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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
TEC Music
Non classifié
92
Piano & claviers
Piano seul
103
Orgue
13
2 Pianos, 4 mains
3
Piano, Voix
3
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
Piano, Voix et Guitare
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accompagnement Piano
1
+ 4 instrumentations
Retracter
Guitares
Guitare
8
Guitare notes et tablatures
5
Banjo
2
Mandoline
2
Basse electrique
2
Ensemble de guitares
1
2 Guitares (duo)
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
8
Voix haute
2
Voix basse, Piano
1
Chorale SSAATTBB
1
Chorale SSAA
1
Voix moyenne, Piano
1
Chorale 2 parties
1
+ 2 instrumentations
Retracter
Vents
Clarinette
22
Flûte traversière et Piano
16
Flûte traversière
11
Quatuor de Saxophones: 4 saxophones
10
Quatuor de Flûtes : 4 flûtes
3
2 Clarinettes (duo)
3
Saxophone Soprano et Piano
3
Saxophone Alto et Piano
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
3 Clarinettes (trio)
2
Hautbois, Piano (duo)
2
Clarinette et Piano
2
Hautbois (partie séparée)
2
Saxophone
1
3 Saxophones (trio)
1
Cor anglais, Piano
1
Flûte à bec Alto
1
Ocarina
1
Hautbois, Basson et Piano
1
2 Flûtes traversières (duo)
1
Ensemble de Flûtes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone Tenor et Piano
1
Flute (partie séparée)
1
Quatuor de Clarinettes: 4 clarinettes
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Ensemble de Clarinettes
1
+ 22 instrumentations
Retracter
Cuivres
Trombone
15
Cor
13
Tuba
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trompette
6
Ensemble de Trombones
5
Trombone et Piano
5
Trombone basse
4
Euphonium
4
2 Trombones (duo)
4
Trompette, Piano
3
Euphonium, Piano (duo)
3
Quatuor de cuivres: 4 trombones
3
Tuba et Piano
2
Trombone basse et Piano
2
Cor et Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trombone, Tuba (duo)
1
Trompette, Tuba (duo)
1
Ensemble de Trompettes
1
Cor anglais, Piano
1
2 Euphoniums et 2 Tubas
1
2 Euphoniums (duo)
1
Quatuor de cuivres: 4 cors
1
Trombone et orchestre
1
2 Tubas (duo)
1
Trompette (partie séparée)
1
+ 22 instrumentations
Retracter
Cordes
Violon
38
Quatuor à cordes: 2 violons, alto, violoncelle
18
Harpe
13
Alto seul
6
Violoncelle
4
Violon et Piano
4
2 Violoncelles (duo)
3
Harpe, Quatuor à cordes
3
Violoncelle, Piano
3
Violon, Alto (duo)
3
Violon, Violoncelle (duo)
3
Harpe, Flûte (duo)
2
Violon, Clarinette, Piano (trio)
1
2 Altos (duo)
1
Alto, Violoncelle (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Quatuor à cordes : 4 altos
1
Alto, Piano
1
2 Violons (duo)
1
4 Harpes
1
Harpe, Violon (duo)
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
13
Orchestre
6
Orchestre à Cordes
5
Ensemble de cuivres
5
Marimba
4
Ensemble Jazz
4
Ensemble de Percussions
3
Cloches
2
Orchestre de chambre
1
Piano et Orchestre
1
Fanfare
1
Xylophone
1
Batterie
1
+ 8 instrumentations
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Autres
Théorie de la musique
2
Formation musicale - Solfège
1
Instruments
ACCORDEON
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AUTRES INST…
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CHANT - CHO…
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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MARIAGE - AMOUR - BA…
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METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
TEC Music
expert
Chorale SATB
Partitions à imprimer
8 partitions trouvées
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Pentecost (1981)
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Chorale SATB
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AVANCÉ
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James F
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Pentecost
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WayWordBound
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.729505 Composed by James F. Rickley. 20th Century,Contemporary,Sacred. Octavo. 32 pages. WayWordBound #4579335. ...
