Page d'accueil
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Sua
Non classifié
1 514
Piano & claviers
Piano seul
4 344
Piano, Voix
2 384
Piano Facile
163
Piano, Voix et Guitare
100
Orgue
73
1 Piano, 4 mains
55
Instruments en Do
52
Piano (partie séparée)
15
Accompagnement Piano
15
Piano Trio: piano, violon, violoncelle
13
Piano Quatuor: piano, violon, alto, violoncelle
8
Orgue, Piano (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Trompette (duo)
3
Piano grosses notes
3
2 Pianos, 4 mains
3
2 Accordéons
1
Accordéon
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
98
Guitare
84
Guitare (partie séparée)
30
Ligne De Mélodie, (Paroles) et Accords
13
2 Guitares (duo)
9
Ukulele
7
4 Guitares (Quatuor)
6
Dulcimer
4
Banjo
4
Ensemble de guitares
4
Mandoline, Guitare (duo)
2
Piano, Guitare (duo)
2
Basse electrique
2
Mandoline
2
3 Guitares (trio)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
1 021
Chorale 2 parties
69
Chorale Unison
54
Chorale 3 parties
54
Chorale TTBB
31
Chorale SSAA
27
Voix duo, Piano
22
Voix Soprano, Piano
13
Voix duo
11
Voix haute
8
Voix Alto, Piano
2
Voix Tenor, Piano
2
Voix moyenne, Piano
2
Voix Baryton, Piano
2
Chorale SSATB
1
Chorale
1
Chorale SSAATTBB
1
Chorale SSATTB
1
Voix seule
1
Voix basse, Piano
1
+ 15 instrumentations
Retracter
Vents
Saxophone (partie séparée)
100
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
86
Quatuor de Saxophones: 4 saxophones
73
Flûte, Hautbois, Clarinette, Basson
58
2 Flûtes traversières (duo)
51
Quatuor de Flûtes : 4 flûtes
48
2 Saxophones (duo)
47
Flûte traversière et Piano
41
Clarinette
36
Hautbois, Piano (duo)
35
Quatuor de Clarinettes: 4 clarinettes
34
Clarinette et Piano
25
Saxophone Alto et Piano
23
Flûte traversière
23
Quintette de Saxophone: 5 saxophones
21
Saxophone Alto
19
Saxophone, Clarinette (duo)
16
Flûte, Clarinette (duo)
16
2 Clarinettes (duo)
15
Flute (partie séparée)
15
Saxophone Tenor
15
Ensemble de saxophones
15
Ensemble de Clarinettes
14
Saxophone Tenor et Piano
14
Clarinette, Trompette (duo)
12
Quintette de Clarinettes: 5 clarinettes
12
Flûte, Trombone (duo)
11
Clarinette, Violon (duo)
11
Saxophone Soprano et Piano
11
Hautbois, Basson (duo)
10
Quatuor de Flûtes à bec
9
3 Saxophones (trio)
9
Flûte, Alto (duo)
8
2 Hautbois (duo)
8
Saxophone Baryton, Piano
8
Flûte à bec Soprano
8
Flûte, Violon
8
Flûte et Guitare
8
Cor anglais, Piano
7
Ensemble de Flûtes
7
Flûte, Saxophone (duo)
7
Hautbois, Flûte
6
3 Clarinettes (trio)
6
Clarinette (partie séparée)
6
Clarinette, Guitare (duo)
5
5 Flûtes à bec
5
Cor Anglais
5
Flûte, Trompette (duo)
5
Flûte, Violoncelle
4
Hautbois (partie séparée)
4
Clarinette, Basson (duo)
4
Ocarina
4
Quintette de Flûte : 5 flûtes
4
Hautbois, Clarinette (duo)
4
Clarinette et Alto
4
Flûte, Hautbois, Clarinette (trio)
4
Trio de Flûtes: 3 flûtes
4
Clarinette, Trombone (duo)
3
Flûte à bec Alto
3
Clarinette Basse, Piano
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Clarinette, Violoncelle (duo)
3
Saxophone Soprano
2
Hautbois, Violoncelle
2
2 Flûte à bec (duo)
2
Flûte, Clarinette et Basson
2
Saxophone Baryton
2
Hautbois
2
Flûte, Violon, Piano
2
Saxophone et Harpe
1
Hautbois, Guitare (duo)
1
3 Flûtes à bec (trio)
1
Ensemble De Flûte à bec
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Basson
1
Flûte, Violon et Violoncelle
1
Flute, Cor (duo)
1
Flûte à bec Alto, Piano
1
