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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
2 Opera
Non classifié
1 045
Piano & claviers
Piano, Voix
1 134
Piano seul
599
Piano Facile
227
Piano, Voix et Guitare
91
1 Piano, 4 mains
56
Instruments en Do
48
Orgue
27
2 Pianos, 4 mains
25
Accompagnement Piano
15
Piano Quintette: piano, 2 violons, alto, violoncelle
10
Piano Trio: piano, violon, violoncelle
10
Piano Quatuor: piano, 2 violons, violoncelle
6
Piano grosses notes
5
Piano Quatuor: piano, violon, alto, violoncelle
5
Clavecin
3
Instrument seul et Orgue
2
Piano (partie séparée)
2
2 Pianos, 8 mains
2
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
73
Guitare
44
Ligne De Mélodie, (Paroles) et Accords
41
2 Guitares (duo)
38
Ukulele
12
Basse electrique
6
Paroles et Accords
4
Mandoline
3
Piano, Guitare (duo)
3
3 Guitares (trio)
2
Mandoline, Guitare (duo)
1
4 Guitares (Quatuor)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
88
Chorale 2 parties
77
Chorale 3 parties
49
Voix Soprano, Piano
48
Voix duo, Piano
36
Voix Tenor, Piano
32
Chorale TTBB
31
Voix Baryton, Piano
30
Voix Alto, Piano
27
Chorale Unison
25
Voix seule
23
Chorale SSAA
22
Voix haute
14
Voix duo
10
Voix basse, Piano
6
Voix Mezzo-Soprano, Piano
4
Voix Baryton
4
Voix moyenne, Piano
3
Pack Instrumental pour Chorale
3
Voix Soprano
1
Voix Tenor
1
Chorale
1
+ 17 instrumentations
Retracter
Vents
2 Flûtes traversières (duo)
163
2 Saxophones (duo)
139
Quatuor de Saxophones: 4 saxophones
105
Flûte traversière et Piano
91
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
81
Quatuor de Clarinettes: 4 clarinettes
78
2 Clarinettes (duo)
76
Hautbois, Piano (duo)
72
Clarinette et Piano
70
Flûte, Hautbois, Clarinette, Basson
61
Clarinette
55
Flûte traversière
52
Saxophone Alto et Piano
50
Harmonica
46
Quintette de Saxophone: 5 saxophones
42
Quatuor de Flûtes : 4 flûtes
42
Saxophone Alto
37
Saxophone Soprano et Piano
34
Hautbois (partie séparée)
32
Saxophone (partie séparée)
30
2 Hautbois (duo)
28
2 Flûte à bec (duo)
27
Saxophone Tenor et Piano
27
3 Saxophones (trio)
25
Saxophone Tenor
25
3 Clarinettes (trio)
21
Ensemble de saxophones
19
Cor anglais, Piano
18
Saxophone Baryton, Piano
13
2 Clarinettes, Piano
13
Clarinette (partie séparée)
12
Ensemble de Flûtes
12
Quintette de Clarinettes: 5 clarinettes
12
Ensemble de Clarinettes
11
Flûte et Guitare
10
Clarinette Basse, Piano
10
Flûte à bec Soprano
9
Trio de Flûtes: 3 flûtes
9
Flûte, Clarinette (duo)
9
Flûte, Clarinette, Cor, Basson (Quartet)
8
2 Flûtes traversières, Piano
8
Instruments en Mib
8
Hautbois
7
Flute (partie séparée)
7
Clarinette, Basson (duo)
7
Hautbois, Clarinette (duo)
7
Hautbois, Clarinette, Basson (trio d'anches)
6
3 Flûtes à bec (trio)
6
Hautbois, Basson (duo)
6
Flûte, Clarinette et Basson
6
Quintette de Flûte : 5 flûtes
6
2 Saxophones, Piano
5
Saxophone Baryton
5
Flûte à Bec
5
Quatuor de Flûtes à bec
5
Flûte, Hautbois, Clarinette (trio)
4
2 Clarinettes, Basson
4
Flûte à bec Tenor
4
Hautbois, Flûte
4
Saxophone Soprano
4
Flûte à bec Alto
3
Flûte, Violoncelle
3
Saxophone, Clarinette (duo)
3
Flûte, Violon, Piano
3
Flûte, Saxophone (duo)
3
Flûte, Violoncelle, Piano (trio)
3
5 Flûtes à bec
3
3 Hautbois
2
Cor Anglais
2
Clarinette, Violon (duo)
2
Clarinette Basse
2
Clarinette, Guitare (duo)
2
Flûte à Bec, Piano
2
Flûte, Hautbois, Basson
2
Flûte à bec Soprano, Piano
2
Flûte, Basson et Piano
2
Flûte, Alto (duo)
2
Saxophone et Orgue
2
Clarinette, Violoncelle (duo)
2
Piccolo
2
Piccolo, Piano
1
2 Flûtes à bec, Guitare
1
Flûte, Clarinette, Piano (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Trompette (duo)
1
Cor anglais, Guitare (duo)
1
Flûte, Hautbois, Piano (trio)
1
Flûte traversière, Orgue (duo)
1
Clarinette et Alto
1
Flûte à bec Alto, Piano
1
Flûte et Trio à cordes
1
Clarinette, Trombone (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violon et Violoncelle
1
4 Hautbois
1
Flûte, Violon
1
Clarinette, Trompette (duo)
1
+ 92 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
258
Quatuor de Cuivres : 2 trompettes, trombone, tuba
129
2 Trombones (duo)
67
Quatuor de Cuivres: 2 trompettes, Cor, trombone
54
2 Trompettes (duo)
53
Trompette, Piano
51
Trompette
48
Trombone et Piano
41
Cor et Piano
39
Cor
36
Trombone
33
2 Cors (duo)
23
Trompette (partie séparée)
23
Tuba et Piano
23
Tuba
23
Euphonium, Piano (duo)
20
Cor anglais, Piano
18
Quatuor de Cuivres
17
Trombone (partie séparée)
16
Quatuor de cuivres: 4 cors
15
Trio de Cuivres
12
2 Euphoniums (duo)
11
Quatuor de cuivres: 4 trombones
10
Trompette, Trombone (duo)
9
Bass Clef Instruments
8
Ensemble de Trombones
8
4 Tubas
8
Cor (partie séparée)
8
Instruments en Sib
8
2 Tubas (duo)
6
2 Euphoniums et 2 Tubas
6
3 Trombones (trio)
6
3 Trompettes (trio)
5
Ensemble de Cors
5
Quatuor de cuivres: 4 trompettes
4
Euphonium
4
Tuba (partie séparée)
4
2 Trompettes, Clavier (piano ou orgue)
3
3 Tubas (trio)
3
3 Cors (trio)
3
Euphonium, Tuba (duo)
3
Trompette, Saxophone (duo)
3
Cor Anglais
2
Trombone, Cor (duo)
2
Trombone, Tuba (duo)
2
Trompette, Cor (duo)
2
Trompette, Tuba (duo)
2
Cor anglais, Guitare (duo)
1
2 Cors, Piano
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
564
Violon et Piano
107
2 Violons (duo)
88
Violon
81
Violoncelle, Piano
66
Violoncelle
66
Alto, Piano
61
2 Violoncelles (duo)
59
2 Altos (duo)
46
Alto seul
46
Harpe
44
Quintette à cordes: 2 violons, alto, violoncelle, basse
42
2 Harpes (duo)
34
Trio à Cordes: violon, alto, violoncelle
33