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Choral Choir (SATB) - Level 5 - SKU: A0.729505 Composed by James F. Rickley. 20th Century,Contemporary,Sacred. Octavo. 32 pages. WayWordBound #4579335. Published by WayWordBound (A0.729505). Poem by J. Fritz Kohler, 1981, for Mixed divisi SATB Choir, Flute, Trumpet (score in C), Piano, Handbells (3 Octaves - 31 bells used), Avant Garde notation, Graphic Music (Originally conceived with Chancel Dance Ensemble).
$4.00
Hail this Joyful Day's Return (Downloadable Choral Score)
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Chorale SATB
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AVANCÉ
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Craig Phillips
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Hail this Joyful Day's Return
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir, organ, optional brass quartet, timpani - Difficult - SKU: MQ.50-5650-E Composed by Craig Phillips. Pentecost. 15 pages. MorningStar Music Pu...
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SATB choir, organ, optional brass quartet, timpani - Difficult - SKU: MQ.50-5650-E Composed by Craig Phillips. Pentecost. 15 pages. MorningStar Music Publishers - Digital Sheet Music #50-5650-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-5650-E).
$2.85
Spiritus sanctus vivificans vita (Downloadable)
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Chorale SATB
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AVANCÉ
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Frank Ferko
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Spiritus sanctus vivificans vi
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir a cappella - Difficult - SKU: MQ.7679-E Composed by Frank Ferko. Pentecost. 11 pages. E. C. Schirmer Music Company - Digital #7679-E. Publish...
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SATB choir a cappella - Difficult - SKU: MQ.7679-E Composed by Frank Ferko. Pentecost. 11 pages. E. C. Schirmer Music Company - Digital #7679-E. Published by E. C. Schirmer Music Company - Digital (MQ.7679-E). There are two principal concepts that form the foundation of this motet: color (literally, visual color as well as harmonic color) and text painting, both in overall sections of the piece and also in relation to specific phrases of the text...The entire vision in my mind is one full of rich colors and in which all seems to be moving very slowly through eternity. -Frank Ferkoc. 5:30 USE: services, concerts, skilled church choirs, college, professional choruses.
$2.65
The City In the Sea: Choral Tone Poem
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Chorale SATB
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AVANCÉ
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Contemporain
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Stanley M Hoffman
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The City In the Sea: Choral To
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Pu...
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Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60
Loquebantur, -bantur, -bantur
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Chorale SATB
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AVANCÉ
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the end, the joyful combinatio
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Thomas Tallis
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John Ross
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Loquebantur, -bantur, -bantur
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John Ross
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1402556 Composed by Thomas Tallis. Arranged by John Ross. 21st Century,A Cappella,Religious,R...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1402556 Composed by Thomas Tallis. Arranged by John Ross. 21st Century,A Cappella,Religious,Renaissance,Sacred. 45 pages. John Ross #985777. Published by John Ross (A0.1402556). “Loquebantur, -bantur, -bantur†is based on 'Loquebantur variis linguis' by Thomas Tallis. The words are from the responsory for 1st Vespers at Pentecost and tell of the Apostles beginning to speak in many tongues, proclaiming the great works of God. In this reworking, vocal parts gradually move away from the Tallis original, taking musical ideas from the soprano saxophone part and “speaking in tonguesâ€. The opening interplay between sax and solo tenor uses notes from the Intonation, creating the “-bantur, -bantur†figure which gives this arrangement its title. As the piece proceeds individual vocal lines gradually speak in the tongues suggested by the sax. By the end, the joyful combination of many musical ideas is crowned by the ecstatic saxophone part. The “tongues†ideas are shown in the score by added phrasing and by using lyrics in italics. These fragments should be sung a little more prominently, allowing them to pop out above the overall texture. An additional tenor line has been added, making the piece’s scoring SSAATTBB plus saxophone.
$1.99
Veni Sancte Spiritus - SATB choir
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Erik Spangler
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Veni Sancte Spiritus - SATB ch
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Erik Spangler
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1082626 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Octavo. 6 pages. E...