Clarinette, Orchestre
1
Hautbois, Basson et Piano
1
Hautbois, Harpe
1
Saxophone et Guitare
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette, Harpe (duo)
1
3 Hautbois
1
Flûte à bec, Guitare (duo)
1
Flûte à Bec
1
Flûte, Hautbois (duo)
1
Flûte, Alto et Piano
1
Saxophone et Orgue
1
+ 85 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
82
Trombone (partie séparée)
70
Trompette (partie séparée)
58
Quatuor de Cuivres : 2 trompettes, trombone, tuba
48
Trompette
24
Trombone et Piano
22
Trompette, Piano
21
Cor (partie séparée)
17
Cor et Piano
16
Tuba (partie séparée)
16
Trombone
14
Trompette, Trombone (duo)
13
2 Trombones (duo)
13
Euphonium, Piano (duo)
12
Trompette, Saxophone (duo)
12
2 Trompettes (duo)
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Tuba et Piano
8
Cor anglais, Piano
7
Ensemble de Trombones
6
2 Euphoniums et 2 Tubas
5
Cor Anglais
5
Tuba
5
Quatuor de Cuivres
5
Cor
4
Trombone, Orgue
4
Trio de Cuivres
4
Euphonium
3
Quatuor de cuivres: 4 trombones
3
Trompette, Cor (duo)
3
Ensemble de Cors
2
3 Trombones (trio)
2
Ensemble de Trompettes
2
2 Cors (duo)
2
4 Tubas
2
Clarinette, Cor (duo)
2
Trombone basse
2
Cor, Violoncelle (duo)
2
3 Trompettes (trio)
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
Cor et Orgue
1
Tuba et Orgue
1
Trompette, Basson (duo)
1
Trombone basse et Piano
1
Trompette, Tuba (duo)
1
3 Cors (trio)
1
Quatuor de cuivres: 4 cors
1
2 Tubas (duo)
1
Trompette, Harpe
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
443
Violon, Violoncelle (duo)
178
Trio à Cordes: violon, alto, violoncelle
152
Violon
148
Violon et Piano
62
Harpe
57
Violoncelle
39
Violoncelle, Piano
39
Violon, Alto (duo)
26
Alto, Piano
26
2 Violons (duo)
26
Quintette à cordes: 2 violons, alto, violoncelle, basse
22
2 Violoncelles (duo)
21
Trio à Cordes: 2 violons, violoncelle
20
Contrebasse (partie séparée)
16
2 Altos (duo)
14
Alto seul
12
Violon (partie séparée)
6
Violon, Guitare (duo)
6
4 Violoncelles
6
Alto, Violoncelle (duo)
5
Trio à Cordes: 3 violoncelles
5
Violoncelle , Guitare (duo)
5
Contrebasse, Piano (duo)
4
Harpe, Flûte (duo)
4
Contre Basse
3
2 Harpes (duo)
3
Trio à cordes: 3 violins
2
Quatuor à cordes: 4 violons
2
2 Violoncelles, Piano
2
Trio à cordes: 3 altos
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle (partie séparée)
1
Alto et Basson
1
Alto et Harpe
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violon, Violoncelle
1
Quatuor à cordes : 4 altos
1
Violon, Basson (duo)
1
Harpe et Piano
1
Violoncelle, Orgue
1
Violon, Basse continue
1
Harpe, Violoncelle (duo)
1
4 Contrebasses
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 2 violons, alto
1
Alto, Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
223
Orchestre à Cordes
191
Ensemble Jazz
99
Orchestre
73
Ensemble de cuivres
57
Orchestre de chambre
47
Fanfare
33
Cloches
26
Jazz combo
26
Batterie (partie séparée)
17
Ensemble de Percussions
16
Batterie
10
Marimba
4
Orchestre, Violon
2
Xylophone
2
Vibraphone
2
Ensemble d'École
1
Piano et Orchestre
1
Percussion
1
Xylophone, Piano
1
2 Caisses Claires (duo)
1
Percussion (partie séparée)
1
+ 17 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
6
Partitions Numériques
1 021
Librairie Musicale
335
Matériel de Musique
794
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
A Sua
Chorale SATB
Partitions à imprimer
1 021 partitions trouvées
<
1
26
51
....
