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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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CLASSIQUE - BAROQUE …
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116
PIANO & CLAVIERS
Piano seul
3873
Accordéon
242
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20
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16
Orgue
11
Clavecin
6
2 Pianos, 4 mains
4
Accompagnement Piano
3
Piano Trio: piano, violon, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Trompette (duo)
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303
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205
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95
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24
Chorale SATB
17
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8
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4
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3
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2
Voix Baryton, Piano
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Voix Tenor
1
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1
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1
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3038
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1293
Clarinette
1222
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171
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165
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117
Hautbois
48
Flûte à Bec
38
Quatuor de Saxophones: 4 saxophones
16
2 Flûtes traversières (duo)
14
Hautbois (partie séparée)
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Quatuor de Clarinettes: 4 clarinettes
8
Flûte traversière et Piano
7
Flûte, Hautbois, Clarinette, Basson
5
Saxophone Soprano et Piano
5
Hautbois, Piano (duo)
5
Quintette de Saxophone: 5 saxophones
4
Clarinette et Piano
3
Ensemble de Clarinettes
3
Saxophone Tenor et Piano
3
Ensemble de saxophones
3
Flute (partie séparée)
3
Trio de Flûtes: 3 flûtes
3
Quatuor de Flûtes : 4 flûtes
3
Saxophone Alto et Piano
3
Saxophone Baryton, Piano
2
2 Saxophones (duo)
1
Flûte et Guitare
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Piano (trio)
1
Ensemble de Flûtes
1
Saxophone et Orgue
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Hautbois (duo)
1
2 Clarinettes (duo)
1
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Trompette
1136
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1088
Cor
41
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
20
Euphonium
10
Tuba
8
Trombone et Piano
7
Tuba et Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Cor et Piano
4
Trombone basse et Piano
3
2 Euphoniums et 2 Tubas
3
Euphonium, Piano (duo)
3
Instruments en Sib
2
Ensemble de Trombones
2
Ensemble de Trompettes
2
Trompette, Piano
2
Quatuor de cuivres: 4 trombones
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
3 Trombones (trio)
1
Quatuor de Cuivres
1
3 Euphoniums
1
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Violon
551
Violoncelle
305
Alto seul
190
Quatuor à cordes: 2 violons, alto, violoncelle
41
Contre Basse
37
Harpe
14
Violon et Piano
5
Alto, Piano
4
Violoncelle, Piano
4
Trio à Cordes: violon, alto, violoncelle
3
Violon, Alto (duo)
2
Contrebasse, Piano (duo)
2
2 Violoncelles (duo)
1
2 Violons (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Harpe, Violon (duo)
1
Harpe, Flûte (duo)
1
Alto et Harpe
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
Violon, Violoncelle (duo)
1
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PERCUSSIONS & ORCHESTRES
Batterie
1016
Orchestre
166
Orchestre d'harmonie
45
Orchestre de chambre
20
Percussion
14
Ensemble Jazz
12
Ensemble de cuivres
10
Orchestre à Cordes
7
Ensemble de Percussions
6
Jazz combo
3
Cloches
3
Fanfare
2
Piano et Orchestre
1
Vibraphone
1
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AUTRES
Formation musicale - Solfège
5
Vous avez sélectionné:
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Chorale SATB
Partitions à imprimer
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1
Everytime We Touch
Chorale SATB
Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.1298286 By Cascada.…
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Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.1298286 By Cascada. By Maggie Reilly, Peter Risavy, and Stuart Mackillop. Arranged by Lukas C Jaeger. 21st Century,A Cappella,Contemporary,Contest,Festival,Pop. 13 pages. Lukas C Jaeger #888255. Published by Lukas C Jaeger (A0.1298286). In honor of the iconic 90's club scene here and overseas, I created this arrangement of 'Everytime We Touch' by CASCADA. Incorporating thematic snippits from another memorable tune by alice deejay (Better Off Alone), this piece is sure to get any large mixed group dancing and grooving. While vocal percussion adds a lot to this particular arrangementy, it isn't necessary due to the driving patternic nature of the supporting voice parts... This is not an easy piece... But nailing the rhythm changes and emmersing yourself in the vibe of this piece will reward you with a showstopper sure to make a splash at any concert or competition. Challenging to learn, but EPIC once you get it. A great number to throw at any advanced acappella group looking for their next big thing!
