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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Times
Non classifié
140
Piano & claviers
Piano seul
161
Piano, Voix
6
2 Pianos, 4 mains
5
Clavecin
5
Piano, Voix et Guitare
4
Orgue
4
Piano Trio: piano, violon, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Accompagnement Piano
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Guitare
2
Ukulele
1
Guitare notes et tablatures
1
Voix
Chorale SATB
23
Chorale TTBB
6
Voix Soprano, Piano
3
Chorale SSAA
3
Voix Tenor, Piano
1
Voix haute
1
+ 1 instrumentations
Retracter
Vents
Flûte traversière et Piano
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Ensemble de Clarinettes
7
Saxophone
6
Quatuor de Clarinettes: 4 clarinettes
6
Flûte traversière
5
Clarinette et Piano
4
Quatuor de Saxophones: 4 saxophones
4
Flûte, Hautbois, Clarinette, Basson
4
Clarinette
4
Saxophone Alto et Piano
3
Ensemble de saxophones
3
3 Clarinettes (trio)
3
Hautbois (partie séparée)
3
Saxophone Soprano et Piano
3
Saxophone Tenor et Piano
2
Hautbois, Piano (duo)
2
Quintette de Clarinettes: 5 clarinettes
1
2 Flûtes traversières (duo)
1
Clarinette, Basson (duo)
1
Flûte, Violoncelle
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Ensemble de Flûtes
1
3 Saxophones (trio)
1
2 Saxophones (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Flute (partie séparée)
1
Flûte, Hautbois (duo)
1
Flûte, Saxophone (duo)
1
2 Clarinettes (duo)
1
Hautbois
1
Saxophone Alto
1
Clarinette, Violon (duo)
1
Saxophone et Orgue
1
+ 29 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trompette
5
Trombone et Piano
5
Ensemble de Trombones
4
Quatuor de cuivres: 4 trombones
3
Euphonium, Piano (duo)
3
Cor
3
Tuba et Piano
3
Trombone
3
Cor et Piano
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette, Piano
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Euphoniums et 2 Tubas
1
Ensemble de Trompettes
1
2 Trompettes (duo)
1
Quatuor de Cuivres
1
2 Trombones (duo)
1
Ensemble de Cors
1
Quatuor de cuivres: 4 cors
1
Trombone basse et Piano
1
+ 18 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
30
Violon et Piano
10
Violoncelle, Piano
7
Violon
5
Violon, Alto (duo)
3
Violoncelle
2
Alto, Piano
2
Harpe, Violon (duo)
2
Violon (partie séparée)
2
Piano Trio: Violon, Alto, Piano
1
Alto (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
Violon, Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
2 Violoncelles (duo)
1
Contrebasse, Piano (duo)
1
Harpe, Flûte (duo)
1
Harpe
1
4 Violoncelles
1
Violon, Violoncelle (duo)
1
Alto, Violoncelle (duo)
1
2 Violons (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
+ 18 instrumentations
Retracter
Orchestre & Percussions
Orchestre
21
Orchestre d'harmonie
14
Ensemble de cuivres
12
Ensemble Jazz
10
Batterie
7
Orchestre à Cordes
6
Jazz combo
5
Orchestre de chambre
4
Ensemble de Percussions
3
Fanfare
2
Cloches
2
Piano et Orchestre
1
+ 7 instrumentations
Retracter
Autres
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CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
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PAS DE PART…
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vendeurs (tous)
Musicnotes
Note4Piano
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Chorale SATB
Partitions à imprimer
23 partitions trouvées
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1
Though Christ A Thousand Times (Munich) - Anthem - Chorale Variant
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Chorale SATB
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AVANCÉ
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James F
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Though Christ A Thousand Times
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WayWordBound
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.729318 Composed by James F. Rickley. 20th Century,Christian,Sacred. Octavo. 3 pages. WayWordBound #2873425. Publ...
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Choral Choir (SATB) - Level 5 - SKU: A0.729318 Composed by James F. Rickley. 20th Century,Christian,Sacred. Octavo. 3 pages. WayWordBound #2873425. Published by WayWordBound (A0.729318). For Choir (SATB) Unaccompanied (Keyboard Reduction Provided)Extended Chorale Settingfrom The Beatitudes.
$3.00
I Get Along Without You Very Well (except Sometimes)
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Chorale SATB
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AVANCÉ
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Contemporain
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Hoagy Carmichael
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Jennifer McMillan
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I Get Along Without You Very W
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Jennifer McMillan
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SheetMusicPlus
Composed by Hoagy Carmichael. Arranged by Jennifer McMillan. A Cappella. Octavo. 9 pages. Jennifer McMillan #4820997. Published by Jennifer McMillan ...