1001
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
#
Chorale SATB
#
Leonardo Leo
#
Guido Menestrina
#
Leonardo Leo - Dixit Dominus a
#
Guido Menestrina
#
SheetMusicPlus
Choral Choir (SATB) - SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestri...
(+)
Choral Choir (SATB) - SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestrina #481065. Published by Guido Menestrina (A0.828714). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://www.youtube.com/watch?v=vqOa9skJg5o.
$13.99
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Leonardo Leo
#
Guido Menestrina
#
Leonardo Leo - Dixit Dominus a
#
Guido Menestrina
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guid...
(+)
Choral Choir (SATB) - Level 4 - SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guido Menestrina #238145. Published by Guido Menestrina (A0.828703). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimentoEdit Published by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: http://youtu.be/q3iMskZjm1Y.
$17.99
Espero Ter a Dita
#
Chorale SATB
#
FACILE
#
Gerda Blok-Wilson
#
Espero Ter a Dita
#
CanSing
#
SheetMusicPlus
Choral Choir (SATB divisi) - Level 2 - SKU: A0.1253119 By Gerda Blok-Wilson. By Gerda Blok-Wilson. 21st Century,Chamber,Classical,Folk,Religious. Octavo...
(+)
Choral Choir (SATB divisi) - Level 2 - SKU: A0.1253119 By Gerda Blok-Wilson. By Gerda Blok-Wilson. 21st Century,Chamber,Classical,Folk,Religious. Octavo. 14 pages. CanSing #846872. Published by CanSing (A0.1253119). Espero Ter a Dita-SATB a cappella with divisi. The combination of the traditional poem which expresses the longing to see Mary in heaven and Blok-Wilson's original composition provides a compelling and meaningful addition to choral performance programs. Its prayerful and uplifting nature makes it suitable for moments of reflection, introspection, or as part of a larger narrative within the concert program.  The piece was written for the St Patrick’s Regional High School touring choir for their summer tour to Portugal July, 2023. www.gerdablokwilson.ca A combinação do poema tradicional, que expressa o anseio de ver Maria no céu, e a composição original de Blok-Wilson proporciona uma adição cativante e significativa aos programas de  performance coral.  Sua natureza orante e inspiradora torna-a adequada para momentos de reflexão, introspecção ou  como parte de uma narrativa mais ampla dentro do programa do concerto.  A peça foi escrita para o coro itinerante da St Patrick's Regional High School para sua turnê de verão em Portugal em julho de 2023. www.gerdablokwilson.ca.
$2.25
Johann Georg Albrechtsberger - Messa a 4 voci e strumenti 2. Gloria
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Johann Georg Albrechtsberger
#
Guido Menestrina
#
Johann Georg Albrechtsberger -
#
Guido Menestrina
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.828712 Composed by Johann Georg Albrechtsberger. Arranged by Guido Menestrina. Baroque,Sacred. Octavo. 23 pages....
(+)
Choral Choir (SATB) - Level 4 - SKU: A0.828712 Composed by Johann Georg Albrechtsberger. Arranged by Guido Menestrina. Baroque,Sacred. Octavo. 23 pages. Guido Menestrina #443117. Published by Guido Menestrina (A0.828712). Trascrizione a cura di Guido Menestrina Johann Georg Albrechtsberger (Klosterneuburg, 3 febbraio 1736 – Vienna, 7 marzo 1809) è stato un compositore austriaco. Johann Georg Albrechtsberger studiò musica presso l'Abbazia di Melk e filosofia al Seminario dei Gesuiti a Vienna e divenne uno dei più importanti e noti maestri di contrappunto della sua epoca. La sua grande fama di teorico gli procurò numerosi allievi che giunsero a Vienna per seguire le sue lezioni, fra essi vi furono Johann Nepomuk Hummel, Ignaz Moscheles, Joseph Weigl e Ludwig van Beethoven. Inoltre scrisse due trattati teorici e un metodo per pianoforte. Fu amico di Franz Joseph Haydn e Wolfgang Amadeus Mozart. Follow the score on youtube: https://www.youtube.com/watch?v=pfVI-p4AhUk or listen to it on soundcloud: https://soundcloud.com/guido-menestrina/johann-georg-albrechtsberger-messa-a-4-voci-e-strumenti-2-gloria Buying this score entitles you to ask for its version in modern keys (SAT, timpani, viola and organ converted to their contemporary keys) for free. Score includes: full score and single parts; organ part contains figured bass. Info: info@guidomenestrina.it.
