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6 partitions trouvées
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1
A Christmas Folksong for Chorus, SATB, divisi; Text by Lizette Woodworth Reese (1895-1935)
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Chorale SATB
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AVANCÉ
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Judith Cloud
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A Christmas Folksong for Choru
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Judith Cloud
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.981225 Composed by Judith Cloud. 20th Century,Christmas. Octavo. 8 pages. Judith Cloud #6690569. Published by Ju...
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Choral Choir (SATB) - Level 5 - SKU: A0.981225 Composed by Judith Cloud. 20th Century,Christmas. Octavo. 8 pages. Judith Cloud #6690569. Published by Judith Cloud (A0.981225). A CHRISTMAS FOLKSONG for Chorus, SATB, divisi with piano accompanimentLizette Woodworth Reese (1856-1935)The little Jesus came to town;The wind blew up, the wind blew down;Out in the streets the wind was bold;Now who would house Him from the cold?Then opened wide a stable door;Fair were the rushes on the floor;The Ox put forth a horned head:Come, little Lord, here make Thy bed.Uprose the Sheep were folded near:Thou Lamb of God, come, enter here.He entered there to rush and reed,Who was the Lamb of God indeed.The little Jesus came to town;With ox and sheep He laid Him down;Peace to the byre, peace to the fold,For they that housed Him from the cold!
$4.99
Little Ida's Flowers: A Mini-Opera for Children on a Story by Hans Christian Andersen
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Chorale SATB
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AVANCÉ
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Richard St
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Little Ida's Flowers: A Mini-O
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Richard St. Clair
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.939793 Composed by Richard St. Clair. 20th Century,Children. Octavo. 84 pages. Richard St. Clair #3866813. Publi...
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Choral Choir (SATB) - Level 5 - SKU: A0.939793 Composed by Richard St. Clair. 20th Century,Children. Octavo. 84 pages. Richard St. Clair #3866813. Published by Richard St. Clair (A0.939793). This chamber opera intended for an audience of children should please the adult listener as well. The work is scored for Woodwind Quartet, Piano and Percussion, with 4 soloists (SATB) and a small chorus (SATB). The lyrics are adapted from a story by Hans Christian Andersen by the same title. The MP3 Audio Clip is a MIDI-realized playback, not a live performance. The PDF contains both the full score and all the instrumental parts appended. Total duration under 17 minutes.
$50.00
Fountains of the Deep (SATB, Piano, Horns, Timpani, Perc)
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Chorale SATB
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AVANCÉ
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D
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Fountains of the Deep
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D. M. Gardner Music
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.799654 Composed by D. M. Gardner. Christian,Concert,Contemporary. Octavo. 55 pages. D. M. Gardner Music #481051....
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Choral Choir (SATB) - Level 5 - SKU: A0.799654 Composed by D. M. Gardner. Christian,Concert,Contemporary. Octavo. 55 pages. D. M. Gardner Music #481051. Published by D. M. Gardner Music (A0.799654). SATB, Piano, Horns, Timpani, PercussionBE ADVISED, IF YOU SIT IN THE FRONT ROW, YOU MAY WANT TO BRING A RAINCOAT!In the six hundredth year of Noah's life, in the second month, the seventeenth day of the month, the same day were all the fountains of the great deep broken up, and the windows of heaven were opened. And the rain was upon the earth forty days and forty nights. (Gen 7:11-12 KJV)Quietly the first drops of rain begin to fall... One, two... The wind begins to stir, becoming audible. And in a moment it seems thousands of heavy raindrops fall upon the mountains and hills and plains, as though a veil of water had suddenly descended upon the earth from the heavens. Fountains of the Deep musically portrays the events of the Bible concerning the great waters in a tumultuous storm of notes thundering from the grand piano and percussion. Simultaneously, the choir calls out for help while being tossed by the tempestuous seas, swallowed by a great fish, and chased to the edge of the sea by Pharaoh.The text in Fountains of the Deep is a mixed narrative that combines scripture with an imagined exclamation at the cataclysmic events of the day. Still comes the rain, still comes the rain, never ceasing! Whether it was one man, thousands, or all of mankind, the Lord has chosen to use the great depths of the sea to do his Will. This dramatic sonic reenactment brings the listener as close to the action as one would wish to get.PURCHASE INCLUDES FULL SCORE AND ALL PARTS - priced to be purchased as a choral score, so, please purchase one copy per performer...Thank you!)Difficulty: Moderate (Choir)/Intermediate/Advanced (Piano)NOTE: While Ab minor may seem like an extreme key, it plays very well on the piano and gives the choir a very full sound. However, Fountains can easily be performed in A minor, as desired, by simply removing the key signature (for the Horns, also add a sharp (E minor)Approx. 4 minutes and 50 seconds in lengthTo learn more about the composer, please visit https://www.dmgardner.com
$2.99
What Do The Stars Do
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Chorale SATB
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AVANCÉ
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James W
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What Do The Stars Do
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James Knox
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.499183 Composed by James W. Knox. 20th Century,A Cappella. Octavo. 6 pages. James Knox #112654. Published...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.499183 Composed by James W. Knox. 20th Century,A Cappella. Octavo. 6 pages. James Knox #112654. Published by James Knox (A0.499183). SATB divisi a cappella What do the stars do Up in the sky, Higher than the wind can blow, Or the clouds can fly? Each star in its own glory Circles, circles still; As it was lit to shine and set, And do its Maker's will. Christina Georgina Rossetti (1830-1894).
$3.25
The Angel Gabriel
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Chester L
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The Angel Gabriel
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Roger Dean Publishing
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SheetMusicPlus
SATB choir divisi, Flute, Oboe, Bassoon - Advanced - SKU: LX.10-1822R Composed by Chester L. Alwes. Prima Cantate Series. Sacred Anthem, Advent. Octavo....
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SATB choir divisi, Flute, Oboe, Bassoon - Advanced - SKU: LX.10-1822R Composed by Chester L. Alwes. Prima Cantate Series. Sacred Anthem, Advent. Octavo. 24 pages. Roger Dean Publishing #e10/1822R. Published by Roger Dean Publishing (LX.10-1822R). UPC: 000308042429.This gentle Basque carol is transformed into a concert showpiece for any fine college, community, or professional choir. The moderately difficult choral writing is polyphonic and multi-metered; instrumental parts are complex and worthy of any professional wind trio. The instrumentation suggests programming this work along with the composer's previous Christmas releases that have similar instrumentation: Pat-a-Pan(10/1373R),.
$3.15
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
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