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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
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LIVRES
LUTH
MANDOLINE
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Non classifié
260
PIANO & CLAVIERS
Piano seul
142
Orgue
30
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29
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11
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6
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1 Piano, 4 mains
4
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3
Clavecin
1
2 Pianos, 4 mains
1
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Ukulele
8
Guitare notes et tablatures
8
Guitare
4
3 Guitares (trio)
3
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3
4 Guitares (Quatuor)
3
Piano, Guitare (duo)
2
Ligne De Mélodie, (Paroles) et Accords
1
Basse electrique
1
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VOIX
Chorale SATB
7
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1
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1
VENTS
Flûte traversière et Piano
45
Hautbois, Piano (duo)
39
Clarinette et Piano
38
Quatuor de Saxophones: 4 saxophones
26
Saxophone Alto et Piano
26
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Saxophone Soprano et Piano
24
Saxophone Tenor et Piano
24
Quintette de Saxophone: 5 saxophones
21
3 Saxophones (trio)
18
Flûte, Hautbois, Clarinette, Basson
17
2 Saxophones (duo)
11
Quatuor de Clarinettes: 4 clarinettes
11
Saxophone Baryton, Piano
10
Ensemble de saxophones
10
Clarinette Basse, Piano
9
Quatuor de Flûtes : 4 flûtes
8
Quatuor de Flûtes à bec
7
Flûte traversière
7
2 Flûtes traversières, Piano
7
2 Flûtes traversières (duo)
7
Trio de Flûtes: 3 flûtes
6
Saxophone Alto
6
Flûte, Clarinette (duo)
5
Clarinette, trompette et piano
5
Flûte, Clarinette, Piano (trio)
5
Cor anglais, Piano
5
Flûte, Hautbois, Piano (trio)
5
Clarinette, Violoncelle, Piano (trio)
5
Quintette de Clarinettes: 5 clarinettes
4
3 Clarinettes (trio)
4
Flûte, trombone et piano
4
2 Clarinettes, Piano
4
Flûte, Violoncelle, Piano (trio)
4
2 Clarinettes (duo)
4
Quintette de Flûte : 5 flûtes
4
Clarinette
4
Ensemble de Flûtes
3
Ensemble de Clarinettes
3
Saxophone Tenor
3
Clarinette, Basson (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte, Violon, Piano
3
Clarinette, Violon (duo)
3
Flûte, Violon et Violoncelle
3
Flûte, Clarinette et Basson
2
2 Flûte à bec (duo)
2
Flûte, Alto et Piano
2
Saxophone (partie séparée)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
5 Flûtes à bec
2
3 Flûtes à bec (trio)
2
Flûte, Basson et Piano
2
Flûte à Bec
2
Flûte, Hautbois, Basson
2
Flûte à bec Alto
2
Flûte et Guitare
2
Cor Anglais
1
2 Hautbois (duo)
1
Clarinette, Alto et Piano (trio)
1
Flûte, Violon, Violoncelle et Piano
1
Clarinette, Guitare (duo)
1
Hautbois (partie séparée)
1
Flûte, Violoncelle, Guitare
1
Saxophone, Clarinette (duo)
1
Flûte à bec, Guitare (duo)
1
Flute (partie séparée)
1
Hautbois, Clarinette et Piano (Trio)
1
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CUIVRES
Trompette, Piano
36
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Trombone et Piano
27
Quatuor de Cuivres : 2 trompettes, trombone, tuba
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Trompette
15
Cor et Piano
14
Tuba et Piano
12
Quatuor de cuivres: 4 trompettes
11
Quatuor de cuivres: 4 trombones
10
Quatuor de cuivres: 4 cors
8
Cor anglais, Piano
5
Tuba
4
Trombone
3
3 Trombones (trio)
3
Trompette, Trombone (duo)
3
3 Tubas (trio)
3
2 Trombones (duo)
2
Ensemble de Cors
2
3 Cors (trio)
2
4 Tubas
2
Ensemble de Trompettes
2
Trombone, Cor (duo)
2
2 Cors (duo)
2