Violon, Violoncelle (duo)
33
Trio à Cordes: 2 violons, violoncelle
32
Violon (partie séparée)
28
Contre Basse
22
Violon, Alto (duo)
18
Alto (partie séparée)
13
Alto, Violoncelle (duo)
10
4 Violoncelles
10
2 Contrebasses (duo)
9
Contrebasse, Piano (duo)
8
Trio à cordes: 3 violins
8
Trio à cordes: 3 altos
7
2 Violons, Piano
7
Trio à Cordes: 3 violoncelles
7
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
Quatuor à cordes : 4 altos
6
Violoncelle, Contrebasse (duo)
5
Quatuor à cordes: 4 violons
5
Harpe, Flûte (duo)
4
Trio à Cordes: 2 violons, alto
4
Violoncelle (partie séparée)
4
Trio à cordes
3
Piano Trio: Violon, Alto, Piano
3
3 Contrebasses
3
Harpe, Violon (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
2 Altos, Piano
2
Flûte, Contrebasse (duo)
2
Violon, Guitare (duo)
2
Contrebasse (partie séparée)
2
2 Violoncelles, Piano
1
Violoncelle, Orchestre
1
Alto et Basson
1
2 Violons et Basse continue
1
Violoncelle, Orgue
1
Violoncelle , Guitare (duo)
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
233
Orchestre
197
Orchestre à Cordes
110
Ensemble de cuivres
98
Orchestre de chambre
51
Percussion (partie séparée)
11
Jazz combo
10
Ensemble de Percussions
10
Ensemble Jazz
6
Cloches
5
Marimba
4
Xylophone, Piano
4
Xylophone
3
Piano et Orchestre
1
Fanfare
1
Batterie (partie séparée)
1
Batterie
1
+ 12 instrumentations
Retracter
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BASSON
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CLAIRON
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COR ANGLAIS
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CORNET
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DULCIMER
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FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
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VIELLE A RO…
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VIOLON
VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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Vous avez sélectionné:
2 Opera
Chorale SATB
Partitions à imprimer
88 partitions trouvées
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76
Bailen, Canten Que Noche Bonita! For SATB Chorus and Orchestestra From the opera "On the Wings of t
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Chorale SATB
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FACILE
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James Nathaniel Holland
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Bailen, Canten Que Noche Bonit
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.730402 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. Octavo. 46 pages. ...
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Choral Choir (SATB) - Level 2 - SKU: A0.730402 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. Octavo. 46 pages. James Nathaniel Holland #3216671. Published by James Nathaniel Holland (A0.730402). Use this rousing piece for a grand, happy opening with Spanish flare with Soloists, SATB Chorus, and full orchestra by American Costa Rican composer James Nathaniel Holland. Text is 90% in Spanish and 10% in English. Opening chorus is from Act III of the American opera, On the Wings of the Scarlet Messenger. Easy level and simple to produce. Use this piece as the first movement in combination with the Dances from On the Wings of the Scarlet Messenger. for full orchestra. Soloists needed: (2 tenors, 1 baritone bass, 1 mezzo soprano) and SATB chorusInstrumentation: pic, 2fl, 2ob, eh, 12cl, bcl, tensax, 2bsn, 4 hrns, 2 tpt, trmb, btrm, tim, per (hand cym, castanets, ride cym, bd), hrp (or pno), stringsFull score in concert pitch, individual instrumental and vocal parts included.Piano vocal score and full opera vocal score sold separately.Duration 2:02 minutes. YouTube video presentation with dances: https://youtu.be/QHzyUfKLI9MComposer website: http://lacoronadelossantos.net/jamesnathanielholland.html****Tengan esta cancion de alegria para una apertura grande con sabor del Espana con Soloistas, SATB Coro, y orquestra completa por compositor Americano-Costarricense James Nathaniel Holland. Letras estan en 90% espanol y 10% en ingles. Coro para el principio de Acto III de la opera Americana, On the Wings of the Scarlet Messenger. Abilidad facil y facil para presentar. Usa este como el movimiento primero y en combinacion con los Dances from On the Wings of the Scarlet Messenger. para orquestra completa. Por solistas: (2 tenores, 1 baso baritono, 1 mezzo soprano) y SATB coroInstrumentacion: pic, 2fl, 2b, eh, saxten, 2fag, 4 trmbdellaves, 2 trmpt, trmb, btrm, tim, per (plat mano, castanuelas, plat, tambaso), hrp (o pno), cuerdasPartitura para orquestra en tono del concierto, partitura individuales y de voces incluidos.Partitura de piano y voz y opera completa (en ingles) ofrecido aparte.Duracion 2:02 minutos. Sitio del compositor: http://lacoronadelossantos.net/jamesnathanielholland.htmlo en espanol: https://www.facebook.com/jamesnathanielholland/
$15.95
Bailen, Canten Que Noche Bonita! For SATB Chorus and Piano From the opera "On the Wings of the Scar
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Chorale SATB
#
FACILE
#
James Nathaniel Holland
#
Bailen, Canten Que Noche Bonit
#
James Nathaniel Holland
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.730403 Composed by James Nathaniel Holland. Contemporary,Holiday,Musical/Show,Opera. Octavo. 16 pages. James Nat...
