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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
etc
Non classifié
173
Piano & claviers
Piano seul
91
2 Pianos, 4 mains
6
1 Piano, 4 mains
4
Orgue
4
Piano, Voix
3
Instruments en Do
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 2 instrumentations
Retracter
Guitares
Guitare
30
Basse electrique
17
Guitare notes et tablatures
11
4 Guitares (Quatuor)
3
Paroles et Accords
1
Voix
Voix seule
11
Chorale SATB
10
Voix Soprano, Piano
9
Chorale SSAA
6
Chorale TTBB
4
Chorale 3 parties
3
Voix Baryton, Piano
2
Voix Alto, Piano
2
Voix Tenor, Piano
1
+ 4 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Flûte traversière et Piano
6
Quatuor de Saxophones: 4 saxophones
5
Clarinette et Piano
4
Quatuor de Clarinettes: 4 clarinettes
4
Flûte, Hautbois, Clarinette, Basson
4
Saxophone Alto et Piano
4
Ensemble de saxophones
3
Clarinette
3
Saxophone Tenor et Piano
2
Flûte traversière
2
Quintette de Saxophone: 5 saxophones
1
Clarinette Basse, Piano
1
Quatuor de Flûtes : 4 flûtes
1
Ensemble de Clarinettes
1
Flûte, Clarinette, Piano (trio)
1
Saxophone Soprano et Piano
1
3 Clarinettes (trio)
1
Hautbois
1
Hautbois (partie séparée)
1
Flûte, Alto et Piano
1
Saxophone (partie séparée)
1
Ensemble de Flûtes
1
4 Hautbois
1
Flûte et Guitare
1
+ 20 instrumentations
Retracter
Cuivres
Trombone
8
Quatuor de cuivres: 4 cors
7
Tuba
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Trombone et Piano
4
Euphonium
4
Quatuor de cuivres: 4 trombones
4
2 Trombones (duo)
3
Trombone basse
3
Ensemble de Trombones
3
Cor et Piano
2
Tuba et Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette (partie séparée)
1
Trompette, Piano
1
Euphonium, Piano (duo)
1
+ 12 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
34
Violon et Piano
11
Violon
9
2 Violons (duo)
7
Violoncelle, Piano
5
4 Contrebasses
5
Violon, Violoncelle (duo)
4
Alto, Piano
3
Harpe
2
Alto seul
2
2 Violoncelles (duo)
2
Trio à Cordes: violon, alto, violoncelle
1
Violon, Alto (duo)
1
Piano Trio: Violon, Alto, Piano
1
+ 9 instrumentations
Retracter
Orchestre & Percussions
Orchestre
19
Orchestre de chambre
16
Jazz combo
13
Orchestre d'harmonie
9
Orchestre à Cordes
6
Ensemble Jazz
6
Ensemble de cuivres
5
Ensemble de Percussions
3
Batterie
1
Quintette à Vent
1
Marimba
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
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COMEDIES MUSICALES -…
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MEDIEVAL - RENAISSAN…
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METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
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Chorale SATB
Partitions à imprimer
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1
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
Chamber Music for SATB voices a cappella
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Chorale SATB
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AVANCÉ
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Leslie Kleen
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Chamber Music for SATB voices
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Music From Riverside
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1004799 Composed by Leslie Kleen. A Cappella,Contemporary. Octavo. 23 pages. Music From Riverside #4368574. Publ...
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Choral Choir (SATB) - Level 5 - SKU: A0.1004799 Composed by Leslie Kleen. A Cappella,Contemporary. Octavo. 23 pages. Music From Riverside #4368574. Published by Music From Riverside (A0.1004799). Nine love songs from James Joyce's collection of poetry entitled Chamber Music published in 1907. These poems are very romantic and dreamy. Each poem has a reference to something musical - singing, strings, piano, etc.1. Strings in the Earth and Air2. The Twilight Turns from Amethyst3. At that Hour4. When the Shy Star Goes Forth5. Lean Out of the Window, Goldenhair6. My Love is in a Light Attire7. Bright Cap and Streamers8. In the Dark Pine-wood9. O Cool is the Valley NowThese songs are also available separately.Close and chromatic harmonies require an advanced high school, or college level choral group.
