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Chorale SATB
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Diffusa est gratia - SATB choir
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082352 Composed by Erik S…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082352 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Octavo. 4 pages. Erik Spangler #686504. Published by Erik Spangler (A0.1082352). Commissioned by Allen Buskirk for the Mount Calvary Choir, Baltimore, MD. “Diffusa est gratia / Senex puerum portabatâ€Â combines two liturgical texts associated with the feast of Candlemas. The first, “Diffusa est gratia is from Psalm 44:3 and ascribes to Mary a fullness of grace that is a common theme in Marian feasts. The second, Senex puerum portabat,†is more particularly relevant to the story of the infant Jesus and the ancient holy man Simeon found in today’s gospel. Singing two texts within one piece was common in Medieval music, where the interest lay on the juxtaposition of the texts and the interplay between them. Erik’s setting is influenced by both late Medieval and Renaissance choral styles. Each singer has long flowing lines that combine in duets, trios, and full quartet, yielding a variety of textures. Dissonant intervals are treated freely as was common in the late Medieval period before the tight control of the high Renaissance style. This expanded palette allows for more modern harmony that shifts in and out and resolves into consonant intervals at the end of phrases. Rhythmic syncopation and complexity were highly valued in the late Medieval style as they are again today; here they provide forward momentum. Together, these elements define a sensibility that is both ancient and new, influenced by practices of composers from the 14th and 15th centuries as well as more modern composers such as Moondog and Meredith Monk.
$6.00
5.51 €
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Chorale SATB
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Erik Spangler
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Diffusa est gratia - SATB choir
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Erik Spangler
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SheetMusicPlus
A Common Phrase
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1211157 Composed by Bouche…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1211157 Composed by Boucher (b. 1994). Baroque,Renaissance. Octavo. 3 pages. Mitch Boucher #808856. Published by Mitch Boucher (A0.1211157). This piece was requested by a client in early 2023, and is a cross between Renaissance and Baroque writing. The text translates to 'the ax forgets but the tree remembers.'.
$19.99
18.34 €
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Chorale SATB
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Boucher
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A Common Phrase
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Mitch Boucher
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SheetMusicPlus
The Burning Babe
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.887974 Composed by Graham …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.887974 Composed by Graham Yates. Christmas,Contemporary. Octavo. 16 pages. Graham Yates #5957557. Published by Graham Yates (A0.887974). For SATB choir, Tenor soloist, piano accompaniment and musical spoons (or aux. percussion).Of all the self-indulgent ecstatic Renaissance poems... this one must be the worst/best. The writer, a member of the Society of Jesus (Jesuits), imagines a literal Christ baby in the woods who is at one moment frying with fire and at the next melting into a pool to wash the sins of the world (or assuage the guilt of the narrator). Only at this moment does the narrator realize that it is Christmas day and the reader is left to ponder their devotional obligation to the poor. Apart from being a monumental target for parody, the text demanded to be set to gothic Halloweeny music. Expect unrepentant stealing from Gesu bambino and a nod to Handel’s French overture style. (Feel free to double-dot this section if you so desire.) There is also an Afro-cuban montuno piano solo whilst the baby Jesus burns. Because of course there is.
$2.99
2.74 €
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Chorale SATB
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Graham Yates
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The Burning Babe
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Graham Yates
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SheetMusicPlus
Missa Sanctae Mariae Virginis
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1027605 Composed by James …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1027605 Composed by James Kennerley. Christian,Christmas,Contemporary,Sacred. Octavo. 30 pages. James Kennerley #2119771. Published by James Kennerley (A0.1027605). The Missa Sanctae Mariae Virginis – literally Mass of Saint Mary the Virgin – was composed for the Episcopal church of Saint Mary the Virgin, New York City, where the composer was Music Director & Organist from 2008 to 2013. The Kyrie was composed in 2016. The title makes reference to the name of the church, but also makes reference to the principal source of inspiration: two ancient plainsong melodies that accompany Marian texts (Salve regina and Ave maris stella). The Mass is composed in a vain that is influenced by the great parody Masses of Renaissance masters Palestrina, Lassus, and others. Nods are also made to the twentieth century, and particularly to the music of Herbert Howells and the Anglican tradition, and also to Jean Langlais, Olivier Messiaen, and similar French musical trends. It features a wide range of moods, from scintillating and exotic harmonies to thrilling rhythmic passages. The work is composed for 8-part choir with solo sections for additional voices from within the choir. The Mass can be performed complete as part of a church service. Likewise, any of the movements will work as independent compositions which makes them suitable for concert performance. Please visit www.jameskennerley.com for complete biographical information and for links to recorded performances of this work.
$4.49
4.12 €
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Chorale SATB
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James Kennerley
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Missa Sanctae Mariae Virginis
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James Kennerley
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SheetMusicPlus
Veni Sancte Spiritus - SATB choir
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082626 Composed by Erik S…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082626 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Octavo. 6 pages. Erik Spangler #686838. Published by Erik Spangler (A0.1082626). Commissioned by Allen Buskirk for the Mount Calvary Choir, Baltimore, MD. While searching for liturgical texts associated with Pentecost, I was immediately drawn to the sequence of Veni Sancte Spiritus as an invocation of all the divine qualities that are recognized across the world’s major religions. I was particularly moved by a recording of the Gregorian chant on this text, in which groups of three phrases alternate between low and high voices. I began my own setting of the sequence by adapting many of the Gregorian chant phrases, from memory and with varying degrees of similarity to the original melody, passing them through different modal colors. I followed a similar pattern of formal alternation between high and low voices, while expanding each phrase of the chant into a two-part texture. Elements of both Late Medieval and Renaissance counterpoint are adopted in combination with more Eastern-influenced heterophony, in which two voices follow the same melodic outline with individual variations and ornamentation. As the piece progresses, overlapping duos expand into three-part and finally four-part texture. I aim to evoke a sense of connection with ancient ritual and musical forms, alongside a more modern harmonic gravity that favors certain dissonances in relationship to unisons, fifths and other “perfect†intervals.