$1.99
1.8 €
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Chorale SATB
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Cascada
#
Lukas C Jaeger
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Everytime We Touch
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Lukas C Jaeger
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
79.78 €
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Chorale SATB
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
23.53 €
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Chorale SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
18.09 €
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Chorale SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Regret Not Me
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1256872 Composed by…
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1256872 Composed by Nicholas White. 21st Century,A Cappella,Classical,Traditional. Octavo. 12 pages. Nicholas White Music #850259. Published by Nicholas White Music (A0.1256872). A challenging, unaccompanied, pastoral setting of Thomas Hardy's poem, scored for SATB divisi featuring a high soprano!Regret not me;   Beneath the sunny treeI lie uncaring slumbering peacefully.    Swift as the light   I flew my faery flight;Ecstatically I moved, and feared no night.    I did not know   That heydays fade and go,But deemed that what was would be always so.    I skipped at morn   Between the yellowing corn,Thinking it good and glorious to be born.    I ran at eves   Among the piled-up sheaves,Dreaming, 'I grieve not, therefore nothing grieves.'    Now soon will come   The apple, pear, and plumAnd hinds will sing, and autumn insects hum.    Again you will fare   To cider-makings rare,And junketings; but I shall not be there.    Yet gaily sing   Until the pewter ringThose songs we sang when we went gipsying.    And lightly dance   Some triple-timed romanceIn coupled figures, and forget mischance;    And mourn not me   Beneath the yellowing tree;For I shall mind not, slumbering peacefully.
$2.00
1.81 €
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Chorale SATB
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Nicholas White
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but I shall not be there
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Regret Not Me
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Nicholas White Music
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SheetMusicPlus
A Psalm of Suffering and of Hope (By the Waters of Babylon)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.989242 Composed by Mary An…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.989242 Composed by Mary Ann Joyce. Christian,Concert,Jewish,Sacred,World. Octavo. 9 pages. Mary Ann Joyce-Walter #6244605. Published by Mary Ann Joyce-Walter (A0.989242). Mary Ann Joyce-Walters writes: The first two sections of In Anguish and Hope are based on verses from two terrifying Psalms; the third section is a setting of a passage from Micah. I chose to use these texts after listening to a friend of mine speak about the death of her son.I became keenly aware of her personal and genuine feelings of rage against God, which were so similar to David’s Why do You hide Your face and forget our persecution and our oppression? Christ’s My God, My God, why have you forsaken me? and Elie Wiesel’s Never shall I forget those flames which consumed my faith forever. I realized that a far more difficult question (and perhaps more deeply personal) than that of asking God to forgive us is Can we forgive God?After asking that intimate and bold question, the words of Micah recall that peace, based on justice, will come one day: you shall be at peace and unafraid.…nations shall not lift up sword against nation….you shall bear fruit in justice and peace.
