse
1
Violoncelle, Piano
1
2 Violoncelles (duo)
1
+ 4 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
12
Orchestre
12
Orchestre d'harmonie
6
Ensemble de cuivres
5
Batterie
4
Jazz combo
3
Orchestre de chambre
2
Ensemble de Percussions
1
+ 3 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
OUD
expert
Chorale SATB
Partitions à imprimer
13 partitions trouvées
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1
Louder Than Words (A Cappella SATB)
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Chorale SATB
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AVANCÉ
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Contemporain
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Jonathan Larson
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Louder Than Words
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Evan Feist
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SheetMusicPlus
Voice, Choir, SATB - Advanced - By Jonathan Larson. Arranged by Evan Feist. Score. 6 pages. Published by Evan Feist ...
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Voice, Choir, SATB - Advanced - By Jonathan Larson. Arranged by Evan Feist. Score. 6 pages. Published by Evan Feist
From "Tick, Tick...Boom!"
SATB
learning tracks, MIDI, and XML available upon request
evanfeist@gmail.com.
$4.50
Proud Mary
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Chorale SATB
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AVANCÉ
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Rock
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Creedence Clearwater Revival
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Deke Sharon
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B, Standards
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Proud Mary
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Deke Sharon
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - By Creedence Clearwater Revival. By John Fogerty. Arranged by Deke Sharon. 20th Century, A Cappella, Hip-Hop, ...
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Choral Choir (SATB divisi) - Level 5 - By Creedence Clearwater Revival. By John Fogerty. Arranged by Deke Sharon. 20th Century, A Cappella, Hip-Hop, Pop, R & B, Standards. Octavo. 4 pages. Deke Sharon #789474. Published by Deke Sharon
$1.99
Thinking Out Loud
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Chorale SATB
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AVANCÉ
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Pop musique
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Ed Sheeran
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Matt Lammin
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Thinking Out Loud
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Matthew Lammin
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SheetMusicPlus
By Ed Sheeran. By Amy Wadge and Ed Sheeran. Arranged by Matt Lammin. A Cappella, Pop. Octavo. 13 pages. Matthew Lammin #3591491. Published by Matthew ...
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By Ed Sheeran. By Amy Wadge and Ed Sheeran. Arranged by Matt Lammin. A Cappella, Pop. Octavo. 13 pages. Matthew Lammin #3591491. Published by Matthew Lammin
$1.99
On The Lake
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Chorale SATB
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AVANCÉ
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the beautiful light of this su
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James W
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On The Lake
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Knox Music
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SheetMusicPlus
Choral Choir (Mixed) - Level 5 - SKU: A0.942890 Composed by James W. Knox. Contemporary,World. Octavo. 17 pages. Knox Music #6599787. Published by Knox ...
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Choral Choir (Mixed) - Level 5 - SKU: A0.942890 Composed by James W. Knox. Contemporary,World. Octavo. 17 pages. Knox Music #6599787. Published by Knox Music (A0.942890). On the Lake written for advanced SSAA divisi and harp. Fannie Isabelle Sherrick was an American poet who wrote songs and poems throughout the 1860's that captured hearts and minds. I Can Not Say the Sad Good-Bye was one of her notable songs published in 1873. She was both influenced and encouraged by Ella Wheeler Wilcox who she attributed her success to. Her most popular poetry volume entitled Love or Fame and Other Poems was published in 1880 by W.S Bryan of St Louis and she continued writing for many years. ON THE LAKE There's a beautiful lake where the sun lies low, And the skies are warm with their summer glow; And a beautiful picture there I see Where the winds are warm and the waves are free, And the waves lie still in the sun As the flowers at night, when the day is done. You may sing of your silvery seas by night When the moon looks down with a dreamy light; And the stars shine out in the skies above Like the warm sweet gaze of the eyes of love; But the glow on the lake to-day Is a glory that never will fade away. The beautiful lake is a sea of gold And the beauty it wears will never grow old; The trees bend down in the sun's warm glow Till their branches meet in the waves below, And the clouds in the far-off skies Are mirrored anew where the sunlight lies. I love to float where the shadows lie 'Neath the matchless glow of the summer sky; And I love to dream that these waves of light Will never fade in the gloomy night: But I know that the things I love Are as far from my reach as the clouds above. Oh, the beautiful lake is a sea of gold And the beauty it wears will never grow old; The cloudlets of Heaven are mirrored there In a golden splendor so bright and fair That the soul is dazzled for aye By the beautiful light of this summer's day. Oh, I love to dream when this life is o'er We shall moor our boats near the golden shore; And our sorrows shall drift from us far away As the leaves that float in their idle play, And the waves shall smile in the sun When the night is over and life is done. Fannie Isabelle Sherrick.
