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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Line
Non classifié
279
Piano & claviers
Piano seul
1 297
Accordéon
89
Piano, Voix
47
Orgue
11
2 Pianos, 4 mains
5
Instruments en Do
5
1 Piano, 4 mains
4
Piano Trio: piano, violon, violoncelle
3
Piano, Voix et Guitare
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Trompette (duo)
1
Accompagnement Piano
1
Piano Facile
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Guitare
191
Guitare notes et tablatures
181
Basse electrique
175
Ligne De Mélodie, (Paroles) et Accords
19
Mandoline
8
Mandoline, Piano (duo)
1
Mandoline, Guitare (duo)
1
Orchestre à Plectres
1
Banjo
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
47
Chorale SSAA
12
Chorale TTBB
11
Voix Soprano, Piano
8
Chorale 3 parties
5
Voix seule
3
Voix haute
3
Chorale SSAATTBB
2
Voix Alto, Piano
2
Voix Tenor, Piano
2
Voix Baryton, Piano
1
Voix basse, Piano
1
+ 7 instrumentations
Retracter
Vents
Saxophone
1 043
Flûte traversière
409
Clarinette
402
Saxophone Alto
38
Saxophone Tenor
33
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Saxophone Soprano
24
Quatuor de Saxophones: 4 saxophones
24
Flûte traversière et Piano
22
Quatuor de Clarinettes: 4 clarinettes
21
Ensemble de Clarinettes
16
Hautbois
15
Flûte, Hautbois, Clarinette, Basson
11
Flûte à Bec
9
Quintette de Saxophone: 5 saxophones
9
Hautbois, Piano (duo)
9
Saxophone Alto et Piano
6
Clarinette et Piano
6
Ensemble de Flûtes
6
Quatuor de Flûtes : 4 flûtes
5
3 Clarinettes (trio)
4
2 Saxophones (duo)
3
Ensemble de saxophones
3
Hautbois (partie séparée)
3
Quintette de Clarinettes: 5 clarinettes
3
2 Flûtes traversières (duo)
3
Flûte et Guitare
2
Quintette de Flûte : 5 flûtes
2
Flûte, Clarinette, Piano (trio)
2
Cor anglais, Piano
2
Flute (partie séparée)
2
Trio de Flûtes: 3 flûtes
2
2 Clarinettes (duo)
2
Saxophone, Clarinette (duo)
1
Flûte, Basson et Piano
1
Harmonica
1
Clarinette Basse, Piano
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Saxophone (duo)
1
Flûte, Clarinette (duo)
1
Hautbois, Basson et Piano
1
Flûte irlandaise
1
Flûte à bec Alto
1
Piccolo
1
Cor Anglais
1
+ 40 instrumentations
Retracter
Cuivres
Trompette
379
Trombone
371
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
Cor
11
Trombone et Piano
11
Quatuor de cuivres: 4 trombones
8
Ensemble de Trombones
8
Tuba
5
Euphonium, Piano (duo)
5
Euphonium
5
Trompette, Piano
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
3 Trombones (trio)
3
Tuba et Piano
3
Ensemble de Trompettes
2
Cor et Piano
2
Quatuor de cuivres: 4 cors
2
Cor anglais, Piano
2
2 Euphoniums et 2 Tubas
2
Trombone (partie séparée)
1
Trombone et orchestre
1
3 Euphoniums
1
Ensemble de Cors
1
Quatuor de Cuivres
1
Trompette, Trombone (duo)
1
3 Tubas (trio)
1
Trompette (partie séparée)
1
Cor Anglais
1
+ 24 instrumentations
Retracter
Cordes
Violon
111
Violoncelle
72
Alto seul
54
Quatuor à cordes: 2 violons, alto, violoncelle
39
Violon et Piano
31
Alto, Piano
13
Violoncelle, Piano
10
Contre Basse
9
Violoncelle, Contrebasse (duo)
7
Trio à Cordes: 2 violons, violoncelle
6
Violon, Violoncelle (duo)
6
Trio à Cordes: violon, alto, violoncelle
6
2 Violoncelles (duo)
6
2 Violons (duo)
6
Trio à Cordes: 2 violons, alto
5
2 Contrebasses (duo)
5
2 Altos (duo)
5
Harpe
4
Trio à cordes: 3 violins
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
2
Violon, Alto (duo)
2
Ensemble d'Altos
2
Contrebasse, Piano (duo)
2
Violon, Clarinette, Piano (trio)
1
Ensemble de Violons
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Batterie
373
Orchestre d'harmonie
63
Orchestre
60
Ensemble Jazz
35
Orchestre de chambre
25
Ensemble de cuivres
19
Orchestre à Cordes
13
Fanfare
10
Jazz combo
5
Ensemble de Percussions
4
Cloches
3
Marimba
1
Percussion
1
Percussion (partie séparée)
1
Marimba et Orgue
1
+ 10 instrumentations
Retracter
Autres
Formation musicale - Solfège
5
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Pertinence
Ventes
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Nouveautes
A-Z
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avec audio
avec vidéo
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Chorale SATB
Partitions à imprimer
47 partitions trouvées
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1
26
The Story of a Leader
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Chorale SATB
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AVANCÉ
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Classique
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Igor Korneitchouk
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The Story of a Leader
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Studio at the Post
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio ...