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Choral Choir (SATB) - Level 2 - SKU: A0.730403 Composed by James Nathaniel Holland. Contemporary,Holiday,Musical/Show,Opera. Octavo. 16 pages. James Nathaniel Holland #3218129. Published by James Nathaniel Holland (A0.730403). Use this rousing piece for a grand, happy opening with Spanish flare with Soloists, SATB Chorus, piano and guitar chords by American Costa Rican composer James Nathaniel Holland. Text is 90% in Spanish and 10% in English. Opening chorus is from Act III of the American opera, On the Wings of the Scarlet Messenger. Easy level to learn. Duration 2:02 minutes. Soloists needed: (2 tenors, 1 baritone bass, 1 mezzo soprano) and SATB chorusUse this piece as the first movement in combination with the Dances from On the Wings of the Scarlet Messenger. for full orchestra. Full orchestral accompaniment with full score in concert pitch, individual instrumental and vocal parts included sold separately. Full opera piano vocal score sold separately.YouTube Video presentation (with dances): https://youtu.be/QHzyUfKLI9MComposer website: http://lacoronadelossantos.net/jamesnathanielholland.html ****Tengan esta cancion de alegria para una apertura grande con sabor del Espana con Soloistas, SATB Coro, piano y acordes para guitara por compositor Americano-Costarricense James Nathaniel Holland. Letras estan en 90% espanol y 10% en ingles. Coro para el principio de Acto III de la opera Americana, On the Wings of the Scarlet Messenger. Abilidad facil y facil para presentar. Para solistas: (2 tenores, 1 baso baritono, 1 mezzo soprano) y SATB coroDuracion 2:02 minutos. Usa este como el movimiento primero y en combinacion con los Dances from On the Wings of the Scarlet Messenger. para orquestra completa (ofrecido aparte). Partitura para orquestra en tono del concierto, partitura individuales y de voces incluidos ofrecido aparte. Partitura de piano y voz y opera completa (en ingles) ofrecido aparte.Sitio del compositor: http://lacoronadelossantos.net/jamesnathanielholland.htmlo en espanol: https://www.facebook.com/jamesnathanielholland/
$4.00
Good King Wenceslas (The Mini Opera)
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Chorale SATB
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FACILE
#
Music - Tempus adest floridum,
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John R
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Good King Wenceslas
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John R. Daniels
#
SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 2 - SKU: A0.1510431 Composed by Music - Tempus adest floridum, a 13th Century spring carol and Words - John Ma...
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Choral Choir,Choral (SATB Chorus) - Level 2 - SKU: A0.1510431 Composed by Music - Tempus adest floridum, a 13th Century spring carol and Words - John Mason Neale. Arranged by John R. Daniels. Christian,Christmas,Folk,Holiday,Traditional. 18 pages. John R. Daniels #1085625. Published by John R. Daniels (A0.1510431). Good King Wenceslas tells the story of Wenceslaus I, Duke of Bohemia, also known as Vaclac the Good, who lived in the tenth century. This arrangement has been done as a “Mini Opera” with the Tenors as The Narrator, the Sopranos as The Page, the Basses as The King and the Altos offering all sorts of harmonic support. Even though it's labeled as Easy Intermediate, it does approach the edge of standard ranges for altos and basses.
$3.25
O SIGNORE DAL TETTO NATIO, Dall'Opera: I Lombardi alla prima crociata
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Chorale SATB
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FACILE
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Renato Tagliabue
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Renato Tagliabue
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O SIGNORE DAL TETTO NATIO, Dal
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Renato Tagliabue
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 2 - SKU: A0.1511095 By Renato Tagliabue. By Giuseppe Verdi. Arranged by Renato Tagliabue. Opera,Patriotic,Roma...
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Choral Choir,Choral (SATB Chorus) - Level 2 - SKU: A0.1511095 By Renato Tagliabue. By Giuseppe Verdi. Arranged by Renato Tagliabue. Opera,Patriotic,Romantic Period. 8 pages. Renato Tagliabue #1086313. Published by Renato Tagliabue (A0.1511095). .
$2.99
Missa super «Surge propera» (Amon)
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Chorale SATB
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INTERMÉDIAIRE
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Blasius Amon
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Aristotle A
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Missa super «Surge prope
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CantemusDomino.Net
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1003388 Composed by Blasius Amon. Arranged by Aristotle A. Esguerra. Christian,Classical,Renaissance,Sacred,Worl...
