English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
a Classical
Non classifié
1 292
Piano & claviers
Piano seul
915
Piano, Voix
167
Orgue
47
2 Pianos, 4 mains
24
Piano, Voix et Guitare
23
Piano Trio: piano, violon, violoncelle
19
1 Piano, 4 mains
17
Clavecin
9
Instruments en Do
8
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano Facile
4
Clavier
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Accordéon
2
Orgue, Trompette (duo)
2
Orgue, Piano (duo)
2
Accompagnement Piano
1
2 Pianos, 8 mains
1
1 Piano, 6 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 15 instrumentations
Retracter
Guitares
Guitare
156
Guitare notes et tablatures
54
2 Guitares (duo)
16
Ukulele
10
Basse electrique
4
Mandoline
3
Paroles et Accords
2
Ensemble de guitares
2
Banjo
2
4 Guitares (Quatuor)
2
Piano, Guitare (duo)
1
Mandoline, Piano (duo)
1
Orchestre à Plectres
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
100
Voix Soprano, Piano
13
Voix haute
13
Chorale SSAA
12
Voix basse, Piano
8
Chorale TTBB
6
Voix Baryton, Piano
5
Chorale 3 parties
5
Chorale 2 parties
5
Voix Alto, Piano
4
Voix Tenor, Piano
4
Voix duo, Piano
2
Voix duo
2
Voix moyenne, Piano
2
Chorale
1
Voix seule
1
+ 11 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
61
Flûte traversière et Piano
43
Quatuor de Clarinettes: 4 clarinettes
41
Quatuor de Saxophones: 4 saxophones
37
Flûte traversière
34
Clarinette
33
2 Flûtes traversières (duo)
27
Flûte, Hautbois, Clarinette, Basson
21
Clarinette et Piano
21
Saxophone Alto et Piano
17
Hautbois (partie séparée)
16
Ensemble de Clarinettes
15
Saxophone Soprano et Piano
15
Quatuor de Flûtes : 4 flûtes
12
Hautbois, Piano (duo)
11
2 Saxophones (duo)
11
Saxophone Alto
11
Flûte et Guitare
10
2 Clarinettes (duo)
8
3 Clarinettes (trio)
6
Flûte, Violon, Piano
5
Flute (partie séparée)
5
Ensemble de saxophones
5
Quintette de Saxophone: 5 saxophones
5
Saxophone Tenor et Piano
5
Saxophone Baryton, Piano
4
Ensemble de Flûtes
4
Quintette de Clarinettes: 5 clarinettes
4
Saxophone Tenor
3
Harmonica
3
Cor anglais, Piano
3
Saxophone (partie séparée)
3
Ocarina
2
Saxophone Baryton
2
Trio de Flûtes: 3 flûtes
2
3 Saxophones (trio)
2
2 Hautbois (duo)
2
Flûte, Violon
2
Saxophone Soprano
2
Cor Anglais
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Clarinette et Basson
2
Clarinette Basse, Piano
2
Saxophone
2
Hautbois
2
Quatuor de Flûtes à bec
2
Flûte, Violoncelle, Piano (trio)
1
Flûte, Saxophone (duo)
1
Flûte à Bec
1
Flûte, Hautbois (duo)
1
Flûte à bec Tenor
1
Flûte, Alto et Piano
1
Flûte, Violoncelle
1
Quintette de Flûte : 5 flûtes
1
Flûte, Hautbois, Basson
1
2 Flûte à bec (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone et Orgue
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte à bec Alto, Piano
1
Clarinette Basse
1
Flûte, Hautbois, Piano (trio)
1
Saxophone et Guitare
1
Saxophone et violoncelle
1
Flûte, Clarinette (duo)
1
Flûte traversière, Orchestre
1
Clarinette, Violoncelle (duo)
1
Clarinette, Basson (duo)
1
Piccolo
1
+ 64 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
143
Trombone et Piano
47
Cor
32
Ensemble de Trombones
30
Quatuor de Cuivres : 2 trompettes, trombone, tuba
24
Trompette
23
Trompette, Piano
22
