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Adrienne Inglis (ASCAP)
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Adrienne Inglis (ASCAP)
SheetMusicPlus
Partitions à imprimer
22 partitions trouvées
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For the Toad by the Kitchen Step by Adrienne Inglis for SATB chorus, organ, nature soundtrack
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Chorale SATB
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FACILE
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Contemporain
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Adrienne Inglis
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For the Toad by the Kitchen St
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.953632 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 10 pages. Adrienne Inglis (ASCAP) #6638965. Pu...
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Choral Choir (SATB) - Level 2 - SKU: A0.953632 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 10 pages. Adrienne Inglis (ASCAP) #6638965. Published by Adrienne Inglis (ASCAP) (A0.953632). This delightful intermediate-level nature-themed piece is fun to sing and put together with organ and nature soundtrack. Your audience will chuckle and applaud this whimsical work!For the Toad on the Kitchen Step (2021) by Adrienne Inglis (ASCAP) sets the poem For the Toad on the Kitchen Step by Oregon's 2018-2020 Poet Laureate and Lewis & Clark College Associate Professor Kim Stafford (ASCAP) for SATB mixed chorus, organ, and nature soundtrack. Commissioned by Inversion Ensemble, it contrasts both the whimsical levity of the poem with the darker implications of humans’ impact on toads and their habitats. Colorful choral harmonies, grand organ gestures, delicate vocal effects, and the nature soundtrack create a soundscape that draws the audience into the toad’s world view. The nature soundtrack was recorded by Adrienne Inglis in June 2021 on Cow Creek Road, western Travis County, Texas (https://youtu.be/CWXMUt6RyNM).
$2.99
El sol for SATB, pedal or lever harp, cuatro
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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El sol for SATB, pedal or leve
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Adrienne Inglis
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1300256 Composed by Adrienne Inglis (ASCAP). 21st Century,Latin,Multicultural,World. 35 pages. Adrienne I...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1300256 Composed by Adrienne Inglis (ASCAP). 21st Century,Latin,Multicultural,World. 35 pages. Adrienne Inglis (ASCAP) #889997. Published by Adrienne Inglis (ASCAP) (A0.1300256). Add this spicy Venezuelan joropo to your choral concert! If you don’t know a cuatro player, guitar will work. El sol (El sol)SATB, cuatro (or guitar), and pedal or lever harpThis score includes the full score and the cuatro part.Text —Soneto XXXIII by Luis MartÃn de la Plaza (public domain) in the style of a Venezuelan joropoDuration 2:30Difficulty 4 (Auditioned chorus)Language — SpanishWorld premiere:2-3 Jun 2018 Inversion Ensemble, Austin/Pflugerville, TexasListen here: https://soundcloud.com/adrienne-inglis/el-sol-by-adrienne-inglis-ascap.https://adrienneinglis.com/
$1.99
Asleep in a Blanket Spun of Energy for SATB+electronic track, in English and Ojibwe
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Chorale SATB
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Adrienne Inglis
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Asleep in a Blanket Spun of En
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.953630 Composed by Adrienne Inglis (ASCAP), with electronic dance track by Trevor F. Shaw (ASCAP). Contemporary,Dance,Pop,...