$4.50
4.08 €
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Chorale SATB
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Mary Ann Joyce
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A Psalm of Suffering and of Hope
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Mary Ann Joyce-Walter
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SheetMusicPlus
We Are In Love
Chorale SATB
Rhythm Section SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1453748
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Rhythm Section SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1453748 Composed by Harry Connick Jr. Arranged by Kerry Marsh. Jazz. Vocal Jazz Ensemble. 66 pages. Kerry Marsh #1032965. Published by Kerry Marsh (A0.1453748). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a much lower price than the standard flat-fee range ($60 to $75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the All Tracks Pack with SkyTracks Mixer (No Sheet Music) package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation)Step into the timeless swing of Harry Connick, Jr.'s We Are In Love with this dynamic arrangement for advanced SSATBaB vocal jazz ensemble. In this chart, vocalists often take on the role of the big band brass and winds, while a baritone soloist steps into Connick’s shoes to deliver this swinging love story. The ensemble shines in several key spots, taking the lead with bold and exciting harmonies.A vocal or instrumental improv section adds a layer of spontaneity, launching the tune into a new key with a powerful sendoff from the choir. The ensemble remains engaged with energetic backgrounds, building towards an exhilarating hybrid shout section/soli section. The arrangement culminates in a huge final chorus, bringing the chart to a rousing peak before winding down to a clever and subtle finish.Despite its swinging nature, the chart features a delightful contrast with sudden transitions to a straight-8th Afro-Cuban groove at the end of each chorus. This unique twist keeps both the singers and the audience on their toes, providing a fun and engaging listening experience.Perfect for vocal jazz directors looking to challenge their advanced ensembles, this arrangement offers a mix of technical prowess, stylistic variety, and performance excitement. Check out the Scoreflipper preview to see how this arrangement can bring your group to new heights and captivate your audience.
$49.99
45.33 €
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Chorale SATB
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Harry Connick Jr
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Kerry Marsh
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We Are In Love
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Kerry Marsh
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SheetMusicPlus
Bach Little Fugue in G Minor for Double Reed Choir BWV 578
Chorale SATB
Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.796870 Composed by Johann…
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Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.796870 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. Octavo. 29 pages. Stephanie Daige #3377603. Published by Stephanie Daige (A0.796870). This little fugue is one of Bach's most famous and beloved organ works. Re-imagined for double reed choir, it is a challenging and fun setting for this fugue. The different instruments take turns entering with the subject of the fugue, and interplay back and forth with the other instruments. The timbres of the different instruments adds a whole new textural dimension to this already fascinating work by J.S. Bach. I considered the need to breathe for each of these wind instruments, which obviously wasn't an issue for the original version intended for organ. This piece would be appropriate for advanced high school students, college students, or professionals. It would do well in a chamber music concert, in a church, or between acts of a larger ensemble concert, perhaps in another location of the auditorium while a (quiet!) set change is taking place. It would also work well as prelude or lobby music. The duration is just over three minutes (or longer if you prefer to take it slower). Each measure is numbered individually for convenience during rehearsals. I hope you will enjoy performing this piece as much as I have enjoyed arranging it! There are also versions of this piece available for wind and brass quintets. Please check out my other arrangements at: http://www.sheetmusicplus.com/publishers/stephanie-daige/6875
$17.99
16.31 €
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Chorale SATB
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Johann Sebastian Bach
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Stephanie Daige
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Bach Little Fugue in G Minor for Double Reed Choir BWV 578
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Stephanie Daige
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SheetMusicPlus
South African Medley
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.875630 Composed by Various…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.875630 Composed by Various. Arranged by Caroline Venter. African,Pop,World. Octavo. 13 pages. Caroline Venter #3631675. Published by Caroline Venter (A0.875630). Written for the CCVG Youth Choir and inspired by my South African family and my time in Pretoria, this arrangement contains some of my favourite songs. Standards from the Lion King, Johnny Clegg, Toto and the traditional work song Shosholoza are all featured. Some of the intervals are quite tricky so would suit a fairly advanced SATB choir.
$10.99
9.96 €
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Chorale SATB
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Various
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Caroline Venter
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South African Medley
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Caroline Venter
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SheetMusicPlus
Hail, Holy Queen
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1113724 Composed by…
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1113724 Composed by Faith Peach. Christian,Sacred. Octavo. 5 pages. Faith Peach #715615. Published by Faith Peach (A0.1113724). Hail, Holy Queen is an advanced sacred choral piece. The use of basso profundo brings a very somber feeling to the prayer. Over time, the prayer shifts from somber to joyful, marking the transition from praying for mercy to adoring the Blessed Virgin Mary.