Euphonium, Tuba (duo)
2
Ensemble de Trombones
2
2 Trompettes (duo)
2
Trompette, Cor (duo)
2
Cor Anglais
1
Trio de Cuivres
1
Cor
1
Trombone (partie séparée)
1
Trompette, Trombone, Piano
1
Quatuor de Cuivres
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor, Violoncelle et Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
49
Violon et Piano
42
Alto, Piano
39
Violoncelle, Piano
28
Trio à Cordes: violon, alto, violoncelle
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Trio à cordes: 3 violins
9
Contrebasse, Piano (duo)
8
2 Violons (duo)
7
Violoncelle
7
Quatuor à cordes : 4 altos
6
Violon
6
4 Violoncelles
6
Quatuor à cordes: 4 violons
6
2 Violoncelles (duo)
5
Violon, Alto (duo)
4
Harpe
4
Trio à Cordes: 2 violons, violoncelle
3
Trio à Cordes: 3 violoncelles
3
Violon, Violoncelle (duo)
3
2 Altos (duo)
2
Alto, Violoncelle (duo)
2
Violon, Guitare (duo)
2
Trio à cordes: 3 altos
2
Alto seul
1
Violon, Violoncelle, Clarinette
1
Ensemble d'Altos
1
Contre Basse
1
Ensemble de Violons
1
2 Violons, Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
53
Orchestre
18
Fanfare
17
Orchestre à Cordes
12
Ensemble de cuivres
8
Xylophone, Piano
6
Orchestre de chambre
6
Ensemble de Percussions
2
Ensemble Jazz
1
Marimba
1
Quintette de Cuivres: autres combinaisons
1
Jazz combo
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
(A Major) March
Chorale SATB
Partitions à imprimer
7 partitions trouvées
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1
A salute to Louis Armstrong
Chorale SATB
SATB chorus and piano - Digital Download SKU: OX.9780193541016 Composed by Libby La…
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SATB chorus and piano - Digital Download SKU: OX.9780193541016 Composed by Libby Larsen. Sheet music. Score. 23 pages. Oxford University Press Digital #9780193541016. Published by Oxford University Press Digital (OX.9780193541016). ISBN 9780193541016.For SATB chorus and piano. This salute to the spirit of Louis Armstrong breathtakingly incorporates 'Basin Street Blues', 'Lady be good', 'Tiger Rag', 'When the saints go marching in', and more surprisingly excerpts from 'Clair de Lune' and from Brahms' A flat major Piano Serenade. It is in one movement, which may be performed on its own, taken from the choral suite Seven Ghosts.
$5.25
4.78 €
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Chorale SATB
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Libby Larsen
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A salute to Louis Armstrong
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Oxford University Press Digital
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SheetMusicPlus
Come Unto Jesus (SATB w/ piano)
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.890616 Composed by Orson P…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.890616 Composed by Orson Pratt Huish. Arranged by Stan Swim. Christian,Easter,Sacred. Octavo. 6 pages. Stanford Swim #4611509. Published by Stanford Swim (A0.890616). As originally composed by Orson Pratt Huish, Come Unto Jesus has a 6/8 rhythm. This arrangement changes the meter to 4/4 so that the piece can begin as a quiet prayer and end as a triumphant march, to match the content of Huish's text. Scored for SATB choir, a soloist can be used for the opening and closing phrases. The piano accompaniment becomes very full for the last verse, so a minimum of eight voices are suggested with larger choirs being more effective. The piece begins in A-flat and ends in A-major. The choral parts are not overly difficult; the piano accompaniment is more demanding. Tempo should be martial for the final verse, 116-120.