$3.00
Labia Mea for 8 voices a cappella
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Chorale SATB
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AVANCÉ
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Vahram Sarkissian
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Labia Mea for 8 voices a cappe
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Vahram Sargsyan
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SheetMusicPlus
Choral Choir (Mixed) - Level 5 - SKU: A0.882922 Composed by Vahram Sarkissian (Sargsyan). 20th Century,A Cappella,Contemporary,Sacred. Octavo. 14 pages....
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Choral Choir (Mixed) - Level 5 - SKU: A0.882922 Composed by Vahram Sarkissian (Sargsyan). 20th Century,A Cappella,Contemporary,Sacred. Octavo. 14 pages. Vahram Sargsyan #2002319. Published by Vahram Sargsyan (A0.882922). Labia Mea for eight mixed voices a cappella is a unique innovative composition that explores and questions the possibilities of the human voice. Several unusual techniques are used throughout the work such as different types of throat singing, overtone singing, multiphonics, vocal percussion, extreme registers etc. It reveals some sounds and colors yet unknown to the world of vocal music. The work is based on a short excerpt of the psalm 50 (Domine labia mea aperies). There is a text accumulation process throughout the work, at the beginning there are just sounds, then phonemes assemble, words appear and closer to the end the full text is revealed.
$44.99
The Story of a Leader
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Chorale SATB
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AVANCÉ
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Classique
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Igor Korneitchouk
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The Story of a Leader
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Studio at the Post
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio ...
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Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04
Works for Chorus, Volume I - Kyrie Eleison
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Chorale SATB
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AVANCÉ
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Logan W
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Works for Chorus, Volume I - K
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logantheford
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1028726 Composed by Logan W. Ford. Contemporary,Romantic Period,Sacred. Octavo. 1 pages. Logantheford #3875589. ...
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Choral Choir (SATB) - Level 5 - SKU: A0.1028726 Composed by Logan W. Ford. Contemporary,Romantic Period,Sacred. Octavo. 1 pages. Logantheford #3875589. Published by logantheford (A0.1028726). Works for Chorus, Volume II am excited to publish the first movement of my first collection of choral works! Here is what you can expect:- Variety of musical styles- Variety of languages to sing in (English, German, Latin, and more!)- Many of them will be perfect for church choirs, high school choirs, etc.- Beautiful, original compositions that will captivate your audiences!If you have any questions at all, please feel free to contact me at lwfordmusic@gmail.com. Social media accounts coming soon!
$2.99
Down South Camp Meeting
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Chorale SATB
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AVANCÉ
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Benny Goodman
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Rejean Marois
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Down South Camp Meeting
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Marois Music Publications
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.1379915 By Benny Goodman. By Fletcher Henderson and Irving Mills. Arranged by Rejean Marois. Conte...
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Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.1379915 By Benny Goodman. By Fletcher Henderson and Irving Mills. Arranged by Rejean Marois. Contest,Festival,Historic,Jazz,Spiritual. 29 pages. Marois Music Publications #964623. Published by Marois Music Publications (A0.1379915). This Fletcher Henderson’s “Down South Camp Meeting†is a brilliant, original and colorful jazz composition that provides a vivid snapshot of what was going on musically in the world of swing when it was made.I transcribed and adapted on voices the Bill May's transcription played by Benny Goodman and recorded in 1936.Not to forget the beautiful lyrics by Jon Hendricks.Complete live recording at: https://maroismusic.com/the-music-of-benny-goodman/
$5.99
Now that Winter is Upon Us
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Chorale SATB
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AVANCÉ
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Contemporain
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James W
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Now that Winter is Upon Us
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Knox Music
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SheetMusicPlus
Choral Choir (Mixed) - Level 5 - SKU: A0.942868 Composed by James W. Knox. Contemporary. Octavo. 13 pages. Knox Music #4803265. Published by Knox Music ...