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Composed by Hoagy Carmichael. Arranged by Jennifer McMillan. A Cappella. Octavo. 9 pages. Jennifer McMillan #4820997. Published by Jennifer McMillan
$2.50
Miserere Mei, Deus
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Chorale SATB
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AVANCÉ
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Michael A
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it is extremely dramatic
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Miserere Mei, Deus
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Michael A. McKay
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SheetMusicPlus
Choral Choir (Mixed) - Level 5 - SKU: A0.1014330 Composed by Michael A. McKay. A Cappella,Contemporary. Octavo. 22 pages. Michael A. McKay #6088247. Pub...
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Choral Choir (Mixed) - Level 5 - SKU: A0.1014330 Composed by Michael A. McKay. A Cappella,Contemporary. Octavo. 22 pages. Michael A. McKay #6088247. Published by Michael A. McKay (A0.1014330). Miserere Mei, Deus is a setting of Psalm 51 for a cappella choir, but it is no motet. It is an expressionistic piece in the horror genre, at times creepy and unsettling, at times dark and violent; it is extremely dramatic.The piece was commissioned for a concert commemorating the late-Renaissance composer Carlo Gesualdo. In it, Gesualdo implores God to have mercy on him for his murdering his wife and her lover in flagrante. He recalls the brutal slaughter, recreated in operatic Sprechstimme by half of the choir, while the other half wails and moans, but as he begs for forgiveness, his own words to his wife come back to haunt him: Pieta?! Non avra la mia pieta! (Mercy?! You will have no mercy from me!). He whips himself furiously and sinks to the floor exhausted, murmuring the groans for forgiveness that opened the work. It is left unresolved whether he has received forgiveness. .
$1.99
The Saints of God (Downloadable)
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Chorale SATB
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AVANCÉ
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Andrew Carter
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The Saints of God
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir divisi, Organ - Difficult - SKU: MQ.50-6802-E Composed by Andrew Carter. All Saints/All Souls. 11 pages. MorningStar Music Publishers - Digit...
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SATB choir divisi, Organ - Difficult - SKU: MQ.50-6802-E Composed by Andrew Carter. All Saints/All Souls. 11 pages. MorningStar Music Publishers - Digital Sheet Music #50-6802-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-6802-E). A large-scale anthem for All Saints Celebrations. Andrew Carter sets a Thomas Traherne (1637-74) text in a way that is some times ethereal and at other times happy and majestic. The piece presents a musical challenge for singers that is well worth the work.
$2.65
O Light Divine
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Chorale SATB
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AVANCÉ
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Jonathan Thomas Madden
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O Light Divine
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Jonathan Thomas Madden
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.1382341 Composed by Jonathan Thomas Madden. 21st Century,Christian,Classical,Religious,Sacred. 7 p...
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Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.1382341 Composed by Jonathan Thomas Madden. 21st Century,Christian,Classical,Religious,Sacred. 7 pages. Jonathan Thomas Madden #966859. Published by Jonathan Thomas Madden (A0.1382341). This slow-evolving choral and organ setting of WIE SCHOEN LEUCHTET by Philip Nicolai is suitable for concert performances and the Epiphany season. Performers have the option of singing the text to either O Holy Spirit Enter In and O Morning Star, How Fair and Bright (both translated by Catherine Winkwork), making this piece also appropriate for other general times throughout the liturgical year.
$2.95
I'll Be Home For Christmas
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Chorale SATB
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AVANCÉ
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Jazz
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Rascal Flatts
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Mike Dana
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I'll Be Home For Christmas
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Mike Dana Music
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.977861 By Rascal Flatts. By Kim Gannon and Walter Kent. Arranged by Mike Dana. Jazz. Octavo. 4 pages. Mike Dana ...
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Choral Choir (SATB) - Level 5 - SKU: A0.977861 By Rascal Flatts. By Kim Gannon and Walter Kent. Arranged by Mike Dana. Jazz. Octavo. 4 pages. Mike Dana Music #5314685. Published by Mike Dana Music (A0.977861). This is a lush, harmonically rich arrangement of the Bing Crosby holiday classic. There are brief solos for tenor and alto, and and uplifting modulation before the final phrase. Rehearsal piano part included on score. Splits into 6 parts at times.