$4.65
The Triumph of King Edmund
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Joy DeCoursey-Porter
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The Triumph of King Edmund
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Joy DeCoursey-Porter
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.897054 Composed by Joy DeCoursey-Porter. Christian,Easter,Holiday,Sacred,World. Octavo. 9 pages. Joy DeCoursey-P...
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Choral Choir (SATB) - Level 5 - SKU: A0.897054 Composed by Joy DeCoursey-Porter. Christian,Easter,Holiday,Sacred,World. Octavo. 9 pages. Joy DeCoursey-Porter #2079905. Published by Joy DeCoursey-Porter (A0.897054). A piece best suited for an accomplished HS or college choir, or one that enjoys a bit of drama. Please contact Joy DeCoursey-Porter at joyfulporter@hotmail.com with performance info. The story of King Edmund takes place in the mid 800s and remains shrouded in some mystery. Though certain details are sketchy depending on the historical source, the events depicted in the poetic text seem consistent with most sources. The text, taken from the writings of Ælfric of Eynsham and adapted by Frances E. F. Ward is as follows: The Danes came by great fleet of ship, under Hingwar, to plunder the Angles’ coast. Edmund the King will never bow in life unless first Hingwar bow to Christ, he said. He stood in hall raising no sword. Bound to the tree he called on Christ. Mad with rage, they bristled him with arrows and still with steadfast faith he called on Jesus Christ. Hingwar’s order, and the blow beheaded him; his soul departed joyfully to Christ. The grey-eyed wolf stood guardian to holiness, until head and body one. Holy Edmund revealing Christ..
$2.00
The City In the Sea: Choral Tone Poem
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Chorale SATB
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AVANCÉ
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Contemporain
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Stanley M Hoffman
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The City In the Sea: Choral To
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Pu...
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Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60
What Do The Stars Do
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Chorale SATB
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AVANCÉ
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James W
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What Do The Stars Do
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James Knox
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.499183 Composed by James W. Knox. 20th Century,A Cappella. Octavo. 6 pages. James Knox #112654. Published...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.499183 Composed by James W. Knox. 20th Century,A Cappella. Octavo. 6 pages. James Knox #112654. Published by James Knox (A0.499183). SATB divisi a cappella What do the stars do Up in the sky, Higher than the wind can blow, Or the clouds can fly? Each star in its own glory Circles, circles still; As it was lit to shine and set, And do its Maker's will. Christina Georgina Rossetti (1830-1894).
$3.25
Annian a Kinatan-okmo
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Chorale SATB
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AVANCÉ
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Ateneo Chamber Singers
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Annian a Kinatan-okmo
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MR. JOY T. NILO
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.815260 By Ateneo Chamber Singers. By Joy T. Nilo. 20th Century,Contemporary,Sacred. Octavo. 10 pages. MR....
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.815260 By Ateneo Chamber Singers. By Joy T. Nilo. 20th Century,Contemporary,Sacred. Octavo. 10 pages. MR. JOY T. NILO #2020269. Published by MR. JOY T. NILO (A0.815260). Just like a painter who tries to catch God’s image on a canvass, the composer strives to catch it on a soundscape. He starts depicting the mystery of God in dayaw ken lawag kawesmo (you are clothed in honor and light) juxtaposed with God’s vast greatness in naindaklan ka unay (you are great) and God’s authority in pannakabalin mot’ agturay (you power rules). With strokes of faith he paints toy kararwak agdaydayaw kenka (my soul worships you). Then he begins to unravel God’s majesty in pagluganam dagiti ulep, pagsakayam ti payak ti angin (you ride on clouds and soar through the wings of the air) before portraying God’s influence over creation in langit ken daga napnuan iti gloriam (heaven and earth are full of your glory). He then struggles to create the best sound describing God by blending all these elements. Finally, he comes to the realization that God is INDESCRIBABLE and just exclaims what he has been saying all along, Annian a kinatan-okmo! (How precious You are!).