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Choral Choir (SATB) - Level 3 - SKU: A0.1003388 Composed by Blasius Amon. Arranged by Aristotle A. Esguerra. Christian,Classical,Renaissance,Sacred,World. Octavo. 18 pages. CantemusDomino.Net #3539665. Published by CantemusDomino.Net (A0.1003388). A polyphonic mass for SATB choir by Blasius Amon (or Ammon) (c.1560–1590) consisting of the following movements:1. Kyrie (~1:10);2. Gloria (~2:45 plus chanted Gloria incipit [not included in score]);3. Credo* (~5:30 plus chanted Credo incipit [not included in score]);4. Sanctus (~0:45);5. Benedictus** (~0:40);5b. Hosanna (~0:25; sung after both Sanctus and Benedictus)6. Agnus Dei I (~0:40 per invocation).*Credo contains passages for SA duet, TB duet, and ATB trio.**Benedictus is ATB.Total length: ~13:40 (all movements); ~8:10 (without Credo); ~5:25 (without Gloria and Credo)Key: D DorianMode: IRange requirements (middle C = C4):· Cantus [Soprano]: C♯4–E5· Altus [Alto]: G3–A4· Tenor: D3–E4· Bassus [Bass]: F2–C4
$4.50
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
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Chorale SATB
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestri...
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Choral Choir (SATB) - SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestrina #481065. Published by Guido Menestrina (A0.828714). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://www.youtube.com/watch?v=vqOa9skJg5o.
$13.99
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guid...
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Choral Choir (SATB) - Level 4 - SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guido Menestrina #238145. Published by Guido Menestrina (A0.828703). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimentoEdit Published by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: http://youtu.be/q3iMskZjm1Y.
$17.99
Halloween in the Castro (Act I No. 2)
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Chorale SATB
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INTERMÉDIAIRE
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Halloween
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Jack Curtis Dubowsky
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GALA
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Halloween in the Castro
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De Stijl Music Digital
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SheetMusicPlus
Chorus SATB chorus & Piano (SATB) - Intermediate - SKU: D3.SM-09-0004A Composed by Jack Curtis Dubowsky. Choral. Contemporary; GALA; LGBTQ; Halloween. O...
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Chorus SATB chorus & Piano (SATB) - Intermediate - SKU: D3.SM-09-0004A Composed by Jack Curtis Dubowsky. Choral. Contemporary; GALA; LGBTQ; Halloween. Octavo. 10 pages. De Stijl Music Digital #SM-09-0004A. Published by De Stijl Music Digital (D3.SM-09-0004A). 8.5 x 11 inches.A fun, raucous, spooky number. For all ages. The opening choral number from the choral chamber opera Halloween in the Castro (2009). Halloween, San Francisco, LGBTQ, Ghosts, Trick-or-treat, Celebration.
$2.25
ATON part 2-Kinder kinder! - choir, strings, piano, timpani
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Chorale SATB
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INTERMÉDIAIRE
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David Warin Solomons
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ATON part 2-Kinder kinder! - c
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David Warin Solomons
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.576180 Composed by David Warin Solomons. Contemporary,Opera,World. Octavo. 21 pages. David Warin Solomons #4555....
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Choral Choir (SATB) - Level 3 - SKU: A0.576180 Composed by David Warin Solomons. Contemporary,Opera,World. Octavo. 21 pages. David Warin Solomons #4555. Published by David Warin Solomons (A0.576180). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00
Lord, Guard and Guide the Men Who Fly (The United States Air Force Hymn)
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Chorale SATB
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DÉBUTANT
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Mary Hamilton and Wolfgang Ama
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James F
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Lord, Guard and Guide the Men
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Military Bible Association
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1465872 Composed by Mary Hamilton and Wolfgang Amadeus Mozart (altered by James F. Linzey). Arranged...
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Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1465872 Composed by Mary Hamilton and Wolfgang Amadeus Mozart (altered by James F. Linzey). Arranged by James F. Linzey. Classical,Historic,Patriotic,Religious,Sacred. 4 pages. Military Bible Association #1044469. Published by Military Bible Association (A0.1465872). History of the United States Air Force and the Air Force HymnOn September 18, 1947, the National Security Act of 1947 created the National Military Establishment and the United States Air Force. The National Military Establishment later became the Department of Defense. The Air Force was part of the Army Air Corps since August 1, 1907. It had the oversight of military aviation for land-based operations. The organizational development of the Air Force is as follows: Aeronautical Division, Signal Corps (1 August 1907 – 18 July 1914), Aviation Section, Signal Corps (18 July 1914 – 20 May 1918), Division of Military Aeronautics (20 May 1918 – 24 May 1918), Air Service, U.S. Army (24 May 1918 – 2 July 1926), U.S. Army Air Corps (2 July 1926 – 20 June 1941), the U.S. Army Air Forces (20 June 1941 – 17 September 1947), and the United States Air Force, 18 September 1947 – present), and the separation of the United States Air Force Space Command as the United States Space Force (20 December 2019 – present). The Air Force has been involved in World War 1, World War II, the Cold War and the Korean conflict, the Vietnam conflict, combat operations such as Operation Eagle Claw, the invasion of Grenada (1983), the bombing of Libya (1986), the invasion of Panama (1989), Operation Desert Storm, the Gulf War, Bosnia and Kosovo, the Global War on Terror, Operation Enduring Freedom, and Operation Iraqi Freedom.Mary Christian Dundas Hamilton (24 May 1850 - 10 June 1943) was a Scottish writer and poet. She is known for writing “A Hymn for Aviators” (1915). It was known as “Lord, Guard and Guide the Men Who Fly,” and also as the United States Air Force Hymn. It was set to Mozart's “Dona Nobis Pacem,” a waltz. Various phrases and verses were used in the United States Navy Hymn, “Eternal Father, Strong to Save,” and alluded to in the United States Space Force Hymn, “Creator of the Universe.” Former Air Force Chaplain and Officer, theologian and hymnist, Major James F. Linzey (Ret.), believed that military hymns should not be waltzes. So he converted the timing of Mozart’s piece to four-four timing, giving the Air Force Hymn traditional timing that is fit for a hymn. James Linzey is the General Editor of the New Tyndale Version (NTV) Bible translation.