$3.50
A Capella Rhapsody in Blue for SSATB
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Chorale SATB
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AVANCÉ
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George Gershwin
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Ros Harling Page
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A Capella Rhapsody in Blue for
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Ros Harling Page
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.976561 Composed by George Gershwin. Arranged by Ros Harling Page. 20th Century,A Cappella,Contemporary,Ja...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.976561 Composed by George Gershwin. Arranged by Ros Harling Page. 20th Century,A Cappella,Contemporary,Jazz. Octavo. 35 pages. Ros Harling Page #6022059. Published by Ros Harling Page (A0.976561). A stunning showpiece for a really good SSATB choir, plus soprano soloist. Extremely enjoyable but also challenging to sing, A Capella Rhapsody contains some truly symphonic vocal textures, some gentle humour, and original lyrics which take the form of a conversation between soprano soloist and choir, and at times provide a musical analysis of the music. There is also some scat singing and some optional cameo solos when performing with a smaller choir. For massed choir performances, the soprano solo may require amplification.While an a capella version of a piece for piano and orchestra sounds like a preposterous proposal, live performance of this piece defies categorisation but packs an entirely positive punch. This piece is a delight to perform and a dramatic and exciting audience experience for any part of your choir's concert programme - but once you've heard it, you'll probably want to save it for the end of the concert! Listeners are left with the impression that they have heard the whole of the original work, somehow condensed into approx 8 minutes of choral magic!
$4.99
Hear My Prayer
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Chorale SATB
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AVANCÉ
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Christopher Aspaas
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Hear My Prayer
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Aspen Hill Music - Digital
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SheetMusicPlus
SATB choir a cappella - Difficult - SKU: MQ.AHM-12-E Composed by Christopher Aspaas. 12 pages. Aspen Hill Music - Digital #AHM-12-E. Published by Aspen ...
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SATB choir a cappella - Difficult - SKU: MQ.AHM-12-E Composed by Christopher Aspaas. 12 pages. Aspen Hill Music - Digital #AHM-12-E. Published by Aspen Hill Music - Digital (MQ.AHM-12-E). English. Psalm 39.With an opening melody that hearkens to Henry Purcell's touchstone setting, dissonant harmonies and metrical shifts take us in a very different direction. The discord of the piece seeks to emphasize the longing and need of one who feels unimportant, small, and like a stranger to God. The piece slowly builds several times, eventually reaching out with a tremendous crescendo followed by an unresolved plea, hear my cry..
$2.65
Dona Nobis Pacem (SATB)
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Chorale SATB
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AVANCÉ
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Curtis Hanson
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Dona Nobis Pacem
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.719511 Composed by Curtis Hanson. Sacred,World. Octavo. 12 pages. Curtis Hanson #2032679. Published by Curtis Ha...
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Choral Choir (SATB) - Level 5 - SKU: A0.719511 Composed by Curtis Hanson. Sacred,World. Octavo. 12 pages. Curtis Hanson #2032679. Published by Curtis Hanson (A0.719511). September 11, 2001 has had a profound affect on many people, not the least of which is the composer of this work. Written the month following the tragic events of 9/11, it is a reflection of the chaotic times in which we live. Dona Nobis Pacem (Grant Us Peace) is a prayer for peace to the loving God who is the God (or Allah, or Yahweh) of all people, that out of our current discord peace and harmony may come to all humanity. The work is in three sections (ABA) with a coda. The only text in the first three sections is a wailing Oh intoned by the choir. Throughout these sections the melody wanders in search of a harmonious resting point. In the B section the choir and strings part ways and resonate increased dissonance. The second A section exactly duplicates the first. The work concludes in the coda with the phrase Dona nobis pacem and an ever-increasing sense of harmonious repose. The listener may hear occasional reflections of Samuel Barber’s Adagio for Strings or Pavane for a Dead Princess by Maurice Ravel. Dona Nobis Pacem was premiered in May 2003 by the combined choirs of the John Duss Music Conservatory, Duluth MN, and Pilgrim Lutheran Church, Superior WI, under the direction of the composer. It is purely coincidental that there are 191 measures in the work......the numbers in the date of 9/11.
$2.50
TWELVE
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Robert Myers
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TWELVE
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WheatMyer Music
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.976724 Composed by Robert Myers. Christian,Contemporary,Jewish,Sacred. Octavo. 37 pages. WheatMyer Music #502197...
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Choral Choir (SATB) - Level 5 - SKU: A0.976724 Composed by Robert Myers. Christian,Contemporary,Jewish,Sacred. Octavo. 37 pages. WheatMyer Music #5021979. Published by WheatMyer Music (A0.976724). There are 150 psalms in the Bible, each one originally meant to be sung; and so they were for most of the last 3,000 years, beginning at the Jerusalem Temple. They were adopted as the primary song text of the early church as evidenced by Col. 3:16 and maintained in the Western church throughout medieval times. Psalms were the featured texts of most of the Reformers and were the sole mode of sacred singing among the first American settlers. Of late, hymns and choruses and popular songs with human texts have almost entirely replaced the singing of God’s word in many churches. This scarcity of Psalms in the Church’s song is a great loss which frequently compels me to do what I can to promote their increase.