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Choral Choir (SATB) - SKU: A0.953630 Composed by Adrienne Inglis (ASCAP), with electronic dance track by Trevor F. Shaw (ASCAP). Contemporary,Dance,Pop,Spiritual,World. Octavo. 16 pages. Adrienne Inglis (ASCAP) #6531047. Published by Adrienne Inglis (ASCAP) (A0.953630). Asleep in a Blanket Spun of Energy for mixed chorus and electronic track with music by Adrienne Inglis (ASCAP) and electronic track by Trevor F. Shaw (ASCAP), a setting of the poem We Are Returning Always by Margaret Noodin from Weweni, poems in Anishinaabemowin and EnglishComposed for Inversion Ensemble’s March 2019 Dream Keeper concert, Asleep in a Blanket Spun of Energy for mixed chorus and electronic track evokes vivid imagery of Margaret Noodin’s poem We Are Returning Always. Honoring the composer’s Ojibwe ancestors, the piece sets all of the English text and a few key words of the Anishinaabemowin text from the bilingual poem that beautifully captures a glimpse into the natural and celestial wonders of the Ojibwe world. The music reflects a taste of the syncopated embellished singing, pentatonic melodies, and steady drumbeat characteristic of Ojibwe music. The electronic track provides both a compelling rhythmic foundation and a fantastical sonic representations of the moon, nebulae, supernovae, aurora borealis, and the forests of the Ojibwe lands.In addition to being the director of EQI, Margaret Noodin is an Assistant Professor in the English Department and American Indian Studies. She is a poet and the author of Bawaajimo: A Dialect of Dreams in Anishinaabe Language and Literature (2014) and Weweni: Poems in Anishinaabemowin and English (2015). She teaches the Anishinaabemowin language at UWM. Margaret is the editor of ojibwe.net. Noodin holds an MFA in Creative Writing and a PhD in English and Linguistics, both received at the University of Minnesota. Her doctoral dissertation is titled Native American Literature in tribal context: Anishinaabe Aadisokaanag Noongom (2001)Electronic track is available at http://adrienneinglis.com.
$3.99
Darkness as Light for SATB and pedal or lever harp or keyboard
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Chorale SATB
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FACILE
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Adrienne Inglis
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Darkness as Light for SATB and
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.953617 Composed by Adrienne Inglis (ASCAP). Contemporary,Easter,Multicultural,Sacred,World. Octavo. 15 pages. Ad...
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Choral Choir (SATB) - Level 2 - SKU: A0.953617 Composed by Adrienne Inglis (ASCAP). Contemporary,Easter,Multicultural,Sacred,World. Octavo. 15 pages. Adrienne Inglis (ASCAP) #4569683. Published by Adrienne Inglis (ASCAP) (A0.953617). Ideal for contemplative, Lenten, memorial services, easy/moderate for SATB (no divisi) with harp or keyboard Darkness As Light is loosely based on a Venezuelan pasaje rhythm with modified Dorian modality typical of Andean mestizo music. Psalm 139:1-12, 23-24 occurs in the 16th Sunday in Ordinary Time in Year A of the Common Lectionary. Psalm 139: 7-12 Where can I go from your spirit? Or where can I flee from your presence? If I ascend to heaven, you are there; if I make my bed in Sheol, you are there. If I take the wings of the morning and settle at the farthest limits of the sea, even there your hand shall lead me, and your right hand shall hold me fast. If I say, ‘Surely the darkness shall cover me, and the light around me become night,’ even the darkness is not dark to you; the night is as bright as the day, for darkness is as light to you. Scripture quotations are from the New Revised Standard Version Bible, copyright © 1989 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. Duration: about 2:00 Third Edition with revised harp/keyboard part February 2019 Second Edition 31 July 2005 Third Edition 26 Apr 2018 Founder, award-winning composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. Frequently drawing on her family history and Ojibwe, Venezuelan, and Scottish ethnicities, Inglis composes choral, chamber, and orchestral music. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.https://adrienneinglis.com/
$2.99
On the Mystery of the Incarnation for SATB + string orchestra
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Chorale SATB
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INTERMÉDIAIRE
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Adrienne Inglis
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On the Mystery of the Incarnat
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Adrienne Inglis