$11.99
Johann Georg Albrechtsberger - Messa a 4 voci e strumenti 1. Kyrie
#
Chorale SATB
#
INTERMÉDIAIRE
#
Classique
#
Johann Georg Albrechtsberger
#
Guido Menestrina
#
Johann Georg Albrechtsberger -
#
Guido Menestrina
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.828711 Composed by Johann Georg Albrechtsberger. Arranged by Guido Menestrina. Baroque. Octavo. 28 pages. Guido ...
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.828711 Composed by Johann Georg Albrechtsberger. Arranged by Guido Menestrina. Baroque. Octavo. 28 pages. Guido Menestrina #432023. Published by Guido Menestrina (A0.828711). Trascrizione a cura di Guido Menestrina Johann Georg Albrechtsberger (Klosterneuburg, 3 febbraio 1736 – Vienna, 7 marzo 1809) è stato un compositore austriaco. Johann Georg Albrechtsberger studiò musica presso l'Abbazia di Melk e filosofia al Seminario dei Gesuiti a Vienna e divenne uno dei più importanti e noti maestri di contrappunto della sua epoca. La sua grande fama di teorico gli procurò numerosi allievi che giunsero a Vienna per seguire le sue lezioni, fra essi vi furono Johann Nepomuk Hummel, Ignaz Moscheles, Joseph Weigl e Ludwig van Beethoven. Inoltre scrisse due trattati teorici e un metodo per pianoforte. Fu amico di Franz Joseph Haydn e Wolfgang Amadeus Mozart. Follow the score on youtube: https://www.youtube.com/watch?v=Xjqhsbh9lzs or listen to it on soundcloud: https://soundcloud.com/guido-menestrina/johann-georg-albrechtsberger-messa-a-4-voci-e-strumenti-1-kyrie Buying this score entitles you to ask for its version in modern keys (SAT, timpani, viola and organ converted to their contemporary keys) for free. Score includes: full score and single parts; organ part contains figured bass.
$11.99
Lábios de sabor a mar / Sea flavour lips (Choir+Piano)
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Rudesindo Soutelo
#
Choir & Piano
#
Lábios de sabor a mar /
#
Publisher by Rudesindo Soutelo
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1271766 Composed by Rudesindo Soutelo. Arranged by Choir & Piano. 20th Century,A Cappella,Classical,Contemporary...
(+)
Choral Choir (SATB) - Level 4 - SKU: A0.1271766 Composed by Rudesindo Soutelo. Arranged by Choir & Piano. 20th Century,A Cappella,Classical,Contemporary. Octavo. 30 pages. Publisher by Rudesindo Soutelo #864117. Published by Publisher by Rudesindo Soutelo (A0.1271766). À memoria da actriz Cruz ComesanhaLábios de sabor a mar (Derradeira epÃstola) / Sea flavour lips (Last epistle) for Choir and Piano [ca. 7' 34]Première: 27-V-2023. Igreja de Santo António, Lisboa. Int.: Coro da Academia Nacional Superior de Orquestra (ANSO). Dir: Rafael Araújo.The origin of this work is the emotional emptiness I felt when I received the news of the death of a close friend in an unfortunate accident at home. The text was constructed with ideas and phrases taken from the poetic correspondence we had exchanged in the previous months. A few years later, I plucked up the courage to write the music, firstly for Choir a Cappella, followed by a version for Brass Quintet and another for Voice and Piano. This new edition for Choir has been revised in its entirety and includes, as an option, the Piano.The English translation of the text at the end of the score is not intended to be sung. It is only inserted to help singers who do not understand Portuguese to comprehend the message.The complexes that organise the harmonic and melodic structure are [6, 2, 5, 1, 3], [10, 9, 2, 8] and [4, 8, 9, 7].--oOo--A origem desta obra está no vazio emocional que me produziu a notÃcia da morte de uma Ãntima amiga, num infortunado acidente caseiro. O texto foi construido com ideias e frases retiradas da correspondência poética que trocáramos nos meses anteriores. Alguns anos depois, ganhei coragem para escrever a música, primeiramente para Coro a Cappella, seguindo-se uma versão para Quinteto de Metais e outra para Voz e Piano. Esta nova edição para Coro foi revista na sua totalidade e inclui, como opção, o Piano.A tradução inglesa do texto, no final da partitura, não é para ser cantada. Só se insere para ajudar na compreensão da mensagem, aos cantores que não percebam português. Os complexos que organizam a estrutura harmónica e melódica são [6, 2, 5, 1, 3], [10, 9, 2, 8] e [4, 8, 9, 7].ISWC: T-041.574.843-4ISMN: 979-0-707704-16-5.