$2.20
1.99 €
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Chorale SATB
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Faith Peach
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Hail, Holy Queen
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Faith Peach
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SheetMusicPlus
Dinah
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.978178 Composed by Harry A…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.978178 Composed by Harry Akst, Joseph Young, and Samuel Lewis. Arranged by Jason A. Heald. Jazz. Octavo. 14 pages. Call of the Wild Publishing #6038845. Published by Call of the Wild Publishing (A0.978178). A blazing hot SATB vocal jazz arrangement of a timeless standard! A great song for improvised solos with a smoking shout chorus. The perfect opener or closer!
$2.99
2.71 €
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Chorale SATB
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Harry Akst, Joseph Young, and Samuel Lewis
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Jason A
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Dinah
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Call of the Wild Publishing
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SheetMusicPlus
O Light Divine
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1382341 Comp…
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Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1382341 Composed by Jonathan Thomas Madden. 21st Century,Christian,Classical,Religious,Sacred. 7 pages. Jonathan Thomas Madden #966859. Published by Jonathan Thomas Madden (A0.1382341). This slow-evolving choral and organ setting of WIE SCHOEN LEUCHTET by Philip Nicolai is suitable for concert performances and the Epiphany season. Performers have the option of singing the text to either O Holy Spirit Enter In and O Morning Star, How Fair and Bright (both translated by Catherine Winkwork), making this piece also appropriate for other general times throughout the liturgical year.
$2.95
2.67 €
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Chorale SATB
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Jonathan Thomas Madden
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O Light Divine
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Jonathan Thomas Madden
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SheetMusicPlus
Saturn
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1419832 By Sle…
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Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1419832 By Sleeping At Last. By Ryan O'Neal. Arranged by Garrett Breeze. Contest,Festival,Pop,Singer/Songwriter. 13 pages. Lagom Music #1001254. Published by Lagom Music (A0.1419832). This devastatingly beautiful text by songwriter Ryan O’Neal about life and loss shines in a new gorgeous choral arrangement by Garrett Breeze for SATB voices, piano, and flute.  The music is layered and always in motion, mimicking the relentless passage of time invoked in the text.  Originally commissioned by Waukee High School in Des Moines, IA.  The solo soprano part may be performed by a small group, and a violin may be substituted for flute if needed.
$2.50
2.27 €
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Chorale SATB
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Sleeping At Last
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Garrett Breeze
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Saturn
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Lagom Music
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SheetMusicPlus
Even In The Quietest Moments
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1490292…
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1490292 By Supertramp. By Rick Davies and Roger Hodgson. Arranged by Kirstie Smith. 20th Century,Contest,Festival,Folk,Rock,Spiritual. 17 pages. Kirstie Smith #1067132. Published by Kirstie Smith (A0.1490292). A wholly unique choral arrangement of Supertramp's 'Even In the Quietest Moments', from the album of the same name.A beautiful song lovingly crafted for SATB divisi and piano, featuring advanced vocal techniques and improvisational elements with an uplifting Gospel style coda. Composer Roger Hodgson stated on his Facebook page [24 March 2020] Even in the Quietest Moments was written during a very powerful time of Spiritual searching and discovery for me. I used to spend time alone in nature, camping, and one night while playing my guitar and looking up at the stars, the song came to me; it just flowed out of me. It’s a love song to God but it could also be to a woman. I’ve left it ambiguous so that people can take it how they wish. Basically, it’s just about a guy who’s searching. I’m a seeker. I think I’ll always be a seeker. The change of wording from 'Come on, let the sun' to 'The morning sun' is deliberate, based on singing wrong words to the album track as a child!
