For SATB unaccompanied. Originally published in the anthology, An American Christmas, this is a serene setting of a macaronic text by M. K. Dean describing the song the angels sang for the birth of the Christ-child.

ISBN 9780193542471.

Anthem accompaniment for chamber orchestra.

From "Tick, Tick...Boom!"

SATB
learning tracks, MIDI, and XML available upon request
evanfeist@gmail.com.

Made popular by British vocal octet VOCES8, this arrangement of Dougie Maclean's heartwarming tune invites a slice of Scotland into the choral rehearsal room. "Caledonia" was the Latin name the Romans used for Scotland, and Dougie's original song has become somewhat of an unofficial anthem for the country. In an arrangement here by Blake Morgan, the textures throughout range from the signature "blended" sound of VOCES8 to a roaring climb through the Scottish highlands before returning to the final refrain in a hymn-like harmonization, bringing us to back to the place we call home. "Let me tell you that I love you, and I think about you all the time; Caledonia, you're calling me, and now I'm going home.".

Learning audio for this arrangement is available here: kohlkitzmillermusic.com/arrangement/its-a-pity-to-say-goodnight-satbFor more information about my arrangements and learning media, visit: kohlkitzmillermusic.com.

This product was created by a member of ArrangeMe, Hal Leonard?s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.

Recently, I was asked to write an arrangement for choir of the fantastic track Heavenly Father by Bon Iver. The performance he gave at the Sydney Opera House in 2016 as part of Vivid Live, featuring The Staves, was so breathtaking that I immediately agreed to transcribe and arrange the song.

An earthy arrangement that features a soloist and some extra special choral effects, this tune is full of emotions and reaches an amazing climax that will wow your audience. Featured in the movie Wish I Was Hereby acclaimed director Zach Braff and scored for SATB Choir and soloist.

If there's one piece of music you purchase for choir this year, make it this one!

Live performance

The performance Bon Iver delivered at the Sydney Opera House really took this song to a new level, giving it such emotion and power that takes your breath away. Utilising subtle body percussion and some exquisite voices, this video is a must watch if you wish to recreate the song at the highest level.

https://www.youtube.com/watch?v=vAoADCSpD-8

Welcome to the Choir is a quirky, fun concert piece for a cappella SATB choir written in 2013 by UK composer Chris Lawry and commissioned by Parkrose High School PHS Choir, Lesley Bossert and the Parkrose Educational Foundation. It received its US/World premier by the choir in April 2014 and the UK premiere, by the Harlequin Chamber Choir, in May 2014.The piece is a fantastic, descriptive, concert opener, and is dedicated to the past, present and future students of Parkrose 'may your singing serve as a healing element to the realities of life, giving you lifelong friendships and show you the importance of beauty in our lives through music'.The piece features descriptive elements from each section of the choir, 'bass line on beat' 'tenor rhythm off beat' 'soprano melody' alto harmonies, homophony, polyphony, melismatic singing, a great show piece to introduce the choir at concerts and shows. Much can also be made of the theatrical elements of the piece (at the conductor's discretion).The recording is a temporary computerised fix until the commissioning choir have finalised their recording of the piece later in 2014 (words below), sounds odd computerised but sounds incredible live! WORDS:[Basses] Let's start with the bass line. On beat. (repeated)[Tenors] and add in a tenor rhythm. Off beat. (")[Sopranos] Now for soprano melody; beautiful melody, soprano melody.[Altos] But don't forget the altos who can turn a melody, into harmony (S A) Melody and Harmony.STOP![All] We sing in homophony, ah! Homophony, ah! From minor to major, and changing the key...To sing in polyphony, polyphony, melismatic polyphony.Welcome to the choir! (x5)..................The recording is by the Izhevsk Choir conducted by Lev Nakariakov.

Choral a cappella arrangement for SATB of "La Cura", italian evocative song by Franco Battiato.

ISBN 9780193535824.

For SATB choir (with divisions) unaccompanied Part of the John Rutter Anniversary Edition, this a cappella anthem, suitable as an introit or call to worship, was inspired by Celtic folksong.

Barcelona
Released in 1988 by Queen vocalist Freddie Mercury and operatic soprano Montserrat Caballe, who had requested that Freddie write a song about her hometown. Barcelona is about meeting a lover in a breathtakingly beautiful city. The song was performed by Caballe at the opening ceremony of the 1992 Summer Olympics.