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Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04
Song of the Sky Loom (Downloadable)
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Chorale SATB
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AVANCÉ
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Frank Ferko
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Song of the Sky Loom
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir (choir divisi) unaccompanied - Difficult - SKU: MQ.8452-E Composed by Frank Ferko. Advanced/Collegiate. Secular, 21st Century, Creation/Natur...
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SATB choir (choir divisi) unaccompanied - Difficult - SKU: MQ.8452-E Composed by Frank Ferko. Advanced/Collegiate. Secular, 21st Century, Creation/Nature. Instrument part. 20 pages. Duration 6 minutes, 7 seconds. E. C. Schirmer Music Company - Digital #8452-E. Published by E. C. Schirmer Music Company - Digital (MQ.8452-E). English.In the summer of 2011, while I was visiting my friends Don and Sally Roberts in Santa Fe, Sally asked me if I would be interested in writing a new choral work for Don in celebration of his upcoming 75th birthday. The idea appealed to me very much, so I readily agreed to write the piece. Since Don has enjoyed a lifelong interest in the American Southwest Pueblo people and their customs, Sally provided me with several Tewa texts, in English translation, to consider for musical setting. I was particularly drawn to the imagery of Song of the Sky Loom, so that poem became the basis for the new work. The music begins with two baritone soloists singing an introductory 'call-and-response' to which the entire chorus eventually responds. The opening line of text is first presented in fragmented form, as if voices from all areas of nature gradually rise up and then merge into a unified chordal texture. As the text turns to the imagery of weaving, the musical texture, accordingly, becomes contrapuntal: individual melodic lines, sung by solo voices or small groups (the 'weft'), intertwine with each other and also with the main chorus, which provides the overall harmonic structure (the 'warp'). The following chorale section, infused with occasional chromatic inflections, represents the massive 'rainbow' in the text and brings the work to a unified conclusion. Song of the Sky Loom was first performed by the Santa Fe Desert Chorale, under the direction of Joshua Habermann, on July 19, 2016 with three subsequent performances during the following two weeks. -Frank Ferko Duration: 6:07.
$3.15
The Surrey With The Fringe On Top
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Chorale SATB
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AVANCÉ
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Contemporain
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Richard Rodgers
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Matt Falker -- Anchor Music
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The Surrey With The Fringe On
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Anchor Music
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.880294 Composed by Richard Rodgers. Arranged by Matt Falker -- Anchor Music. Contemporary. Octavo. 19 pages. Anc...
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Choral Choir (SATB) - Level 5 - SKU: A0.880294 Composed by Richard Rodgers. Arranged by Matt Falker -- Anchor Music. Contemporary. Octavo. 19 pages. Anchor Music #5779467. Published by Anchor Music (A0.880294). This song was arranged for True North and performed on the main stage of the Jazz Education Network (JEN) 2018 conference. The arrangement is based on the structure of Joshua Redman's visioning on the album 'Back East', including the idea of stop time of the head and moving the form through regular key changes. The vocal version has a powerhouse soli loosely based on Redman's sax solo, plus opportunity for improvising over a version of the familiar standard. The first chorus of the head can feature a single soloist, or has the opportunity to be passed down the line one by one. A fun up-tempo swing challenge for your rhythm section as well!Vocal range: Guys Bb2 – Ab4, Ladies F#3 – Bb5. Included: vocal score, bass part, rhythm score.Demo: Live performance by Pacific Standard Time from CSU Long Beach (Christine Guter, director).Individual part tracks – available soon at anchormusic.com. Get all the latest vocal jazz releases at anchormusic.com!