$3.00
Giuseppe Ottavio Pitoni (1657-1743) - Laudate Dominum a 4
#
Chorale SATB
#
Giuseppe Ottavio Pitoni
#
Guido Menestrina
#
Giuseppe Ottavio Pitoni
#
Guido Menestrina
#
SheetMusicPlus
Choral Choir (SATB) - SKU: A0.828757 Composed by Giuseppe Ottavio Pitoni. Arranged by Guido Menestrina. Baroque,Christian,Sacred. Octavo. 3 pages. Guido...
(+)
Choral Choir (SATB) - SKU: A0.828757 Composed by Giuseppe Ottavio Pitoni. Arranged by Guido Menestrina. Baroque,Christian,Sacred. Octavo. 3 pages. Guido Menestrina #3245085. Published by Guido Menestrina (A0.828757). Composizione a 4 voci del maestro di cappella della basilica romana di S.Pietro Giuseppe Ottavio Pitoni. Pitoni, reatino, studiò a Roma con Francesco Foggia e presto ricoprì importanti incarichi musicali, prima a Monterotondo ed Assisi, poi a Roma. Fu un notevole compositore anche in stile concertato, ma la sua fama è legata più alle opere sacre in stile contrappuntistico severo, sulle orme di Palestrina.
$3.99
Shakespearean Sonnet XXII. Original composition by Graham Dickson-Place SATB a capella
#
Chorale SATB
#
INTERMÉDIAIRE
#
Graham Dickson-Place
#
Shakespearean Sonnet XXII. Ori
#
Gramonimusica 2021
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.986173 Composed by Graham Dickson-Place. A Cappella,Concert,Holiday,Renaissance. Octavo. 3 pages. Gramonimusica ...
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.986173 Composed by Graham Dickson-Place. A Cappella,Concert,Holiday,Renaissance. Octavo. 3 pages. Gramonimusica 2021 #6360133. Published by Gramonimusica 2021 (A0.986173). This is a beautiful SATB a capella setting of one of Shakespeare's most beautiful Sonnets - 'My glass shall notpersuade me I am old'. Duration 1' 38. Level Intermediate. I used a typical madrigal style.
$8.99
Five Shakespearean Sonnets - Composed by Graham Dickson-Place SATB a capella
#
Chorale SATB
#
Graham Dickson-Place
#
Five Shakespearean Sonnets - C
#
Gramonimusica 2021
#
SheetMusicPlus
Choral Choir (SATB) - SKU: A0.986180 Composed by Graham Dickson-Place. A Cappella,Concert,Holiday,Renaissance,Wedding. Octavo. 21 pages. Gramonimusica 2...
(+)
Choral Choir (SATB) - SKU: A0.986180 Composed by Graham Dickson-Place. A Cappella,Concert,Holiday,Renaissance,Wedding. Octavo. 21 pages. Gramonimusica 2021 #6363085. Published by Gramonimusica 2021 (A0.986180). This is a beautiful setting of five of Shakespeare's best Sonnets. It is for SATB AcapellaNo. 1 Sonnet VIII - ‘Music to hear, why hearst thou music sadly?’ No. 2 Sonnet XVIII - ‘Shall I compare thee to a lovely day?’ No. 3 Sonnet XXII - ‘My glass shall not persuade me I am old.’ No. 4 Sonnet XXVIII - ‘How can I then return in happy plight.’ No. 5 Sonnet CLIII - ‘Cupid laid by his brand and fell asleep.’
