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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Grand Duet
Sheetmusicplus
Non classifié
148
Piano & claviers
Piano, Voix
229
Piano Trio: piano, violon, violoncelle
71
Accompagnement Piano
44
1 Piano, 4 mains
29
2 Pianos, 4 mains
29
Piano seul
22
Piano Quatuor: piano, 2 violons, violoncelle
5
Orgue
3
Orgue, Trompette (duo)
3
Piano Facile
3
1 Piano, 6 mains
2
Orgue, Piano (duo)
1
2 Pianos, 8 mains
1
+ 8 instrumentations
Retracter
Guitares
2 Guitares (duo)
11
Ligne De Mélodie, (Paroles) et Accords
5
Guitare notes et tablatures
2
Dulcimer
1
2 Ukuleles
1
Guitare
1
2 Dulcimers (duo)
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
8
Voix duo
6
Chorale 2 parties
6
Voix duo, Piano
6
Voix Tenor, Piano
1
Chorale 3 parties
1
+ 1 instrumentations
Retracter
Vents
2 Saxophones (duo)
50
Hautbois, Piano (duo)
32
2 Flûtes traversières (duo)
30
2 Clarinettes (duo)
16
Flûte, Clarinette (duo)
12
Flûte, Violon, Piano
11
Flûte, Trombone (duo)
10
2 Hautbois (duo)
8
Saxophone Tenor et Piano
7
Saxophone Alto et Piano
7
Hautbois, Clarinette (duo)
7
Flûte traversière et Piano
5
Flûte et Guitare
4
Hautbois, Basson (duo)
3
Saxophone Soprano et Piano
3
Saxophone, Clarinette (duo)
3
Clarinette, Violoncelle (duo)
2
Flûte, Violon
2
Flûte traversière
2
Flûte, Violoncelle
2
Clarinette, Guitare (duo)
2
Clarinette, Basson (duo)
2
Flûte traversière, Orgue (duo)
1
Flûte, Saxophone (duo)
1
Hautbois, Violoncelle
1
Quatuor de Saxophones: 4 saxophones
1
Clarinette et Alto
1
2 Clarinettes, Piano
1
2 Flûtes traversières, Piano
1
Flûte, Hautbois (duo)
1
+ 25 instrumentations
Retracter
Cuivres
2 Cors (duo)
13
2 Trombones (duo)
11
2 Trompettes (duo)
11
Trompette, Trombone (duo)
9
Euphonium, Piano (duo)
7
Trompette, Cor (duo)
6
2 Tubas (duo)
5
Tuba et Piano
4
Trombone, Tuba (duo)
2
Trombone et Piano
2
Cor, Tuba (duo)
2
Cor et Basson (duo)
2
2 Euphoniums (duo)
2
Cor, Violoncelle (duo)
2
Trompette, Basson (duo)
1
Trompette, Violoncelle (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Trompette
1
Ensemble de Trombones
1
Trompette, Tuba (duo)
1
Trompette, Piano
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Quatuor de cuivres: 4 trombones
1
+ 18 instrumentations
Retracter
Cordes
Violon et Piano
50
Violon, Violoncelle (duo)
24
2 Violons (duo)
23
2 Violoncelles (duo)
14
Violon, Alto (duo)
10
2 Altos (duo)
10
Violoncelle, Piano
9
Violoncelle
6
Contrebasse, Piano (duo)
6
2 Violons, Piano
5
Alto, Violoncelle (duo)
4
Violon, Guitare (duo)
3
Harpe, Flûte (duo)
3
Piano Trio: Violon, Alto, Piano
2
2 Contrebasses (duo)
2
Violon, Basson (duo)
2
Alto, Guitare (duo)
1
Harpe, Voix
1
Harpe, Violon (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Alto et Basson
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
4
Orchestre
4
Orchestre de chambre
2
Cloches
2
Jazz combo
2
Orchestre à Cordes
1
Marimba
1
+ 2 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
A Grand Duet
SheetMusicPlus
Partitions à imprimer
8 partitions trouvées
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Let ll Mortal Flesh Keep Silence--Octavo.pdf
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Chorale SATB
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Traditional
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Marilyn Thompsona
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Let ll Mortal Flesh Keep Silen
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Marilyn Thompson
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.809488 Composed by Traditional. Arranged by Marilyn Thompsona. Christian,Christmas,Sacred. Octavo. 8 pages. Marilyn Thomps...
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Choral Choir (SATB) - SKU: A0.809488 Composed by Traditional. Arranged by Marilyn Thompsona. Christian,Christmas,Sacred. Octavo. 8 pages. Marilyn Thompson #6024163. Published by Marilyn Thompson (A0.809488). A majestic choral carol with piano and organ accompaniment expressing awe and wonder at the birth of the Christ child. Beginning softly and simply, it soars to a grand resounding finale. Parts and Score with piano and organ are available on other posts. Also there is a separate piano/organ duet that stands alone or can be played with orchestra accompaniment. For further information contact marilyn@mtmusicministries.com ASCAP Difficulty level is moderate.