$59.99
Die See Steht Nimmer Still (The Sea Is Never Still)
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Chorale SATB
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AVANCÉ
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Contemporain
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Edward David Zeliff
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Die See Steht Nimmer Still
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Edward David Zeliff
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.888255 Composed by Edward David Zeliff. Contemporary. Octavo. 12 pages. Edward David Zeliff #4765865. Published ...
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Choral Choir (SATB) - Level 5 - SKU: A0.888255 Composed by Edward David Zeliff. Contemporary. Octavo. 12 pages. Edward David Zeliff #4765865. Published by Edward David Zeliff (A0.888255). This piece is a choral adaptation of an art song setting for soprano and piano of an original text in German contemplating the nature of the ever powerful ocean. The gentleman who wrote the original poetry did so in response to observing the waves breaking upon a rocky shoreline. There is an English text under the German that is a literal and exact translation of the original language and is so well worked out that the same exact music serves the text in both languages with syllabic stress and placement of words in the sentence. Thus it may be sung in either German or English with equal effect. This choral version is an enrichment of the vocal texture but with harmonic language derived from the original piano accompaniment. The piano accompaniment is identical to that of the art song and is somewhat challenging. The choral parts are not terribly difficult, but the difficulty is enhanced somewhat when sung in German. The constant ebb and flow of the sea as well as its power and majesty and mystery are evoked in this richly harmonic and strikingly melodic music.
$2.00
I Am the Stillness in a Troubled World—SATB A Cappella Choir
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Chorale SATB
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AVANCÉ
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Daniel Carter
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Daniel Carter
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I Am the Stillness in a Troubl
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Daniel Carter
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1278014 By Daniel Carter. By Daniel Carter. Arranged by Daniel Carter. 21st Century,A Cappella,Chamber,Classical...
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Choral Choir (SATB) - Level 5 - SKU: A0.1278014 By Daniel Carter. By Daniel Carter. Arranged by Daniel Carter. 21st Century,A Cappella,Chamber,Classical,Sacred. Octavo. 3 pages. Daniel Carter #869715. Published by Daniel Carter (A0.1278014). In a world of confusion, chaos, and turmoil we often ask ourselves where are safety and peace found. This hymn-like anthem for a cappella choir offers a spiritual affirmation that helps connect us with the Divine allowing us to create safety and peace within ourselves and for others. For advanced choir with soaring lines and moving parts for all voices, especially for sopranos and tenors. (Top note for sopranos is G5. The top note for tenors is A3.) Suitable for worship and concert settings, filling both sacred and secular programming needs.
$1.99
The Triumph of King Edmund
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Joy DeCoursey-Porter
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The Triumph of King Edmund
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Joy DeCoursey-Porter
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.897054 Composed by Joy DeCoursey-Porter. Christian,Easter,Holiday,Sacred,World. Octavo. 9 pages. Joy DeCoursey-P...
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Choral Choir (SATB) - Level 5 - SKU: A0.897054 Composed by Joy DeCoursey-Porter. Christian,Easter,Holiday,Sacred,World. Octavo. 9 pages. Joy DeCoursey-Porter #2079905. Published by Joy DeCoursey-Porter (A0.897054). A piece best suited for an accomplished HS or college choir, or one that enjoys a bit of drama. Please contact Joy DeCoursey-Porter at joyfulporter@hotmail.com with performance info. The story of King Edmund takes place in the mid 800s and remains shrouded in some mystery. Though certain details are sketchy depending on the historical source, the events depicted in the poetic text seem consistent with most sources. The text, taken from the writings of Ælfric of Eynsham and adapted by Frances E. F. Ward is as follows: The Danes came by great fleet of ship, under Hingwar, to plunder the Angles’ coast. Edmund the King will never bow in life unless first Hingwar bow to Christ, he said. He stood in hall raising no sword. Bound to the tree he called on Christ. Mad with rage, they bristled him with arrows and still with steadfast faith he called on Jesus Christ. Hingwar’s order, and the blow beheaded him; his soul departed joyfully to Christ. The grey-eyed wolf stood guardian to holiness, until head and body one. Holy Edmund revealing Christ..