Euphonium, Piano (duo)
21
Tuba et Piano
20
Quatuor de cuivres: 4 trombones
15
2 Cors (duo)
14
Cor et Piano
11
2 Trompettes (duo)
9
Trombone
8
Trombone basse
8
2 Trombones (duo)
8
Quatuor de Cuivres
7
Trompette (partie séparée)
6
Tuba
6
Euphonium
4
Quatuor de cuivres: 4 cors
4
Trompette, violon (duo)
3
Ensemble de Cors
3
Trombone basse et Piano
3
2 Tubas (duo)
3
3 Trombones (trio)
3
Cor anglais, Piano
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone, Orgue
2
Trombone (partie séparée)
2
Cor Anglais
2
4 Tubas
2
Quatuor de cuivres: 4 trompettes
2
3 Euphoniums
2
2 Euphoniums et 2 Tubas
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone et orchestre
1
3 Tubas (trio)
1
+ 33 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
179
Violon
83
Violon et Piano
75
Violoncelle, Piano
46
Trio à Cordes: violon, alto, violoncelle
39
Violoncelle
38
Alto, Piano
29
2 Violons (duo)
25
Harpe
24
Violon, Violoncelle (duo)
22
Alto seul
22
Violon, Alto (duo)
15
2 Violoncelles (duo)
12
Violon, Guitare (duo)
9
Contre Basse
7
Alto, Violoncelle (duo)
6
Contrebasse, Piano (duo)
5
2 Altos (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Alto (partie séparée)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Violoncelle, Contrebasse (duo)
3
Violon (partie séparée)
3
Harpe, Flûte (duo)
3
Quatuor à cordes : 4 altos
3
Trio à cordes: 3 violins
3
4 Contrebasses
3
Trio à Cordes: 2 violons, alto
3
Violoncelle, Orchestre
1
Ensemble de Violoncelles
1
Alto et Harpe
1
Alto, Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Violon, Violoncelle
1
Violoncelle, Orgue
1
Violoncelle , Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
4 Harpes
1
Trio à Cordes: 3 violoncelles
1
Harpe, Violon (duo)
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre
221
Orchestre d'harmonie
144
Orchestre à Cordes
80
Orchestre de chambre
69
Ensemble de cuivres
46
Ensemble Jazz
17
Jazz combo
13
Cloches
5
Vibraphone
3
Fanfare
3
Batterie
2
Marimba
2
Piano et Orchestre
2
Ensemble de Percussions
2
Orchestre, Violon
1
Quintette de Cuivres: autres combinaisons
1
+ 11 instrumentations
Retracter
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ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Chorale SATB
Partitions à imprimer
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Beowulf: A Classical Melodrama in Four Scenes for Chorus, Soiloists and Piano
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.939813 Composed by Richard…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.939813 Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 139 pages. Richard St. Clair #4760561. Published by Richard St. Clair (A0.939813). This work, running over 50 minutes performance time, is a dramatic presentation of the Beowulf epic from Medieval England. The action is compelling throughout, with prominent solo and full chorus passages. The Audio Clip presents the complete Overture and highlights from Scene 1 and the battle with Grendel and the joyful conclusion of Scene 4. This work is not intended for stage production, but with imagination it could be presented on stage. Rather, the concept is for concert performance. The Score, 139 pages long, is the complete piano-vocal score.