$1.99
Eternal Father, Strong to Save (The United States Navy Hymn)
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Chorale SATB
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FACILE
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Music by John B
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James F
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Eternal Father, Strong to Save
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Military Bible Association
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1465877 Composed by Music by John B. Dykes and Words by William Whiting and Mary Hamilton. Arranged ...
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1465877 Composed by Music by John B. Dykes and Words by William Whiting and Mary Hamilton. Arranged by James F. Linzey. Chamber,Classical,Patriotic,Religious,Sacred. 4 pages. Military Bible Association #1044474. Published by Military Bible Association (A0.1465877). History of the United States Navy and the Navy HymnOn August 26, 1775, the General Assembly of Rhode Island passed a resolution to create the Continental Fleet, to be funded by the Continental Congress in Philadelphia. But on October 3, 1775, Congress rejected it. On October 13, 1775, the Continental Congress changed courses and established the Continental Navy. This was the birth of the United States Navy. The Continental Navy obtained and armed two civilian vessels, the Andrew Doria and the Cabot. The first United States Navy ship was the USS Alfred, which was commissioned by Captain Dudley Saltonstall on December 3, 1775. John Adams served as the first Chairman of the Naval Committee, but in 1776 the Continental Congress appointed Commodore Esek Hopkins to be the Navy’s first Commander. After the Revolutionary War, the government abolished the Continental Navy. But 11 years later, Congress passed the Naval Act of 1794, which created the United States Navy. The Navy was involved in the Revolutionary War (1775 – 1776), the War of 1812 (1812 – 1815), the Civil World (1861 – 1865), the Mexican-American War (1846 – 1848), the Spanish-American War (1898), World War I (1914 – 1918), World War II (1939 – 1945), the Korean conflict, the Vietnam conflict (1964 – 1975), the war on terrorism through various military operations around the world (1987 – 2021) ), Operation Earnest Will (1987 – 1988), Operation Praying Mantis in the Persian Gulf (1988), Operation Urgent Fury at the invasion of Grenada (1983), Operation Desert Shield (1990 – 1991) and Operation Desert Storm (1991) which comprised the Gulf War, Operation Deliberate Force which was the invasion of Bosnia and Herzegovina (1995), Operation Allied Force which was the attack on Yugoslavia (1999), Operation Desert Fox which was the bombing of Iraq (1998), Operation Southern Watch which was the aerial patrolling of Iraq (1992 – 2003), Operation Enduring Freedom at the invasion of Afghanistan (2001 – 2021), and Operation Iraqi Freedom at the invasion of Iraq (2003 – 2011). The Navy emerged from World War II as the most powerful Navy in the world.In 1860, William Whiting of Winchester, England, wrote a poem titled “Eternal Father, Strong to Save” for one of his students, who was preparing to sail for the United States. The poem alludes to Psalm 107 and is a prayer for God’s protection from seafaring danger. In 1861, Rev. John Bacchus Dykes, an Anglican clergyman, composed the tune “Melita,” in 88 88 88 iambic meter, to accompany the hymn. “Melita” is the archaic name of Malta, which is an ancient seafaring nation. It was the site of the shipwreck that involved the Apostle Paul, as described in the Acts of the Apostles, chapters 27–28. In 1814, Malta became the Crown Colony of the United Kingdom, but in 1964 it gained independence and joined the British Commonwealth. The hymn has long been used by Navy and civilian chaplains during chapel services at sea, in navy and civilian maritime contexts. The Royal Navy, navies of the British Commonwealth, and the United States Navy adopted the hymn in the late 19th century as “The Navy Hymn.” Many verses have been written to Melita. James F. Linzey selected the four verses by Whiting (verses 1-3) and Hamilton (verse 4), which are the verses traditionally used in the Armed Forces Hymnal. James Linzey is the General Editor of the New Tyndale Version (NTV) Bible translation.
$1.99
La donna è mobile
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Chorale SATB
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INTERMÉDIAIRE
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Giuseppe Verdi
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Scott S
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La donna è mobile
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Scott S. Stewart
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.955832 Composed by Giuseppe Verdi. Arranged by Scott S. Stewart. A Cappella,Instructional,Opera,Standards...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.955832 Composed by Giuseppe Verdi. Arranged by Scott S. Stewart. A Cappella,Instructional,Opera,Standards. 2 pages. Scott S. Stewart #6319921. Published by Scott S. Stewart (A0.955832). La donna è mobile', the Duke's aria from Rigoletto is probably one of the most recognizable operatic melodies ever written. It has been arranged for 4-part SATB ensemble to be performed a cappella. This arrangement of an operatic masterpiece was created to make ‘Opera’ accessible to wider audiences for various reasons (instructive, educational purposes; and performance familiarity to/for a larger population). The original melody and harmonies are used. It retains the original foreign language text. This arrangement is an excellent tool for introducing ‘Opera’ music in the classroom, and programming diversity in the concert hall.