$2.00
Song of the Heart
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Chorale SATB
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AVANCÉ
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Jeanni Gould
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Jeanni Gould
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Song of the Heart
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Jeanni Gould
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 5 - SKU: A0.1313789 By Jeanni Gould. By Jeanni Gould. Arranged by Jeanni Gould. A Cappella,Baroque,Chamber,Christian,...
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Choral Choir,Choral (SATB) - Level 5 - SKU: A0.1313789 By Jeanni Gould. By Jeanni Gould. Arranged by Jeanni Gould. A Cappella,Baroque,Chamber,Christian,Sacred. 5 pages. Jeanni Gould #902503. Published by Jeanni Gould (A0.1313789). A delightful vocal work for SATB AcappellaA modern madrigal, rich in harmonies and interwoven melody lines. The song builds to an almost surprising climax. Everyone loves that part. Lyrics from ancient scripture praises, yet suitable for sectarian performances as well.I love the powerful bass line rising up the scale halfway through the song. Every vocal part has a turn to shine in this piece. Excellent performance choice for church quartets or choirs, high school or college quartet or choirs, and madrigal or jazz vocal groups.Includes piano accompaniment for rehearsal only.
$2.99
Snow-flakes from "Madrigals for the Seasons" (Downloadable)
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Chorale SATB
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AVANCÉ
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David Conte
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Snow-flakes from "Madriga
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir (choir divisi) unaccompanied - Difficult - SKU: MQ.8894-E Composed by David Conte. 15 pages. E. C. Schirmer Music Company - Digital #8894-E. ...
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SATB choir (choir divisi) unaccompanied - Difficult - SKU: MQ.8894-E Composed by David Conte. 15 pages. E. C. Schirmer Music Company - Digital #8894-E. Published by E. C. Schirmer Music Company - Digital (MQ.8894-E). English.“Madrigals for the Seasons†was composed especially for Cappella SF, Ragnar Bohlin, conductor. The theme of Longfellow’s great poem “Snow-flakes†is human loss and grief. The poetic structure is reflected in the musical phrase structure, with the resolution withheld until the end of each stanza. The mournful harmonies sung on a wordless syllable often accompany the main melodic line in various sections of the choir, who intone the full text. The mood of the madrigal is intensely sorrowful, as the speaker searches the sky for signs of God’s presence in the face of his grief.
$2.85
In The Stone
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Chorale SATB
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AVANCÉ
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Soul/R&B
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Earth Wind and Fire
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Tim Brent
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In The Stone
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Tim Brent Music
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.877203 By Earth Wind and Fire. By Allee Willis, David Babyface Foster, and Maurice White. Arranged by Tim Brent....
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Choral Choir (SATB) - Level 5 - SKU: A0.877203 By Earth Wind and Fire. By Allee Willis, David Babyface Foster, and Maurice White. Arranged by Tim Brent. R & B. Octavo. 31 pages. Tim Brent Music #3686531. Published by Tim Brent Music (A0.877203). Recorded by Earth, Wind & Fire, Arranged by Tim Brent for the Western Michigan University Gold Company 30th Anniversary (Dr. Steve Zegree, director) Vocal Jazz SSATTB arrangement with rhythm section and optional 4-piece horns (Trumpet, Trombone, Alto Sax, Tenor Sax).This arrangement of In the Stone was inspired by the original Earth, Wind and Fire recording. It makes a perfect opener or closer for a program. There are many opportunities to feature soloists throughout the piece. The price is high because it's a FLAT FEE per ensemble/organization, not a per copy fee. Please only make copies as needed for your ensemble/organization.I like to stay in touch with the people who program my music so please drop me a line and say hello info@timbrent.com
$65.00
All The Things You Are
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Chorale SATB
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AVANCÉ
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Comédie Musicale
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Jack Leonard with Tommy Dorsey
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Dave McKay
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All The Things You Are
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Two Davids Music
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.1310744 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arrange...
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Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.1310744 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Dave McKay. A Cappella,Broadway,Jazz,Musical/Show. 9 pages. Two Davids Music #894611. Published by Two Davids Music (A0.1310744). This a capella jazz arrangement, reminiscent of Gene Puerling's Singers Unlimited is scored for SSAATTBB. Thank you for purchasing this arrangement! Feel free to drop me a line if you have any questions or comments at david@twodavidsmusic.com
$2.75
The Lord is my shepherd - SATB
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Tinashe Jera
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The Lord is my shepherd - SATB
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Tinashe Jera
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.854550 Composed by Tinashe Jera. A Cappella,Sacred. Octavo. 8 pages. Tinashe Jera #3589199. Published by Tinashe...