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1466036 Composed by Adrienne Inglis (ASCAP). 21st Century,Advent,Christmas,Classical,Sacred. 38 page...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1466036 Composed by Adrienne Inglis (ASCAP). 21st Century,Advent,Christmas,Classical,Sacred. 38 pages. Adrienne Inglis (ASCAP) #1044639. Published by Adrienne Inglis (ASCAP) (A0.1466036). Beautiful accessible choral piece for Advent!On the Mystery of the Incarnation (2014)SATB chorus and string orchestra, a setting of Denise Levertov's poem of the same name from A Door in the Hive (1989)Duration 3:21Difficulty — IntermediateLanguage — EnglishWorld premiere:6 Dec 2015 Westminster Presbyterian Church Sanctuary Choir, Austin, TexasListen on SoundCloud: http://soundcloud.com/adrienne-inglis/20170225inversionensembleconcert-inglisadrienne-onthemysteryoftheincarnation
$1.99
Shelter in Place for SSAATB chorus and nature soundtrack
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Adrienne Inglis
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Shelter in Place for SSAATB ch
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.953628 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 14 pages. Adrienne Inglis (ASCAP) #6405...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.953628 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 14 pages. Adrienne Inglis (ASCAP) #6405671. Published by Adrienne Inglis (ASCAP) (A0.953628). Great for concerts about nature and the environment, pandemic life, creativity!Shelter in Place by Adrienne Inglis (ASCAP) for mixed SSAATB chorus with nature soundtrack created by Chris Clark-Johnsona setting of Shelter in Place, a poem by Kim Stafford Commissioned by Lewis & Clark College, Portland, Oregon, April 2021Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.Poet Kim Stafford grew up in Oregon, Iowa, Indiana, California, and Alaska, following his parents as they taught and traveled through the West. He is the author of a dozen books of poetry and prose, and the founding director of the Northwest Writing Institute at Lewis & Clark College, where he has taught since 1979. He holds a PhD in Medieval Literature from the University of Oregon, and has worked as a printer, photographer, oral historian, editor, and visiting writer at a host of colleges and schools, and offered writing workshops in Italy, Scotland, and Bhutan.Shelter in Place by Kim Stafford (used with permission)Long before pandemic prisoned us,the trees knew how to guard their placewith roots and shade.Moss found how to hug a stone for life.Every stream knows how to move in place,stay home and yet flow outward,sending bounty far.Now is our time to practice-now to sing from balconies,now send words of comfortby any courier,now to hoard lonesome generosity-and then to shine in all directions like stars.Program note: Shelter in Place (2021) by Adrienne Inglis, commissioned by Lewis & Clark College, Portland, Oregon, April 2021, sets former Oregon poet laureate Kim Stafford’s poem Shelter in Place (2020) for SSAATB mixed choir with Oregon nature soundtrack created by Chris Clark-Johnson, Lewis & C lark College class of 2021. Written during the coronavirus pandemic, the poem expresses how quarantine can serve as a conduit for healing, how words of comfort flow despite barriers, and how the paralysis of sheltering in place generates creative movement. The music and poem draw inspiration from ancient forest wisdom, shown musically with a pentatonic scale. The tight harmonies of Locrian mode bind moss to stone and stream to its own flow. Then vocal expression bursts forth with lush harmonies as singers serenade from balconies, sharing compassion through music. Returning to the pentatonic scale, we overcome obstacles and send generosity beyond our ancient and modern world into the celestial realm. The nature soundtrack features sounds of the Oregon forest, stream, and night sky.Acknowledgements: The composer warmly thanks Katherine FitzGibbon, Bailey Dean, Chris Clark-Johnson, Kim Stafford, and the Lewis & Clark College Community Chorale. Contact the composer to obtain the audio file of the nature soundtrack.Copyright © 2021 Adrienne Inglis | adrienne.inglis.com
$3.99
Os nace un Cordero (Unto You a Lamb is Born) for SATB chorus, piano, and pedal or lever harp
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Chorale SATB
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INTERMÉDIAIRE
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Adrienne Inglis
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Os nace un Cordero
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.953634 Composed by Adrienne Inglis (ASCAP). Christian,Christmas,Contemporary,Sacred,World. Octavo. 16 pages. Adr...