$34.99
Yonder: For a Capella Mixed Chorus on Gerard Manley Hopkins' poem "The Leaden Echo and the Golden Ec
#
Chorale SATB
#
AVANCÉ
#
Richard St
#
Yonder: For a Capella Mixed Ch
#
Richard St. Clair
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.939650 Composed by Richard St. Clair. 20th Century,A Cappella,Contemporary. Octavo. 27 pages. Richard St. Clair ...
(+)
Choral Choir (SATB) - Level 5 - SKU: A0.939650 Composed by Richard St. Clair. 20th Century,A Cappella,Contemporary. Octavo. 27 pages. Richard St. Clair #3000241. Published by Richard St. Clair (A0.939650). This work was awarded the George Arthur Knight Composition Prize in 1972 by Harvard University. The audio clip is the complete recording of the premiere performance at Harvard in May, 1974. St. Clair's music uses tone-painting to highlight Hopkins' ecstatic and visually compelling verse. Leonard Bernstein highlighted Hopkins' great poem as an example of vivid language in his Charles Eliot Norton Lectures of 1972 at Harvard University. The closing word of Hopkins' poem, yonder, provided the title for this composition.
$12.99
It's Not Unusual
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Tom Jones
#
Bryan Sharpe
#
It's Not Unusual
#
Bryan Sharpe
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.725700 By Tom Jones. By Gordon Mills and Les Reed. Arranged by Bryan Sharpe. A Cappella,Film/TV. 8 pages....
(+)
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.725700 By Tom Jones. By Gordon Mills and Les Reed. Arranged by Bryan Sharpe. A Cappella,Film/TV. 8 pages. Bryan Sharpe (BSharpe Music) #3861911. Published by Bryan Sharpe (BSharpe Music) (A0.725700). Contemporary a cappella arrangement of It's Not Unusual by Tom Jones for Solo+SSAAAB and vocal percussion
$2.50
Suantraí ar Slánaitheora
#
Chorale SATB
#
INTERMÉDIAIRE
#
Fintan O'Carroll
#
Suantraí ar Slán
#
Seolta Music Limited
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1292635 Composed by Fintan O'Carroll. A Cappella,Christian,Sacred. 4 pages. Seolta Music Limited #883197....
(+)
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1292635 Composed by Fintan O'Carroll. A Cappella,Christian,Sacred. 4 pages. Seolta Music Limited #883197. Published by Seolta Music Limited (A0.1292635). Suantraà ar Slánaitheora for soprano solo and SATB choir arranged by Irish composer Fintan O'Carroll. In this beautiful lullaby the Virgin Mary extols the beauty of her new-born Son. Ideal for your Christmas concert or carol service. Text is given in both Irish and and in an English translation. This piece is one of the most popular pieces of Irish choral music.To browse all choral music titles from Seolta Publishing please click here.
$2.50
I Am Persuaded
#
Chorale SATB
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Gospel Spirituel
#
Jacob Evans
#
I Am Persuaded
#
JDE FORCHRISTMUSIC
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.940067 Composed by Jacob Evans. Christian,Gospel,Sacred. Octavo. 4 pages. JDE FORCHRISTMUSIC #3432411. Published...
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.940067 Composed by Jacob Evans. Christian,Gospel,Sacred. Octavo. 4 pages. JDE FORCHRISTMUSIC #3432411. Published by JDE FORCHRISTMUSIC (A0.940067). Who shall separate us from the love of Christ? shall tribulation, or distress, or persecution, or famine, or nakedness, or peril, or sword?...For I am persuaded, that neither death, nor life, nor angels, nor principalities, nor powers, nor things present, nor things to come, Nor height, nor depth, nor any other creature, shall be able to separate us from the love of God, which is in Christ Jesus our Lord. Romans 8:35, 38-39To watch a performance of this song, follow this link: https://www.youtube.com/watch?v=TOau07R64mc .
$2.99
Big Time Sensuality
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Bjork
#
Tiffany Ha
#
Big Time Sensuality
#
Tiffany A. Ha
#
SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1110246 By Bjork. By Bjork Gudmundsdottir and Nellee Hooper. Arranged by Tiffany Ha. A Cappella,Pop,Rock....
