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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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2 Trompettes, Clavier (piano ou orgue)
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Cor anglais, Piano
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4 Tubas
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Trombone et orchestre
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Quatuor à cordes: 2 violons, alto, violoncelle
102
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46
Violon
32
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Violoncelle
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Harpe
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2 Violons (duo)
10
Violon, Violoncelle (duo)
9
Alto seul
9
Violon, Alto (duo)
8
Contre Basse
5
2 Violoncelles (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
Violon, Guitare (duo)
4
Trio à cordes
3
Harpe, Violon (duo)
2
2 Altos (duo)
2
Alto, Violoncelle (duo)
2
Trio à cordes: 3 violins
2
Ensemble d'Altos
2
Violoncelle, Contrebasse (duo)
2
Contrebasse, Piano (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
4 Violoncelles
2
Harpe, Violon, Violoncelle
1
Piano Trio: Violon, Alto, Piano
1
2 Violons, Piano
1
Violon, Orgue
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Trio à Cordes: 2 violons, alto
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Violoncelle , Guitare (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre
81
Orchestre à Cordes
49
Orchestre d'harmonie
42
Ensemble de cuivres
41
Ensemble Jazz
34
Orchestre de chambre
25
Jazz combo
7
Fanfare
3
Ensemble de Percussions
3
Cloches
2
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AUTRES
Théorie de la musique
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Chorale SATB
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The Story of a Leader
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor K…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04
13.75 €
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Chorale SATB
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Igor Korneitchouk
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The Story of a Leader
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Studio at the Post
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SheetMusicPlus
The City In the Sea: Choral Tone Poem
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanle…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60
5.12 €
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Chorale SATB
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Stanley M Hoffman
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The City In the Sea: Choral Tone Poem
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stanleymhoffman.com
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SheetMusicPlus
O Sing To The Lord A New Song (Psalm 98)
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1221919 Composed by…
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1221919 Composed by Diane Whitacre. A Cappella,Praise & Worship,Sacred. Octavo. 8 pages. Dianewhitacremusic.com #818204. Published by Dianewhitacremusic.com (A0.1221919). This exciting choral work was commissioned for the 75th Anniversary of the Genevans, the student choir of Geneva College, Beaver Falls, Pennsylvania. O Sing To The Lord A New Song is a setting of the complete text of Psalm 98. It was the students' favorite piece on its premiere concert in March of 2013. The piece has become a staple of their repertoire, has been the capstone piece of their 2013 through 2017 tours and has been sung most every year by the Genevans since its premiere. The voicing is SSAATTBB, for acapella choir and includes the rehearsal piano part.    It is a fantastic anthem for celebrations or a rousing way to start or end your concert.
$2.25
2.06 €
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Chorale SATB
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Diane Whitacre
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O Sing To The Lord A New Song
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Dianewhitacremusic.com
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
80.44 €
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Chorale SATB
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Prepare the Way of the Lord (SATB divisi)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719525 Composed by Curtis …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719525 Composed by Curtis Hanson. Sacred. Octavo. 14 pages. Curtis Hanson #2032931. Published by Curtis Hanson (A0.719525). Prepare the Way of the Lord is a big concert piece. This setting is scored for SSAATTBB choir and organ, but it has also been reset for full orchestra. The text is a combination of Matthew 3 with John the Baptist heralding the arrival of Jesus, and also the prophecy of his birth from Isaiah 11 & 40.
$2.25
2.06 €
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Chorale SATB
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Curtis Hanson
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Prepare the Way of the Lord
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Curtis Hanson
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SheetMusicPlus
The City in the Sea
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.924812 Composed by Stanley…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.924812 Composed by Stanley M. Hoffman. Contemporary. Octavo. 20 pages. Stanleymhoffman.com #3911795. Published by stanleymhoffman.com (A0.924812). This setting of The City in the Sea by Edgar Allan Poe (1809–1849) for soloists and SATB chorus (divisi) is an unaccompanied version of composer's long-planned magnum opus, a secular one-movement cantata for soloists, chorus, and orchestra, on which he has been working since the 1990s. He extracted the choruses and provided musical bridges to link them. The musical language is unabashedly chromatic, but is frequently dominated by triadic harmonies and doubled octaves. The effect is positively hair-raising. For advanced choirs. Duration: 6:40.