This powerful anthem is arranged for an a cappella SATB choir in English and Spanish and could be a stunning piece to finish your festival or concert. The duration is approximately 4:25.

German - English.

The ".Loop Songs". by Bertrand Grö.ger (Jazzchor Freiburg) are modern choir exercises for all SATB groups. Originally conceived as warm-ups or to loosen up repertoire rehearsals, many songs are also suitable as concert songs.
The 44 compositions, devided into four graded levels of difficulty, offer a versatile practice method for style characteristics in relation to rhythm, harmonics and melodics. By means of ".learning by singing"., the singers acquire skills in scat syllables, timing and intonation. This collection contains two and a half hours of music and presents a wide range of music genres: Swing, Latin, Afro, Gospel, Rand.B, Funk, Pop, Rock and World music.

SATB A Cappella arrangement.

Melody mostly in tenor part, and soprano part for last verse.

It's Only A Paper Moon - one of the Great American Songbook's most enduring standards is given a swing-choir treatment in this arrangement. It includes tight harmony, a wordless jazz vocal chorus, a very effective key change and jazzy piano accompaniment. It will be a favorite of singers and audience alike.

In this collaboration between two of the most popular sacred music arrangers in the country, Mary McDonald's exuberant, dynamic style blends seamlessly with Joel Raney's rhythmic and beautifully emotional music to provide your musicians with a unique Christmas event that is sure to become the highlight of the season.

The work is composed of four stand-alone suites. Each movement includes original music combined with favorite carols, creating a perfect blend of familiar and new. The writing is accessible for most groups yet contains enough richness to provide any choir with a fulfilling choral experience. The optional two-person narration knits the suites into a thrilling and complete re-telling of the Christmas story. Performance time is 45 minutes.

Full Orchestrations by Michael Lawrence includes: Conductor's Score, Piccolo, 2 Flutes, Oboe, 2 Clarinets, Bassoon, Bass Clarinet (substitute for Bassoon), 3 Trumpets, 2 Horns, Alto Sax (substitute for Horn 1 and 2), 3 Trombones, Tenor Sax/Baritone T.C. (substitute for Trombone 1 and 2), Tuba, Percussion, Timpani, Harp, Piano, 2 Violins, Viola, Cello, String Bass, String Reduction. Included in the Percussion are: Timpani, Bells, Sus. Cymbal, Crash Cymbals, Chimes, Mark Tree (Windchimes), Finger Cymbal, Bell Tree, Triangle, Sleigh Bells, Congas (opt. D'jembe), Tambourine, Shaker).

By Keith Getty and Stuart Townend. Matthew 28:19 - Matthew 28:20 - John 17:6 - John 17:7 - John 17:8 - John 17:9 - John 17:10 - John 17:11 - John 17:12 - John 17:13 - John 17:14 - John 17:15 - John 17:16 - John 17:17 - John 17:18 - John 17:19.

Contemporary hymn by Keith Getty and Stuart Townend Keith Getty and Stuart Townend's contemporary hymn gets a stunning new choral treatment from arranger, Lloyd Larson, just in time for the Easter season. This theologically driven anthem builds from the simple affirmation, "In Christ alone my hope is found; he is my light, my strength, my song," then traces the birth, death and crowning glory of the resurrected Lord, who "bursting forth in glorious day, up from the grave rose again," culminating with the final return of Christ. The hint of "The Solid Rock" that Lloyd drops in at the end is a perfect coda to this powerful presentation. The addition of brass and percussion heightens the dramatic impact and sets this arrangement apart from all the rest. The Brass packet contains a Conductor's Score and parts for: 2 B-flat Trumpets, Trombone, Horn, Tuba, Percussion and Timpani.

This heartfelt ballad is from the hit Broadway production Waitress the Musical, written by Sara Bareilles. This arrangement originally premiered at the Barbershop Harmony Society's 2019 International Convention by Momma's Boys, a men's quartet, but all voicings (SSAA, TTBB, SATB) are available. This piece works well for small ensemble (quartet minimum) or a large choir.

This song is contestable in Barbershop Harmony Society contests, Sweet Adeline's International contests, and Harmony Incorporated contests.

SATB A Cappella, with short Tenor, and Sop solos.

ISBN 9780193525092.

For SATB and organ or strings. John Rutter's much-loved setting of the Aaronic Blessing (Numbers 6: 24) is here included in the John Rutter Anniversary Edition, with an illuminating composer's note and useful performance hints.