$1.99
March on Church, United
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Calvary Singers
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Bryan M
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March on Church, United
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Composer Bryan M. Powell's Music
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1048412 By Calvary Singers. By Bryan M. Powell. Arranged by Bryan M. Powell. Contest,Festival,Praise & Worship,S...
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Choral Choir (SATB) - Level 4 - SKU: A0.1048412 By Calvary Singers. By Bryan M. Powell. Arranged by Bryan M. Powell. Contest,Festival,Praise & Worship,Sacred,Traditional. Octavo. 12 pages. Composer Bryan M. Powell's Music #652845. Published by Composer Bryan M. Powell's Music (A0.1048412). Fanfare, Flourishes, and a Grand Finale would describe this unique piece calling the church to fulfill its mission. The unison passages give way to the creative duet between the piano and the organ giving everyone a chance to shine!
$2.25
Once in Royal David's City
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Chorale SATB
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Jack Schrader
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Once in Royal David's City
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Hope Publishing - Digital
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SheetMusicPlus
Choral SATB choir & piano with optional organ - SKU: H1.C5422DP Arranged by Jack Schrader. Piano with Optional Organ. Hymntune, Christmas. Octavo. 8 pag...
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Choral SATB choir & piano with optional organ - SKU: H1.C5422DP Arranged by Jack Schrader. Piano with Optional Organ. Hymntune, Christmas. Octavo. 8 pages. Hope Publishing - Digital #C5422DP. Published by Hope Publishing - Digital (H1.C5422DP). Luke 2:8 - Luke 2:9 - Luke 2:10 - Luke 2:11 - Luke 2:12 - Luke 2:13 - Luke 2:14 - Luke 2:15 - Luke 2:16 - Luke 2:17 - Luke 2:18 - Luke 2:19 - Luke 2:20 - Revelation 1:7.Classic Christmas hymn One of the more elegant Christmas hymns with all its moving choral parts, this carol has been artistically arranged by Jack Schrader with a stunning piano and organ duet accompaniment. The final stanza simply begs for a grand and glorious treatment, which is achieved by bringing together all the forces to celebrate our eternal life in heaven with the Lord.
$2.95
The Wondrous Cross
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Chorale SATB
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Musique Sacrée
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Evelyn Larter
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The Wondrous Cross
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Laurel Press
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SheetMusicPlus
SATB choir, Flute, Piano - SKU: LX.10-3406LA Composed by Evelyn Larter. Sacred Anthem, General, Lent. Octavo. 7 pages. Laurel Press #e10/3406LA. Publish...
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SATB choir, Flute, Piano - SKU: LX.10-3406LA Composed by Evelyn Larter. Sacred Anthem, General, Lent. Octavo. 7 pages. Laurel Press #e10/3406LA. Published by Laurel Press (LX.10-3406LA). UPC: 000308105902.This traditional English folk melody is presented first as a duet between the women and a solo flute, and then a duet between the men and women. The accompaniment adds delightful and unexpected harmonies as the piece builds to a broad, grand conclusion.
$2.40
The City In the Sea: Choral Tone Poem
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Chorale SATB
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AVANCÉ
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Contemporain
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Stanley M Hoffman
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The City In the Sea: Choral To
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Pu...
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Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60
Giovanni Bononcini - Anthem (for the Funeral of John Duke of Marlborough)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Giovanni Bononcini
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Giovanni Bononcini, Giovanni B
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Guido Menestrina
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Giovanni Bononcini - Anthem
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina. Baroque,Contem...
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Choral Choir (SATB) - Level 4 - SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina. Baroque,Contemporary,Sacred. Octavo. 