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PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Musicnotes
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
1176
PIANO & CLAVIERS
Piano seul
857
Piano, Voix
152
Orgue
49
2 Pianos, 4 mains
23
Piano Trio: piano, violon, violoncelle
18
Piano, Voix et Guitare
18
1 Piano, 4 mains
17
Clavecin
9
Piano Facile
8
Instruments en Do
8
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavier
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Piano (duo)
2
Orgue, Trompette (duo)
2
Accordéon
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Accompagnement Piano
1
2 Pianos, 8 mains
1
1 Piano, 6 mains
1
Instrumentations suivantes
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GUITARES
Guitare
154
Guitare notes et tablatures
55
2 Guitares (duo)
16
Ukulele
6
Basse electrique
4
Mandoline
3
4 Guitares (Quatuor)
2
Banjo
2
Ensemble de guitares
2
Paroles et Accords
2
Piano, Guitare (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
Mandoline, Piano (duo)
1
Orchestre à Plectres
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
85
Voix Soprano, Piano
12
Chorale SSAA
11
Voix basse, Piano
6
Chorale 3 parties
5
Chorale TTBB
5
Chorale 2 parties
5
Voix haute
3
Voix duo, Piano
2
Voix duo
2
Voix Alto, Piano
1
Chorale
1
Voix seule
1
Voix moyenne, Piano
1
Instrumentations suivantes
Retracter
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
50
Quatuor de Clarinettes: 4 clarinettes
39
Flûte traversière et Piano
38
Quatuor de Saxophones: 4 saxophones
35
Flûte traversière
35
Clarinette
33
2 Flûtes traversières (duo)
22
Flûte, Hautbois, Clarinette, Basson
21
Clarinette et Piano
17
Hautbois (partie séparée)
16
Saxophone Alto et Piano
15
Saxophone Soprano et Piano
15
Ensemble de Clarinettes
12
Quatuor de Flûtes : 4 flûtes
11
Saxophone Alto
10
Flûte et Guitare
10
Hautbois, Piano (duo)
10
2 Saxophones (duo)
7
3 Clarinettes (trio)
6
Ensemble de saxophones
5
Saxophone Tenor et Piano
5
2 Clarinettes (duo)
5
Quintette de Saxophone: 5 saxophones
5
Saxophone Baryton, Piano
4
Quintette de Clarinettes: 5 clarinettes
4
Saxophone (partie séparée)
4
Ensemble de Flûtes
4
Harmonica
2
Flûte, Violon
2
Hautbois
2
Saxophone
2
Cor anglais, Piano
2
Flûte, Clarinette et Basson
2
3 Saxophones (trio)
2
Cor Anglais
2
Saxophone Baryton
2
Quatuor de Flûtes à bec
2
Saxophone Soprano
2
Flûte, Violon, Piano
2
Clarinette Basse, Piano
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Trio de Flûtes: 3 flûtes
2
Flûte, Saxophone (duo)
1
Flûte traversière, Orchestre
1
Clarinette Basse
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte à bec Alto, Piano
1
Saxophone et Orgue
1
2 Flûte à bec (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Clarinette (duo)
1
Piccolo
1
Flûte, Hautbois (duo)
1
Saxophone Tenor
1
Flûte, Violoncelle
1
Flûte à Bec
1
Saxophone et Guitare
1
Saxophone et violoncelle
1
Flûte à bec Tenor
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Basson (duo)
1
2 Hautbois (duo)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
139
Trombone et Piano
46
Cor
29
Ensemble de Trombones
28
Quatuor de Cuivres : 2 trompettes, trombone, tuba
24
Trompette
21
Euphonium, Piano (duo)
21
Trompette, Piano
20
Tuba et Piano
18
Quatuor de cuivres: 4 trombones
15
2 Cors (duo)
14
Cor et Piano
11
Trombone
8
Trombone basse
8
2 Trombones (duo)
8
2 Trompettes (duo)
7
Quatuor de Cuivres
7
Tuba
6
Trompette (partie séparée)
5
Quatuor de cuivres: 4 cors
4
2 Tubas (duo)
3
Euphonium
3
Trompette, violon (duo)
3
3 Trombones (trio)
3
Ensemble de Cors
3
Trombone basse et Piano
3
Trombone, Orgue
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Cor anglais, Piano
2
3 Euphoniums
2
Cor Anglais
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
4 Tubas
2
2 Euphoniums et 2 Tubas
2
Quatuor de cuivres: 4 trompettes
2
3 Tubas (trio)
1
Trombone (partie séparée)
1
Trombone et orchestre
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
168
Violon
81
Violon et Piano
65
Violoncelle, Piano
41
Trio à Cordes: violon, alto, violoncelle
34
Alto, Piano
28
2 Violons (duo)
23
Violon, Violoncelle (duo)
22
Alto seul
22
Harpe
21
Violoncelle (partie séparée)
17
Violoncelle
16
Violon, Alto (duo)
13
2 Violoncelles (duo)
10
Violon, Guitare (duo)
9
Contre Basse
7
Alto, Violoncelle (duo)
6
Contrebasse, Piano (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
2 Altos (duo)
4
Alto (partie séparée)
4
Trio à cordes: 3 violins
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Violon (partie séparée)