$5.00
Anim Zemiros
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Chorale SATB
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AVANCÉ
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00
Cantata No. 1 Psalm 139 The Lord Has Known Me
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Chorale SATB
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AVANCÉ
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Kevin Longley
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Kevin Longley
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Charles Munion
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Cantata No. 1 Psalm 139 The Lo
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Kevin Longley
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1441952 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. 21st Century,Contemporary,Rel...
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Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1441952 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. 21st Century,Contemporary,Religious,Spiritual. 38 pages. Kevin Longley #1021944. Published by Kevin Longley (A0.1441952). The InspirationIn 2023 I decided to review a piece I had composed in 1990 to honor a friend I was singing with in a choral group at that time; Charles Munion. He never heard the piece as I felt the classical contemporary style would be a bit much for his ears! Beyond that I don't have allot of recollection as to the inspiration or what my thoughts were at the time of the composition. In regards to the revision, I added additional music to the third movement in order to balance out the movements and reworked some of the choral voicing.The MusicWritten in a contemporary classical style it follows the classic structure of 3 movements: First movement – brisk, loud forceful in nature Second movement – slow and lyrical Third movement – light and quick but with a forceful ending While in a contemporary style, at heart it maintains tonal centers throughout. While there is a few brief moments where I can here a little Bartok, as a whole I would say this piece is unique in regards to its style.
$1.99
If Thou Canst Believe, sacred music for SATB choir
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Kevin G
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help thou mine unbelief
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If Thou Canst Believe, sacred
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1254516 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 5 - SKU: A0.1254516 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 13 pages. Kevin G. Pace #848111. Published by Kevin G. Pace (A0.1254516). An epically beautiful, sacred choral arrangement with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text is in reference to Mark 9:24 in the New Testament: And straightway the father of the child cried out, and said with tears, Lord, I believe; help thou mine unbelief.Text: As the Savior neared, a man cried out so loud,“Have compassion on us, Lord; my son is on the ground.â€Foaming at the mouth, and being sorely vexed,Jesus said, “If thou believe, all things can come to rest.â€â€œLord, I do believe; help thou mine unbelief.â€Jesus charged the spirit there, thus offering relief.Jesus took his hand, then helped the lad arise.From that day the boy was cured, his father by his side.Though one’s faith be small, just even as a seed,Jesus offers sustenance to fill each wanting need.If thou canst believe, all things can yet be known.Miracles are possible when faith in God is shown.Chorus:Faith as a mustard seed, faith for ev’ry plea,Unveils God’s true miracles if thou canst believe.
$1.99
A Christmas Folksong for Chorus, SATB, divisi; Text by Lizette Woodworth Reese (1895-1935)
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Chorale SATB
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AVANCÉ
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Judith Cloud
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A Christmas Folksong for Choru
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Judith Cloud
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.981225 Composed by Judith Cloud. 20th Century,Christmas. Octavo. 8 pages. Judith Cloud #6690569. Published by Ju...
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Choral Choir (SATB) - Level 5 - SKU: A0.981225 Composed by Judith Cloud. 20th Century,Christmas. Octavo. 8 pages. Judith Cloud #6690569. Published by Judith Cloud (A0.981225). A CHRISTMAS FOLKSONG for Chorus, SATB, divisi with piano accompanimentLizette Woodworth Reese (1856-1935)The little Jesus came to town;The wind blew up, the wind blew down;Out in the streets the wind was bold;Now who would house Him from the cold?Then opened wide a stable door;Fair were the rushes on the floor;The Ox put forth a horned head:Come, little Lord, here make Thy bed.Uprose the Sheep were folded near:Thou Lamb of God, come, enter here.He entered there to rush and reed,Who was the Lamb of God indeed.The little Jesus came to town;With ox and sheep He laid Him down;Peace to the byre, peace to the fold,For they that housed Him from the cold!
$4.99
Pierpont-Jingle Bells(The One Horse Open Sleigh),in F Major,for Quatre Chorales
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Chorale SATB
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AVANCÉ
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Classique
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James Pierpont
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MSM
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Pierpont-Jingle Bells(The One
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Open Cloud
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 5 - SKU: A0.668204 Composed by James Pierpont. Arranged by MSM. Classical,Romantic Period. 12 pages. Open Cloud #4414...
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Choral Choir,Choral (SATB) - Level 5 - SKU: A0.668204 Composed by James Pierpont. Arranged by MSM. Classical,Romantic Period. 12 pages. Open Cloud #4414217. Published by Open Cloud (A0.668204). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Pierpont (Pierpont James), 1822-1893, for Quatre Chorales.
$4.99
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