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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Chorale SATB
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Tell Me Something Good
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.978187 By Stevie Wonder. B…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.978187 By Stevie Wonder. By Stevie Wonder. Arranged by Jason A. Heald. A Cappella,Pop,Soul. Octavo. 9 pages. Call of the Wild Publishing #6101039. Published by Call of the Wild Publishing (A0.978187). Here's a hot a cappella chart made famous by the great Chaka Khan and Rufus. It's a terrific female feature that's guaranteed to be a favorite of singers and audiences alike!
$1.99
1.83 €
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Chorale SATB
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Stevie Wonder
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Jason A
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Tell Me Something Good
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Call of the Wild Publishing
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SheetMusicPlus
Say Something
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.827512 By A Great Big Worl…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.827512 By A Great Big World. By Chad Vaccarino, Ian Axel, and Mike Campbell. Arranged by Nicholas Wright. A Cappella,Contemporary,Pop. Octavo. 10 pages. Nicholas Wright #6328885. Published by Nicholas Wright (A0.827512). Voicing: SATB (mixed)Parts: 16 (includes solos/divisi)Pages: 9Range: D2 - E5Key: D major
$3.99
3.66 €
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Chorale SATB
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A Great Big World
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Nicholas Wright
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Say Something
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Nicholas Wright
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SheetMusicPlus
Illumine le tenebre
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.900166 By Sa…
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Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.900166 By Sarah Labrie, Conductor - Chamber Choral Conducting Workshop, Sarteano, Italy. By Mary Ellen Haupert. Easter,Sacred,Spiritual. 5 pages. Mary Ellen Haupert #3031789. Published by Mary Ellen Haupert (A0.900166). ILLUMINE LE TENEBRE (SSAATTBB) For Jean Saladino and the Viterbo University Concert Choir TRANSLATION of TEXT: Most High, glorious God, enlighten the darkness of my heart and give me true faith, certain hope and perfect charity, sense and knowledge, Lord, that I may carry out your holy and true command. Amen. - St. Francis of Assisi's Prayer before the Crucifix NOTES from the composer: One year ago, I had the privilege of participating in the Leadership Pilgrimage to Assisi and Rome (2011) sponsored by the Franciscan Sisters of Perpetual Adoration, Franciscan Healthcare, and Viterbo University. I carried with me, not only the responsibility of bringing back a hint of Francis’ lived experience to my students, but the desire to compose something wholly Franciscan. The San Damiano Cross is one of the most distinctive Franciscan images we have on campus. The gentle Jesus that hangs on this 12th-century icon will forever be linked to Francis’ dramatic step from citizen to sainthood-welcoming his earnest prayer to enlighten the darkness of his heart. The Basilica of Santa Chiara in Assisi holds both the San Damiano Cross and the remains of his confidante, St. Clare. It seemed a good place to start getting serious. Copying the prayer in at least six different languages, I tucked it away in my travel books, not digging it out again until the following summer (2012). The opening phrases in the piece came easily enough (Altissimo, glorioso Dio), but I stumbled through a handful of ideas before coming up with the mantra (illumine le tenebre…). It made sense that Francis would joyfully address God singing forte (Altissimo and Signore), while quietly chanting his humble prayers for faith, hope, charity, and knowledge. The friendship between Francis and Clare can’t be missed, not only in the intermingling of SATB voices, but in the setting of che faccia lo tuo santo e verace comadamento (that I may carry out your holy and true command). The phrase is sung only once by the women before the final return of the illumine chant (which is repeated throughout by the men). Maybe I chanced on weaving some of Clare’s courage with Francis’ persistence into Illumina le tenebre, all while trying to compose something wholly Franciscan?  ---Mary Ellen Haupert, October 2012. Â
$3.99
3.66 €
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Chorale SATB
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Sarah Labrie, Conductor - Chamber Choral Conducting Workshop, Sarteano, Italy
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Illumine le tenebre
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Mary Ellen Haupert
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SheetMusicPlus
Chamber Music for SATB voices a cappella
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1004799 Composed by Leslie…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1004799 Composed by Leslie Kleen. A Cappella,Contemporary. Octavo. 23 pages. Music From Riverside #4368574. Published by Music From Riverside (A0.1004799). Nine love songs from James Joyce's collection of poetry entitled Chamber Music published in 1907. These poems are very romantic and dreamy. Each poem has a reference to something musical - singing, strings, piano, etc.1. Strings in the Earth and Air2. The Twilight Turns from Amethyst3. At that Hour4. When the Shy Star Goes Forth5. Lean Out of the Window, Goldenhair6. My Love is in a Light Attire7. Bright Cap and Streamers8. In the Dark Pine-wood9. O Cool is the Valley NowThese songs are also available separately.Close and chromatic harmonies require an advanced high school, or college level choral group.
$3.00
2.75 €
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Chorale SATB
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Leslie Kleen
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Chamber Music for SATB voices a cappella
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Music From Riverside
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SheetMusicPlus
Doctor Pressure
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1233051 By Gloria Estefan.…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1233051 By Gloria Estefan. By Enrique Elias Garcia and Myles Macinnes. Arranged by Silv Pybus. Pop. Octavo. 6 pages. Ellie Pybus #828683. Published by Ellie Pybus (A0.1233051). This is a great challenge for any choir that is looking to try out something different. Naughty words can be replaced with 'cause I love-a. Arranged for The Groove Chorus. If anyone has any questions or would like the full band score, email hello@thegroovechorus.