$2.29
2.09 €
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Chorale SATB
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Orson Pratt Huish
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Stan Swim
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Come Unto Jesus
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Stanford Swim
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SheetMusicPlus
The Centipede - der Hundertfüssler - le Cent-pattes - for two voices
Chorale SATB
Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.575717 Composed by David …
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Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.575717 Composed by David Warin Solomons. 20th Century,Children,Contemporary. Octavo. 12 pages. David Warin Solomons #2027153. Published by David Warin Solomons (A0.575717). Duet based on the anonymous English poem about a centipede - the creature was quite happy with its hundred legs until a frog asked it to think about which leg comes after which... it then lay distracted in a ditch considering how to run... The sound sample is the English version, sung in B flat It can be sung by two solo voices or by a two part choir of any kind. Versions are available in English (B flat major and D major) German (F major and D major) and in French (F major and D major) the pdf file contains all of these versions. A video of the English original (in B flat) can be seen here: https://www.youtube.com/watch?v=Jo25CSSE5eU These are the words of my French version of the song Un cent-pattes était bien content Mais la grenouille l'interroge «Comment sais-tu quelle patte va avant C'est la gauche ou droite ou quoi?» ça lui fait penser, mais beaucoup trop l'immobilise tout en chaos il ne peut plus marcher droit. Il commence un pas, s'arrête encore, Des pat-tes gauches se lèvent Il bouge ses droites en octuors Et trébuche comme dans un rêve oui ça fait penser, et beaucoup trop l'immobilise tout en chaos il ne peut plus marcher droit. These are the words of my German version of the song Einem Hundertfüßler ging's ganz wohl Bis ein Frosch ihn schlau befragte Weisst du welcher Fuss nach vorne geht? Singen wir: rechts links links rechts! Dann besann er sich und dachte nach Seine Beine wirbelten hundertfach Und er konnte nicht mehr geh'n Er versucht 'nen Tritt und blieb da steh'n Alle fünfzig linke Beine Kamen aufwärts und er stolperte Und die rechten folgten nicht Dann besann er sich und dachte nach Seine Beine wirbelten hundertfach Und er konnte nicht mehr geh'n.
$2.99
2.72 €
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Chorale SATB
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David Warin Solomons
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The Centipede - der Hundertfüssler - le Cent-pattes - for two voices
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David Warin Solomons
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SheetMusicPlus
God Rest Ye Merry, Gentlemen (Cornish folk tune) — SATB voices, clarinet, piano
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1323225 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1323225 Composed by Cornish folk tune. Arranged by Todd Marchand. Advent,Christmas,Folk,Holiday,Sacred. 10 pages. Con Spirito Music #911489. Published by Con Spirito Music (A0.1323225). “God Rest Ye Merry, Gentlemen†is an English traditional carol dating, perhaps, to the 16th or 17th century. A manuscript, ca. 1650, contains a version with the first line, “Sit you merry gentlemen†and the refrain, “O tidings of comfort and joy.†The earliest known printed edition of the carol is a London broadsheet dated 1760, in which the first line is the familiar “God rest ye merry, gentlemen.†By the 19th century, the carol was well-known, with Charles Dickens referencing it in his 1843 novella, A Christmas Carol.The phrase “God rest you merry†in the first line is an archaic idiom meaning “God grant you peace and happiness.†William Shakespeare used the phrase “rest you merry†in his plays, “As You Like It†and “Romeo and Juliet,†both from the 1590s; but Dickens recorded the phrase as “God bless you, merry gentlemen†in A Christmas Carol.The tune adapted for use in this arrangement was at the time of its notation a wordless, nameless melody noted in 1905 by folk song collector E. Quintrell from the singing of a Mr. Boaden in Cornwall, England. The tune was sent to Lucy Broadwood, editor of the Journal of the Folk-Song Society, who decided that it fit the ballad, “The Maid in Bedlam,†and published the tune and text together. Gustav Holst later arranged the tune as Song without Words ‘I'll Love My Love’†in his Second Suite in F for Military Band, Op. 28, No. 2 (1911) and again as “I Love My Love†in his 6 Choral Folksongs, Op. 36 (1916). Set in F minor (Dorian), the tune brings a contemplative tone to the text, with the high point of the refrain being the subdominant Bb major chord on the word “joy.†The rich, dark timbre of solo clarinet (part included) on introduction, interludes, and ending adds to this tone. SATB voices (with some divisi on soprano and tenor), piano, Bb clarinet©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.82 €
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Chorale SATB