$100.00
92.19 €
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Chorale SATB
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Richard St
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Beowulf: A Classical Melodrama in Four Scenes for Chorus, Soiloists and Piano
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Richard St. Clair
#
SheetMusicPlus
A Year in a Day (Choral Suite for SSAATTBB unaccompanied)
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1086990 Composed by…
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1086990 Composed by Alan Bullard. A Cappella,Classical,Contemporary. Octavo. 51 pages. Colne Edition / BullardMusic #691185. Published by Colne Edition / BullardMusic (A0.1086990). A Year in a Day, for SSAATTBB unaccompanied. Duration c.16 minutes The five movements of 'A Year in a Day' bring a wide range of colour and texture to the various seasons, and treat fragments of text in an almost symphonic way, by turns gentle and expressive, humorous, and excitingly forceful. 1. Winter Dawn (lines from Tennyson's In Memoriam) 2. Spring Morning (one line from Gerard Manley Hopkins' Spring) 3. Summer Afternoon (anonymous lines) 4. Autumn Twilight (lines from William Watson's Autumn, and from Robert Bridges' November) 5. Winter Night (Emily Bronte: The night is darkening round me) Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a growing reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$3.99
3.68 €
#
Chorale SATB
#
Alan Bullard
#
A Year in a Day
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Colne Edition / BullardMusic
#
SheetMusicPlus
I Am the Stillness in a Troubled World—SATB A Cappella Choir
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1278014 By Daniel Carter. …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1278014 By Daniel Carter. By Daniel Carter. Arranged by Daniel Carter. 21st Century,A Cappella,Chamber,Classical,Sacred. Octavo. 3 pages. Daniel Carter #869715. Published by Daniel Carter (A0.1278014). In a world of confusion, chaos, and turmoil we often ask ourselves where are safety and peace found. This hymn-like anthem for a cappella choir offers a spiritual affirmation that helps connect us with the Divine allowing us to create safety and peace within ourselves and for others. For advanced choir with soaring lines and moving parts for all voices, especially for sopranos and tenors. (Top note for sopranos is G5. The top note for tenors is A3.) Suitable for worship and concert settings, filling both sacred and secular programming needs.
$1.99
1.83 €
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Chorale SATB
#
Daniel Carter
#
Daniel Carter
#
I Am the Stillness in a Troubled World—SATB A Cappella Choir
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Daniel Carter
#
SheetMusicPlus
A Rose Leaf
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1492366…
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1492366 Composed by William Hawley. Classical,Contemporary. 7 pages. William Hawley #1069037. Published by William Hawley (A0.1492366). This is the score of William Hawley's A Rose Leaf, for a cappella SSAATTBB Voices, Setting a text by John Keats. The score contains a piano reduction for rehearsal. The Audio Sample is the complete Composer's Demo recording. Performance duration: 2.5 minutes,. ASCAP https://williamhawley.net.
$3.99
3.68 €
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Chorale SATB
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William Hawley
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A Rose Leaf
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William Hawley
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SheetMusicPlus
The A Cappella Mass
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1049496 Comp…
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Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1049496 Composed by David Heck, Jr. 20th Century,A Cappella,Classical,Contemporary,Sacred. 53 pages. What the Heck Press #653851. Published by What the Heck Press (A0.1049496). This is the full version of the A Cappella Mass. It includes all movements - Kyrie Eleison, Gloria, Credo, Sanctus, Benedictus, and Agnus Dei. A full recording of each individual movement of the mass is available with the single title listings. The YouTube link included here is a live performance of the Sanctus..
$6.95
6.41 €
#
Chorale SATB
#
David Heck, Jr
#
The A Cappella Mass
#
What the Heck Press
#
SheetMusicPlus
I'll Make A Man Out Of You
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.491761 Composed by …
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.491761 Composed by David Zippel and Matthew Wilder. Arranged by Deke Sharon. A Cappella,Children,Classical,Film/TV,Pop. Octavo. 11 pages. Deke Sharon #107307. Published by Deke Sharon (A0.491761). As performed by DCappella and Jonathan Antoine on PBS.
$1.99
1.83 €
#
Chorale SATB
#
David Zippel and Matthew Wilder
#
Deke Sharon
#
I'll Make A Man Out Of You
#
Deke Sharon
#
SheetMusicPlus
A Time Of Peace
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1252913 Composed by…
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1252913 Composed by Nicholas White. 21st Century,Classical,Sacred. Octavo. 24 pages. Nicholas White Music #846689. Published by Nicholas White Music (A0.1252913). Commissioned by Chorus Abilene, in celebration of their 25th Anniversary.
