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Quatuor à cordes: 2 violons, alto, violoncelle
37
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30
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16
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7
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5
Trio à Cordes: 2 violons, violoncelle
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4
2 Violons (duo)
4
Trio à Cordes: violon, alto, violoncelle
3
Alto (partie séparée)
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2 Violoncelles (duo)
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2 Altos (duo)
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Contre Basse
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
101
Orchestre
24
Orchestre de chambre
23
Ensemble de cuivres
19
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15
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9
Fanfare
7
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Lábios de sabor a mar / Sea flavour lips (Choir+Piano)
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1271766 Composed by Rudesi…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1271766 Composed by Rudesindo Soutelo. Arranged by Choir & Piano. 20th Century,A Cappella,Classical,Contemporary. Octavo. 30 pages. Publisher by Rudesindo Soutelo #864117. Published by Publisher by Rudesindo Soutelo (A0.1271766). À memoria da actriz Cruz ComesanhaLábios de sabor a mar (Derradeira epÃstola) / Sea flavour lips (Last epistle) for Choir and Piano [ca. 7' 34]Première: 27-V-2023. Igreja de Santo António, Lisboa. Int.: Coro da Academia Nacional Superior de Orquestra (ANSO). Dir: Rafael Araújo.The origin of this work is the emotional emptiness I felt when I received the news of the death of a close friend in an unfortunate accident at home. The text was constructed with ideas and phrases taken from the poetic correspondence we had exchanged in the previous months. A few years later, I plucked up the courage to write the music, firstly for Choir a Cappella, followed by a version for Brass Quintet and another for Voice and Piano. This new edition for Choir has been revised in its entirety and includes, as an option, the Piano.The English translation of the text at the end of the score is not intended to be sung. It is only inserted to help singers who do not understand Portuguese to comprehend the message.The complexes that organise the harmonic and melodic structure are [6, 2, 5, 1, 3], [10, 9, 2, 8] and [4, 8, 9, 7].--oOo--A origem desta obra está no vazio emocional que me produziu a notÃcia da morte de uma Ãntima amiga, num infortunado acidente caseiro. O texto foi construido com ideias e frases retiradas da correspondência poética que trocáramos nos meses anteriores. Alguns anos depois, ganhei coragem para escrever a música, primeiramente para Coro a Cappella, seguindo-se uma versão para Quinteto de Metais e outra para Voz e Piano. Esta nova edição para Coro foi revista na sua totalidade e inclui, como opção, o Piano.A tradução inglesa do texto, no final da partitura, não é para ser cantada. Só se insere para ajudar na compreensão da mensagem, aos cantores que não percebam português. Os complexos que organizam a estrutura harmónica e melódica são [6, 2, 5, 1, 3], [10, 9, 2, 8] e [4, 8, 9, 7].ISWC: T-041.574.843-4ISMN: 979-0-707704-16-5.
$3.00
2.72 €
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Chorale SATB
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Rudesindo Soutelo
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Choir & Piano
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Lábios de sabor a mar / Sea flavour lips
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.828714 Composed by Leonardo Leo. Arr…
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Choral Choir (SATB) - Digital Download SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestrina #481065. Published by Guido Menestrina (A0.828714). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://www.youtube.com/watch?v=vqOa9skJg5o.
$13.99
12.71 €
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Chorale SATB
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Leonardo Leo
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Guido Menestrina
#
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
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Guido Menestrina
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SheetMusicPlus
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828703 Composed by Leonard…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guido Menestrina #238145. Published by Guido Menestrina (A0.828703). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimentoEdit Published by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: http://youtu.be/q3iMskZjm1Y.