$2.99
Ebben? Ne andrò lontano (Well then, I'll go far away), La Wally
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Chorale SATB
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INTERMÉDIAIRE
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Alfredo Catalani
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Scott S
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Ebben? Ne andrò lontano
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Scott S. Stewart
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.955858 Composed by Alfredo Catalani. Arranged by Scott S. Stewart. A Cappella,Concert,Film/TV,Opera,Romantic Per...
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Choral Choir (SATB) - Level 3 - SKU: A0.955858 Composed by Alfredo Catalani. Arranged by Scott S. Stewart. A Cappella,Concert,Film/TV,Opera,Romantic Period,Standards. Octavo. 4 pages. Scott S. Stewart #6454731. Published by Scott S. Stewart (A0.955858). Ebben? Ne andrò lontana (Well then, I’ll go far away) is the aria sung by Wally when she decides to leave her home forever in the opera La Wally (1892). Composer Alfredo Catalani originally created the aria as Chanson Groënlandaise in 1878 and later incorporated it into his opera. The aria was also featured in the French thriller Diva (1981). It has been arranged for 4-part SATB ensemble to be performed a cappella. This arrangement of an operatic masterpiece was created to make ‘Opera’ accessible to wider audiences for various reasons (instructive, educational purposes; and performance familiarity to/for a larger population). The original melody and harmonies are used. It retains the original foreign language text. This arrangement is an excellent tool for introducing ‘Opera’ music in the classroom, and programming diversity in the concert hall. Performance time: 2:21+-
$2.99
Lorsque le temps d’amour a fui, from Don Quichotte
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Chorale SATB
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INTERMÉDIAIRE
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Jules Massenet
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Scott S
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Lorsque le temps d’amour
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Scott S. Stewart
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1253566 Composed by Jules Massenet. Arranged by Scott S. Stewart. 20th Century,A Cappella,Classical,Instructiona...
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Choral Choir (SATB) - Level 3 - SKU: A0.1253566 Composed by Jules Massenet. Arranged by Scott S. Stewart. 20th Century,A Cappella,Classical,Instructional,Opera. Octavo. 4 pages. Scott S. Stewart #847217. Published by Scott S. Stewart (A0.1253566). “Lorsque le temps d’amour a fui†(When the time of love has fled) is a simple, melancholic, ballad about how fleeting love is.  It is from the opera Don Quichotte (Don Quixote, 1910), music by Jules Massenet, libretto by Henri Cain.  It has been arranged for 4-part SATB ensemble to be performed a cappella. This arrangement of an operatic masterpiece was created to help make ‘Opera’ accessible to wider audiences for various reasons (instructive, educational purposes; and performance familiarity to/for a larger population).  The original melody and harmonies are used.  It retains the original French language text.  It is an excellent tool for introducing ‘Opera’ music in the classroom, and programming diversity in the concert hall.  Performance time: 2:05+-.
$2.99
Libiamo ne' lieti calici, Brindisi (SATB) - La traviata
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Giuseppe Verdi
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Scott S
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Libiamo ne' lieti calici, Brin
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Scott S. Stewart
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.955866 Composed by Giuseppe Verdi. Arranged by Scott S. Stewart. Opera. 10 pages. Scott S. Stewart #65042...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.955866 Composed by Giuseppe Verdi. Arranged by Scott S. Stewart. Opera. 10 pages. Scott S. Stewart #6504223. Published by Scott S. Stewart (A0.955866). The Brindisi (drinking song), Libiamo ne’ lieti calici (Let’s drink from the joyful chalices) is the famous duet from the Italian opera La traviata (1853) by Giuseppe Verdi, and perhaps one of the best known opera melodies in all the operatic repertoire. This ‘arrangement’ is a practical performance arrangement scored for (reduced to) 4-part SATB ensemble with piano accompaniment; its aim is to ease the work of the pianist not having to deal with the many necessary page turns. it also is a practical alternative for an SATB solo quartet to perform as an ensemble. It is in the original Italian text. Performance time: 2:48+
$2.99
L'amour est un oiseau rebelle (Habañera from CARMEN)
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Chorale SATB
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INTERMÉDIAIRE
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Georges Bizet
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Scott S
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L'amour est un oiseau rebelle
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Scott S. Stewart
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.955829 Composed by Georges Bizet. Arranged by Scott S. Stewart. A Cappella,Instructional,Romantic Period....
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.955829 Composed by Georges Bizet. Arranged by Scott S. Stewart. A Cappella,Instructional,Romantic Period. 7 pages. Scott S. Stewart #6252957. Published by Scott S. Stewart (A0.955829). The Habañera (L'amour est un oiseau rebelle) from the opera CARMEN is probably one of the most recognizable and popular tunes in all of operatic repertoire. This 4-part SATB ensemble arrangement is to be performed a cappella. It is in the original French text. The performance time is 2:57+ In the classroom this is an excellent piece to study language, form, style and serve as an introduction to opera as an art form. In the recital or concert hall its familiarity with audiences make this a winner.
$2.99
Incident at Burro Java Chorus Book
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Chorale SATB
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Contemporain
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Gary D
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Incident at Burro Java Chorus
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DR GARY D BELSHAW
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.796583 Composed by Gary D. Belshaw (ASCAP). Contemporary. Octavo. 81 pages. DR GARY D BELSHAW #2924233. Published by DR GA...
