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Vous avez sélectionné:
ANOTHER FRIDAY
SheetMusicPlus
Partitions à imprimer
3 partitions trouvées
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Wounded Dove
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Chorale SATB
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Musique Sacrée
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Gene Grier
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Choral Octavo
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Wounded Dove
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred (SATB choir) - Grade 3 - SKU: JX.00-22779 Incorporating the Passion Chorale O Sacred Head, Now Wounded. Arranged by Gene Grier. Chor...
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Choir Sacred (SATB choir) - Grade 3 - SKU: JX.00-22779 Incorporating the Passion Chorale O Sacred Head, Now Wounded. Arranged by Gene Grier. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Church Choral Series. Christ the King; Good Friday; Lent; Palm Sunday; Sacred; Spring. Choral Octavo. 8 pages. Jubilate Music Group - Digital #00-22779. Published by Jubilate Music Group - Digital (JX.00-22779). English. Psalm 22, Matthew 27:11-54, Mark 15:1-39, Luke 23:1-47, John 18:28?, John 19:37.Filled with emotion! This is an extraordinary pairing of cherished old music (the Passion chorale, O Sacred Head, Now Wounded) with haunting new music that creates an unforgettable picture of our Lord at His crucifixion: The dove was wounded. / O sacred head now wounded. When the two melodies partner, one phrase responding to another, it is simply heartrending! For Holy Week, Lent, Palm/Passion Sunday or Christ the King. Suggested scriptures: Psalm 22, Matthew 27: 11-54, Mark 15: 1-39, Luke 23: 1-47, John 18: 28-19: 37.
$1.65
On That Cross
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Chorale SATB
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INTERMÉDIAIRE
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Christian contemporain
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Musique Sacrée
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Stuart Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.835422 Composed by Stuart Brown. Contemporary,Sacred. 8 pages. Stuart Brown Music #9697. Published...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.835422 Composed by Stuart Brown. Contemporary,Sacred. 8 pages. Stuart Brown Music #9697. Published by Stuart Brown Music (A0.835422). Possibly unique: an Easter (or more properly Good Friday) hymn for six-part choir, in which the choir is actually the accompaniment for a piano solo of almost hyponotic dissonance in comparison. The result of superimposing these elements is strangely beautiful. The composer offers the following commentary: I guess most people seeing a piece with a choir and a piano would think of it – not unreasonably – as a choir accompanied by a piano. This piece is subtly different: the way in which I can best explain what was in my mind when I composed it would be to describe it as a piano solo accompanied by choir. While the choir sings music that feels like a slow pavane the pianist plays a series of arpeggios and cluster chords around another relatively simple but unlinked melody. The combined effect is almost hypnotic and if the singers think of the pianist as their accompanist they will almost certainly lose the plot of what they are singing! On first hearing it may appear that the piano and the choir have little in common but the concept is simple enough. Both choir and pianist are meditating on the same theme, but coming at it from totally different directions. There is no formula to the way in which we approach the cross of Christ. We come as we are, seeking forgiveness and reconciliation, meeting at the foot of the cross. The juxtaposition of choir and piano represents that meeting and the cluster chords that the pianist plays reinforce a sense of brokenness that is essential to a proper understanding of the music. I have dedicated this to Canon Andrew White and the Christians of Iraq, knowing that their situation seems impossible in the face of the evil that walks that land, but trusting in the God and Father of the Lord Jesus Christ to do right even if from our earthly perspective we are unable to discern what right is.
$3.50
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