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Choral Choir (SATB) - Level 5 - SKU: A0.854550 Composed by Tinashe Jera. A Cappella,Sacred. Octavo. 8 pages. Tinashe Jera #3589199. Published by Tinashe Jera (A0.854550). This beautiful sacred piece has beautiful legato lines, modulations and lush modern harmonies. Taken from Psalms 23, the texture builds to a beautiful climax.https://www.youtube.com/watch?v=rUUb-MTAjkA
$3.25
Mamma mia dammi cento lire
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Chorale SATB
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AVANCÉ
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Traditional Song
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Bacco Baccanels
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Mamma mia dammi cento lire
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Bacco Baccanels
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 5 - SKU: A0.1354521 By Traditional Song. By Traditional Song. Arranged by Bacco Baccanels. A Cappella,Folk,Multicultu...
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Choral Choir,Choral (SATB) - Level 5 - SKU: A0.1354521 By Traditional Song. By Traditional Song. Arranged by Bacco Baccanels. A Cappella,Folk,Multicultural,Traditional,World. 7 pages. Bacco Baccanels #939239. Published by Bacco Baccanels (A0.1354521). Italiano--------La versione originale di questa canzone di emigranti è abbastanza semplice: la stessa melodia si ripete per tutta la canzone e gli arrangiamenti vocali esistenti che mi è capitato di ascoltare sono abbastanza privi di ritmo.Ho cercato di aggiungere movimento. C'è un'introduzione musicale, con poco testo e poi si passa al tema principale, in cui il basso da' ritmo alla melodia principale. Poco dopo, con una variazione ispirata ai Queen di Bohemian Rapsody si modula in tonalità vicina, per sottolineare il cantato dei fratelli della triste protagonista e subito dopo il tema si addolcisce per lasciare spazio alla madre triste che preannuncia la tragedia. Tragedia che si canta subito dopo in minore per poi tornare sulla melodia principale fino al finale, dove dopo una frase corale si torna al ritmo e al tema principale.English--------The original version of this emigrant song is quite simple: same melody repeats throughout the song. More, the existing vocal arrangements I've heard are quite steady and not so rhythmic.So I tried to add some movement: there is a musical introduction with little lyrics and then we move on to the main theme, where the bass gives rhythm to the main melody.Shortly after, with a Queen-inspired variation coming from Bohemian Rhapsody the score modulates in a close key, to underline the singing of the brothers of the song's sad heroin and immediately after the theme softens to leave room to the sad mother heralding the coming tragedy.A tragedy that is sung immediately afterwards, in minor, and then returns to the main melody until the finale, where after a choral phrase we return to the main theme.
$2.50
Psalm 84
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Chorale SATB
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AVANCÉ
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Contemporain
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P
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Psalm 84
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Philip Brittain
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.971869 Composed by P. Daniel Brittain. Contemporary. Octavo. 15 pages. Philip Brittain #3121673. Published by Ph...
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Choral Choir (SATB) - Level 5 - SKU: A0.971869 Composed by P. Daniel Brittain. Contemporary. Octavo. 15 pages. Philip Brittain #3121673. Published by Philip Brittain (A0.971869). An original setting of Psalm 84 for SATB choir, organ, and Alto Saxophone (note - this is not an arrangement with an organ accompaniment or saxophone obbligato; rather more in the line of a trio sonata where each part is equal. Parts are challenging but worth the effort. The original version was a newer translation; this edition uses the Coverdale Psalter and selected verses of Watts' metrical version.The alto saxophone solo part is sold separately.
$3.00
Diffusa est gratia - SATB choir
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Erik Spangler
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Diffusa est gratia - SATB choi
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Erik Spangler
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1082352 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Octavo. 4 pages. E...