3
Violoncelle, Contrebasse (duo)
3
Trio à Cordes: 2 violons, alto
3
4 Contrebasses
3
Harpe, Flûte (duo)
3
Quatuor à cordes : 4 altos
3
Harpe, Violon (duo)
1
Violoncelle, Orchestre
1
Alto, Guitare (duo)
1
4 Harpes
1
Harpe, Violon, Violoncelle
1
Ensemble de Violoncelles
1
Violoncelle, Orgue
1
Alto et Harpe
1
Trio à Cordes: 3 violoncelles
1
Violon, Clarinette, Piano (trio)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle , Guitare (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre
210
Orchestre d'harmonie
93
Orchestre à Cordes
78
Orchestre de chambre
52
Ensemble de cuivres
44
Ensemble Jazz
16
Jazz combo
12
Cloches
5
Fanfare
3
Vibraphone
3
Piano et Orchestre
2
Batterie
2
Ensemble de Percussions
2
Marimba
2
Orchestre, Violon
1
Quintette de Cuivres: autres combinaisons
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
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Chorale SATB
Partitions à imprimer
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Beowulf: A Classical Melodrama in Four Scenes for Chorus, Soiloists and Piano
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.939813 Composed by Richard…
(+)
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.939813 Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 139 pages. Richard St. Clair #4760561. Published by Richard St. Clair (A0.939813). This work, running over 50 minutes performance time, is a dramatic presentation of the Beowulf epic from Medieval England. The action is compelling throughout, with prominent solo and full chorus passages. The Audio Clip presents the complete Overture and highlights from Scene 1 and the battle with Grendel and the joyful conclusion of Scene 4. This work is not intended for stage production, but with imagination it could be presented on stage. Rather, the concept is for concert performance. The Score, 139 pages long, is the complete piano-vocal score.
$100.00
91.73 €
#
Chorale SATB
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Richard St
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Beowulf: A Classical Melodrama in Four Scenes for Chorus, Soiloists and Piano
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Richard St. Clair
#
SheetMusicPlus
A Year in a Day (Choral Suite for SSAATTBB unaccompanied)
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1086990 Composed by…
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1086990 Composed by Alan Bullard. A Cappella,Classical,Contemporary. Octavo. 51 pages. Colne Edition / BullardMusic #691185. Published by Colne Edition / BullardMusic (A0.1086990). A Year in a Day, for SSAATTBB unaccompanied. Duration c.16 minutes The five movements of 'A Year in a Day' bring a wide range of colour and texture to the various seasons, and treat fragments of text in an almost symphonic way, by turns gentle and expressive, humorous, and excitingly forceful. 1. Winter Dawn (lines from Tennyson's In Memoriam) 2. Spring Morning (one line from Gerard Manley Hopkins' Spring) 3. Summer Afternoon (anonymous lines) 4. Autumn Twilight (lines from William Watson's Autumn, and from Robert Bridges' November) 5. Winter Night (Emily Bronte: The night is darkening round me) Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a growing reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$3.99
3.66 €
#
Chorale SATB
#
Alan Bullard
#
A Year in a Day
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Colne Edition / BullardMusic
#
SheetMusicPlus
I Am the Stillness in a Troubled World—SATB A Cappella Choir
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1278014 By Daniel Carter. …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1278014 By Daniel Carter. By Daniel Carter. Arranged by Daniel Carter. 21st Century,A Cappella,Chamber,Classical,Sacred. Octavo. 3 pages. Daniel Carter #869715. Published by Daniel Carter (A0.1278014). In a world of confusion, chaos, and turmoil we often ask ourselves where are safety and peace found. This hymn-like anthem for a cappella choir offers a spiritual affirmation that helps connect us with the Divine allowing us to create safety and peace within ourselves and for others. For advanced choir with soaring lines and moving parts for all voices, especially for sopranos and tenors. (Top note for sopranos is G5. The top note for tenors is A3.) Suitable for worship and concert settings, filling both sacred and secular programming needs.