$6.00
5.51 €
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Chorale SATB
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Erik Spangler
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Veni Sancte Spiritus - SATB choir
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Erik Spangler
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SheetMusicPlus
Four Elizabethan Songs About Love (2016-2018)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1194118 Composed by Colin …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1194118 Composed by Colin Eatock. A Cappella,Classical,Contemporary,Early Music,Renaissance. Octavo. 58 pages. Colin Eatock Music #793552. Published by Colin Eatock Music (A0.1194118). Four movements; a cappella SATB choir or quartet; ca. 9 min.The composer writes: I almost titled this work “Four Elizabethan Love Songs.†However, while such a title might be appropriate for a group of songs about the joys of loving relationships, the texts I have chosen do not all fit that mould. Of the four, only Christopher Marlowe’s seductive “The Passionate Shepherd to His Love†and Shakespeare’s wise and insightful Sonnet 116 address requited love. On the other hand, John Donne’s “The Message†is a “hate-songâ€, an angry poem about love gone wrong, bursting with bitter recriminations. And Elizabeth I’s “When I Was Fair and Young,†is wistful and full of regret: the Queen realizes that her own youthful pride has obstructed her opportunities for happiness. Together, these poems offer four dramatically contrasting views about love.
$4.99
4.58 €
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Chorale SATB
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Colin Eatock
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Four Elizabethan Songs About Love
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Colin Eatock Music
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SheetMusicPlus
Missa Millennia in Honor of St. Francis (SATB)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719523 Composed by Curtis …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curtis Hanson (A0.719523). The Missa Millennia was composed during the spring of 2000 and premiered the following November by the choirs of the John Duss Music Conservatory, Duluth, MN. Scored for a chamber orchestra of strings, keyboard, and solo oboe (full score and instrumental parts available separately), the work is not so much a celebration of the new millennium as it is an assimilation of many of the musical styles, characteristics, and forms of the previous thousand years. The entire piece is in the form of the traditional Mass, a musical form having its origins in the Middle Ages, and is divided into the five movements commonly found in the Mass Ordinary: Kyrie (Lord, have mercy), Gloria (Glory to God in the highest), Credo (the Nicene Creed), Sanctus – Benedictus (Holy, holy, holy – Blessed is he who comes in the name of the Lord), and Agnus Dei (Lamb of God). In the final movement, the Prayer of St. Francis of Assisi (Lord, make me an instrument of thy peace) concludes the work. Although the Missa Millennia as a whole is distinctly contemporary, elements from many earlier musical periods are incorporated into the movements. These include chant, open fifth and parallel fifth harmonic movement (organum), and canonic imitation from the Middle Ages and Renaissance; fugue, word-painting, terraced dynamics, ostinato (a repeated rhythmic or bass accompaniment), Alberti bass accompaniment figures, ABA form, and dominant-tonic harmonic relationships typical of Baroque and Classical music to name but a few. Other significant features are the usage of non-Western modality in the plaintive solo oboe and of pedal point, a sustained tone in the bass over which the melody and harmony evolve. Pedal point, a compositional tool used throughout music history, dates from the Middle Ages about the time of St. Francis. Although not directly based upon the music of any composer, the astute listener may hear musical ideas reminiscent of Vivaldi, Vaughan Williams, Respighi, Duruflé, and others. In the audio file, the 2nd movement (Gloria) can be found at approximately 6'25, the 3rd movement (Credo) at 12'05, the 4th movement (Sanctus) at 21'15, and the final movement (Agnus Dei) at 31'05. The complete Mass is approximately 43 minutes long.
$10.00
9.18 €
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Chorale SATB
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Curtis Hanson
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Missa Millennia in Honor of St. Francis
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Curtis Hanson
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SheetMusicPlus
Miserere Mei, Deus
Chorale SATB
Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.1014330 Composed by Micha…
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Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.1014330 Composed by Michael A. McKay. A Cappella,Contemporary. Octavo. 22 pages. Michael A. McKay #6088247. Published by Michael A. McKay (A0.1014330). Miserere Mei, Deus is a setting of Psalm 51 for a cappella choir, but it is no motet. It is an expressionistic piece in the horror genre, at times creepy and unsettling, at times dark and violent; it is extremely dramatic.The piece was commissioned for a concert commemorating the late-Renaissance composer Carlo Gesualdo. In it, Gesualdo implores God to have mercy on him for his murdering his wife and her lover in flagrante. He recalls the brutal slaughter, recreated in operatic Sprechstimme by half of the choir, while the other half wails and moans, but as he begs for forgiveness, his own words to his wife come back to haunt him: Pieta?! Non avra la mia pieta! (Mercy?! You will have no mercy from me!). He whips himself furiously and sinks to the floor exhausted, murmuring the groans for forgiveness that opened the work. It is left unresolved whether he has received forgiveness. .
$1.99
1.83 €
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Chorale SATB
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Michael A
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it is extremely dramatic
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Miserere Mei, Deus
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Michael A. McKay
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SheetMusicPlus
Magnificat
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.990476 Composed by Mitch B…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.990476 Composed by Mitch Boucher. Baroque,Sacred. Octavo. 10 pages. Mitch Boucher #5789371. Published by Mitch Boucher (A0.990476). This is my Magnificat, which was written in an attempt to understand old Renaissance music.
$30.00
27.53 €
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Chorale SATB
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Mitch Boucher
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Magnificat
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Mitch Boucher
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SheetMusicPlus
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