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Choral Choir (SATB) - Level 5 - SKU: A0.1082352 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Octavo. 4 pages. Erik Spangler #686504. Published by Erik Spangler (A0.1082352). Commissioned by Allen Buskirk for the Mount Calvary Choir, Baltimore, MD. “Diffusa est gratia / Senex puerum portabatâ€Â combines two liturgical texts associated with the feast of Candlemas. The first, “Diffusa est gratia is from Psalm 44:3 and ascribes to Mary a fullness of grace that is a common theme in Marian feasts. The second, Senex puerum portabat,†is more particularly relevant to the story of the infant Jesus and the ancient holy man Simeon found in today’s gospel. Singing two texts within one piece was common in Medieval music, where the interest lay on the juxtaposition of the texts and the interplay between them. Erik’s setting is influenced by both late Medieval and Renaissance choral styles. Each singer has long flowing lines that combine in duets, trios, and full quartet, yielding a variety of textures. Dissonant intervals are treated freely as was common in the late Medieval period before the tight control of the high Renaissance style. This expanded palette allows for more modern harmony that shifts in and out and resolves into consonant intervals at the end of phrases. Rhythmic syncopation and complexity were highly valued in the late Medieval style as they are again today; here they provide forward momentum. Together, these elements define a sensibility that is both ancient and new, influenced by practices of composers from the 14th and 15th centuries as well as more modern composers such as Moondog and Meredith Monk.
$6.00
Me/No
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Chorale SATB
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AVANCÉ
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Conspirare
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Me/No
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Deke Sharon
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.1170959 By Conspirare. By Deke Sharon. A Cappella,Chamber,Classical,Comedy,Contemporary. Octavo. 16 pages...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.1170959 By Conspirare. By Deke Sharon. A Cappella,Chamber,Classical,Comedy,Contemporary. Octavo. 16 pages. Deke Sharon #771298. Published by Deke Sharon (A0.1170959). Composed for the legendary Texan chorale Conspirare, this piece was commissioned in 2019 during Covid, joyfully/teasingly reflecting the frustration with online discourse. For triple SATB divisi choir, watch the youtube link to see their online video of the song made during the pandemic.
$1.99
Loquebantur, -bantur, -bantur
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Chorale SATB
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AVANCÉ
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the end, the joyful combinatio
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Thomas Tallis
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John Ross
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Loquebantur, -bantur, -bantur
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John Ross
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1402556 Composed by Thomas Tallis. Arranged by John Ross. 21st Century,A Cappella,Religious,R...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1402556 Composed by Thomas Tallis. Arranged by John Ross. 21st Century,A Cappella,Religious,Renaissance,Sacred. 45 pages. John Ross #985777. Published by John Ross (A0.1402556). “Loquebantur, -bantur, -bantur†is based on 'Loquebantur variis linguis' by Thomas Tallis. The words are from the responsory for 1st Vespers at Pentecost and tell of the Apostles beginning to speak in many tongues, proclaiming the great works of God. In this reworking, vocal parts gradually move away from the Tallis original, taking musical ideas from the soprano saxophone part and “speaking in tonguesâ€. The opening interplay between sax and solo tenor uses notes from the Intonation, creating the “-bantur, -bantur†figure which gives this arrangement its title. As the piece proceeds individual vocal lines gradually speak in the tongues suggested by the sax. By the end, the joyful combination of many musical ideas is crowned by the ecstatic saxophone part. The “tongues†ideas are shown in the score by added phrasing and by using lyrics in italics. These fragments should be sung a little more prominently, allowing them to pop out above the overall texture. An additional tenor line has been added, making the piece’s scoring SSAATTBB plus saxophone.
$1.99
Song of Peace
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Chorale SATB
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AVANCÉ
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Jazz
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BernadetteM
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Brad Esbensen
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Flute for Tenor Sax 1
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Song of Peace
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Bernadette M Debattista
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SheetMusicPlus
Choral Choir (4-Part) - Level 5 - SKU: A0.1024498 Composed by BernadetteM. Debattista, Brad Esbensen. Arranged by Brad Esbensen. Jazz. Octavo. 132 pages...