$3.25
2.95 €
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Chorale SATB
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Supertramp
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Kirstie Smith
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it just flowed out of me
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Even In The Quietest Moments
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Kirstie Smith
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SheetMusicPlus
Shockachi (Shortened Version)
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1354060 Comp…
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Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1354060 Composed by Christian Fortner. A Cappella,Classical,Contest,Festival. 19 pages. Christian Fortner Music #938784. Published by Christian Fortner Music (A0.1354060). This version of Shockachi is shorter so that it can be more accessible for younger/smaller choirs!Shockachi is quite the adventure with fast-paced, cinematic sections contrasting with slower, legato sections. This large choral work involves a rhythmic ostinato repeated throughout and passed from section to section. A strong alto section is essential for the success of this piece, as they carry the ostinato most of the time. A made-up language is used as well, with pronunciations similar to Latin and inspired by Hawaiian. Larger choirs will be best suited for this piece, which takes advantage of divisi to provide multiple instances of contrapuntal lines. If you’re looking for a piece that hits hard, showcases the strength and versatility of your ensemble, or offers a unique experience in text interpretation, then Shockachi is for you. Want a better deal for this music? Purchase unlimited prints at www.christianfortnermusic.com.
$4.99
4.52 €
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Chorale SATB
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Christian Fortner
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Shockachi
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Christian Fortner Music
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SheetMusicPlus
Shockachi
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1354054 Comp…
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Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1354054 Composed by Christian Fortner. A Cappella,Contemporary,Contest,Festival. 29 pages. Christian Fortner Music #938776. Published by Christian Fortner Music (A0.1354054). Shockachi is quite the adventure with fast-paced, cinematic sections contrasting with slower, legato sections. This large choral work involves a rhythmic ostinato repeated throughout and passed from section to section. A strong alto section is essential for the success of this piece, as they carry the ostinato most of the time. A made-up language is used as well, with pronunciations similar to Latin and inspired by Hawaiian. Larger choirs will be best suited for this piece, which takes advantage of divisi to provide multiple instances of contrapuntal lines. If you’re looking for a piece that hits hard, showcases the strength and versatility of your ensemble, or offers a unique experience in text interpretation, then Shockachi is for you.What a better deal on this sheet music? Purhcase unlimited prints at www.christianfortnermusic.com.
$5.99
5.43 €
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Chorale SATB
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Christian Fortner
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Shockachi
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Christian Fortner Music
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SheetMusicPlus
Big Yellow Taxi
Chorale SATB
Rhythm Section SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1488643
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Rhythm Section SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1488643 By Joni Mitchell. By Joni Mitchell. Arranged by Kerry Marsh. Folk,Jazz,Pop. Vocal Jazz Ensemble. 52 pages. Kerry Marsh #1065491. Published by Kerry Marsh (A0.1488643). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a lower price than the standard flat-fee range for vocal jazz ensemble arrangements ($75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the “All Tracks Pack (With SkyTracks Mixer)“ package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation).This arrangement of Joni Mitchell's Big Yellow Taxi is propelled by a driving groove, making it a perfect opener or closer for your program. It features fresh reharmonization while retaining many hints of the memorable aspects of Mitchell's original recording, capturing its essence while adding a modern twist.Originally released in 1970 on her album *Ladies of the Canyon*, Big Yellow Taxi is known for its catchy melody and poignant lyrics that lament environmental destruction and urban development. The song's playful yet impactful tone has made it a lasting classic, covered by numerous artists over the years.In this arrangement, a soli section challenges groups and offers directors the opportunity to teach advanced rhythmic and harmonic concepts, providing exciting and energetic musical treats for audiences. The chart is well worth the time spent preparing, especially with the help of our audio learning materials. This memorable and impactful arrangement will be a standout piece in your program, leaving a lasting impression on your audience.
$49.99
45.33 €
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Chorale SATB
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Joni Mitchell
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Kerry Marsh
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Big Yellow Taxi
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Kerry Marsh
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SheetMusicPlus
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