$17.99
16.34 €
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Chorale SATB
#
Leonardo Leo
#
Guido Menestrina
#
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
#
Guido Menestrina
#
SheetMusicPlus
Da Natinitip Sanggar
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1247407 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1247407 Composed by Nahum Situmorang. Arranged by Otniel Simangunsong. A Cappella,Contest,Festival,Folk,Romantic Period,Traditional. 17 pages. Otniel Simangunsong #842044. Published by Otniel Simangunsong (A0.1247407). Da Natinitip Sanggar is a folksong originated from North Sumatra, Indonesia. This song was composed by Nahum Situmorang (1908 - 1969). He is a composer and musician. In his entire life, Nahum never worked as an employee of the Dutch colonial government. During his youth, he had won many song competitions, including Sumatra Keroncong Concours in Medan (1936). Nahum's skill in creating his own songs as well as singing them made many people admire him. Nahum is able to play a variety of musical instruments and has his own band. Nahum also often creates songs when in the middle of a crowd. Nahum was most prolific in composing songs from 1950 to 1960. Historically, Nahum has never married in his entire life. However, from several sources, Nahum stated that he once loved a woman but he did not reveal it. This song tells about the romantic story of a man who seduces the woman he loves. He fell in love at the first sight and tried to find out about the woman's family. This song is a collection of rhymes called Umpasa in Batak language. The lyrics of this song are closely related to the culture of the Batak tribe, especially about the family tree known as Tarombo. Men and women are not allowed to marry if both are of them are from the same descendant ( one surname / one family tree). Based on this culture, the song Da Natinitip Sanggar shows a man's curiosity about a woman's surname and her biological mother's surname to find out whether they came from the same family tree because if a woman's family name is the same as the man's biological mother's name, it is considered a mate. Otniel Simangunsong is a conductor and composer from Indonesia. He was born in Tanjungbalai, North Sumatra on August 19, 1996. Currently he is a conductor of Benedicamus Chante Choir - Darma Cendika Catholic University Student Choir, Surabaya. He has also got some supports from another professional conductors and composers. This Da Natinitip Sanggar song is packaged as a A Capella choral score which is Soprano, Mezosoprano, Alto, Tenor, Bariton, and Bass. This arrangement features the style of Batak musical instruments such as Taganing, Ogung, and Sarune.
$4.20
3.81 €
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Chorale SATB
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Nahum Situmorang
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Otniel Simangunsong
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Da Natinitip Sanggar
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Otniel Simangunsong
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SheetMusicPlus
Ja-Da (Ja Da, Ja Da, Jing, Jing, Jing!)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.928389 Composed by Bob Car…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.928389 Composed by Bob Carleton. Arranged by Ronald R. Pelger. A Cappella,Concert,Jazz. Octavo. 5 pages. Ronald R. Pelger #5773757. Published by Ronald R. Pelger (A0.928389). The jazz-standard in a a cappella setting well suitable for school and student choirs. Make your audience smile and spread a good mood. Also a good choice for an encore e.g. to end your concert.
$2.49
2.26 €
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Chorale SATB
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Bob Carleton
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Ronald R
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Ja-Da
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Ronald R. Pelger
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SheetMusicPlus
A Chegada da Igreja no Céu
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1139359 By Ademir Bomfim d…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1139359 By Ademir Bomfim da Silva. By Ademir Bomfim da Silva. Arranged by Ademir Bomfim da Silva. A Cappella,Christian,Praise & Worship,Religious,Spiritual. Octavo. 8 pages. Helon do Carmo de Oliveira #739645. Published by Helon do Carmo de Oliveira (A0.1139359). Tenho essa música toda separada por naipes,(SATB) como também os áudios, tocados no som de piano.