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Choral Choir (SATB) - Level 3 - SKU: A0.953634 Composed by Adrienne Inglis (ASCAP). Christian,Christmas,Contemporary,Sacred,World. Octavo. 16 pages. Adrienne Inglis (ASCAP) #6883479. Published by Adrienne Inglis (ASCAP) (A0.953634). Celebratory sacred intermediate-level piece for the Christmas season, with gorgeous Spanish textOs nace un Cordero (Unto You a Lamb is Born)Commissioned by Chorus Austin for On a Winter’s Eve 2021Music by Adrienne (ASCAP)Text by Santa Teresa de Jesús de Ãvila, España (1515-1582)SATB chorus, piano, pedal or lever harpLanguage: SpanishDuration 3:30Commissioned by Chorus Austin, Os nace un Cordero (Unto You a Lamb Is Born) sets excerpts from the Spanish poem Pastores que veláis by Santa Teresa de Jesús de Ãvila for SATB mixed chorus, piano, and harp. As angels announce the birth of Jesus to the shepherds, Teresa foreshadows Jesus’ crucifixion by referring to him as Cordero (Lamb). She also affirms Jesus as the fully human (hombre también junto) and fully divine son of the sovereign God (Hijo de Dios Soberano). The piece opens with angels approaching from a distance singing pastores (shepherds) followed by joyful choral couplets. Several dualities weave together representing the oneness of the human and divine: harp and piano; Venezuelan joropo rhythm derived from Spanish dance; sixteenth century text and twenty-first century music; and major and Phrygian modes. Spanning cultures, oceans, and centuries, this music exuberantly announces the celebrated birth of Christ.Santa Teresa de Jesús de Ãvila, España 1515-1582Lines 1-4, 17-20 from Pastores que veláis ¡Ah, pastores que veláis,por guardar vuestro rebaño,mirad que os nace un Cordero,Hijo de Dios Soberano! –¡Oh, que es hombre también junto!La vida estará en su mano;mirad, que es este el Cordero,Hijo de Dios Soberano. Translation by Adrienne Inglis and Jennifer Inglis Hudson Ah, shepherds who watch, for keeping your flock, see that a Lamb is born to you, Son of Sovereign God! Oh, he's fully a man as well!In his hand is the life of every creature; look, this is the Lamb, Son of Sovereign God.https://youtu.be/u8gTnpn3VuE?t=5485
$2.99
La loba (The Wolf) for SATB and flute
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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La loba
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Adrienne Inglis
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1178090 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Halloween,Latin,Multicultural,World. ...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1178090 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Halloween,Latin,Multicultural,World. 14 pages. Adrienne Inglis (ASCAP) #778051. Published by Adrienne Inglis (ASCAP) (A0.1178090). Fabulous feminist empowerment piece by a woman poet and woman composer!For SATB mixed chorus and electronically distorted flute.La loba (2022) by Adrienne Inglis (ASCAP)SATB mixed chorus and distorted fluteText: an excerpt from La loba (1916) by Argentine poet Alfonsina Storni (1892-1938)Commissioned by Jonathan Riemer for Inversion Ensemble’s The Electric Choir concert October 22, 2022Duration 4:08 minutesDifficulty 3 (Advanced high school, collegiate or community chorus)Language — SpanishThe perusal score video will be included on this YouTube playlist.https://youtube.com/playlist?list=PLY9Jh0jT7VQvcM78yozLNYpIXeWzJjMPsPerformances:22 Oct 2022 at 2 PM Inversion Ensemble and flutist Adrienne Inglis (world premiere) at KMFA Classical 89.5. Commissioned by Jonathan Riemer for Inversion Ensemble’s “Electric Choir†concert in October 2022, La loba (The Wolf) displays Alfonsina Storni’s powerful poetic voice as a feminist amidst the patriarchy of early twentieth century Buenos Aires. She breaks away from her expected role as a sheep in an obedient flock and becomes a wolf sharpening her teeth and honing her skills. Moreover, she calls for others to follow her to stand up and face the enemy. More than a century later, Storni’s voice still echoes with a powerful call to action in a world where women’s rights are as fragile as ever. Bored of its usual role as a bird, the flute breaks away from the flock to inhabitat the wolf through transformative electronic distortions. The main theme mimics actual wolf calls, surprisingly comfortable in the flute’s low register. The tango-infused choral harmonies evoke the dissonance and angst in women’s struggle for equality through the ages.
$1.99
How Dare You for SATB chorus, flute, nature soundtrack
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Chorale SATB
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INTERMÉDIAIRE
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Adrienne Inglis
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How Dare You for SATB chorus,
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.953629 Composed by Adrienne Inglis (ASCAP). Contemporary,Multicultural,World. Octavo. 9 pages. Adrienne Inglis (...