$1.99
1.83 €
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Chorale SATB
#
Daniel Carter
#
Daniel Carter
#
I Am the Stillness in a Troubled World—SATB A Cappella Choir
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Daniel Carter
#
SheetMusicPlus
The A Cappella Mass
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1049496 Comp…
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Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1049496 Composed by David Heck, Jr. 20th Century,A Cappella,Classical,Contemporary,Sacred. 53 pages. What the Heck Press #653851. Published by What the Heck Press (A0.1049496). This is the full version of the A Cappella Mass. It includes all movements - Kyrie Eleison, Gloria, Credo, Sanctus, Benedictus, and Agnus Dei. A full recording of each individual movement of the mass is available with the single title listings. The YouTube link included here is a live performance of the Sanctus..
$6.95
6.37 €
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Chorale SATB
#
David Heck, Jr
#
The A Cappella Mass
#
What the Heck Press
#
SheetMusicPlus
I'll Make A Man Out Of You
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.491761 Composed by …
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.491761 Composed by David Zippel and Matthew Wilder. Arranged by Deke Sharon. A Cappella,Children,Classical,Film/TV,Pop. Octavo. 11 pages. Deke Sharon #107307. Published by Deke Sharon (A0.491761). As performed by DCappella and Jonathan Antoine on PBS.
$1.99
1.83 €
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Chorale SATB
#
David Zippel and Matthew Wilder
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Deke Sharon
#
I'll Make A Man Out Of You
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Deke Sharon
#
SheetMusicPlus
A Time Of Peace
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1252913 Composed by…
(+)
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1252913 Composed by Nicholas White. 21st Century,Classical,Sacred. Octavo. 24 pages. Nicholas White Music #846689. Published by Nicholas White Music (A0.1252913). Commissioned by Chorus Abilene, in celebration of their 25th Anniversary.
$3.00
2.75 €
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Chorale SATB
#
Nicholas White
#
A Time Of Peace
#
Nicholas White Music
#
SheetMusicPlus
Tenebrae factae sunt
Chorale SATB
Mixed choir a cappella - advanced - Digital Download SKU: S9.Q18564 Motet. C…
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Mixed choir a cappella - advanced - Digital Download SKU: S9.Q18564 Motet. Composed by Raquel Cristobal. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Schott Music - Digital #Q18564. Published by Schott Music - Digital (S9.Q18564). Latin.Musical setting of a classical text from the responsories of the Holy Week. The dark sonority of the piece represents the mysterious atmosphere of the text.
$2.99
2.74 €
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Chorale SATB
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Raquel Cristobal
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Tenebrae factae sunt
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Schott Music - Digital
#
SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson …
(+)
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
23.8 €
#
Chorale SATB
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson …
(+)
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
18.3 €
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Chorale SATB
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
80.71 €
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Chorale SATB
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Cantata No. 1 Psalm 139 The Lord Has Known Me
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1441952 By Kev…
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Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1441952 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. 21st Century,Contemporary,Religious,Spiritual. 38 pages. Kevin Longley #1021944. Published by Kevin Longley (A0.1441952). The InspirationIn 2023 I decided to review a piece I had composed in 1990 to honor a friend I was singing with in a choral group at that time; Charles Munion. He never heard the piece as I felt the classical contemporary style would be a bit much for his ears! Beyond that I don't have allot of recollection as to the inspiration or what my thoughts were at the time of the composition. In regards to the revision, I added additional music to the third movement in order to balance out the movements and reworked some of the choral voicing.The MusicWritten in a contemporary classical style it follows the classic structure of 3 movements: First movement – brisk, loud forceful in nature Second movement – slow and lyrical Third movement – light and quick but with a forceful ending While in a contemporary style, at heart it maintains tonal centers throughout. While there is a few brief moments where I can here a little Bartok, as a whole I would say this piece is unique in regards to its style.
