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--INSTRUMENTS--
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XYLOPHONE
(1674-1748),
Non classifié
3
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Chorale SATB
4
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Crtitères actifs :
(1674-1748),
Chorale SATB
Partitions à imprimer
4 partitions trouvées
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1
When I survey the wondrous cross
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Edward Miller
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When I survey the wondrous cro
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Andrew Henderson
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.850948 Composed by Edward Miller. Arranged by Geoffrey Turton Shaw, Andrew Henderson. Christian,Easter,Sacred. O...
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Choral Choir (SATB) - Level 3 - SKU: A0.850948 Composed by Edward Miller. Arranged by Geoffrey Turton Shaw, Andrew Henderson. Christian,Easter,Sacred. Octavo. 5 pages. Andrew Henderson #6877659. Published by Andrew Henderson (A0.850948). Verse 1-3 are SATB; verse 4 is in 7 parts, SSATTBB, with a piano/organ reduction. It could also be used with just the melody and soprano part as a descant, with the piano/organ supplying the rest of the harmony. This arrangement can lead congregational singing, or be used as a stand-alone (and very effective) concert item during Lent or Passiontide.music adapted by EDWARD MILLER (1731-1807) v1 harmony from The Irish Presbyterian Hymnbook v2 harmony from Common Praise v3 harmony by GEOFFREY TURTON SHAW (1879-1943) v4 harmony by ANDREW HENDERSON (b1984) words by ISAAC WATTS (1674-1748).
$1.99
Behold the Glories of the Lamb (SATB, Divisi)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
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James Stanard
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Behold the Glories of the Lamb
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James Stanard
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1019248 Composed by James Stanard. A Cappella,Christian,Easter,Praise & Worship,Sacred. Octavo. 11 pages. James ...
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Choral Choir (SATB) - Level 4 - SKU: A0.1019248 Composed by James Stanard. A Cappella,Christian,Easter,Praise & Worship,Sacred. Octavo. 11 pages. James Stanard #3132651. Published by James Stanard (A0.1019248). Behold the Glories of the Lamb is a musical setting of Issac Watts (1674-1748) poetic paraphrasing of Revelations 5: 6-12. This anthem is scored for divisi voices (SSA and TTBB) and piano. The general tone of the anthem is joyous and energetic. However there are some slower, lyrical a cappella sections contrasting with the faster moving accompanied parts. .
$2.99
Jesus Shall Reign (SATB)
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Chorale SATB
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INTERMÉDIAIRE
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Watts/ Hatton
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Joseph Pugh
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Jesus Shall Reign
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Joseph Pugh
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.855206 Composed by Watts/ Hatton. Arranged by Joseph Pugh. Christian,Sacred,Standards. Octavo. 6 pages. Joseph P...
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Choral Choir (SATB) - Level 3 - SKU: A0.855206 Composed by Watts/ Hatton. Arranged by Joseph Pugh. Christian,Sacred,Standards. Octavo. 6 pages. Joseph Pugh #6449691. Published by Joseph Pugh (A0.855206). This SATB arrangement by, Joseph Pugh is a hymn with verses from the poem by Isaac Watts (1674 - 1748) and generally sung to the tune Truro first published in Psalmodia Evangelica (1789), here Duke Street is used. Download it today at a reduced price for your Summer Concert Series.
$1.99
Eight Hymns of Isaac Watts
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Brian Joyce
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Eight Hymns of Isaac Watts
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Brian Joyce
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.836712 Composed by Brian Joyce. Christian,Sacred. Octavo. 21 pages. Brian Joyce #4325937. Published by Brian Joy...
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Choral Choir (SATB) - Level 3 - SKU: A0.836712 Composed by Brian Joyce. Christian,Sacred. Octavo. 21 pages. Brian Joyce #4325937. Published by Brian Joyce (A0.836712). If you ever need a break from the soundbyte theology found in so many contemporary Christian lyrics, why not revisit the words of Isaac Watts (1674-1748), who could stretch a single coherent thought across multiple verses of his hymns? Watts was a prolific writer on many subjects, including geography, astronomy, ethics, and psychology. His book on Logic became a standard university text, being used at Oxford for over 100 years. But his greatest desire was to assist Christians in the worship of God and it is his hymns for which he is best remembered today.These old words are here set to new music which represents a blending of three different traditions: First, and most obvious, is the rustic sound of early American shape-note singing. Second is the strong linearity of 13th century Ars Antiqua voice leading, in which each part was more or less independent. And third is my own fondness for mixed meters and sonorities built on fourths and seconds. Yet it all works somehow: these are actually very singable hymns once the choir has acclimated to the style. Most fall comfortably into a simple diatonic language and would present no jarring problems for the listener. Five of the hymns are for standard mixed voices (SATB); one is for men’s voices (TTB); one for women’s (SSA) and the last, a Doxology, is in six parts (SSATTB) with a florid threefold amen. There is admittedly a certain sameness about these settings; perhaps it’s best if they are not all sung in one go, cover to cover. Taken individually, however, there is no reason they couldn’t make for a refreshing change from the usual church anthem, and a group of three or four could easily find a place on a choral recital program.
$2.50
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(1674-1748),