(+)
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1110246 By Bjork. By Bjork Gudmundsdottir and Nellee Hooper. Arranged by Tiffany Ha. A Cappella,Pop,Rock. Octavo. 9 pages. Tiffany A. Ha #712582. Published by Tiffany A. Ha (A0.1110246). Bow!
$3.00
It's A Most Unusual Day
#
Chorale SATB
#
INTERMÉDIAIRE
#
Jazz
#
Uncle Kracker
#
Kohl Kitzmiller
#
It's A Most Unusual Day
#
Kohl Kitzmiller
#
SheetMusicPlus
By Uncle Kracker. By Matthew Shafer and Michael Bradford. Arranged by Kohl Kitzmiller. A Cappella, Pop, Rock. Octavo. 6 pages. Kohl Kitzmiller #368512...
(+)
By Uncle Kracker. By Matthew Shafer and Michael Bradford. Arranged by Kohl Kitzmiller. A Cappella, Pop, Rock. Octavo. 6 pages. Kohl Kitzmiller #3685127. Published by Kohl Kitzmiller
$3.99
A Something in a Summer's Day
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Joshua Dawson
#
A Something in a Summer's Day
#
Joshua Dawson
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1029547 Composed by Joshua Dawson. 20th Century,Contemporary. Octavo. 18 pages. Joshua Dawson #5030669. Publishe...
(+)
Choral Choir (SATB) - Level 4 - SKU: A0.1029547 Composed by Joshua Dawson. 20th Century,Contemporary. Octavo. 18 pages. Joshua Dawson #5030669. Published by Joshua Dawson (A0.1029547). This piece, written for SATB choir accompanied by piano four hands, was written as a tribute to Emily Dickinson and in an attempt to do justice to her wonderful poem, A Something in a Summer's Day, which is a prime example of Dickinson's deep, elliptical poetic style. The piano duet is unusually dominant in the piece, opening with a faint, distant single-line melody which begins to undulate and lilt once the second piano enters. The choral writing is largely homophonic, and the piece in general has some quite luscious modulations and impressionistic textures. Suitable for intermediate to advanced choirs and pianists.Duration c. 7 min.
$4.99
The Sense of a Place Will Remain
#
Chorale SATB
#
Contemporain
#
Paul Burnell
#
The Sense of a Place Will Rema
#
Paul Burnell
#
SheetMusicPlus
Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835...
(+)
Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
$7.95
A Carol for the World
#
Chorale SATB
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Margaret Woodley
#
A Carol for the World
#
Margaret Woodley
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1355783 Composed by Margaret Woodley. 21st Century,A Cappella,Christian,Christmas,Praise & Worship. 6 pag...
(+)
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1355783 Composed by Margaret Woodley. 21st Century,A Cappella,Christian,Christmas,Praise & Worship. 6 pages. Margaret Woodley #940495. Published by Margaret Woodley (A0.1355783). My setting of my own text, providing a slightly updated version of usual Christmas carol verses, and exhorts a love not only for humankind but also for the Earth.Setting for unaccompanied SATB choir, with minimal SAT divisi.
$2.99
Beatus Ille, Qui Procul Negotiis for a capella SATB singers. lyrics in Latin with English translatio
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Richard St
#
Beatus Ille, Qui Procul Negoti
#
Richard St. Clair
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.939797 Composed by Richard St. Clair. 20th Century,A Cappella,World. Octavo. 9 pages. Richard St. Clair #3909135...
(+)
Choral Choir (SATB) - Level 4 - SKU: A0.939797 Composed by Richard St. Clair. 20th Century,A Cappella,World. Octavo. 9 pages. Richard St. Clair #3909135. Published by Richard St. Clair (A0.939797). This 2 1/2 minute a capella secular motet for SATB voices set portions of Horace's Epode no. 2. The text expresses the poet's independent life free from public attachments, and also includes slaves in the veneration of the household gods, an usual concept for ancient Rome. Horace (Latin name: Quintus Horatius Flaccus, December 8, 65 BC – November 27, 8 BC), is known in the English-speaking world as Horace; he was the leading Roman lyric poet during the time of the emperor Augustus.