$2.80
2.56 €
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Chorale SATB
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Stanley M
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The City in the Sea
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stanleymhoffman.com
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SheetMusicPlus
The Girl From Ipanema (garôta De Ipanema)
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.995559 By Stan Getz…
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.995559 By Stan Getz & Astrud Gilberto. By Antonio Carlos Jobim. Arranged by John C. Quillin. A Cappella. Octavo. 13 pages. John C. Quillin #5298317. Published by John C. Quillin (A0.995559). This classic Brazilian bossa nova was first released in 1963 and it's popularity has been such that it has been covered by artist after artist ever since. Amy Winehouse released her version in 2011, just a few years before months before her untimely death. This version will really give your ensemble great jazz harmonies and slinky rhythms to show off their expertise.
$2.50
2.29 €
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Chorale SATB
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Stan Getz & Astrud Gilberto
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John C
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The Girl From Ipanema
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John C. Quillin
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SheetMusicPlus
The Sound Of Silence
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1497505 By Cod…
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Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1497505 By Cody Fry Feat. Sleeping At Last. By Paul Simon. Arranged by Cody Fry. 21st Century,Classical,Contemporary,Film/TV,Singer/Songwriter. 9 pages. Cody Fry #1073657. Published by Cody Fry (A0.1497505). The haunting lyrics of Paul Simon's The Sound of Silence take on new salience with this epic orchestral reimagining by Grammy-nominated arranger Cody Fry. Written for orchestra, full choir, and two solo vocalists, this jaw-dropping symphonic poem will leave you contemplating the nature of modern society and technology. First premiered with the Chicago Symphony Orchestra in May 2024, Cody has been performing this new arrangement to standing ovations all over the country.
$2.99
2.73 €
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Chorale SATB
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Cody Fry Feat
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Cody Fry
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The Sound Of Silence
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Cody Fry
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SheetMusicPlus
The flight of the bumblebee (A Cappella Funky)
Chorale SATB
Composed by R. Korsakov, A. Schirò. Arranged by Alberto Schirò. A Cappel…
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Composed by R. Korsakov, A. Schirò. Arranged by Alberto Schirò. A Cappella, Contemporary, Jazz, Romantic Period. Octavo. 12 pages. Preludio s.r.l. #5213613. Published by Preludio s.r.l.
$9.99
9.13 €
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Chorale SATB
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R
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Alberto Schirò
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The flight of the bumblebee
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Preludio s.r.l.
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SheetMusicPlus
O Magnum Mysterium (2023)
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1484839 Compos…
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Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1484839 Composed by Colin Eatock. 21st Century,Christmas,Contemporary,Sacred. 24 pages. Colin Eatock Music #1061927. Published by Colin Eatock Music (A0.1484839). SATB choir; soprano saxophone; ca. 5 min.The composer writes: The author of the poem “O Magnum Mysterium” is unknown. Originally the text for a Gregorian chant, it was later used in polyphonic motets of the 16th century – and many settings have been composed since then. Perhaps the enduring appeal of the poem is based on its simple depiction of Christ’s humanity and humility, together with its expression of devotion to his mother, Mary. In composing my own setting, it pleased me to think of the choir as representing the worldly creatures (people and animals) present at Jesus’s birth; and the saxophone as an otherworldly, mystical presence hovering above. It’s a fanciful notion, but I found it inspiring.
$4.99
4.56 €
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Chorale SATB
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Colin Eatock
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soprano saxophone
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O Magnum Mysterium
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Colin Eatock Music
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SheetMusicPlus
Anim Zemiros
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909…
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00
2.74 €
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Chorale SATB
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
From you have I been absent in the spring
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1028282 Composed by Robert…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1028282 Composed by Robert Brooks. Contemporary. Octavo. 11 pages. Robert Brooks #3461841. Published by Robert Brooks (A0.1028282). A setting of William Shakespeare's Sonnet 98 for SATB choirDuration c.4'Difficulty 8/10
$15.00
13.71 €
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Chorale SATB
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Robert Brooks
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From you have I been absent in the spring
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Robert Brooks
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SheetMusicPlus
Annian a Kinatan-okmo
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.815260 By Ateneo Ch…
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.815260 By Ateneo Chamber Singers. By Joy T. Nilo. 20th Century,Contemporary,Sacred. Octavo. 10 pages. MR. JOY T. NILO #2020269. Published by MR. JOY T. NILO (A0.815260). Just like a painter who tries to catch God’s image on a canvass, the composer strives to catch it on a soundscape. He starts depicting the mystery of God in dayaw ken lawag kawesmo (you are clothed in honor and light) juxtaposed with God’s vast greatness in naindaklan ka unay (you are great) and God’s authority in pannakabalin mot’ agturay (you power rules). With strokes of faith he paints toy kararwak agdaydayaw kenka (my soul worships you). Then he begins to unravel God’s majesty in pagluganam dagiti ulep, pagsakayam ti payak ti angin (you ride on clouds and soar through the wings of the air) before portraying God’s influence over creation in langit ken daga napnuan iti gloriam (heaven and earth are full of your glory). He then struggles to create the best sound describing God by blending all these elements. Finally, he comes to the realization that God is INDESCRIBABLE and just exclaims what he has been saying all along, Annian a kinatan-okmo! (How precious You are!).