$8.00
7.27 €
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Chorale SATB
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Ademir Bomfim da Silva
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Ademir Bomfim da Silva
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A Chegada da Igreja no Céu
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Helon do Carmo de Oliveira
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SheetMusicPlus
Da pacem Domine [6-part Choir AATTBarB]
Chorale SATB
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.596555 Composed by Juan M…
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.596555 Composed by Juan MarÃa Solare. A Cappella,Concert,Contemporary,Renaissance,Sacred. Octavo. 11 pages. Juan Maria Solare #4614037. Published by Juan Maria Solare (A0.596555). Da pacem DomineThis piece is set for 6 voices a cappella (AATTBarB). One of the Altos can be sung by a Soprano. One Tenor can be sung by an Alto.(If preferred, there is also a version for SSAATB - check Sheet Music Plus) The text -a votive antiphon for peace - is a 6th or 7th-century hymn based on biblical verses 2 Kings 20:19, 2 Chronicles 20:12,15 and Psalms 72:6–7. Da pacem Dominein diebus nostrisquia non est aliusqui pugnet pro nobis nisi tu Deus noster.The composer prefers that you use old Latin, not Italian, pronunciation.
$5.00
4.54 €
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Chorale SATB
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Juan MarÃa Solare
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Da pacem Domine [6-part Choir AATTBarB]
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Juan Maria Solare
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SheetMusicPlus
Da pacem Domine [6-part choir SSAATB]
Chorale SATB
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.596558 Composed by Juan M…
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.596558 Composed by Juan MarÃa Solare. 20th Century,A Cappella,Concert,Contemporary,Praise & Worship. Octavo. 11 pages. Juan Maria Solare #4614903. Published by Juan Maria Solare (A0.596558). Da pacem Domine This piece is set for 6 voices a cappella (SSAATB)(There is also one version for AATTBarB, check Sheet Music Plus)The text -a votive antiphon for peace - is a 6th or 7th-century hymn based on biblical verses 2 Kings 20:19, 2 Chronicles 20:12,15 and Psalms 72:6–7.Da pacem Dominein diebus nostrisquia non est aliusqui pugnet pro nobisnisi tu Deus noster.The composer prefers that you use old Latin, not Italian, pronunciation.
$5.00
4.54 €
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Chorale SATB
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Juan MarÃa Solare
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Da pacem Domine [6-part choir SSAATB]
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Juan Maria Solare
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SheetMusicPlus
Niccolò Jommelli - Beatus vir a 4
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828749 Composed by Niccol…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828749 Composed by Niccolò Jommelli. Arranged by Guido Menestrina. Baroque,Sacred. Octavo. 21 pages. Guido Menestrina #2869081. Published by Guido Menestrina (A0.828749). ​Salmo Beatus Vir a 4 (SATB) concertato, espressamente composto per la Basilica Vaticana da Niccolò Jommelli (1714-1774).Allievo di Francesco Durante e di Leonardo Leo, si dice che all'inizio degli anni '40, come molti musicisti, compreso il Leo, si fosse recato a Bologna per apprendere da padre Martini; -Chi siete voi?, chiese Martini, volete burlarvi di me? Sono io che voglio apprendere da voi!Dal '48 al '54 fu maestro di cappella in S.Pietro a Roma, ed è a questo periodo che deve ascriversi il brano che proponiamo in trascrizione.Gli ultimi vent'anni di vita li passò in Germania, maestro di cappella dei Württemberg a Stoccarda; qui si imbastardì il suo bel barocco, napoletano-romano, appesantendosi (almeno secondo i contemporanei in patria) di ornamenti inopportuni.Trascrizione a cura di Guido Menestrina.L'acquisto è riferito all'autorizzazione alla stampa di 5 copie (una per voce + l'accompagnamento di basso)The purchase gives the right to print 5 copies (one for each voice and basso continuo).Clefs are original: soprano, alto, tenor, bass, bass.Include in 21 pagine i seguenti movimenti:Primo movimento - Coro SATBSecondo Movimento - Tenore SoloTerzo Movimento - Coro SATBQuarto Movimento - Basso SoloQuinto e Sesto Movimento - Coro SATBTratti dal salmo 111.TestoBeatus vir qui timet Dominum,In mandatis ejus volet nimis.Potens in terra erit semen ejus,Generatio rectorum benedicetur.Gloria et divitiae in domo ejus,Et justitia ejus manetIn saeculum saeculi.Exortum est in tenebris lumen rectis,Misericors et miserator et justus.Jucundus homo,Qui miseretur et commodat,Disponet sermones suos in judicio.Quia in aeternum non commovebitur.In memoria aeterna erit justus,Ab auditione mala non timebit.Paratum cor ejus sperare in Domino.Confirmatum est cor ejus;Non commovebiturDonec despiciat inimicos suos.Dispersit, dedit pauperibus,Justitia ejus manetIn saeculum saeculi.Cornu ejus exaltabitur in gloria.Peccator videbit et irascetur,Dentibus suis fremet et tabescet;Desiderium peccatorum peribit.