$7.99
A Thousand Years
#
Chorale SATB
#
INTERMÉDIAIRE
#
Christina Perri
#
John R
#
A Thousand Years
#
John R. Daniels
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.504021 By Christina Perri. By Christina Perri and David Hodges. Arranged by John R. Daniels. Jazz,Pop. Octavo. 1...
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.504021 By Christina Perri. By Christina Perri and David Hodges. Arranged by John R. Daniels. Jazz,Pop. Octavo. 14 pages. John R. Daniels #115996. Published by John R. Daniels (A0.504021). This unusual arrangement of A Thousand Years has a slight taste of jazz about it. It’s not a difficult piece, but it has a few challenges to make it interesting. The melody is often set off by some counter-movement or alternate rhythms in the harmonies. A colorful arrangement with a lush piano accompaniment. IF YOU WOULD LIKE YOUR ENSEMBLE TO GAIN MORE MEDIA EXPOSURE, please record your performance of this piece and email it to CustomMusic@Salt-Cellar-Creations.com. It will be included in my social media postings and website samples with any contact info you may want to provide. If you need help with recording technique or email transfer, etc. please contact me. For more information about the arranger and other services, go to www.Salt-Cellar-Creations.com.
$3.95
Labia Mea for 8 voices a cappella
#
Chorale SATB
#
AVANCÉ
#
Vahram Sarkissian
#
Labia Mea for 8 voices a cappe
#
Vahram Sargsyan
#
SheetMusicPlus
Choral Choir (Mixed) - Level 5 - SKU: A0.882922 Composed by Vahram Sarkissian (Sargsyan). 20th Century,A Cappella,Contemporary,Sacred. Octavo. 14 pages....
(+)
Choral Choir (Mixed) - Level 5 - SKU: A0.882922 Composed by Vahram Sarkissian (Sargsyan). 20th Century,A Cappella,Contemporary,Sacred. Octavo. 14 pages. Vahram Sargsyan #2002319. Published by Vahram Sargsyan (A0.882922). Labia Mea for eight mixed voices a cappella is a unique innovative composition that explores and questions the possibilities of the human voice. Several unusual techniques are used throughout the work such as different types of throat singing, overtone singing, multiphonics, vocal percussion, extreme registers etc. It reveals some sounds and colors yet unknown to the world of vocal music. The work is based on a short excerpt of the psalm 50 (Domine labia mea aperies). There is a text accumulation process throughout the work, at the beginning there are just sounds, then phonemes assemble, words appear and closer to the end the full text is revealed.
$44.99
It's Not Unusual
#
Chorale SATB
#
FACILE
#
Tom Jones
#
Kohl Kitzmiller
#
It's Not Unusual
#
Kohl Kitzmiller
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1383621 By Tom Jones. By Gordon Mills and Les Reed. Arranged by Kohl Kitzmiller. A Cappella,Barbershop,Po...
(+)
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1383621 By Tom Jones. By Gordon Mills and Les Reed. Arranged by Kohl Kitzmiller. A Cappella,Barbershop,Pop,Rock,Soul. 7 pages. Kohl Kitzmiller #968075. Published by Kohl Kitzmiller (A0.1383621). Learning audio for this arrangement is available HERE. For more information about my arrangements and learning media, visit my website HERE.
$3.99
The Twelve Days of a Regifted Christmas
#
Chorale SATB
#
Noël
#
Greg Gilpin
#
The Twelve Days of a Regifted
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Chorus - SKU: AX.00-PO-0003562 The Twelve Days of a Regifted Christmas - SATB. Arranged by Greg Gilpin. Secular Choral. 15 pages. Alfred Music - ...
(+)
Chorus - SKU: AX.00-PO-0003562 The Twelve Days of a Regifted Christmas - SATB. Arranged by Greg Gilpin. Secular Choral. 15 pages. Alfred Music - Digital Sheet Music #00-PO-0003562. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003562). UPC: 038081488769.This hilarious send-up spoofs the usual gifts presented in the well-known song: Eight ugly sweaters, seven pink flamingos, six Hawaiian shirts. The parody text provides lots of laughs, while the ever-changing musical styles (including even Latin and disco) are guaranteed to entertain.Recorded Acc. Available.
$2.00
<
1
26
51
....
1001
A Sua