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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
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FORMATION MUSI…
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GUITARE LAP ST…
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SAXOPHONE
SYNTHETISEUR
TROMBONE
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UKULELE
VIBRAPHONE
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VIOLONCELLE
XYLOPHONE
A Place to Keep Your Son
Non classifié
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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Vous avez sélectionné:
A Place to Keep Your Son
Chorale SATB
Partitions à imprimer
5 partitions trouvées
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A Place to Keep Your Son (Downloadable)
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Chorale SATB
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FACILE
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Matthew H
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A Place to Keep Your Son
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir, keyboard - Moderately Easy - SKU: MQ.50-0027-E Composed by Matthew H. Corl. Advent. 7 pages. MorningStar Music Publishers - Digital Sheet Mu...
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SATB choir, keyboard - Moderately Easy - SKU: MQ.50-0027-E Composed by Matthew H. Corl. Advent. 7 pages. MorningStar Music Publishers - Digital Sheet Music #50-0027-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-0027-E). Original (strophic) text by composer uses images of the Advent season. Straight-forward tune creates a mood of quiet expectationeach verse set differentlybuilding to a climax in the last verse. Can be sung effectively by small or large group.
$2.25
Now That the Son is Beaming Bright
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Richard Joseph Barber
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Now That the Son is Beaming Br
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Barber Music Company
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.915680 Composed by Richard Joseph Barber. Classical,Contemporary,Sacred. Octavo. 4 pages. Barber Music Company #...
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Choral Choir (SATB) - Level 3 - SKU: A0.915680 Composed by Richard Joseph Barber. Classical,Contemporary,Sacred. Octavo. 4 pages. Barber Music Company #3023247. Published by Barber Music Company (A0.915680). Words by St. Ambrose of Milan (c340–397), tr. by John Henry Newman.Set to music and arranged by Richard Joseph Barber for Rev. Jason Parker, High Country Baptist Church in Colorado Springs, CO.Composer's note:This is a joyous call to prayer (especially morning prayer). The music reminds me of little children skipping with glee under a bright blue morning sky. It needs to be sung with joy in the Lord, Who hears us when we call, forgives our sins, and gives us grace to love Him, keep his commands and do those things that are pleasing in His sight. It should be a wonder morning service anthem, but why not try it in the evening, too, in anticipation of meeting God at the beginning of the next day. The key to the style of this piece is rhythmic vitality. The 6/8 meter should be conducted in two, but singers (and the conductor) must feel the eighth note division of the beat as the composition's energizing rhythmic subtext. After the choir has learned the words, pitches and rhythms of the piece, have them let the text go for awhile, and replace it with the syllable doo for every eighth note value. That is, for every eighth note sing 'doo once; for every quarter note sing it twice; for every dotted quarter note sing it three times, and so on. You will hear some giggling from your singers. That is okay. They will have some fun, and you will hear definite improvement. RJB (barberpianoserv@gmail.com).
$3.00
Blame It On My Youth
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Chorale SATB
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AVANCÉ
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Contemporain
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Oscar Levant
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Jeremy Landig
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Blame It On My Youth
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Landig Music Productions
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.882989 Composed by Oscar Levant. Arranged by Jeremy Landig. Contemporary. Octavo. 25 pages. Landig Music Product...
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Choral Choir (SATB) - Level 5 - SKU: A0.882989 Composed by Oscar Levant. Arranged by Jeremy Landig. Contemporary. Octavo. 25 pages. Landig Music Productions #6092105. Published by Landig Music Productions (A0.882989). An arrangement of the classic ballad for vocal jazz ensembles, based loosely on the recording by Carmen McRae and inspired by the writing style of Phil Mattson. SSATB (one bass/bari split at the end can be omitted) A female soloist is featured at the beginning, during the middle of the 1st verse, and at the very end. Crunchy turns of harmony -- lots of extended chords, #9 dissonances, and mid-verse key and texture shifting to keep your advanced group engaged. There is a piano solo after the first verse; it can be replaced with a vocal or instrumental solo. A sample solo is written out for pianists who need it; chords are indicated.Contents:A vocal / piano / bass scoreVocal-only reproducible chartBass chart with chords (can be used for any rhythm section player that reads chord symbols)Drum map (without those pesky chords)Written-out piano part for accompanists who aren't used to comping chords.Contact the arranger at jeremy@landigmusic.com to request practice mp3s.Full performance at https://soundcloud.com/landigmusic/blame-it-on-my-youth
$65.00
#WeToo
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Chorale SATB
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INTERMÉDIAIRE
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Sally Whitwell
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#WeToo
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Publish...
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Choral Choir (SATB) - Level 3 - SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. We’d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. It’s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that I’m virtue signalling and that I look ridiculous (as if I care how I look). I’ve asked questions about workplace Covid safety and been informed that it’s “a bit rich†that I’m asking at all, when everything is now safe. A friend’s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed “Oh, it’s not Covid. How old are you? In your forties? It’s your hormones, it’s the menopause.†The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, there’s really no point.Sally Whitwell 11 July 2023.
$1.99
Ojala Que Llueva Cafe
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Juan Luis Guerra
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Sarah Zegree
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Ojala Que Llueva Cafe
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Sarah Zegree
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.930865 Composed by Juan Luis Guerra. Arranged by Sarah Zegree. Contemporary. 42 pages. Sarah Zegree #6035...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.930865 Composed by Juan Luis Guerra. Arranged by Sarah Zegree. Contemporary. 42 pages. Sarah Zegree #6035627. Published by Sarah Zegree (A0.930865). I wish it would rain coffee! Originally performed by Dominican artist Juan Luis Guerra, this upbeat and lyrically fantastical song is arranged to be performed in the traditional Merengue style with Tambora and Guira* accompaniment alongside Piano, Bass, and Guitar. Plenty of solo and duet opportunities are written in for specific voice parts but can be treated flexibly to suit your ensemble! This song could be programmed on any concert to highlight the language, music style, or traditional dance. Your students and audience members won’t be able to keep from dancing!*Conga could be used in place of a Tambora and Guiro or Shaker could be used in place of a Guira. .
$2.99
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A Place to Keep Your Son