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Choral Choir (4-Part) - Level 5 - SKU: A0.1024498 Composed by BernadetteM. Debattista, Brad Esbensen. Arranged by Brad Esbensen. Jazz. Octavo. 132 pages. Bernadette M Debattista #6092703. Published by Bernadette M Debattista (A0.1024498). This work was originally composed for choir by Bernadette Debattista and was first performed at the Dawn Service, commemorating the centenary of the Gallipoli landings, in ANZAC Cove on 25 April 2015 by a combined choir from St Joseph’s College, Gregory Terrace and All Hallows’ School. This extended work sees the original theme recomposed for big band and choir. It may be performed in its entirety or the third movement may be omitted (or presented as spoken word only) if a choir is not available. The sax section requires the following doubles: Clarinet for Alto Saxes 1 and 2, and Tenor Sax 2; Flute for Tenor Sax 1; Bassoon for Bari Sax (although a Bari Sax part with no doubles has been included). There is also an optional part for Eb Sarrusophone! Trumpets require Flugelhorns and Harmon mutes.The recording features excerpts from each of the four movements and a brief description of each follows.1. Distant Shores With its jaunty, march-like feel, one can only imagine what it must have been like as these young men and women travelled to far off places, fired with the thrill of adventure, blind to the trauma and terrors of war. 2.Your Sons Are Our Sons The title for this movement is a paraphrase of a line in a speech given by Mustafa Kemal Ataturk in which he speaks of the special bond between Australia and Turkey. This movement features solo space for Piano and Trumpet.3.Reflection This movement features a small vocal group, including some of the singers who were present at the 2015 performance in ANZAC Cove, and a reading of the poem that became the lyrics of the song. 4.Hymn The final movement presents the theme in close to its original form, although extensively re-harmonised. A solo trumpet for most of the movement.I hope you enjoy performing this work.
$90.00
Anim Zemiros
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Chorale SATB
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AVANCÉ
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00
Fly
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Chorale SATB
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AVANCÉ
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Donald John Sebesky
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Gerhard Guter
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tenor)
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Fly
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Gerhard Guter
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.844243 Composed by Donald John Sebesky. Arranged by Gerhard Guter. A Cappella. Octavo. 5 pages. Gerhard G...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.844243 Composed by Donald John Sebesky. Arranged by Gerhard Guter. A Cappella. Octavo. 5 pages. Gerhard Guter #4109727. Published by Gerhard Guter (A0.844243). Voicing: a cappella SSATTB plus soloists (soprano & tenor) Originally recorded and sung by the composer/arranger, Don Sebesky, for the CTI Records release Giant Box in 1973. An ethereal introduction sets the tone for the recurring soprano and tenor duet. Lush, contemporary harmonies accompany the duet, weaving through five key centers until all that remains is the introductory material reintroduced in a new key, and with spacey counterlines. Optional antiphonal parts (heard in demo at 12 second mark), notes (expanding voicing to SSAATTBB), and suggestions for doubling are provided for larger choirs, but these additional elements are not necessary for a successful performance. Recorded as the title track on Fly by the Riverside City College Vocal Jazz Ensemble and premiered at the University of North Texas/Addison Jazz Festival in 2006.
$49.99
Veni Sancte Spiritus - SATB choir
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Erik Spangler
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Veni Sancte Spiritus - SATB ch
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Erik Spangler
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1082626 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Octavo. 6 pages. E...
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Choral Choir (SATB) - Level 5 - SKU: A0.1082626 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Octavo. 6 pages. Erik Spangler #686838. Published by Erik Spangler (A0.1082626). Commissioned by Allen Buskirk for the Mount Calvary Choir, Baltimore, MD. While searching for liturgical texts associated with Pentecost, I was immediately drawn to the sequence of Veni Sancte Spiritus as an invocation of all the divine qualities that are recognized across the world’s major religions. I was particularly moved by a recording of the Gregorian chant on this text, in which groups of three phrases alternate between low and high voices. I began my own setting of the sequence by adapting many of the Gregorian chant phrases, from memory and with varying degrees of similarity to the original melody, passing them through different modal colors. I followed a similar pattern of formal alternation between high and low voices, while expanding each phrase of the chant into a two-part texture. Elements of both Late Medieval and Renaissance counterpoint are adopted in combination with more Eastern-influenced heterophony, in which two voices follow the same melodic outline with individual variations and ornamentation. As the piece progresses, overlapping duos expand into three-part and finally four-part texture. I aim to evoke a sense of connection with ancient ritual and musical forms, alongside a more modern harmonic gravity that favors certain dissonances in relationship to unisons, fifths and other “perfect†intervals.
$6.00
Sueño-Vibrant
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Chorale SATB
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AVANCÉ
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Kristian S Rodriguez
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Sueño-Vibrant
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Kristian S. Rodriguez
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1023342 Composed by Kristian S Rodriguez. 20th Century,Contemporary. Octavo. 43 pages. Kristian S. Rodriguez #51...
