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Adrian Gagiu
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Vous avez sélectionné:
Adrian Gagiu
Chorale SATB
Partitions à imprimer
9 partitions trouvées
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Cantata 'Ein feste Burg', op. 42 (full score and vocal score)
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1236835 Composed by Adrian…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1236835 Composed by Adrian Gagiu. Arranged by Adrian Gagiu. Baroque,Christian,Classical. Octavo. 96 pages. Adrian Gagiu #832359. Published by Adrian Gagiu (A0.1236835). Full score and vocal score of the revision (2023) of an exercise in Baroque style: a cantata for mixed choir, 4 vocal soloists, 2 oboes, 2 trumpets, 3 trombones, timpani and organ, based upon Martin Luther's famous chorale and composed in 2011 for the music associations ('Musikräte’) of Saxonyâ€Anhalt, Saxony, and Thuringia, and for the project office of the Evangelical Church in Germany (EKD) 'Luther 2017 – 500 Years of Reformation’. Mostly festive and grandiose, inspired by Handel's great choruses from his oratorios, and fit for Christian celebrations, especially for the Lutheran church. Set in four movements, with Luther's lyrics (in German). Total duration: 26 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the first movement.
$21.99
20.27 €
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Chorale SATB
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Adrian Gagiu
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Adrian Gagiu
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Cantata 'Ein feste Burg', op. 42
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Adrian Gagiu
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SheetMusicPlus
Canticles of Mary and Simeon, op. 77
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1004720 Composed by Adrian…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1004720 Composed by Adrian Gagiu. 20th Century,Christian,Contemporary. Octavo. 19 pages. Adrian Gagiu #6201665. Published by Adrian Gagiu (A0.1004720). Contemporary tonal and modal setting in G for SATB chorus and organ of the traditional canticles, based on the ancient tonus peregrinus and two archetypal pentatonic scales. Each of the canticles is treated in various textures, homophonic and polyphonic, with corresponding themes and mirroring sections that are contributing to the unity of the composition, and is framed by a meditative organ prelude, interlude and postlude, respectively.
$7.99
7.37 €
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Chorale SATB
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Adrian Gagiu
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Canticles of Mary and Simeon, op. 77
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Adrian Gagiu
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
81.12 €
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Chorale SATB
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
"Holy Spirit, Ever Dwelling", op. 75 no. 3
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1004715 Composed by Adrian…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1004715 Composed by Adrian Gagiu. 20th Century,Christian,Contemporary. Octavo. 4 pages. Adrian Gagiu #5213339. Published by Adrian Gagiu (A0.1004715). Strophic, church hymn in D major for mixed choir and organ, on verses by Timothy Rees (1874-1939). Ideal for Christian church services. Luminous, simple, soothing music, with slightly varied reprises. Duration: 5 min. Performing Rights Organization: SOCAN.
$7.79
7.18 €
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Chorale SATB
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Adrian Gagiu
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"Holy Spirit, Ever Dwelling", op. 75 no. 3
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Adrian Gagiu
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SheetMusicPlus
Madrigal "A Water Nymph", op. 75 no. 2
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1004705 Composed by Adrian…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1004705 Composed by Adrian Gagiu. 20th Century,A Cappella,Contemporary. Octavo. 9 pages. Adrian Gagiu #4804957. Published by Adrian Gagiu (A0.1004705). A madrigal in A minor for choir a cappella, with lyrics from a fragment of Dunt: a poem for a dried up river by English poet Alice Oswald, and based on three themes from ancient Romanian rituals for summoning rain. Neo-Classical and modal harmonies, delicate textures, polyphonic and heterophonic passages, and a repetitive, ritualistic coda with massive and soft divisi. Appropriate for students' choirs. Duration: 5 min. Performing Rights Organization: SOCAN.
$7.00
6.45 €
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Chorale SATB
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Adrian Gagiu
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Madrigal "A Water Nymph", op. 75 no. 2
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Adrian Gagiu
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SheetMusicPlus
"The Resurrection" (Easter Oratorio), op. 69
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1004691 Composed by Adrian…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1004691 Composed by Adrian Gagiu. 20th Century,A Cappella,Christian,Contemporary,Sacred. Octavo. 63 pages. Adrian Gagiu #4298189. Published by Adrian Gagiu (A0.1004691). The Resurrection is a solemn, dramatic and majestic Easter Oratorio for four vocal soloists (SATB) and mixed choir a cappella, entirely based upon four traditional Romanian Orthodox hymns for the Easter, with Byzantine and modernist touches, and also with polyphonic and other choral techniques partly inspired by those in Handel's oratorios.
$27.99
25.8 €
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Chorale SATB
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Adrian Gagiu
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"The Resurrection"
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Adrian Gagiu
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SheetMusicPlus
"Of the Creator", op. 60
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1004680 Composed by Adrian…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1004680 Composed by Adrian Gagiu. 20th Century,A Cappella,Christian,Contemporary,Sacred. Octavo. 7 pages. Adrian Gagiu #4296791. Published by Adrian Gagiu (A0.1004680). A solemn motet in B flat major for mixed choir a cappella, in Neo-Classical style and with some Byzantine influences, on a fragment of the medieval Wessobrunn Prayer (translated in English), with themes extracted from the ancient Oxyrhynchus Hymn and Phos Hilaron. The ending generates a rich texture with divisi in all voices. Appropriate for advanced students choir, it may also be used as praise piece in church service. Duration: 6 min.
$7.00
6.45 €
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Chorale SATB
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Adrian Gagiu
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"Of the Creator", op. 60
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Adrian Gagiu
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SheetMusicPlus
Missa humilis, op. 22
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1207767 Composed by Adrian…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1207767 Composed by Adrian Gagiu. A Cappella,Christian,Classical. Octavo. 31 pages. Adrian Gagiu #805880. Published by Adrian Gagiu (A0.1207767). Missa humilis (= Humble Mass) in D, a mass for choir a cappella based on the Catholic liturgical text and with all its themes based on Orthodox chants: no fanatic dogmatism, nor leveling ecumenism, but aiming simply at unity in spirit, love and truth. Suitable for use in church services, due to its modest length, forces, and contemplative character. Its style is accessible, based on church modes and mostly consonances and some non-functional chords, yet not ostensibly modernist and almost neo-impressionistic. The movements: Kyrie, Gloria, Credo, Sanctus, Benedictus, Agnus Dei, and Dona nobis pacem. The present publication includes the choral score and an organ part for rehearsal use only. Total length: ca. 20 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the first movement, Kyrie.
$19.00
17.52 €
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Chorale SATB
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Adrian Gagiu
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Missa humilis, op. 22
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Adrian Gagiu
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SheetMusicPlus
Motet Behold, How Good, op. 75 no. 1
Chorale SATB
Composed by Adrian Gagiu. 20th Century, A Cappella, Christian, Contemporary. Octavo.…
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Composed by Adrian Gagiu. 20th Century, A Cappella, Christian, Contemporary. Octavo. 11 pages. Adrian Gagiu #4804905. Published by Adrian Gagiu
$7.00
6.45 €
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Chorale SATB
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Adrian Gagiu
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Motet Behold, How Good, op. 75 no. 1
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Adrian Gagiu
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SheetMusicPlus
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