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Choral Choir (SATB) - Level 5 - SKU: A0.1082626 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Octavo. 6 pages. Erik Spangler #686838. Published by Erik Spangler (A0.1082626). Commissioned by Allen Buskirk for the Mount Calvary Choir, Baltimore, MD. While searching for liturgical texts associated with Pentecost, I was immediately drawn to the sequence of Veni Sancte Spiritus as an invocation of all the divine qualities that are recognized across the world’s major religions. I was particularly moved by a recording of the Gregorian chant on this text, in which groups of three phrases alternate between low and high voices. I began my own setting of the sequence by adapting many of the Gregorian chant phrases, from memory and with varying degrees of similarity to the original melody, passing them through different modal colors. I followed a similar pattern of formal alternation between high and low voices, while expanding each phrase of the chant into a two-part texture. Elements of both Late Medieval and Renaissance counterpoint are adopted in combination with more Eastern-influenced heterophony, in which two voices follow the same melodic outline with individual variations and ornamentation. As the piece progresses, overlapping duos expand into three-part and finally four-part texture. I aim to evoke a sense of connection with ancient ritual and musical forms, alongside a more modern harmonic gravity that favors certain dissonances in relationship to unisons, fifths and other “perfect†intervals.
$6.00
We Are In Love
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Chorale SATB
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AVANCÉ
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Jazz
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Harry Connick Jr
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Kerry Marsh
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We Are In Love
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Kerry Marsh
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SheetMusicPlus
Rhythm Section SATB Chorus divisi,Voice - Level 5 - SKU: A0.1453748 Composed by Harry Connick Jr. Arranged by Kerry Marsh. Jazz. Vocal Jazz Ensemble. 66...
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Rhythm Section SATB Chorus divisi,Voice - Level 5 - SKU: A0.1453748 Composed by Harry Connick Jr. Arranged by Kerry Marsh. Jazz. Vocal Jazz Ensemble. 66 pages. Kerry Marsh #1032965. Published by Kerry Marsh (A0.1453748). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a much lower price than the standard flat-fee range ($60 to $75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the All Tracks Pack with SkyTracks Mixer (No Sheet Music) package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation)Step into the timeless swing of Harry Connick, Jr.'s We Are In Love with this dynamic arrangement for advanced SSATBaB vocal jazz ensemble. In this chart, vocalists often take on the role of the big band brass and winds, while a baritone soloist steps into Connick’s shoes to deliver this swinging love story. The ensemble shines in several key spots, taking the lead with bold and exciting harmonies.A vocal or instrumental improv section adds a layer of spontaneity, launching the tune into a new key with a powerful sendoff from the choir. The ensemble remains engaged with energetic backgrounds, building towards an exhilarating hybrid shout section/soli section. The arrangement culminates in a huge final chorus, bringing the chart to a rousing peak before winding down to a clever and subtle finish.Despite its swinging nature, the chart features a delightful contrast with sudden transitions to a straight-8th Afro-Cuban groove at the end of each chorus. This unique twist keeps both the singers and the audience on their toes, providing a fun and engaging listening experience.Perfect for vocal jazz directors looking to challenge their advanced ensembles, this arrangement offers a mix of technical prowess, stylistic variety, and performance excitement. Check out the Scoreflipper preview to see how this arrangement can bring your group to new heights and captivate your audience.
$49.99
Lacrimosa
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Chorale SATB
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AVANCÉ
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Mindaugas Urbaitis
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Lacrimosa
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Mindaugas Urbaitis
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.992292 Composed by Mindaugas Urbaitis. A Cappella,Christian,Contemporary. Octavo. 11 pages. Mindaugas Urbaitis #...
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Choral Choir (SATB) - Level 5 - SKU: A0.992292 Composed by Mindaugas Urbaitis. A Cappella,Christian,Contemporary. Octavo. 11 pages. Mindaugas Urbaitis #3455817. Published by Mindaugas Urbaitis (A0.992292). Lacrimosa (1991-1994) is scored for eight voices mixed choir (2 S, 2 A, 2 T, 2 B) a cappella. The compositional technique is analogical as in my other choral works of recent years: small motifs and scale-like patterns developed by means of repetition, gradual sequences - and all kept in a diatonic mode. As the music develops in its melody and harmony, it comes closer and closer to W.A.Mozart's Lacrimosa and at the end it becomes a quotation of the latter, ending at the same place, where death stopped W.A.Mozart's hand. Lacrimosa is dedicated to those who died for the freedom of Lithuania. At the same the work is Hommage à W.A.Mozart.
$2.95
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