Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Working Man
Non classifié
30
Piano & claviers
Piano seul
11
Accordéon
2
Piano, Voix
2
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 4 mains
1
Guitares
Guitare
1
Guitare notes et tablatures
1
Voix
Voix Soprano, Piano
8
Chorale SATB
3
Voix Baryton, Piano
1
Voix Alto, Piano
1
Chorale SSAA
1
Vents
Quintette de Saxophone: 5 saxophones
6
Ensemble de Clarinettes
3
Quintette de Flûte : 5 flûtes
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Ensemble de Flûtes
1
Saxophone Alto et Piano
1
Flûte traversière
1
+ 2 instrumentations
Retracter
Cuivres
Ensemble de Trombones
3
Euphonium, Piano (duo)
2
Ensemble de Trompettes
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette
2
Quatuor de cuivres: 4 trombones
2
Tuba et Piano
1
3 Euphoniums
1
Trombone
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Trompette, Piano
1
Trombone et Piano
1
Cor et Piano
1
3 Trombones (trio)
1
+ 9 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
11
Ensemble d'Altos
2
Violon et Piano
1
Ensemble de Violons
1
Orchestre & Percussions
Orchestre
3
Ensemble Jazz
2
Orchestre d'harmonie
2
Ensemble de cuivres
2
Orchestre de chambre
1
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
3
Librairie Musicale
0
Matériel de Musique
607
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Working Man
expert
Chorale SATB
Partitions à imprimer
3 partitions trouvées
<
1
Missa Solemnis, op. 27 (vocal score)
#
Chorale SATB
#
AVANCÉ
#
Adrian Gagiu
#
Missa Solemnis, op. 27
#
Adrian Gagiu
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
(+)
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
The City in the Sea
#
Chorale SATB
#
AVANCÉ
#
Contemporain
#
Stanley M
#
The City in the Sea
#
stanleymhoffman.com
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.924812 Composed by Stanley M. Hoffman. Contemporary. Octavo. 20 pages. Stanleymhoffman.com #3911795. Published b...
(+)
Choral Choir (SATB) - Level 5 - SKU: A0.924812 Composed by Stanley M. Hoffman. Contemporary. Octavo. 20 pages. Stanleymhoffman.com #3911795. Published by stanleymhoffman.com (A0.924812). This setting of The City in the Sea by Edgar Allan Poe (1809–1849) for soloists and SATB chorus (divisi) is an unaccompanied version of composer's long-planned magnum opus, a secular one-movement cantata for soloists, chorus, and orchestra, on which he has been working since the 1990s. He extracted the choruses and provided musical bridges to link them. The musical language is unabashedly chromatic, but is frequently dominated by triadic harmonies and doubled octaves. The effect is positively hair-raising. For advanced choirs. Duration: 6:40.
$2.80
Loquebantur, -bantur, -bantur
#
Chorale SATB
#
AVANCÉ
#
the end, the joyful combinatio
#
Thomas Tallis
#
John Ross
#
Loquebantur, -bantur, -bantur
#
John Ross
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1402556 Composed by Thomas Tallis. Arranged by John Ross. 21st Century,A Cappella,Religious,R...
(+)
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1402556 Composed by Thomas Tallis. Arranged by John Ross. 21st Century,A Cappella,Religious,Renaissance,Sacred. 45 pages. John Ross #985777. Published by John Ross (A0.1402556). “Loquebantur, -bantur, -bantur†is based on 'Loquebantur variis linguis' by Thomas Tallis. The words are from the responsory for 1st Vespers at Pentecost and tell of the Apostles beginning to speak in many tongues, proclaiming the great works of God. In this reworking, vocal parts gradually move away from the Tallis original, taking musical ideas from the soprano saxophone part and “speaking in tonguesâ€. The opening interplay between sax and solo tenor uses notes from the Intonation, creating the “-bantur, -bantur†figure which gives this arrangement its title. As the piece proceeds individual vocal lines gradually speak in the tongues suggested by the sax. By the end, the joyful combination of many musical ideas is crowned by the ecstatic saxophone part. The “tongues†ideas are shown in the score by added phrasing and by using lyrics in italics. These fragments should be sung a little more prominently, allowing them to pop out above the overall texture. An additional tenor line has been added, making the piece’s scoring SSAATTBB plus saxophone.
$1.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Working Man