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Choral Choir (SATB) - SKU: A0.796583 Composed by Gary D. Belshaw (ASCAP). Contemporary. Octavo. 81 pages. DR GARY D BELSHAW #2924233. Published by DR GARY D BELSHAW (A0.796583). Chorus Book to accompany the opera of the same name. 81 pages. SATB; Piano/Vocal score. All five scenes contained in the book are perfect for Choral concerts, with capable soloists (2 sopranos, mezzo, tenor, and 2 baritones.) Difficulty varies from Intermediate to Advanced Intermediate.Synopsis: Four graduate Vocal Performance students, their Director of Opera, and the opera chorus for the current University production, are assisting the new proprietor of an urban coffee shop in the production of a television commercial jingle announcing the shop's Grand Opening. The proprietor also happens to be the recently retired Director of Opera at the same University's School of Music, located nearby. The company has been rehearsing for quite a while. The camera crew has been delayed, and tensions in the shop are mounting.Follow Gary D.Belshaw Music on Facebook and Twitter. we'll follow you back.
$9.99
[Karchin] Jane Eyre (Piano Reduction)
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Chorale SATB
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Louis Karchin
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[Karchin] Jane Eyre
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American Composers Alliance Inc.
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SheetMusicPlus
Choral Choir (SATB divisi) - SKU: A0.952998 Composed by Louis Karchin. Contemporary,Opera. Octavo. 286 pages. American Composers Alliance Inc. #4632163....
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Choral Choir (SATB divisi) - SKU: A0.952998 Composed by Louis Karchin. Contemporary,Opera. Octavo. 286 pages. American Composers Alliance Inc. #4632163. Published by American Composers Alliance Inc. (A0.952998). A piano reduction of Karchin's 3-act opera with libretto by Diane Osen, adapted from the novel by Charlotte Brontë. The opera is cast for 4 sopranos, 3 mezzo-sopranos, 1 tenor, 2 baritones, 2 bass-baritones, 1 bass, and children's chorus, however roles can be doubled for a resultant cast of 3 sopranos, 2 mezzo-sopranos, 1 tenor, 1 baritone, 1 bass-baritone, 1 bass, and children's chorus. PDF download includes complete piano-vocal score.
$65.95
Blame it on the Old Dongbu! for SATB Chorus
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Chorale SATB
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FACILE
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James Nathaniel Holland
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Blame it on the Old Dongbu! fo
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.730197 Composed by James Nathaniel Holland. Broadway,Folk,Multicultural,Musical/Show,Opera,World. 9 pages...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.730197 Composed by James Nathaniel Holland. Broadway,Folk,Multicultural,Musical/Show,Opera,World. 9 pages. James Nathaniel Holland #6327. Published by James Nathaniel Holland (A0.730197). Sing the opening chorus of the opera on the Wings of the Scarlet Messenger by James Nathaniel Holland. This folk-like piece for SATB community or school chorus will open your concert with a wise lesson from Southeast Asia about luck and life. Fun, easy and wonderful for choir or show choir! Great opener for concert. Youtube presentation (in context of the opera. Starting at point 2'40). Duration: 1'52.
$1.99
Time To Say Goodbye
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Chorale SATB
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INTERMÉDIAIRE
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Andrea Bocelli & Sarah Brightm
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John Hoesly
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Time To Say Goodbye
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PRS&B
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1190919 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori, Frank Peterson, and Lucio Quarantotto. Arrang...
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Choral Choir (SATB) - Level 3 - SKU: A0.1190919 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori, Frank Peterson, and Lucio Quarantotto. Arranged by John Hoesly. Opera,Pop. Octavo. 87 pages. PRS&B #790449. Published by PRS&B (A0.1190919). Time To Say Goodbye (Con te partirò)- Soprano and Tenor duet with Concert Band (with optional choir). Stirring setting for one of the most popular songs of all time.  Opera/pop crossover. In both Italian and English. An excellent way to end a concert. For Concert Band: Solo Soprano, Solo Tenor, Piccolo, 2 Flutes, 2 Oboes, 3 B-flat Clarinets, Bass Clarinet, 2 Bassoons, 2 Alto Saxophones, Tenor Saxophone, Baritone Saxophone, 3 B-flat Trumpets, 4 F Horns, 2 Trombones, Bass Trombone, Tuba, String Bass, Timpani, Orchestral Bells, Percussion (Cymbal, Snare Drum, Bass Drum), Optional Choir (SATB). Intermediate level.
$70.00
VACCAJ - Metodo pratico di canto: Edizione completa di tutte le estensioni vocali con note storiche
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Chorale SATB
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FACILE
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Nicola Vaccaj
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Antonio Cericola
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VACCAJ - Metodo pratico di can
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Antonio Cericola
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.934267 Composed by Nicola Vaccaj. Arranged by Antonio Cericola. Instructional,Opera,Standards. Octavo. 200 pages...