$5.00
4.57 €
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Chorale SATB
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Ateneo Chamber Singers
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Annian a Kinatan-okmo
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MR. JOY T. NILO
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SheetMusicPlus
Song of Peace
Chorale SATB
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.1024498 Composed by Bern…
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Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.1024498 Composed by BernadetteM. Debattista, Brad Esbensen. Arranged by Brad Esbensen. Jazz. Octavo. 132 pages. Bernadette M Debattista #6092703. Published by Bernadette M Debattista (A0.1024498). This work was originally composed for choir by Bernadette Debattista and was first performed at the Dawn Service, commemorating the centenary of the Gallipoli landings, in ANZAC Cove on 25 April 2015 by a combined choir from St Joseph’s College, Gregory Terrace and All Hallows’ School. This extended work sees the original theme recomposed for big band and choir. It may be performed in its entirety or the third movement may be omitted (or presented as spoken word only) if a choir is not available. The sax section requires the following doubles: Clarinet for Alto Saxes 1 and 2, and Tenor Sax 2; Flute for Tenor Sax 1; Bassoon for Bari Sax (although a Bari Sax part with no doubles has been included). There is also an optional part for Eb Sarrusophone! Trumpets require Flugelhorns and Harmon mutes.The recording features excerpts from each of the four movements and a brief description of each follows.1. Distant Shores With its jaunty, march-like feel, one can only imagine what it must have been like as these young men and women travelled to far off places, fired with the thrill of adventure, blind to the trauma and terrors of war. 2.Your Sons Are Our Sons The title for this movement is a paraphrase of a line in a speech given by Mustafa Kemal Ataturk in which he speaks of the special bond between Australia and Turkey. This movement features solo space for Piano and Trumpet.3.Reflection This movement features a small vocal group, including some of the singers who were present at the 2015 performance in ANZAC Cove, and a reading of the poem that became the lyrics of the song. 4.Hymn The final movement presents the theme in close to its original form, although extensively re-harmonised. A solo trumpet for most of the movement.I hope you enjoy performing this work.
$90.00
82.28 €
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Chorale SATB
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BernadetteM
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Brad Esbensen
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Flute for Tenor Sax 1
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Song of Peace
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Bernadette M Debattista
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SheetMusicPlus
Border Song
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.958860 By Elton John. By B…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.958860 By Elton John. By Bernie Taupin and Elton John. Arranged by Don Staffin. A Cappella. Octavo. 14 pages. Don Staffin #5709915. Published by Don Staffin (A0.958860). This Elton John classic was his first chart hit. The gospel/rock feel has been captured by this authentic a cappella arrangement, and the solo can be sung by either an alto or a tenor. Suitable for large choruses or small ensemble.Full vocal part learning tracks available from www.noojtracks.com. .
$3.99
3.65 €
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Chorale SATB
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Elton John
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Don Staffin
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Border Song
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Don Staffin
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SheetMusicPlus
Motetti de la Corona (2020)
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1463357 Compos…
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Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1463357 Composed by Colin Eatock. 21st Century,A Cappella,Classical,Sacred. 56 pages. Colin Eatock Music #1042050. Published by Colin Eatock Music (A0.1463357). The composer writes: When the word “corona” entered daily use in the year 2020, I recalled the Motetti de la Corona: a book of popular motets published by Ottaviano Petrucci, in 1514. The volume contained part-songs with sacred texts in Latin, written by the leading composers of the day, including Josquin, Mouton, De Févin and others. The publication was popular, and Petrucci went on to publish another four books of motets under the same name.Three of my own Motetti de la Corona are settings of texts excerpted from Petrucci’s publication: “Ecce Maria,” “Christum ducem” and “Sancta Trinitas.” The “Ave Maria” draws on the Book of St. Luke for its text. And “De profundis” (Psalm 129 or 130, depending on the numbering system used) has been set to music by many composers, from Josquin to Pärt. Its cry for help seemed an appropriate response to a time of global pandemic.