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the 19th century, the carol was well-known, with Charles Dickens referencing it in his 1843 novella,
A Christmas Carol
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Cornish folk tune
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Todd Marchand
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God Rest Ye Merry, Gentlemen
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Con Spirito Music
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SheetMusicPlus
Come, Thou Long-Expected Jesus — SATB voices, organ
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1283376 Composed by Todd M…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1283376 Composed by Todd Marchand. Advent,Christian,Sacred. Octavo. 6 pages. Con Spirito Music #874560. Published by Con Spirito Music (A0.1283376). Charles Wesley’s (1707-1788) Advent hymn, “Come, Thou Long-Expected Jesus,†from Hymns for the Nativity of our Lord (1744), reflects the dual nature of Advent for Christians, in that it recalls the first coming and incarnation of the Messiah while also anticipating His return.Each stanza presents a different idea: Stanza 1, the longing for freedom from sin and fear; Stanza 2, attributes of or names for Christ; Stanza 3, the Messiah's birth, kingdom, and purpose; and Stanza 4, a prayer for Christ's rule in believers' hearts. Among the Scriptures referenced in the hymn are 2 Corinthians 4:14, Revelation 3:21, Isaiah 61:1-2, Luke 4:18-19, and Romans 6:22. In this setting of Wesley’s text to an original tune, a short introduction is followed by verse 1, presented by women’s voices (soprano, alto) and verse 2, presented by men’s voices (tenor, bass). Verse 3 is presented by SATB voices, unaccompanied; and following a short organ interlude and modulation from D minor to E minor, the concluding verse 4 is introduced by all voices in unison with organ, then expands both dynamically and in texture to SATB and ends on a glorious E major chord.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.82 €
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Chorale SATB
#
Todd Marchand
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Come, Thou Long-Expected Jesus — SATB voices, organ
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Con Spirito Music
#
SheetMusicPlus
O God of Love, Give Peace Again — SATB voices, keyboard
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1451982 Compos…
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1451982 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1031298. Published by Con Spirito Music (A0.1451982). Written by Henry Williams Baker (1821-1877) and titled “The Lord Shall Give His People the Blessing of Peace,” the text of “O God of Love, Give Peace Again” was published in the 1861 edition of the landmark English hymnal, Hymns Ancient and Modern. Baker, who is perhaps best remembered for his hymn “The King of Love My Shepherd Is,” was chairman of the committee that prepared that hymnal. Because war is a constant in the world, Baker's text is always relevant. Stanza 1 is an entreaty that God would “make wars throughout the world to cease.” Stanza 2 asks that God recall his “works of old,” for only by God's hand can peace be given again. Stanza 3 extends this thought by asking “Whom shall we trust but thee, O Lord? Where rest but on thy faithful word?” and noting that “none ever called on Thee in vain.” A fourth verse, omitted in some hymnals, ends on the hopeful note that as saints and angels are bound “in holy love,” so we might also be bound to them and to one another in love and peace. In this original setting of Baker’s text, stanza 1 is sung by unison voices, stanza 2 by unison women, stanza 3 by unison men, and stanza 4 in parts following a recapitulation of the introduction and a modulation to the relative major key. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$2.00
1.82 €
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Chorale SATB
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Todd Marchand
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O God of Love, Give Peace Again — SATB voices, keyboard
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Con Spirito Music
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SheetMusicPlus
Irish Blessing
Chorale SATB
Choral (SATB) - Level 3 - Interactive Download SKU: A0.481433 Composed by Jim Ford.…
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Choral (SATB) - Level 3 - Interactive Download SKU: A0.481433 Composed by Jim Ford. This edition: Interactive Download. Praise & Worship,Wedding. Octavo. Duration 29. James R. Ford Musical Enterprises #6rSN3Znyta63rTiCSHrxjP. Published by James R. Ford Musical Enterprises (A0.481433). Key: Eb major.The perfect choral response to a final benediction concluding a worship service/wedding ceremony year-round, but especially during the month of March.
$2.99
2.72 €
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Chorale SATB
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Jim Ford
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Irish Blessing
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James R. Ford Musical Enterprises
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SheetMusicPlus
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