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Partitions à imprimer
4 partitions trouvées
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Missa Millennia in Honor of St. Francis (SATB)
Missa Millennia in Honor of St. Francis (SATB)
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Curtis Hanson
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Missa Millennia in Honor of St
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curti...
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Choral Choir (SATB) - Level 5 - SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curtis Hanson (A0.719523). The Missa Millennia was composed during the spring of 2000 and premiered the following November by the choirs of the John Duss Music Conservatory, Duluth, MN. Scored for a chamber orchestra of strings, keyboard, and solo oboe (full score and instrumental parts available separately), the work is not so much a celebration of the new millennium as it is an assimilation of many of the musical styles, characteristics, and forms of the previous thousand years. The entire piece is in the form of the traditional Mass, a musical form having its origins in the Middle Ages, and is divided into the five movements commonly found in the Mass Ordinary: Kyrie (Lord, have mercy), Gloria (Glory to God in the highest), Credo (the Nicene Creed), Sanctus – Benedictus (Holy, holy, holy – Blessed is he who comes in the name of the Lord), and Agnus Dei (Lamb of God). In the final movement, the Prayer of St. Francis of Assisi (Lord, make me an instrument of thy peace) concludes the work. Although the Missa Millennia as a whole is distinctly contemporary, elements from many earlier musical periods are incorporated into the movements. These include chant, open fifth and parallel fifth harmonic movement (organum), and canonic imitation from the Middle Ages and Renaissance; fugue, word-painting, terraced dynamics, ostinato (a repeated rhythmic or bass accompaniment), Alberti bass accompaniment figures, ABA form, and dominant-tonic harmonic relationships typical of Baroque and Classical music to name but a few. Other significant features are the usage of non-Western modality in the plaintive solo oboe and of pedal point, a sustained tone in the bass over which the melody and harmony evolve. Pedal point, a compositional tool used throughout music history, dates from the Middle Ages about the time of St. Francis. Although not directly based upon the music of any composer, the astute listener may hear musical ideas reminiscent of Vivaldi, Vaughan Williams, Respighi, Duruflé, and others. In the audio file, the 2nd movement (Gloria) can be found at approximately 6'25, the 3rd movement (Credo) at 12'05, the 4th movement (Sanctus) at 21'15, and the final movement (Agnus Dei) at 31'05. The complete Mass is approximately 43 minutes long.
$10.00
The Triumph of King Edmund
The Triumph of King Edmund
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Joy DeCoursey-Porter
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The Triumph of King Edmund
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Joy DeCoursey-Porter
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.897054 Composed by Joy DeCoursey-Porter. Christian,Easter,Holiday,Sacred,World. Octavo. 9 pages. Joy DeCoursey-P...
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Choral Choir (SATB) - Level 5 - SKU: A0.897054 Composed by Joy DeCoursey-Porter. Christian,Easter,Holiday,Sacred,World. Octavo. 9 pages. Joy DeCoursey-Porter #2079905. Published by Joy DeCoursey-Porter (A0.897054). A piece best suited for an accomplished HS or college choir, or one that enjoys a bit of drama. Please contact Joy DeCoursey-Porter at joyfulporter@hotmail.com with performance info. The story of King Edmund takes place in the mid 800s and remains shrouded in some mystery. Though certain details are sketchy depending on the historical source, the events depicted in the poetic text seem consistent with most sources. The text, taken from the writings of Ælfric of Eynsham and adapted by Frances E. F. Ward is as follows: The Danes came by great fleet of ship, under Hingwar, to plunder the Angles’ coast. Edmund the King will never bow in life unless first Hingwar bow to Christ, he said. He stood in hall raising no sword. Bound to the tree he called on Christ. Mad with rage, they bristled him with arrows and still with steadfast faith he called on Jesus Christ. Hingwar’s order, and the blow beheaded him; his soul departed joyfully to Christ. The grey-eyed wolf stood guardian to holiness, until head and body one. Holy Edmund revealing Christ..
$2.00
Ave María
Ave María
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Christian contemporain
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Georgina Perazzo
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Ave María
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Georgina Perazzo
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1023602 Composed by Georgina Perazzo. A Cappella,Christian,Contemporary,Praise & Worship,Sacred,Spiritual. Octav...
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Choral Choir (SATB) - Level 5 - SKU: A0.1023602 Composed by Georgina Perazzo. A Cappella,Christian,Contemporary,Praise & Worship,Sacred,Spiritual. Octavo. 27 pages. Georgina Perazzo #6075387. Published by Georgina Perazzo (A0.1023602). Este motete conocido por su letra, en este caso se encuentra musicalizado por mi autorÃa. Es una obra para coro mixto que puede ser interpretada tanto a capella como con el acompañamiento de orquesta de cuerdas que incluye esta partitura. Es apto para celebraciones religiosas y casamientos. El texto se encuentra en latÃn .Esta obra fue cantada en Roma frente al Santo PontÃfice Para Francisco.
$8.00
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