44 pages. Guido Menestrina #368381. Published by Guido Menestrina (A0.828704). Anthem which was performed in King Henry the Seventh's Chappel at the Funeral of the most Noble & Victorious Prince John Duke of Marlborough By Giovanni Bononcini (1670-1747) transcribed by Guido Menestrina Il padre, Giovanni Maria Bononcini (Buononcini) (1642-1678), era stato violinista e compositore: attivo alla corte di Modena, aveva scritto un trattato, Musico prattico, pubblicato nel 1673. Il fratello minore di Giovanni, Antonio Maria, fu anch'egli musicista. Proprio dal padre Giovanni ricevette la prima educazione musicale; quando questi morì, nel 1678, divenne studente di Giovanni Paolo Colonna a Bologna, dove vennero eseguiti i suoi primi lavori. Proprio grazie al Colonna entrò a far parte dell'Accademia dei Filarmonici in veste di compositore. Nel 1685 aveva già preparato e pubblicato le sue prime opere. Ottenne nel 1688 il posto di musicista presso la basilica di San Petronio, e più tardi divenne maestro di cappella nella chiesa di San Giovanni in Monte. Sempre a Bologna fece la conoscenza del librettista Silvio Stampiglia, assieme al quale, tra il 1692 e il 1696, produrrà cinque opere. A partire dal 1692 si recò a Milano, Roma (dove fu apprezzato e sostenuto da Filippo II Colonna e dalla sua consorte Olimpia Pamphilj) e Venezia; infine, dal 1698 al 1711 si stabilì a Vienna, dove godette i favori degli imperatori Leopoldo I e Giuseppe I. Di passaggio a Berlino nel 1702, incontrò Georg Friedrich Händel, di quindici anni più giovane di lui, di cui riconobbe il talento precoce: lo avrebbe rincontrato alcuni anni più tardi. Dal 1714 al 1719 fu di nuovo a Roma, al servizio di Johann Wenzel, Conte di Gallas, Ambasciatore dell'Imperatore d'Austria a Roma, molto noto per il suo amore per la musica. Al Conte di Gallas, Bononcini dedicò la Favola Pastorale Erminia, rappresentata al Teatro della Pace nella Stagione del Carnevale del 1719. Il dramma musicale ebbe grandissimo successo sia per la musica, sia per gli interpreti, fra cui si segnalarono Domenico Gizzi (1687-1758), Musico Soprano della Real Cappella di Napoli ed il celebre contralto napoletano Francesco Vitale. Sempre nella Stagione del Carnevale 1719 al Teatro della Pace, Bononcini rappresentò il dramma per musica L'Etearco, dal librettista Silvio Stampiglia dedicato alla Contessa Ernestina di Gallas, moglie dell'Ambasciatore austriaco. Anche in questo dramma per musica Domenico Gizzi e Francesco Vitale fecero apprezzare tutte le spezie più ricercate del virtuosismo canoro. Poi, dal 1720 si stabilì a Londra, sotto la protezione del John Churchill, I duca di Marlborough. Qui si esibì anche al violoncello in numerosi concerti, molto apprezzati dall'aristocrazia inglese. Divenne membro della prestigiosa Royal Academy of Music.[senza fonte] Il pubblico londinese era, all'epoca, totalmente ignorante dell'opera italiana, e Händel stava muovendo i primi passi della sua prestigiosa carriera. Fra i due compositori si accese un forte spirito di competizione, sia che collaborassero alla realizzazione della medesima impresa (i tre atti dell'opera Muzio Scevola furono composti il primo da Filippo Amadi, il secondo da Bononcini, il terzo da Händel, al fine di soddisfare tutti e tre gli artisti), sia che, più spesso, si impegnassero in produzioni rivali. Le opere di maggior successo di Bononcini in quegli anni furono Astarto (1720), Crispo (1722), Griselda (1722), che si rivelò un vero e proprio trionfo, Erminia (1723), Calfurnia (1724). A favore dell'italiano era anche una certa ostilità verso Händel dovuta alle sue origini tedesche e alla contemporanea presenza sul trono inglese della poco amata dinastia di Hannover. Ma nel 1727-1728 scoppiò uno scandalo che compromise il successo di Bononcini e lo costrinse a lasciare Londra: il compositore Antonio Lotti accusò il madrigale di Bononcini In una siepe ombrosa di essere un plagio di un brano dei suoi Duetti, terzetti e madrigali. Fuggito a Parigi nel 1733, a causa di speculazion.
$9.99
Rain On Me
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Lady Gaga And Ariana Grande
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Bryan Sharpe
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Rain On Me
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Bryan Sharpe
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.725947 By Lady Gaga And Ariana Grande. By Alexander Ridha, Ariana Grande, Betty Wright, Jeremiah B...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.725947 By Lady Gaga And Ariana Grande. By Alexander Ridha, Ariana Grande, Betty Wright, Jeremiah Burden, Lynn Williams, Martin Bresso, Matthew Burns, Michael Tucker, Nija Charles, Rami Yacoub, and Stefani Germanotta. Arranged by Bryan Sharpe. A Cappella. 29 pages. Bryan Sharpe (BSharpe Music) #6058835. Published by Bryan Sharpe (BSharpe Music) (A0.725947). A cappella arrangement of Rain On Me by Ariana Grande and Lady Gaga for Duet + SSSATTBB. (Sop, Mezzo 1&2, Alto, Tenor 1&2, Bari, Bass).
$3.00
I Am the Vine
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Chorale SATB
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Craig Cassils
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you are the branches
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I Am the Vine
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Craig Cassils
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.912373 Composed by Craig Cassils. Christian. Octavo. 8 pages. Craig Cassils #3074177. Published by Craig Cassils (A0.91237...
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Choral Choir (SATB) - SKU: A0.912373 Composed by Craig Cassils. Christian. Octavo. 8 pages. Craig Cassils #3074177. Published by Craig Cassils (A0.912373). I Am the Vine – for SATB choir with piano. Here is a beautiful anthem based on the words Jesus said - I am the vine; you are the branches. (John 15) The melody is hauntingly modal, and winds as a vine among the voices, with the piano also winding around the choir. There are short solo and duet options, with choral sections ranging from simplicity to grandeur. $15.00 - THE PURCHASE PRICE ENTITLES YOU TO MAKE ENOUGH PHOTOCOPIES FOR ONE CHOIR IN ONE FACILITY. IF BUYING FOR MULTIPLE CHOIRS, PLEASE PAY FOR MULTIPLE COPIES.
$15.00
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A Grand Duet