$4.99
4.56 €
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Chorale SATB
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Colin Eatock
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Motetti de la Corona
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Colin Eatock Music
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SheetMusicPlus
Erlkönig
Chorale SATB
Choral Choir,Choral (SATB Chorus) - Level 5 - Digital Download SKU: A0.1515831 Comp…
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Choral Choir,Choral (SATB Chorus) - Level 5 - Digital Download SKU: A0.1515831 Composed by Franz Schubert. Arranged by MK Grout. Classical,Contest,Festival,Halloween. 14 pages. MK Grout #1090127. Published by MK Grout (A0.1515831). The iconic piece Erlkönig composed by Franz Schubert has been rearranged for a full SATB choir and includes two solos for the characters Father and Son. Haunting and disturbingly beautiful, this piece is suited to an advanced choir with a desire to share a tale about a father, son, and a horse ride they will never forget.
$4.99
4.56 €
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Chorale SATB
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Franz Schubert
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MK Grout
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Erlkönig
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MK Grout
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SheetMusicPlus
Loquebantur, -bantur, -bantur
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1402556…
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1402556 Composed by Thomas Tallis. Arranged by John Ross. 21st Century,A Cappella,Religious,Renaissance,Sacred. 45 pages. John Ross #985777. Published by John Ross (A0.1402556). “Loquebantur, -bantur, -bantur†is based on 'Loquebantur variis linguis' by Thomas Tallis. The words are from the responsory for 1st Vespers at Pentecost and tell of the Apostles beginning to speak in many tongues, proclaiming the great works of God. In this reworking, vocal parts gradually move away from the Tallis original, taking musical ideas from the soprano saxophone part and “speaking in tonguesâ€. The opening interplay between sax and solo tenor uses notes from the Intonation, creating the “-bantur, -bantur†figure which gives this arrangement its title. As the piece proceeds individual vocal lines gradually speak in the tongues suggested by the sax. By the end, the joyful combination of many musical ideas is crowned by the ecstatic saxophone part. The “tongues†ideas are shown in the score by added phrasing and by using lyrics in italics. These fragments should be sung a little more prominently, allowing them to pop out above the overall texture. An additional tenor line has been added, making the piece’s scoring SSAATTBB plus saxophone.
$1.99
1.82 €
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Chorale SATB
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the end, the joyful combination of many musical ideas is crowned by the ecstatic saxophone part
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Thomas Tallis
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John Ross
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Loquebantur, -bantur, -bantur
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John Ross
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SheetMusicPlus
Symphony No. 8 - 1st Movement
Chorale SATB
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.870375 Composed by Gusta…
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Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.870375 Composed by Gustav Mahler. Arranged by Randy A. Steinberg. 20th Century. Octavo. 439 pages. Randy A. Steinberg #1900261. Published by Randy A. Steinberg (A0.870375). Frequently called the Symphony of a Thousand, this major work by Mahler is one of the largest symphony and choral works in the entire repertoire of classical music. The work was written in 1906, but not performed until 1910. Highly unconventional, this symphony only has 2 movements. The first movement is titled Veni Creator Spiritus (Come, Creator Spirit), the second is a setting of the words from the closing scene of Goethe's Faust. It is the first movement that utilizes mass choir and soloists in a rousing and inspiring setting. Musical historians have highlighted this work as a defining musical composition for the 20th century. It is that movement that has been arranged here for the first time for Concert Band. 2016 Arrangement New Release.
$65.00
59.43 €
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Chorale SATB
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Gustav Mahler
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Randy A
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Symphony No. 8 - 1st Movement
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Randy A. Steinberg
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SheetMusicPlus
Friede und gute Zeit
Chorale SATB
Mixed choir (SATB) a cappella - advanced - Digital Download SKU: S9.Q45254 Composed…
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Mixed choir (SATB) a cappella - advanced - Digital Download SKU: S9.Q45254 Composed by Thomas Buchholz. This edition: choral score. Schott Chamber Choir. Downloadable, choral score. Schott Music - Digital #Q45254. Published by Schott Music - Digital (S9.Q45254). German.This work for four- to eight-part chamber choir is a compulsory piece at the German Choir Competition 2018. The text by Martin Luther has been set to music with a demanding rhythm and gets its life from its dynamic variety. Ideal for concerts and church services, even after the Luther Year 2017.