$34.99
31.78 €
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Chorale SATB
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Niccolò Jommelli
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Guido Menestrina
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Niccolò Jommelli - Beatus vir a 4
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Guido Menestrina
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SheetMusicPlus
Song On The Sand (la Da Da Da)
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1301556 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1301556 Composed by Jerry Herman. Arranged by Bryan Kesselman. 20th Century,Broadway,Musical/Show. 12 pages. Bryan Kesselman - TonicMusic #891185. Published by Bryan Kesselman - TonicMusic (A0.1301556). An uncomplicated arrangement for SATB voices plus Piano.The harmonies are achievable by a community choir, but the piece is effective when sung by advanced ensembles too.The piano part has been newly arranged specially for this version.
$1.99
1.81 €
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Chorale SATB
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Jerry Herman
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Bryan Kesselman
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Song On The Sand
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Bryan Kesselman - TonicMusic
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SheetMusicPlus
Da pacem, Domine - Verleih uns Frieden
Chorale SATB
Mixed choir (SATB) a cappella - advanced - Digital Download SKU: S9.Q20511 Motet…
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Mixed choir (SATB) a cappella - advanced - Digital Download SKU: S9.Q20511 Motette. Composed by Enjott Schneider. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 4 minutes. Schott Music - Digital #Q20511. Published by Schott Music - Digital (S9.Q20511). German • Latin.This work with its calmly pleading character lives on the contrast between the freely metric, virtually Gregorian passages and the strict time-beating sections. It is especially in the 'Da pacem' call written in triplets that pressing, accelerating crescendos arise which can also be led into the forte excessively. The concluding Latin 'Da pacem' should then be sung in a deliberately introverted manner.
$3.99
3.62 €
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Chorale SATB
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Enjott Schneider
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Da pacem, Domine - Verleih uns Frieden
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Schott Music - Digital
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SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
23.57 €
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Chorale SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
18.12 €
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Chorale SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Da pacem Domine
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1092804 Comp…
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1092804 Composed by David Rain. Arranged by David Rain. A Cappella,Classical,Contemporary,Sacred. 6 pages. David Rain, Choral Composer #696911. Published by David Rain, Choral Composer (A0.1092804). “Da pacem Domine†is a musical search for peace. It explores the basic question whether we humans can find peace on our own, or whether we need guidance from some higher power or energy force. Dedicated to two dear relatives named James: my grandfather Jimmy Rain (1895-1974), a World War I vet, who showed me such love as a boy and a young man growing up; and my cousin Jamie Shaw (1959-2019) whose courage, good spirit and humour throughout his terminal illness was an inspiration to all who knew him.
$2.00
1.82 €
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Chorale SATB
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David Rain
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David Rain
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Da pacem Domine
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David Rain, Choral Composer
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SheetMusicPlus
Oza Nye Da Mba (A song in Ikwerre Language of Southern part of Nigeria, telling us not to be discour
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.993302 Composed by Kingsley N. Owhon…
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Choral Choir (SATB) - Digital Download SKU: A0.993302 Composed by Kingsley N. Owhonda. Arranged by Kingsley N. Owhonda. Christian,Praise & Worship,Sacred. Octavo. 12 pages. Dr. Kingsley Owhonda #6119669. Published by Dr. Kingsley Owhonda (A0.993302). Oza Nye Da Mba (A song in Ikwerre Language of Southern part of Nigeria, telling us not to be discouraged because soon Jesus will return to take us home).