$65.00
Gloria
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Arya Brahmantya Boga
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Gloria
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Arya Brahmantya Boga
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.493677 Composed by Arya Brahmantya Boga. Sacred. Octavo. 27 pages. Arya Brahmantya Boga #108542. Publishe...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.493677 Composed by Arya Brahmantya Boga. Sacred. Octavo. 27 pages. Arya Brahmantya Boga #108542. Published by Arya Brahmantya Boga (A0.493677). Second song of Mass of Hope, a mass created in times of pandemic. A rhytmical, joyful exultation on the beginning of the song which turns into a calm prayer in the middle, and a triumphant ending makes this double choir piece an exciting one to be performed on many occasions.
$1.99
Set No. 10 of Three Pieces
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Chorale SATB
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AVANCÉ
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Contemporain
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Charles Ives
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Stanley M Hoffman
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Set No. 10 of Three Pieces
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.1350508 Composed by Charles Ives. Arranged by Stanley M Hoffman. 20th Century,Classical. 12 pages....
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Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.1350508 Composed by Charles Ives. Arranged by Stanley M Hoffman. 20th Century,Classical. 12 pages. Stanleymhoffman.com #935320. Published by stanleymhoffman.com (A0.1350508). I have long had a fondness for the songs of Charles Ives whose music is in the Public Domain for the world as of 2024. Creating choral versions of some of them is inspired by the solo recordings made by Jan DeGaetani accompanied by Gilbert Kalish, and by the choral recordings made by The Gregg Smith Singers.That Ives composed over one hundred songs is no small feat. Though they vary in quality as does his entire oeuvre, some of them remain almost mystical to me in their quality and effect. Like a Sick Eagle and The Indians (renamed here to The Native Americans to match the current times) are two such songs.When arranging Like a Sick Eagle, I visited the website for the Charles Ives Society where I discovered that he grouped this song with The Indians under the master title Set No. 10 of Three Pieces with the song Luck and Work placed between them for contrast. I knew I could arrange the first and third songs for mixed chorus, but I also knew right away that the second song would be all but impossible to arrange for I was already familiar with it. So I included it in its original version and labeled it for Solo Voice or Unison Chorus and Piano.In creating these arrangements I hope to rekindle interest in Ives’ music and its possibilities. I also hope that you find these songs as moving as I do.—Stanley M. Hoffman—Set No. 10 of Three Pieces (Charles Ives [1874-1954]) - 1) Like a Sick Eagle, 2) Luck and Work, 3) The Native Americans (The Indians) arranged for SATB chorus (divisi) and piano - English - composed 1920-1921, arranged in 2021. NotePerformer 4 audio and scrolling score video in search of live performances.Arrangement: © Copyright 2021 by Stanley M. Hoffman.  www.stanleymhoffman.com  All rights reserved.
$2.25
Carson Cooman: "Eternitie" from "The Revelations of Divine Love (Metaphors from Sea and Sky)" for SA
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Chorale SATB
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: "Eternitie
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535383 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 3 pages. Musik Fabrik Music Publishing #3025405. ...
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Choral Choir (SATB) - Level 5 - SKU: A0.535383 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 3 pages. Musik Fabrik Music Publishing #3025405. Published by Musik Fabrik Music Publishing (A0.535383). Eternitie is a poem by Robert Herrick, representing the sea. In the completeOratorio, this chorus is associated with Sankaty Bluff’ on Nantucket Island.Because of its height, Sankaty Bluff’s view of the ocean is one of the island’smost beautiful, showing well the sense of vast Eternitie that is the endless sea.O Yeares! And Age! Farewell:Behold I go,Where I do knowInfinitie to dwell.And these mine eyes shall seeAll times, how theyAre lost i’th’SeaOf vast Eternitie.Where never moon shall swayThe Starres; but she,And night, shall be.Drown’d in one endlesse Day.Robert Herrick
$1.99
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
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Chorale SATB
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AVANCÉ
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #...
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Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
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Chorale SATB
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AVANCÉ
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #...