$4.99
4.56 €
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Chorale SATB
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Thomas Buchholz
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Friede und gute Zeit
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Schott Music - Digital
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SheetMusicPlus
A Face I Know
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1097086 Composed by…
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1097086 Composed by Mark Lehnowsky. A Cappella,Contest,Festival. Octavo. 13 pages. Mark Lehnowsky Music #700177. Published by Mark Lehnowsky Music (A0.1097086). This is a setting of Carl Sandburg's incredible poem, Monotone. There are so many faces of beauty. If you are looking, you can find it anywhere. Featuring one note, the monotone, that only escapes for a single moment, this piece asks the question: How can a single note find purpose and create beauty in a much grander world? Thank you to Dr. Bruce Gladstone and the UW-Madison Concert Choir for their love and care with A Face I Know. *The climax and ending have been modified since the premiere.* The monotone of the rain is beautiful..
$2.95
2.7 €
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Chorale SATB
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Mark Lehnowsky
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A Face I Know
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Mark Lehnowsky Music
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SheetMusicPlus
Chansons de Ronsard
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.889670 Composed by William…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.889670 Composed by William Hawley. Contemporary. Octavo. 52 pages. William Hawley #3405991. Published by William Hawley (A0.889670). William Hawley's Chansons de Ronsard, commissioned by Michael Paine for members of The New London Singers for private performance in London, was subsequently given its World Premiere in New York's Merkin Concert Hall by The New York Vocal Arts Ensemble, Raymond Beegle, Director (audio clip). Originally composed for SATB Vocal Quartet and Piano, these settings may also be performed effectively by Mixed Choir. Total Duration: 13 1/2 minutes. ASCAP http://williamhawley.net .
$6.99
6.39 €
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Chorale SATB
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William Hawley
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Chansons de Ronsard
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William Hawley
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SheetMusicPlus
Uefa Champions League Team
Chorale SATB
Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.920181 Composed by …
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Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.920181 Composed by Anthony Christopher Britten. Arranged by Josué MarÃn. Contemporary. 18 pages. Josue Marin #5222251. Published by Josue Marin (A0.920181). The UEFA Champions League Anthem, officially titled simply as Champions League, is the official anthem of the UEFA Champions League, written by English composer Tony Britten in 1992, and based on George Frideric Handel's Zadok the Priest. The complete anthem is about three minutes long, and has two short verses and the chorus. The chorus is in UEFA's three official languages: English, French, and German. The climactic moment is set to the exclamations Die Meister! Die Besten! Les grandes équipes! The champions!The anthem is played inside the stadium before the start of each UEFA Champions League match, in addition to the beginning and end of television broadcasts of the games. Special vocal versions of the anthem have been performed live at the UEFA Champions League Final. UEFA's official website states, the anthem is now almost as iconic as the trophy.
$20.99
19.19 €
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Chorale SATB
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Anthony Christopher Britten
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Josué MarÃn
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Uefa Champions League Team
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Josue Marin
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SheetMusicPlus
Madrigal Book (for unaccompanied choir in up to 12 parts)
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1089116 Composed by…
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1089116 Composed by Alan Bullard. A Cappella,Classical,Contemporary. Octavo. 24 pages. Colne Edition / BullardMusic #693333. Published by Colne Edition / BullardMusic (A0.1089116). Madrigal Book contains four virtuosic and exciting settings of sixteenth-century texts for unaccompanied choir. The four movements are 1. The lowest trees have tops (Sir Edward Dyer) 2. Hot sun, cool fire (George Peele) 3. Fire, fire! (Thomas Campion) 4. Come, heavy sleep (Anon.) The first poem sings of the richness, but sometimes the incompatibility, of love, and the second is the mysterious song of Bathsheba, mother of Solomon and alleged seductress of David. The third song portrays the scorching pain of love, which all the oceans of the world cannot quench, and finally the heart-broken lover takes refuge in sleep, ‘the image of true death’ Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$3.99
3.65 €
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Chorale SATB
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Alan Bullard
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Madrigal Book
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Colne Edition / BullardMusic
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SheetMusicPlus
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