$80.00
72.65 €
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Chorale SATB
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Kingsley N
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Kingsley N
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Oza Nye Da Mba
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Dr. Kingsley Owhonda
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SheetMusicPlus
Palestrina-Hodie Christus natus est(Versions 2),in A flat Major,for A cappella
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.672051 Composed by …
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.672051 Composed by Giovanni Pierluigi da Palestrina. Arranged by MSM. A Cappella,Classical,Romantic Period. 24 pages. Open Cloud #4982733. Published by Open Cloud (A0.672051). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Palestrina (Palestrina Giovanni Pierluigi da), 1525-1594 for A cappella, published by More Sheet Music Press.
$2.99
2.72 €
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Chorale SATB
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Giovanni Pierluigi da Palestrina
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MSM
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Palestrina-Hodie Christus natus est(Versions 2),in A flat Major,for A cappella
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Open Cloud
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SheetMusicPlus
Palestrina-Hodie Christus natus est(Versions 2),in A Major,for A cappella
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.672050 Composed by …
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.672050 Composed by Giovanni Pierluigi da Palestrina. Arranged by MSM. A Cappella,Classical,Romantic Period. 24 pages. Open Cloud #4982731. Published by Open Cloud (A0.672050). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Palestrina (Palestrina Giovanni Pierluigi da), 1525-1594 for A cappella, published by More Sheet Music Press.
$2.99
2.72 €
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Chorale SATB
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Giovanni Pierluigi da Palestrina
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MSM
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Palestrina-Hodie Christus natus est(Versions 2),in A Major,for A cappella
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Open Cloud
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SheetMusicPlus
Só da dança (SATB and organ)
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.932336 Composed by Mári…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.932336 Composed by Mário Nascimento. Contemporary,World. Octavo. 14 pages. Mario Nascimento #6702761. Published by Mario Nascimento (A0.932336). Só da dança, by Mário Nascimento. Composition for mixed choir (SATB), and organ.
$5.00
4.54 €
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Chorale SATB
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Mário Nascimento
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Só da dança
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Mario Nascimento
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SheetMusicPlus
Ecco piegando - Sacred madrigal for SATB choir a cappella
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.516723 Composed by Santino…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.516723 Composed by Santino Cara. A Cappella,Sacred. Octavo. 4 pages. Santino Cara #553059. Published by Santino Cara (A0.516723). Sacred madrigal for SATB choir a cappella composed in Rome in 1992 by Santino Cara on latin text of Giovanni Battista Guarini (1538 – 1612) translated in Italian Renaissance period by Aquilino Coppini (? -1629) == Madrigale sacro per coro SATB a cappella composto da Santino Cara a Roma nel 1992 sul testo latino di Giovanni Battista Guarini (1538 – 1612) e tradotto nell'italiano dell'epoca rinascimentale da Aquilino Coppini (? -1629).
$5.20
4.72 €
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Chorale SATB
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Santino Cara
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Ecco piegando - Sacred madrigal for SATB choir a cappella
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Santino Cara
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SheetMusicPlus
Trahe me post te, motet for SATB choir a cappella
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.516767 Composed by Santino…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.516767 Composed by Santino Cara. A Cappella,Sacred. Octavo. 4 pages. Santino Cara #2119327. Published by Santino Cara (A0.516767). Sacred Motet for SATB choir a cappella composed in Rome in 2016 by Santino Cara on ancient latin text extracted from Canticum Canticorum-Song of Solomon- Chapter 2 - verse 3. == Mottetto Sacro per Coro SATB a Cappella composto a Roma nel 2016 da Santino Cara sull'antico testo latino estratto da Canticum Canticorum-Cantico dei Cantici- - Capitolo 2 - verso 3.