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Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
I Fly to You
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Chorale SATB
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AVANCÉ
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New Age
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Contemporain
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Michael A
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I Fly to You
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Michael A. McKay
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.1014323 Composed by Michael A. McKay. 20th Century,A Cappella,Contemporary,New Age. Octavo. 20 pages. Mic...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.1014323 Composed by Michael A. McKay. 20th Century,A Cappella,Contemporary,New Age. Octavo. 20 pages. Michael A. McKay #6080903. Published by Michael A. McKay (A0.1014323). I Fly to You is a setting of part of Alexander Scriabin's poem for The Prefatory Action. The Russian text is an esoteric hymn to the spiritual union of opposites, the soul of alchemy. The music is dramatic: sometimes foreboding, sometimes erotic, sometimes triumphant, even ecstatic. It is a challenging, but impactful work.See the video sample for a complete view of the score.
$1.99
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
Madrigal Book (for unaccompanied choir in up to 12 parts)
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Chorale SATB
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AVANCÉ
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Alan Bullard
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Madrigal Book
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Colne Edition / BullardMusic
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.1089116 Composed by Alan Bullard. A Cappella,Classical,Contemporary. Octavo. 24 pages. Colne Edition / Bu...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.1089116 Composed by Alan Bullard. A Cappella,Classical,Contemporary. Octavo. 24 pages. Colne Edition / BullardMusic #693333. Published by Colne Edition / BullardMusic (A0.1089116). Madrigal Book contains four virtuosic and exciting settings of sixteenth-century texts for unaccompanied choir. The four movements are 1. The lowest trees have tops (Sir Edward Dyer) 2. Hot sun, cool fire (George Peele) 3. Fire, fire! (Thomas Campion) 4. Come, heavy sleep (Anon.) The first poem sings of the richness, but sometimes the incompatibility, of love, and the second is the mysterious song of Bathsheba, mother of Solomon and alleged seductress of David. The third song portrays the scorching pain of love, which all the oceans of the world cannot quench, and finally the heart-broken lover takes refuge in sleep, ‘the image of true death’ Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$3.99
Ferry 'cross The Mersey
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Chorale SATB
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AVANCÉ
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Contemporain
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Gerry & the Pacemakers
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Liz Garnett
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Ferry 'cross The Mersey
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Liz Garnett
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.856238 By Gerry & the Pacemakers. By Gerard Marsden. Arranged by Liz Garnett. Contemporary. Octavo. 7 pag...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.856238 By Gerry & the Pacemakers. By Gerard Marsden. Arranged by Liz Garnett. Contemporary. Octavo. 7 pages. Liz Garnett #5194733. Published by Liz Garnett (A0.856238). This 8-part arrangement is inspired by the versions by Frankie Goes to Hollywood and Pat Metheny, the first of which uses a wash of sound to create an eery and magical atmosphere, while the second explores rich re-harmonisations of the well-known tune. (Well, I say well-known, but I had never actually heard Gerry and the Pacemakers' original until I started this chart. But I realise I'm sometimes a bit behind the curve on things like knowing music...)
$3.49
Gloria from Missa Aedis Christi (Downloadable)
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Chorale SATB
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AVANCÉ
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Howard Goodall
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Gloria from Missa Aedis Christ
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir divisi and organ - Difficult - SKU: MQ.56-0073-E Composed by Howard Goodall. Instrument parts. 22 pages. Duration 5 minutes, 30 seconds. Morn...
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SATB choir divisi and organ - Difficult - SKU: MQ.56-0073-E Composed by Howard Goodall. Instrument parts. 22 pages. Duration 5 minutes, 30 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0073-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0073-E). Latin.This mass setting was commissioned by the Friends of Christ Church Cathedral, Oxford and first performed on Ascension Sunday, 1994. Suitable for both church and concert use, the music is both lyrical and dramatic. The “Gloria†is set for SATB divisi (all parts divide) in a quick and rhythmic mixed meter. The movement begins with a sort of call and response where Choir 1 states a motif and Choir 2 responds with the same motif (sometimes at a different pitch level.) A soloist begins the middle section, Piu Allegro (“Qui tollisâ€) and the first material returns, but in unison this time, at “Jesu Christe.†Duration 5:30.
$3.70
Spirituals
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Chorale SATB
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AVANCÉ
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Werner Jung-Faber
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Spirituals
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) with 2 soloists (SS) - advanced - SKU: S9.Q9025 Sometimes I feel like a motherless child. Composed by Werner Jung-Faber. This ...
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Mixed choir (SATB) with 2 soloists (SS) - advanced - SKU: S9.Q9025 Sometimes I feel like a motherless child. Composed by Werner Jung-Faber. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 2 minutes. Schott Music - Digital #Q9025. Published by Schott Music - Digital (S9.Q9025). English.
$3.99
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