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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Can Beethoven
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86
Piano & claviers
Piano seul
41
Piano Facile
9
1 Piano, 4 mains
5
Piano, Voix et Guitare
3
Piano, Voix
3
Instruments en Do
1
+ 1 instrumentations
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3
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2
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1
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1
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Chorale SATB
2
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1
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1
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18
2 Flûtes traversières (duo)
16
Clarinette
13
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11
2 Saxophones (duo)
11
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7
2 Clarinettes (duo)
7
Flûte traversière et Piano
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Saxophone Tenor et Piano
4
Saxophone Soprano et Piano
3
Saxophone Baryton, Piano
3
Cor anglais, Piano
2
Hautbois, Piano (duo)
2
2 Hautbois (duo)
2
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2
Clarinette Basse, Piano
2
3 Clarinettes (trio)
2
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2
Hautbois, Basson (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Flûte traversière
2
3 Saxophones (trio)
2
Saxophone Alto et Piano
2
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1
Ensemble de saxophones
1
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1
Flûte, Violoncelle
1
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1
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1
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1
2 Cors Anglais Et Pianoforte
1
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1
Saxophone, Violon (duo)
1
Cor Anglais
1
Flûte, Violon
1
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13
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10
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7
Trompette
4
Trompette (partie séparée)
4
2 Trombones (duo)
3
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3
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3
2 Trompettes (duo)
3
Trompette, Piano
3
Euphonium, Piano (duo)
2
Cor anglais, Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
2 Euphoniums (duo)
2
2 Tubas (duo)
2
4 Tubas
1
Trompette, Trombone (duo)
1
Trompette, Violoncelle (duo)
1
Tuba
1
Cor et Piano
1
Trombone (partie séparée)
1
2 Cors Anglais Et Pianoforte
1
Cor Anglais
1
Trompette, Saxophone (duo)
1
Trombone
1
Trompette, violon (duo)
1
Trio de Cuivres
1
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Quatuor à cordes: 2 violons, alto, violoncelle
15
2 Violons (duo)
10
Violon
10
Violon, Violoncelle (duo)
9
Violon et Piano
8
Trio à Cordes: violon, alto, violoncelle
5
2 Violoncelles (duo)
5
Alto, Piano
4
Violoncelle
4
Contre Basse
4
Alto seul
4
Violoncelle, Piano
4
2 Contrebasses (duo)
3
2 Altos (duo)
3
Alto (partie séparée)
2
Alto, Violoncelle (duo)
2
Contrebasse, Piano (duo)
2
Harpe
2
2 Violons, Piano
1
4 Violoncelles
1
Violon, Alto (duo)
1
Quatuor à cordes: 4 violons
1
4 Contrebasses
1
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23
Orchestre à Cordes
8
Orchestre de chambre
6
Ensemble de cuivres
2
Orchestre d'harmonie
2
Ensemble de Percussions
1
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--INSTRUMENTS--
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AUTOHARPE
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CHORALE - CHAN…
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I Can Beethoven
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Anim Zemiros
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909…
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00
2.76 €
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Chorale SATB
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
The Composer (Downloadable)
Chorale SATB
SATB choir - Moderately Difficult - Digital Download SKU: MQ.6076-E Composed by Dav…
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SATB choir - Moderately Difficult - Digital Download SKU: MQ.6076-E Composed by David Conte. 10 pages. E. C. Schirmer Music Company - Digital #6076-E. Published by E. C. Schirmer Music Company - Digital (MQ.6076-E). Composed to a text by John Stirling Walker, The Composer was commissioned by the Walden School, Dublin, New Hampshire, in celebration of its thirtieth anniversary, and was written for Patricia Plude, Director of the Walden School, and for Leo Wanenchak, Conductor of the Walden School Chorus.Appropriate for: concerts, skilled school, community, professional chorusesc. 4:30“The Composer speaks to the nature of an artist’s inspiration as something that can transcend personal will or earth-bound concerns. [I] had in mind Beethoven as an example of this quality of receptivity to a heaven-sent creative impulse. Mr. Conte’s music captures the spirit of the text with the usual inimitable accuracy of feeling.†-John Stirling WalkerThe Composer is included on the album Facing West: Choral Music of Conrad Susa and David Conte.
$2.65
2.44 €
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Chorale SATB
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David Conte
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The Composer
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E. C. Schirmer Music Company - Digital
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