$5.20
4.72 €
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Chorale SATB
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Santino Cara
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Trahe me post te, motet for SATB choir a cappella
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Santino Cara
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SheetMusicPlus
Palestrina-Missa O Regem cœli,from 'Missarum liber primus(Missarum,Liber 1)',P 655-659 No.2,for A Ca
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.672356 Composed by …
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.672356 Composed by Giovanni Pierluigi da Palestrina. Arranged by MSM. A Cappella,Classical,Romantic Period. 120 pages. Open Cloud #4999949. Published by Open Cloud (A0.672356). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Palestrina (Palestrina Giovanni Pierluigi da), 1525-1594, for A Cappella, published by More Sheet Music Press.
$13.99
12.71 €
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Chorale SATB
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Giovanni Pierluigi da Palestrina
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MSM
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Palestrina-Missa O Regem cœli,from 'Missarum liber primus(Missarum,Liber 1)',P 655-659 No.2,for A Ca
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Open Cloud
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SheetMusicPlus
Palestrina-Hodie Christus natus est(Versions 2),in D Major,for A cappella
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.672045 Composed by …
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.672045 Composed by Giovanni Pierluigi da Palestrina. Arranged by MSM. A Cappella,Classical,Romantic Period. 24 pages. Open Cloud #4982721. Published by Open Cloud (A0.672045). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Palestrina (Palestrina Giovanni Pierluigi da), 1525-1594 for A cappella, published by More Sheet Music Press.
$2.99
2.72 €
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Chorale SATB
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Giovanni Pierluigi da Palestrina
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MSM
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Palestrina-Hodie Christus natus est(Versions 2),in D Major,for A cappella
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Open Cloud
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SheetMusicPlus
Palestrina-Hodie Christus natus est(Versions 2),in E Major,for A cappella
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.672046 Composed by …
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.672046 Composed by Giovanni Pierluigi da Palestrina. Arranged by MSM. A Cappella,Classical,Romantic Period. 24 pages. Open Cloud #4982723. Published by Open Cloud (A0.672046). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Palestrina (Palestrina Giovanni Pierluigi da), 1525-1594 for A cappella, published by More Sheet Music Press.
$2.99
2.72 €
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Chorale SATB
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Giovanni Pierluigi da Palestrina
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MSM
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Palestrina-Hodie Christus natus est(Versions 2),in E Major,for A cappella
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Open Cloud
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SheetMusicPlus
Palestrina-Hodie Christus natus est(Versions 2),in E flat Major,for A cappella
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.672047 Composed by …
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.672047 Composed by Giovanni Pierluigi da Palestrina. Arranged by MSM. A Cappella,Classical,Romantic Period. 24 pages. Open Cloud #4982725. Published by Open Cloud (A0.672047). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Palestrina (Palestrina Giovanni Pierluigi da), 1525-1594 for A cappella, published by More Sheet Music Press.
$2.99
2.72 €
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Chorale SATB
#
Giovanni Pierluigi da Palestrina
#
MSM
#
Palestrina-Hodie Christus natus est(Versions 2),in E flat Major,for A cappella
#
Open Cloud
#
SheetMusicPlus
Palestrina-Hodie Christus natus est(Versions 2),in C Major,for A cappella
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.672043 Composed by …
(+)
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.672043 Composed by Giovanni Pierluigi da Palestrina. Arranged by MSM. A Cappella,Classical,Romantic Period. 24 pages. Open Cloud #4982717. Published by Open Cloud (A0.672043). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Palestrina (Palestrina Giovanni Pierluigi da), 1525-1594 for A cappella, published by More Sheet Music Press.
$2.99
2.72 €
#
Chorale SATB
#
Giovanni Pierluigi da Palestrina
#
MSM
#
Palestrina-Hodie Christus natus est(Versions 2),in C Major,for A cappella
#
Open Cloud
#
SheetMusicPlus
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