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Choral Choir (Mixed) - Level 5 - SKU: A0.942868 Composed by James W. Knox. Contemporary. Octavo. 13 pages. Knox Music #4803265. Published by Knox Music (A0.942868). Now that Winter is Upon Us is an original poem by composer James W. Knox. Written for SATB divisi with piano/ advanced level.NOW THAT WINTER IS UPON US,OUR MIND SLOWLY GOES UNDER SLUMBERING THOUGHTS.LIKE DAYS BEFORE WHEN THE GOLDEN SUN SHINES BRIGHT ACROSS THE EARTH,AND THE NIGHT'S GENTLE AIR KEEPS OUR HEARTS WARM.SLOWLY, ALL FALL ASLEEP AND SILENCE FILLS THE SKY.SILENT.EARTH'S BLANKET IS NOW WHITE,WITH SILVER GLEAMS OF WINTER'S DUST SOAR TO THE HEAVENLY STARS ABOVE.THE MOON STRETCHES DOWN ONTO THE HIDDEN TREES,ONLY TO FIND THE BARREN ARMS OF THE THINGS IT ONCE HELD.LIFE IS STILL.LIFE IS CALM.PEACE SURROUNDS WHAT IS LOST AND WILL GUARD YOUR HEART,UNTIL THE RETURN OF ALL THAT IS ANEW!
$3.50
The City In the Sea: Choral Tone Poem
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Chorale SATB
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AVANCÉ
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Contemporain
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Stanley M Hoffman
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The City In the Sea: Choral To
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Pu...
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Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60
Songs in Time of Peril
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Chorale SATB
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AVANCÉ
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Nicholas Weininger
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Songs in Time of Peril
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Nicholas Brock Weininger
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1417464 Composed by Nicholas Weininger. 21st Century,Classical. 34 pages. Nicholas Brock Wein...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1417464 Composed by Nicholas Weininger. 21st Century,Classical. 34 pages. Nicholas Brock Weininger #998985. Published by Nicholas Brock Weininger (A0.1417464). I wrote this set of three meditations on existential fear and hope in 2017-18, and it has only gotten more relevant as time has passed since then. Each sets a Biblical text in the original Hebrew using one of Messaien's modes of limited transposition. The music is challenging but rewarding, a perfect stretch project for your ambitious SATB ensemble.
$5.99
The Triumph of King Edmund
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Joy DeCoursey-Porter
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The Triumph of King Edmund
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Joy DeCoursey-Porter
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.897054 Composed by Joy DeCoursey-Porter. Christian,Easter,Holiday,Sacred,World. Octavo. 9 pages. Joy DeCoursey-P...
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Choral Choir (SATB) - Level 5 - SKU: A0.897054 Composed by Joy DeCoursey-Porter. Christian,Easter,Holiday,Sacred,World. Octavo. 9 pages. Joy DeCoursey-Porter #2079905. Published by Joy DeCoursey-Porter (A0.897054). A piece best suited for an accomplished HS or college choir, or one that enjoys a bit of drama. Please contact Joy DeCoursey-Porter at joyfulporter@hotmail.com with performance info. The story of King Edmund takes place in the mid 800s and remains shrouded in some mystery. Though certain details are sketchy depending on the historical source, the events depicted in the poetic text seem consistent with most sources. The text, taken from the writings of Ælfric of Eynsham and adapted by Frances E. F. Ward is as follows: The Danes came by great fleet of ship, under Hingwar, to plunder the Angles’ coast. Edmund the King will never bow in life unless first Hingwar bow to Christ, he said. He stood in hall raising no sword. Bound to the tree he called on Christ. Mad with rage, they bristled him with arrows and still with steadfast faith he called on Jesus Christ. Hingwar’s order, and the blow beheaded him; his soul departed joyfully to Christ. The grey-eyed wolf stood guardian to holiness, until head and body one. Holy Edmund revealing Christ..
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