$1.99
1.83 €
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Chorale SATB
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Gloria Estefan
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Silv Pybus
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Doctor Pressure
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Ellie Pybus
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SheetMusicPlus
We'll Be Together Again
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.880137 By Frankie Laine. B…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.880137 By Frankie Laine. By Carl Fischer. Arranged by Scott Kitzmiller. A Cappella,Jazz,Standards. Octavo. 4 pages. Scott W. Kitzmiller #4804611. Published by Scott W. Kitzmiller (A0.880137). A cappella arrangement of the jazz standard, SATB. Recorded by the 2015 Barbershop Harmony Society International Champion quartet, Instant Classic and guests, on their CD titled Start of Something Big. Learning tracks are available at https://kitztracks.com/track/well-be-together-again/ My contact info is at https://scottkarrangements.com Suitable for medium ability High School mixed choirs and higher. Ad lib ballad, duration 3:15.
$4.50
4.13 €
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Chorale SATB
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Frankie Laine
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Scott Kitzmiller
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We'll Be Together Again
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Scott W. Kitzmiller
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SheetMusicPlus
The Christmas Gift
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.961296 Composed by James S…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.961296 Composed by James Sclater. 20th Century,Christmas,Opera. Octavo. 126 pages. James S Sclater #6011971. Published by James S Sclater (A0.961296). The Christmas Gift is a chamber opera in four scenes; duration is ca. 75'. It was originally written to be done with piano accompaniment. There is an orchestration available on rental from the composer. Please note that the overture in the orchestral version is not part of the piano reduction. Vocal requirements are as follows:Pedro - sopranoTomas - sopranoFather Angelo - tenorFather Sebastian - baritoneFather Manuel - baritoneBishop - bassRich Man - baritone or tenorWriter - baritone or tenorKing - bassChorusThe work has a great deal of appeal as a children's opera but is something the whole family will enjoy. The basis of the plot is the rewards of sacrifice.
$30.00
27.55 €
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Chorale SATB
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James Sclater
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duration is ca
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The Christmas Gift
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James S Sclater
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SheetMusicPlus
Night Song
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1023344 Composed by Kristi…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1023344 Composed by Kristian S Rodriguez. 20th Century,Contemporary. Octavo. 8 pages. Kristian S. Rodriguez #5191605. Published by Kristian S. Rodriguez (A0.1023344). Night Song, the fifth of seven movements of my secular cantata Sueño-Vibrant (2019), is a reflection and meditation on the discovery of one’s self-identity. It reflects the period in which I wrote this piece, a summer I remember as one of new adventures and discoveries, a time in which I came closer than ever before to discovering my true sense of self. With this piece, I invite listeners and performers alike into an introspective space, one in which they themselves try to identify the something happening inside them.
$4.99
4.58 €
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Chorale SATB
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Kristian S Rodriguez
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Night Song
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Kristian S. Rodriguez
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SheetMusicPlus
Jazzonia: from Black Pierrot (Piano/Vocal Score)
Chorale SATB
SATB choir (choir divisi) and chamber ensemble (SATB — 1 0 1 0 — 0 0 0 0 â…
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SATB choir (choir divisi) and chamber ensemble (SATB — 1 0 1 0 — 0 0 0 0 — 1[dr set,mar,vib,claves] — pf(cel) — vn,vc) - Difficult - Digital Download SKU: MQ.8829-E Composed by William Averitt. African American Heritage. 14 pages. Duration 4 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8829-E. Published by E. C. Schirmer Music Company - Digital (MQ.8829-E). English.From the large work Black Pierrot, Jazzonia (1923) describes the scene in a Harlem café of the 1920s in which “six long-headed jazzers play,†and beautiful girls dance. After a short introductory section, the music moves into a lively ragtime—complete with drum set—that forms the background for the remainder of the piece. Altogether, it is something of a poetic and musical glance at the era of the Harlem Renaissance in which so much African-American music, art, and poetry emerged as vital forces in the arts. Duration: 4:30.
$2.85
2.62 €
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Chorale SATB
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William Averitt
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Jazzonia: from Black Pierrot
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
23.83 €
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Chorale SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Landowner
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1023766 Composed by Christ…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1023766 Composed by Christian Humcke. A Cappella,Contemporary. Octavo. 11 pages. Christian Humcke #6404851. Published by Christian Humcke (A0.1023766). Instrumentation: SATB a cappella choir (with divisi)Duration: 6'Completed: January 2017I wrote the poem The Landowner a few years ago in a poetry class at my undergraduate alma mater, Bucknell University. When I heard that there was an opportunity to write for a student formed choir at Peabody, I thought it would be a perfect opportunity to set one of my previously written poems to music. I looked back at poems which I had written, and came across The Landowner. It continues to intrigue me to this day since I am still uncertain as to what it is about. This enigmatic, earthy, and hauntingly repetitive poem poses more questions than it does provide answers. This is something which fascinates me, and which I sought to depict in the music.The Landowner:The landowner sends out his three servants.Each go to work in separate fields;To rake the leaves,to harvest the crops,to pluck the fruits from the tree.Working endlessly,They turn their heads from each other.They refuse to help,they refuse to talk.Good work is done,but for what purpose?The landowner plucks fresh leavesfrom a papaya tree.Although he is blind,he still sees the sun.The mooing of cows andcrowing of roosters ceases.He stands in the shade,waiting for his servants.They offer him papaya,He shakes his head
$2.99
2.75 €
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Chorale SATB
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Christian Humcke
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The Landowner
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Christian Humcke
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SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
18.32 €
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Chorale SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
#
SheetMusicPlus
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