$1.99
1.83 €
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Chorale SATB
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Kevin Longley
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Kevin Longley
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Charles Munion
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Cantata No. 1 Psalm 139 The Lord Has Known Me
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Kevin Longley
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SheetMusicPlus
Gloria
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1169297 By Sam Smith. By F…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1169297 By Sam Smith. By Foy Vance and Samuel Frederick Smith. Arranged by Whitney Lussier. A Cappella,Classical,Contemporary,Pop. Octavo. 5 pages. Rosesong Music #769651. Published by Rosesong Music (A0.1169297). An arrangement of Sam Smith's classical/gospel mashup, Gloria from their 2023 album Gloria. Described by Smith as their queer love hymn, this song takes listeners on a two minute emotional journey from pensive doubt to realization and exuberant self-acceptance.This a cappella arrangement is in the original key and is a near-transcription of the original SATB choral parts, combining elements of Smith's live performances and the recorded album version.  Can be performed with or without a soloist!Please note this is an advanced arrangement due to range demands. Follow the link for a slightly modified version in a friendlier key: Gloria SATB (Lower Key)
$1.99
1.83 €
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Chorale SATB
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Sam Smith
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Whitney Lussier
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Gloria
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Rosesong Music
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SheetMusicPlus
DSCHbags vs. BACHstards
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1178563 Composed by…
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1178563 Composed by Sally Whitwell. Chamber,Classical,Comedy,Contemporary. Octavo. 12 pages. Sally Whitwell #778526. Published by Sally Whitwell (A0.1178563). DSCHbags vs. BACHstards was inspired by a tweet I saw once (can't remember whose) offering the world a new word 'DSCHbag' to describe classical composers who are self-obsessed enough to need to include their musical signnature in every piece they write. My quick witted friend Peter J Casey replied with 'What a BACHstard' and this a cappella work was born.Don't think I don't like Shostakovich and bach. I really them and their musical signature thing is genuinely really clever, but I can't help but liked this habit to rapper who insist on yelling their own names in their songs. That is just plainn annoying.Performance note: The singers should be arranged in two SATB quartets that are mirror images of one another, so that singers may aim each motif directly to the face of their counterpart, like a weapon of sorts, laser beams for eyes.(DSCHbags vs. BACHstards was commissioned by The Song Company).
$1.99
1.83 €
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Chorale SATB
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Sally Whitwell
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DSCHbags vs. BACHstards
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Sally Whitwell
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SheetMusicPlus
Mis Errores: for SATB
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1449352 Compos…
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Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1449352 Composed by Emiliano Brunetti. Classical. 16 pages. Songburd Music #1029126. Published by Songburd Music (A0.1449352). Mis Errores celebrates the mistakes I have made, the ones I’m currently making, and the ones to come…I took a step outside of my comfort zone by embracing the adventure of twelve-tone theory, with a series which allowed me to maintain some tonal expressions in a serialist framework. Rhythmic patterns, signature changes, idioms and musical language used showcase the intersection between Western Classical Music and my Argentinian and Latin American culture and influence.
$12.80
11.74 €
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Chorale SATB
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Emiliano Brunetti
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Mis Errores: for SATB
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Songburd Music
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SheetMusicPlus
La Danza (Tarantella Napoletano)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.955792 Composed by Gioachi…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.955792 Composed by Gioachino Rossini. Arranged by Scott S. Stewart. Classical. Octavo. 11 pages. Scott S. Stewart #6029329. Published by Scott S. Stewart (A0.955792). La Danza is considered the most famous and popular patter piece from Rossini's Soirées musicales. It is a tour de force for any mature ensemble and pianist. It has been arranged from the original solo/pianist printing for a 4-part SATB ensemble and classical pianist. The Italian text was provided by Rossini's 'noble outlaw friend' Conte Carlo Pepoli. It is well suited for the recital hall or concert hall. The duration of this arrangement is 2:55.