$3.00
2.77 €
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Chorale SATB
#
Nicholas White
#
A Time Of Peace
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Nicholas White Music
#
SheetMusicPlus
Tenebrae factae sunt
Chorale SATB
Mixed choir a cappella - advanced - Digital Download SKU: S9.Q18564 Motet. C…
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Mixed choir a cappella - advanced - Digital Download SKU: S9.Q18564 Motet. Composed by Raquel Cristobal. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Schott Music - Digital #Q18564. Published by Schott Music - Digital (S9.Q18564). Latin.Musical setting of a classical text from the responsories of the Holy Week. The dark sonority of the piece represents the mysterious atmosphere of the text.
$2.99
2.76 €
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Chorale SATB
#
Raquel Cristobal
#
Tenebrae factae sunt
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Schott Music - Digital
#
SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
23.92 €
#
Chorale SATB
#
Carson Cooman
#
Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
18.39 €
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Chorale SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
81.12 €
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Chorale SATB
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Cantata No. 1 Psalm 139 The Lord Has Known Me
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1441952 By Kev…
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Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1441952 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. 21st Century,Contemporary,Religious,Spiritual. 38 pages. Kevin Longley #1021944. Published by Kevin Longley (A0.1441952). The InspirationIn 2023 I decided to review a piece I had composed in 1990 to honor a friend I was singing with in a choral group at that time; Charles Munion. He never heard the piece as I felt the classical contemporary style would be a bit much for his ears! Beyond that I don't have allot of recollection as to the inspiration or what my thoughts were at the time of the composition. In regards to the revision, I added additional music to the third movement in order to balance out the movements and reworked some of the choral voicing.The MusicWritten in a contemporary classical style it follows the classic structure of 3 movements: First movement – brisk, loud forceful in nature Second movement – slow and lyrical Third movement – light and quick but with a forceful ending While in a contemporary style, at heart it maintains tonal centers throughout. While there is a few brief moments where I can here a little Bartok, as a whole I would say this piece is unique in regards to its style.
$1.99
1.83 €
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Chorale SATB
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Kevin Longley
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Kevin Longley
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Charles Munion
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Cantata No. 1 Psalm 139 The Lord Has Known Me
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Kevin Longley
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SheetMusicPlus
Gloria
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1169297 By Sam Smith. By F…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1169297 By Sam Smith. By Foy Vance and Samuel Frederick Smith. Arranged by Whitney Lussier. A Cappella,Classical,Contemporary,Pop. Octavo. 5 pages. Rosesong Music #769651. Published by Rosesong Music (A0.1169297). An arrangement of Sam Smith's classical/gospel mashup, Gloria from their 2023 album Gloria. Described by Smith as their queer love hymn, this song takes listeners on a two minute emotional journey from pensive doubt to realization and exuberant self-acceptance.This a cappella arrangement is in the original key and is a near-transcription of the original SATB choral parts, combining elements of Smith's live performances and the recorded album version.  Can be performed with or without a soloist!Please note this is an advanced arrangement due to range demands. Follow the link for a slightly modified version in a friendlier key: Gloria SATB (Lower Key)
$1.99
1.83 €
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Chorale SATB
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Sam Smith
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Whitney Lussier
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Gloria
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Rosesong Music
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SheetMusicPlus
DSCHbags vs. BACHstards
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1178563 Composed by…
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1178563 Composed by Sally Whitwell. Chamber,Classical,Comedy,Contemporary. Octavo. 12 pages. Sally Whitwell #778526. Published by Sally Whitwell (A0.1178563). DSCHbags vs. BACHstards was inspired by a tweet I saw once (can't remember whose) offering the world a new word 'DSCHbag' to describe classical composers who are self-obsessed enough to need to include their musical signnature in every piece they write. My quick witted friend Peter J Casey replied with 'What a BACHstard' and this a cappella work was born.Don't think I don't like Shostakovich and bach. I really them and their musical signature thing is genuinely really clever, but I can't help but liked this habit to rapper who insist on yelling their own names in their songs. That is just plainn annoying.Performance note: The singers should be arranged in two SATB quartets that are mirror images of one another, so that singers may aim each motif directly to the face of their counterpart, like a weapon of sorts, laser beams for eyes.(DSCHbags vs. BACHstards was commissioned by The Song Company).