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Choral Choir (SATB) - Level 5 - SKU: A0.1023342 Composed by Kristian S Rodriguez. 20th Century,Contemporary. Octavo. 43 pages. Kristian S. Rodriguez #5191607. Published by Kristian S. Rodriguez (A0.1023342). I composed this work partially to serve as my master’s thesis, but also to explore the blurring and eradication of boundaries – whether the boundaries are musical, social, cultural, linguistical, or political. I wanted to create a work that would explore the boundaries of my own dual identities, such as Mexican or American, or masculine or feminine, and that of my varied interests, such as popular, jazz, and European art music. After half a year of work, Sueño-Vibrant is the dazzling, whirlwind of a result (vibrant is pronounced just as it is in English). I worked with poet Marco Piña because we share many similar artistic philosophies owing to our mutual identities as bilingual Chicanxs. Bastardized Spanglish Translations portrays an individual going through a painful break-up, whereas Night Song is about self-discovery of
$19.99
Swing Low, Sweet Chariot
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Chorale SATB
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AVANCÉ
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Gospel Spirituel
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Musique Sacrée
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African-American Spiritual
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Javon Byam
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Swing Low, Sweet Chariot
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Javon Byam
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.1092369 Composed by African-American Spiritual. Arranged by Javon Byam. A Cappella,Folk,Spiritual,Traditi...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.1092369 Composed by African-American Spiritual. Arranged by Javon Byam. A Cappella,Folk,Spiritual,Traditional. Octavo. 16 pages. Javon Byam #696465. Published by Javon Byam (A0.1092369). This traditional spiritual is arranged in seven parts for the advanced chorus and moves forward with increasing fervor like being pulled by a chariot. From a soaring Soprano 1 line to a grounding Bass 2 line, this arrangement of Swing Low, Sweet Chariot will bring performers joy, pride, and fun. The incorporation of two other spirituals along with the weaving melody allows each vocal section to focus on their importance as part of the whole, a true lesson from choral singing.
$5.99
Shockachi (Shortened Version)
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Chorale SATB
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AVANCÉ
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Christian Fortner
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Shockachi
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Christian Fortner Music
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.1354060 Composed by Christian Fortner. A Cappella,Classical,Contest,Festival. 19 pages. Christian ...
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Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.1354060 Composed by Christian Fortner. A Cappella,Classical,Contest,Festival. 19 pages. Christian Fortner Music #938784. Published by Christian Fortner Music (A0.1354060). This version of Shockachi is shorter so that it can be more accessible for younger/smaller choirs!Shockachi is quite the adventure with fast-paced, cinematic sections contrasting with slower, legato sections. This large choral work involves a rhythmic ostinato repeated throughout and passed from section to section. A strong alto section is essential for the success of this piece, as they carry the ostinato most of the time. A made-up language is used as well, with pronunciations similar to Latin and inspired by Hawaiian. Larger choirs will be best suited for this piece, which takes advantage of divisi to provide multiple instances of contrapuntal lines. If you’re looking for a piece that hits hard, showcases the strength and versatility of your ensemble, or offers a unique experience in text interpretation, then Shockachi is for you. Want a better deal for this music? Purchase unlimited prints at www.christianfortnermusic.com.
$4.99
Shockachi
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Chorale SATB
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AVANCÉ
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Christian Fortner
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Shockachi
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Christian Fortner Music
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.1354054 Composed by Christian Fortner. A Cappella,Contemporary,Contest,Festival. 29 pages. Christi...
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Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.1354054 Composed by Christian Fortner. A Cappella,Contemporary,Contest,Festival. 29 pages. Christian Fortner Music #938776. Published by Christian Fortner Music (A0.1354054). Shockachi is quite the adventure with fast-paced, cinematic sections contrasting with slower, legato sections. This large choral work involves a rhythmic ostinato repeated throughout and passed from section to section. A strong alto section is essential for the success of this piece, as they carry the ostinato most of the time. A made-up language is used as well, with pronunciations similar to Latin and inspired by Hawaiian. Larger choirs will be best suited for this piece, which takes advantage of divisi to provide multiple instances of contrapuntal lines. If you’re looking for a piece that hits hard, showcases the strength and versatility of your ensemble, or offers a unique experience in text interpretation, then Shockachi is for you.What a better deal on this sheet music? Purhcase unlimited prints at www.christianfortnermusic.com.
$5.99
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The Line