$4.50
4.13 €
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Chorale SATB
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Gioachino Rossini
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Scott S
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La Danza
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Scott S. Stewart
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SheetMusicPlus
Three Poems by Amy Lowell (2018)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1204260 Composed by Colin …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1204260 Composed by Colin Eatock. A Cappella,Classical,Contemporary. Octavo. 32 pages. Colin Eatock Music #802770. Published by Colin Eatock Music (A0.1204260). A cappella SATB choir; ca. 6 min.The composer writes: Amy Lowell (1874-1925) was born into a prosperous Massachusetts family. A poet, critic and biographer, she was a leading exponent of the imagist movement, and was for a time closely allied with Ezra Pound. Her obituary stated, She was upon the surface of things a Lowell, a New Englander and a spinster. But inside, everything was molten like the core of the earth.†In 1926, she was posthumously awarded a Pulitzer Prize. Some of Lowell’s poetry was written for or about the actress Ada Dwyer Russell, with whom Lowell shared a “Boston marriage†(a 19th-century euphemism for a lesbian relationship) for more than a decade. I have chosen three of Lowell’s love poems for this set of choral songs. All three are concise and emotionally intense; vivid yet elegant in their imagery.
$4.99
4.58 €
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Chorale SATB
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Colin Eatock
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ca
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Three Poems by Amy Lowell
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Colin Eatock Music
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SheetMusicPlus
Missa Millennia in Honor of St. Francis (SATB)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719523 Composed by Curtis …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curtis Hanson (A0.719523). The Missa Millennia was composed during the spring of 2000 and premiered the following November by the choirs of the John Duss Music Conservatory, Duluth, MN. Scored for a chamber orchestra of strings, keyboard, and solo oboe (full score and instrumental parts available separately), the work is not so much a celebration of the new millennium as it is an assimilation of many of the musical styles, characteristics, and forms of the previous thousand years. The entire piece is in the form of the traditional Mass, a musical form having its origins in the Middle Ages, and is divided into the five movements commonly found in the Mass Ordinary: Kyrie (Lord, have mercy), Gloria (Glory to God in the highest), Credo (the Nicene Creed), Sanctus – Benedictus (Holy, holy, holy – Blessed is he who comes in the name of the Lord), and Agnus Dei (Lamb of God). In the final movement, the Prayer of St. Francis of Assisi (Lord, make me an instrument of thy peace) concludes the work. Although the Missa Millennia as a whole is distinctly contemporary, elements from many earlier musical periods are incorporated into the movements. These include chant, open fifth and parallel fifth harmonic movement (organum), and canonic imitation from the Middle Ages and Renaissance; fugue, word-painting, terraced dynamics, ostinato (a repeated rhythmic or bass accompaniment), Alberti bass accompaniment figures, ABA form, and dominant-tonic harmonic relationships typical of Baroque and Classical music to name but a few. Other significant features are the usage of non-Western modality in the plaintive solo oboe and of pedal point, a sustained tone in the bass over which the melody and harmony evolve. Pedal point, a compositional tool used throughout music history, dates from the Middle Ages about the time of St. Francis. Although not directly based upon the music of any composer, the astute listener may hear musical ideas reminiscent of Vivaldi, Vaughan Williams, Respighi, Duruflé, and others. In the audio file, the 2nd movement (Gloria) can be found at approximately 6'25, the 3rd movement (Credo) at 12'05, the 4th movement (Sanctus) at 21'15, and the final movement (Agnus Dei) at 31'05. The complete Mass is approximately 43 minutes long.