$1.99
1.83 €
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Chorale SATB
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Sally Whitwell
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DSCHbags vs. BACHstards
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Sally Whitwell
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SheetMusicPlus
Mis Errores: for SATB
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1449352 Compos…
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Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1449352 Composed by Emiliano Brunetti. Classical. 16 pages. Songburd Music #1029126. Published by Songburd Music (A0.1449352). Mis Errores celebrates the mistakes I have made, the ones I’m currently making, and the ones to come…I took a step outside of my comfort zone by embracing the adventure of twelve-tone theory, with a series which allowed me to maintain some tonal expressions in a serialist framework. Rhythmic patterns, signature changes, idioms and musical language used showcase the intersection between Western Classical Music and my Argentinian and Latin American culture and influence.
$12.80
11.8 €
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Chorale SATB
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Emiliano Brunetti
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Mis Errores: for SATB
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Songburd Music
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SheetMusicPlus
La Danza (Tarantella Napoletano)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.955792 Composed by Gioachi…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.955792 Composed by Gioachino Rossini. Arranged by Scott S. Stewart. Classical. Octavo. 11 pages. Scott S. Stewart #6029329. Published by Scott S. Stewart (A0.955792). La Danza is considered the most famous and popular patter piece from Rossini's Soirées musicales. It is a tour de force for any mature ensemble and pianist. It has been arranged from the original solo/pianist printing for a 4-part SATB ensemble and classical pianist. The Italian text was provided by Rossini's 'noble outlaw friend' Conte Carlo Pepoli. It is well suited for the recital hall or concert hall. The duration of this arrangement is 2:55.
$4.50
4.15 €
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Chorale SATB
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Gioachino Rossini
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Scott S
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La Danza
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Scott S. Stewart
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SheetMusicPlus
Three Poems by Amy Lowell (2018)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1204260 Composed by Colin …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1204260 Composed by Colin Eatock. A Cappella,Classical,Contemporary. Octavo. 32 pages. Colin Eatock Music #802770. Published by Colin Eatock Music (A0.1204260). A cappella SATB choir; ca. 6 min.The composer writes: Amy Lowell (1874-1925) was born into a prosperous Massachusetts family. A poet, critic and biographer, she was a leading exponent of the imagist movement, and was for a time closely allied with Ezra Pound. Her obituary stated, She was upon the surface of things a Lowell, a New Englander and a spinster. But inside, everything was molten like the core of the earth.†In 1926, she was posthumously awarded a Pulitzer Prize. Some of Lowell’s poetry was written for or about the actress Ada Dwyer Russell, with whom Lowell shared a “Boston marriage†(a 19th-century euphemism for a lesbian relationship) for more than a decade. I have chosen three of Lowell’s love poems for this set of choral songs. All three are concise and emotionally intense; vivid yet elegant in their imagery.