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Choral Choir (SATB) - Level 2 - SKU: A0.934267 Composed by Nicola Vaccaj. Arranged by Antonio Cericola. Instructional,Opera,Standards. Octavo. 200 pages. Antonio Cericola #6328707. Published by Antonio Cericola (A0.934267). La nuovissima edizione di questo metodo storico include i componimenti scritti per tutte le estensioni vocali in tre tonalità diverse. Questa comodità sarà senz’altro utile non solo ai pianisti accompagnatori (che avranno a portata di mano la stessa aria già trasposta), ma anche agli insegnanti. Gli allievi, inoltre, potrebbero esercitare la stessa lezione in tonalità diverse per fini didattici e musicali. Ogni arietta è corredata da note storiche, da consigli interpretativi e da note autografe (ove presenti indicate in corsivo) del Vaccaj stesso. Al fine di suggerire ai cantori la giusta dizione italiana, tutti versi del Metastasio sono stati riscritti con gli accenti ortoepici correttamente segnati su tutte le parole di dubbia pronuncia italiana. Sono altresì indicati i raddoppiamenti fonosintattici. Una legenda ortoepica precede il metodo. Nell’appendice sono incluse sia le note storiche dettagliate di ciascuna opera da cui sono tratti i versi, sia la serie degli intervalli da cantare che il Vaccaj scrisse per le storiche edizioni. Di questi solfeggi cantati è stato realizzato anche il basso continuo per agevolarne l’esecuzione ai giovani pianisti. Questa nuova edizione completa dell’opera, curata nella veste grafica ed impaginata ex novo per una lettura più agevole e chiara, è arricchita ulteriormente dalla preziosa presentazione del M°Antonio Juvarra.This new edition of this historical method includes compositions written for all vocal extensions in three different keys.This convenience will certainly be useful not only to accompanying pianists, but also to teachers. Pupils also could practice the same lesson in different keys for educational and musical purposes. Each arietta is accompanied by historical notes, interpretative advice and handwritten notes (where present indicate in italics) by Vaccaj himself. All the verses of Metastasio have been rewritten with the orthoepic accents correctly marked on all words of dubious Italian pronunciation. The phonosyntactic doublings are also indicated. An orthoepic legend precedes the method. The appendix includes both the detailed historical notes of each work from which the verses are taken, and the series of intervals to be sung that Vaccaj wrote for the historical editions. The basso continuo has also been made of these sung solfeggios to facilitate their performance by young pianists. This new complete edition of the work, edited in the graphics and paginated from scratch for easier and clearer reading, is further enriched by the precious presentation of Maestro Antonio Juvarra.
$14.99
Esultano gli angeli in cielo
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Chorale SATB
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INTERMÉDIAIRE
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Maurizio Chiavaroli
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Esultano gli angeli in cielo
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Maurizio Chiavaroli
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.790411 Composed by Maurizio Chiavaroli. Children,Christian,Christmas,Standards. Octavo. 4 pages. Maurizio Chiava...
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Choral Choir (SATB) - Level 3 - SKU: A0.790411 Composed by Maurizio Chiavaroli. Children,Christian,Christmas,Standards. Octavo. 4 pages. Maurizio Chiavaroli #3627607. Published by Maurizio Chiavaroli (A0.790411). Composizione originale per pianoforte, coro polifonico e coro di voci bianche, estratto dall'opera Oratorio di Natale di Maurizio Chiavaroli: disponibile anche la versione per orchestra sinfonica oppure per 2 pianofortiOriginal composition for piano, polyphonic choir and chlidren's choir, extracted from the opera Oratorio di Natale by Maurizio Chiavaroli: the version for symphonic orchestra or 2 pianos is also available.
$5.00
Angelus Domini
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Chorale SATB
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INTERMÉDIAIRE
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Maurizio Chiavaroli
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Angelus Domini
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Maurizio Chiavaroli
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.790410 Composed by Maurizio Chiavaroli. Christian,Christmas,Sacred,Standards. Octavo. 4 pages. Maurizio Chiavaro...
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Choral Choir (SATB) - Level 3 - SKU: A0.790410 Composed by Maurizio Chiavaroli. Christian,Christmas,Sacred,Standards. Octavo. 4 pages. Maurizio Chiavaroli #3627605. Published by Maurizio Chiavaroli (A0.790410). Composizione originale per pianoforte, soprano solo e coro polifonico, estratto dall'opera Oratorio di Natale di Maurizio Chiavaroli: disponibile anche la versione per orchestra sinfonica oppure per 2 pianofortiOriginal composition for piano, soprano voice and polyphonic choir, extracted from the opera Oratorio di Natale by Maurizio Chiavaroli: the version for symphonic orchestra or 2 pianos is also available.
$5.00
A Betlemme
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Chorale SATB
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INTERMÉDIAIRE
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Maurizio Chiavaroli, Gennaro A
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A Betlemme
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Maurizio Chiavaroli
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.790409 Composed by Maurizio Chiavaroli, Gennaro Avagliano. Children,Christian,Christmas,Standards. Octavo. 3 pag...
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Choral Choir (SATB) - Level 3 - SKU: A0.790409 Composed by Maurizio Chiavaroli, Gennaro Avagliano. Children,Christian,Christmas,Standards. Octavo. 3 pages. Maurizio Chiavaroli #3627603. Published by Maurizio Chiavaroli (A0.790409). Composizione originale per pianoforte, coro polifonico e coro di voci bianche, estratto dall'opera Oratorio di Natale di Maurizio Chiavaroli: disponibile anche la versione per orchestra sinfonica oppure per 2 pianofortiOriginal composition for piano, polyphonic choir and chlidren's choir, extracted from the opera Oratorio di Natale by Maurizio Chiavaroli: the version for symphonic orchestra or 2 pianos is also available.
$5.00
Hodie Christus Natus est
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Maurizio Chiavaroli
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Hodie Christus Natus est
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Maurizio Chiavaroli
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.790413 Composed by Maurizio Chiavaroli. Children,Christian,Christmas,Sacred,Standards. Octavo. 3 pages. Maurizio...
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Choral Choir (SATB) - Level 4 - SKU: A0.790413 Composed by Maurizio Chiavaroli. Children,Christian,Christmas,Sacred,Standards. Octavo. 3 pages. Maurizio Chiavaroli #3627617. Published by Maurizio Chiavaroli (A0.790413). Composizione originale per pianoforte, soprano solo, coro polifonico e coro di voci bianche, estratto dall'opera Oratorio di Natale di Maurizio Chiavaroli: disponibile anche la versione per orchestra sinfonica oppure per 2 pianofortiOriginal composition for piano, soprano voice, polyphonic choir and children's choir, extracted from the opera Oratorio di Natale by Maurizio Chiavaroli: the version for symphonic orchestra or 2 pianos is also available.
$5.00
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