$10.00
9.17 €
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Chorale SATB
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Curtis Hanson
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Missa Millennia in Honor of St. Francis
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Curtis Hanson
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SheetMusicPlus
fantasy on hark! (organ version)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1215602 Composed by Reno F…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1215602 Composed by Reno Fusani. Christmas,Classical,Contemporary. Octavo. 46 pages. Reno Fusani #812332. Published by Reno Fusani (A0.1215602). Fantasy on hark! uses Hark! The Herald Angels Sing as a theme. Written for SATB choir with a version for small orchestra, and one for organ, it provides a very interesting and modern setting for a special Christmas performance. Both versions feature the harp. Both versions also include a “vocal rehearsal piano score†which may be copied for your choir members to facilitate rehearsal. This organ version includes a score, organ only part, and harp part as well as the vocal rehearsal score. I couldn't get the organ sound on the computer rendered mp3 to my liking. You may want to listen to the mp3 of the orchestra version (available elsewhere on this site) to get a better idea of the sound. Obviously an organist will make a suitable registration for performance.
$29.99
27.51 €
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Chorale SATB
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Reno Fusani
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fantasy on hark!
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Reno Fusani
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SheetMusicPlus
"Two Poems by Sir Humphry Davy" for SATB choir
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1246700 By Jason A. Heald.…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1246700 By Jason A. Heald. By Jason A. Heald. Arranged by Jason A. Heald. 21st Century,A Cappella,Classical,Historic. Octavo. 13 pages. Call of the Wild Publishing #841332. Published by Call of the Wild Publishing (A0.1246700). Two Poems by Sir Humphry Davy are SATB settings of texts by the renown British chemist (1778-1829). The first setting is a lush a cappella arrangement followed by the second setting that features a lovely melody weaving around a hypnotic piano accompaniment. The inspiring text with its stunning imagery will be an exciting addition to your choral program and is accessible for most mixed choirs.To peruse or purchase more music by Jason Heald, visit www.jasonheald.com .
$2.99
2.74 €
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Chorale SATB
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Jason A
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Jason A
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"Two Poems by Sir Humphry Davy" for SATB choir
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Call of the Wild Publishing
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SheetMusicPlus
Shockachi (Shortened Version)
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1354060 Comp…
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Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1354060 Composed by Christian Fortner. A Cappella,Classical,Contest,Festival. 19 pages. Christian Fortner Music #938784. Published by Christian Fortner Music (A0.1354060). This version of Shockachi is shorter so that it can be more accessible for younger/smaller choirs!Shockachi is quite the adventure with fast-paced, cinematic sections contrasting with slower, legato sections. This large choral work involves a rhythmic ostinato repeated throughout and passed from section to section. A strong alto section is essential for the success of this piece, as they carry the ostinato most of the time. A made-up language is used as well, with pronunciations similar to Latin and inspired by Hawaiian. Larger choirs will be best suited for this piece, which takes advantage of divisi to provide multiple instances of contrapuntal lines. If you’re looking for a piece that hits hard, showcases the strength and versatility of your ensemble, or offers a unique experience in text interpretation, then Shockachi is for you. Want a better deal for this music? Purchase unlimited prints at www.christianfortnermusic.com.
$4.99
4.58 €
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Chorale SATB
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Christian Fortner
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Shockachi
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Christian Fortner Music
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SheetMusicPlus
Symphony No. 8 - 1st Movement
Chorale SATB
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.870375 Composed by Gusta…
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Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.870375 Composed by Gustav Mahler. Arranged by Randy A. Steinberg. 20th Century. Octavo. 439 pages. Randy A. Steinberg #1900261. Published by Randy A. Steinberg (A0.870375). Frequently called the Symphony of a Thousand, this major work by Mahler is one of the largest symphony and choral works in the entire repertoire of classical music. The work was written in 1906, but not performed until 1910. Highly unconventional, this symphony only has 2 movements. The first movement is titled Veni Creator Spiritus (Come, Creator Spirit), the second is a setting of the words from the closing scene of Goethe's Faust. It is the first movement that utilizes mass choir and soloists in a rousing and inspiring setting. Musical historians have highlighted this work as a defining musical composition for the 20th century. It is that movement that has been arranged here for the first time for Concert Band. 2016 Arrangement New Release.