$4.99
4.6 €
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Chorale SATB
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Colin Eatock
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ca
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Three Poems by Amy Lowell
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Colin Eatock Music
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SheetMusicPlus
Anim Zemiros
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909…
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00
2.77 €
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Chorale SATB
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Eleanor Rigby
Chorale SATB
SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1488650 By David Cook…
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SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1488650 By David Cook. By John Lennon and Paul McCartney. Arranged by Kerry Marsh and Julia Dollison. A Cappella,Jazz,Pop. Vocal Jazz Ensemble. 13 pages. Kerry Marsh #1065498. Published by Kerry Marsh (A0.1488650). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a lower price than the standard flat-fee range for vocal jazz ensemble arrangements ($75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the “All Tracks Pack (With SkyTracks Mixer)“ package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation).Returning to the catalog after years out of print, this arrangement of Eleanor Rigby is an epic a cappella treatment that transforms the Beatles' classic into a dynamic vocal jazz journey. With an extended introduction that travels through several key centers, the piece features an intricate bass vocal part set against surprising modal harmonies above. This collaborative arrangement by Kerry Marsh and Julia Dollison employs a wealth of contemporary vocal jazz arranging devices and tonal colors, creating a captivating soundscape that challenges even skilled vocal jazz and pop groups.Originally written by Paul McCartney and released on The Beatles' *Revolver* album in 1966, Eleanor Rigby is renowned for its poignant lyrics and innovative use of classical instrumentation. The song explores themes of loneliness and isolation, which resonate with audiences to this day.This chart pushes the boundaries of traditional a cappella, offering a complex and emotive interpretation that leaves listeners truly astonished. Perfect for ensembles seeking a challenging and rewarding piece that showcases their technical prowess and emotional depth.
$49.99
46.09 €
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Chorale SATB
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David Cook
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Eleanor Rigby
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Kerry Marsh
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SheetMusicPlus
Missa Millennia in Honor of St. Francis (SATB)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719523 Composed by Curtis …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curtis Hanson (A0.719523). The Missa Millennia was composed during the spring of 2000 and premiered the following November by the choirs of the John Duss Music Conservatory, Duluth, MN. Scored for a chamber orchestra of strings, keyboard, and solo oboe (full score and instrumental parts available separately), the work is not so much a celebration of the new millennium as it is an assimilation of many of the musical styles, characteristics, and forms of the previous thousand years. The entire piece is in the form of the traditional Mass, a musical form having its origins in the Middle Ages, and is divided into the five movements commonly found in the Mass Ordinary: Kyrie (Lord, have mercy), Gloria (Glory to God in the highest), Credo (the Nicene Creed), Sanctus – Benedictus (Holy, holy, holy – Blessed is he who comes in the name of the Lord), and Agnus Dei (Lamb of God). In the final movement, the Prayer of St. Francis of Assisi (Lord, make me an instrument of thy peace) concludes the work. Although the Missa Millennia as a whole is distinctly contemporary, elements from many earlier musical periods are incorporated into the movements. These include chant, open fifth and parallel fifth harmonic movement (organum), and canonic imitation from the Middle Ages and Renaissance; fugue, word-painting, terraced dynamics, ostinato (a repeated rhythmic or bass accompaniment), Alberti bass accompaniment figures, ABA form, and dominant-tonic harmonic relationships typical of Baroque and Classical music to name but a few. Other significant features are the usage of non-Western modality in the plaintive solo oboe and of pedal point, a sustained tone in the bass over which the melody and harmony evolve. Pedal point, a compositional tool used throughout music history, dates from the Middle Ages about the time of St. Francis. Although not directly based upon the music of any composer, the astute listener may hear musical ideas reminiscent of Vivaldi, Vaughan Williams, Respighi, Duruflé, and others. In the audio file, the 2nd movement (Gloria) can be found at approximately 6'25, the 3rd movement (Credo) at 12'05, the 4th movement (Sanctus) at 21'15, and the final movement (Agnus Dei) at 31'05. The complete Mass is approximately 43 minutes long.