$65.00
59.62 €
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Chorale SATB
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Gustav Mahler
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Randy A
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Symphony No. 8 - 1st Movement
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Randy A. Steinberg
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SheetMusicPlus
fantasy on hark! (orchestral version)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1215605 Composed by Reno F…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1215605 Composed by Reno Fusani. Christmas,Classical,Contemporary. Octavo. 85 pages. Reno Fusani #812335. Published by Reno Fusani (A0.1215605). Fantasy on hark! uses Hark! The Herald Angels Sing as a theme. Written for SATB choir with a version for small orchestra, and one for organ, it provides a very interesting and modern setting for a special Christmas performance. Both versions feature the harp. Both versions also include a “vocal rehearsal piano score†which may be copied for your choir members to facilitate rehearsal. This small orchestra version includes a score and parts (fl, cl, bsn, hrn, timp/tamb, harp, vln (1 & 2), vla, cello, bass) as well as the vocal rehearsal score.
$49.99
45.85 €
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Chorale SATB
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Reno Fusani
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fantasy on hark!
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Reno Fusani
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SheetMusicPlus
The City In the Sea: Choral Tone Poem
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanle…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60
5.14 €
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Chorale SATB
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Stanley M Hoffman
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The City In the Sea: Choral Tone Poem
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stanleymhoffman.com
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SheetMusicPlus
AMETSETAN (full version)
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1281197 By Javier B…
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1281197 By Javier Busto. By Javier Busto. Arranged by Javier Busto. 21st Century,A Cappella,Chamber,Classical,Contemporary. Octavo. 9 pages. Bustovega #872540. Published by bustovega (A0.1281197). AMETSETAN: This is the title of the original work, from which the most difficult parts were later reduced. The original is entitled Ametsetan and the reduction, Ametsetan (zati bat). Zati bat in Basque means » one part».This work was commissioned by the CORK INTERNATIONAL CHORAL FESTIVAL for the 38th Seminar on Contemporary Choral Music. First performance, Cork, Ireland, 2 May 2003.Its intention is to recreate the atmosphere of the open-air festivity in an Irish small village during its festival day, from the point of view of a Basque musician who never visited that country and only knows its music.The work has four different parts: 1- In the first one, people are invited to join the festival. 2- In the second one, women sing the Ave Maria during the religious celebration. 3- Dancing makes the people happy and it is an excuse to meet. 4- In the last part, when the feast comes to an end nobody wants to say goodbye.The composition’s closing text has been written by JOSUNE LÓPEZ, a component in my choir, Kanta Cantemus Korua. Miss López has tried to transmit all her love and admiration towards Ireland.* This song has been recorded on a CD in 2005 under the conduction of composer Javier Busto himself. The CD goes over 25 years of composing and contains exclusively music for mixed choirs. It is actually available at the website. Name of the CD: HONDARRIBIA… AMETSETAN.* The lyrics are in Basque language. Spanish and English translation of the text is included for those who hardly recognize Basque language. Furthermore, a small introductory guide can be found in the score for a correct Basque pronunciation.
$5.00
4.59 €
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Chorale SATB
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Javier Busto
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Javier Busto
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AMETSETAN
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bustovega
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SheetMusicPlus
Veni Sancte Spiritus - SATB choir
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082626 Composed by Erik S…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082626 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Octavo. 6 pages. Erik Spangler #686838. Published by Erik Spangler (A0.1082626). Commissioned by Allen Buskirk for the Mount Calvary Choir, Baltimore, MD. While searching for liturgical texts associated with Pentecost, I was immediately drawn to the sequence of Veni Sancte Spiritus as an invocation of all the divine qualities that are recognized across the world’s major religions. I was particularly moved by a recording of the Gregorian chant on this text, in which groups of three phrases alternate between low and high voices. I began my own setting of the sequence by adapting many of the Gregorian chant phrases, from memory and with varying degrees of similarity to the original melody, passing them through different modal colors. I followed a similar pattern of formal alternation between high and low voices, while expanding each phrase of the chant into a two-part texture. Elements of both Late Medieval and Renaissance counterpoint are adopted in combination with more Eastern-influenced heterophony, in which two voices follow the same melodic outline with individual variations and ornamentation. As the piece progresses, overlapping duos expand into three-part and finally four-part texture. I aim to evoke a sense of connection with ancient ritual and musical forms, alongside a more modern harmonic gravity that favors certain dissonances in relationship to unisons, fifths and other “perfect†intervals.
$6.00
5.5 €
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Chorale SATB
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Erik Spangler
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Veni Sancte Spiritus - SATB choir
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Erik Spangler
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SheetMusicPlus
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