$10.00
9.22 €
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Chorale SATB
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Curtis Hanson
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Missa Millennia in Honor of St. Francis
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Curtis Hanson
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SheetMusicPlus
fantasy on hark! (organ version)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1215602 Composed by Reno F…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1215602 Composed by Reno Fusani. Christmas,Classical,Contemporary. Octavo. 46 pages. Reno Fusani #812332. Published by Reno Fusani (A0.1215602). Fantasy on hark! uses Hark! The Herald Angels Sing as a theme. Written for SATB choir with a version for small orchestra, and one for organ, it provides a very interesting and modern setting for a special Christmas performance. Both versions feature the harp. Both versions also include a “vocal rehearsal piano score†which may be copied for your choir members to facilitate rehearsal. This organ version includes a score, organ only part, and harp part as well as the vocal rehearsal score. I couldn't get the organ sound on the computer rendered mp3 to my liking. You may want to listen to the mp3 of the orchestra version (available elsewhere on this site) to get a better idea of the sound. Obviously an organist will make a suitable registration for performance.
$29.99
27.65 €
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Chorale SATB
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Reno Fusani
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fantasy on hark!
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Reno Fusani
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SheetMusicPlus
"Two Poems by Sir Humphry Davy" for SATB choir
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1246700 By Jason A. Heald.…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1246700 By Jason A. Heald. By Jason A. Heald. Arranged by Jason A. Heald. 21st Century,A Cappella,Classical,Historic. Octavo. 13 pages. Call of the Wild Publishing #841332. Published by Call of the Wild Publishing (A0.1246700). Two Poems by Sir Humphry Davy are SATB settings of texts by the renown British chemist (1778-1829). The first setting is a lush a cappella arrangement followed by the second setting that features a lovely melody weaving around a hypnotic piano accompaniment. The inspiring text with its stunning imagery will be an exciting addition to your choral program and is accessible for most mixed choirs.To peruse or purchase more music by Jason Heald, visit www.jasonheald.com .
$2.99
2.76 €
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Chorale SATB
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Jason A
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Jason A
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"Two Poems by Sir Humphry Davy" for SATB choir
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Call of the Wild Publishing
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SheetMusicPlus
Shockachi (Shortened Version)
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1354060 Comp…
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Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1354060 Composed by Christian Fortner. A Cappella,Classical,Contest,Festival. 19 pages. Christian Fortner Music #938784. Published by Christian Fortner Music (A0.1354060). This version of Shockachi is shorter so that it can be more accessible for younger/smaller choirs!Shockachi is quite the adventure with fast-paced, cinematic sections contrasting with slower, legato sections. This large choral work involves a rhythmic ostinato repeated throughout and passed from section to section. A strong alto section is essential for the success of this piece, as they carry the ostinato most of the time. A made-up language is used as well, with pronunciations similar to Latin and inspired by Hawaiian. Larger choirs will be best suited for this piece, which takes advantage of divisi to provide multiple instances of contrapuntal lines. If you’re looking for a piece that hits hard, showcases the strength and versatility of your ensemble, or offers a unique experience in text interpretation, then Shockachi is for you. Want a better deal for this music? Purchase unlimited prints at www.christianfortnermusic.com.
$4.99
4.6 €
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Chorale SATB
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Christian Fortner
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Shockachi
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Christian Fortner Music
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SheetMusicPlus
Symphony No. 8 - 1st Movement
Chorale SATB
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.870375 Composed by Gusta…
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Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.870375 Composed by Gustav Mahler. Arranged by Randy A. Steinberg. 20th Century. Octavo. 439 pages. Randy A. Steinberg #1900261. Published by Randy A. Steinberg (A0.870375). Frequently called the Symphony of a Thousand, this major work by Mahler is one of the largest symphony and choral works in the entire repertoire of classical music. The work was written in 1906, but not performed until 1910. Highly unconventional, this symphony only has 2 movements. The first movement is titled Veni Creator Spiritus (Come, Creator Spirit), the second is a setting of the words from the closing scene of Goethe's Faust. It is the first movement that utilizes mass choir and soloists in a rousing and inspiring setting. Musical historians have highlighted this work as a defining musical composition for the 20th century. It is that movement that has been arranged here for the first time for Concert Band. 2016 Arrangement New Release.
$65.00
59.92 €
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Chorale SATB
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Gustav Mahler
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Randy A
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Symphony No. 8 - 1st Movement
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Randy A. Steinberg
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SheetMusicPlus
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