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Choral Choir (SATB) - Level 3 - SKU: A0.953629 Composed by Adrienne Inglis (ASCAP). Contemporary,Multicultural,World. Octavo. 9 pages. Adrienne Inglis (ASCAP) #6599241. Published by Adrienne Inglis (ASCAP) (A0.953629). How Dare You (2020) by Adrienne Inglis (ASCAP) for mixed chorus, flute (and optional bass flute), and nature soundtrack dramatizes excerpts from young Swedish climate activist Greta Thunberg’s memorable speech at the United Nations Climate Summit September 23, 2019. The nature soundtrack was recorded by the composer in the hill country of central Texas, summer of 2020 and is available on request from the composer.Duration 4:19
$2.99
Extinction
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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Extinction
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1215070 Composed by Adrienne Inglis (ASCAP). 20th Century,A Cappella,Classical. Octavo. 30 pages. Adrienn...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.1215070 Composed by Adrienne Inglis (ASCAP). 20th Century,A Cappella,Classical. Octavo. 30 pages. Adrienne Inglis (ASCAP) #811933. Published by Adrienne Inglis (ASCAP) (A0.1215070). Help fight the extinction crisis! Here's an important work for our times that's perfect for your nature/environmental program. It's an SATB (some divisi) a cappella choral piece with option soundscape, but stands alone with the singers making some nature sounds.Extinction by Adrienne Inglis (ASCAP)Soundscapes arranged by Seylon Stills in the audio sampleText : An Extinction by Kim Stafford (https://www.kimstaffordpoet.com) The poem “An Extinction†© 2022 Kim Stafford is unpublished and used with permission. An Extinction by Kim Stafford Not just the creature gone, not just the tattered feathers, dry leaf pressed thin. Not just the rendering from memory, not just the lost-list growing longer, a shape and hue from the field guide fled, not just a name that meant a life, a syllable that once was teeming glory, one bright flurry shimmering the sun. No. No. No. It’s one name gone from our happiness, one breath lost from our respiration, one thread frayed from our salvation, one plank gone from the ark that carried us. Be the songbird now and testify. Be the butterfly hinge of gold. Be the one with open hands these wonders to behold. Don’t let them fly. Be the songbird now and testify. Program note — Commissioned by Inversion Ensemble for its February 2023 Planet Home concert, Extinction sets the poem “An Extinction†(2022) by Kim Stafford for SATB mixed chorus. The three stanzas of the poem get distinct musical treatment: the first some text-painting and dissonance, the second rhythmic parts underpinning canonic melodic lines, the third a rich chorale. During my work on this piece, I happened to be traveling by train. The pitches of the train whistle snuck their way into the score as a dissonant chord. A nature soundscape may sometimes accompany this piece, although the tongue click sounds create a bit of their own aural ecosystem. Drawing attention to the unfolding catastrophe of mass extinction, Extinction hopes to inspire humans to action to prevent further loss of species biodiversity.
$1.99
Cochineal for SATB chorus and electronic track
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Chorale SATB
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INTERMÉDIAIRE
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Adrienne Inglis
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Cochineal for SATB chorus and
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.953636 Composed by Adrienne Inglis (ASCAP), with electronic dance track by Walter Torres (BMI). Contemporary,Mul...
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Choral Choir (SATB) - Level 3 - SKU: A0.953636 Composed by Adrienne Inglis (ASCAP), with electronic dance track by Walter Torres (BMI). Contemporary,Multicultural,Pop,World. Octavo. 33 pages. Adrienne Inglis (ASCAP) #6885087. Published by Adrienne Inglis (ASCAP) (A0.953636). Fun, hip and rhythmic piece with electronic dance track!Cochineal (2017) by Adrienne Inglis (ASCAP) with electronic dance track created by Walter TorresSATB and electronic dance trackText: a traditional recipe for dying alpaca wool with cochinealDuration 5:07World premiere: Inversion Ensemble 10 Feb 2018 in Cedar Park, Texas https://youtu.be/UIBljxn4OoA
$2.99
In Heaven and on Earth for SATB chorus, flute, and pedal or lever harp or piano
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Chorale SATB
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INTERMÉDIAIRE
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Adrienne Inglis
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In Heaven and on Earth for SAT
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pages. Adrienne Ing...
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Choral Choir (SATB) - Level 3 - SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pages. Adrienne Inglis (ASCAP) #4807817. Published by Adrienne Inglis (ASCAP) (A0.953621). One of the most powerful passages in scripture set to music! Good length for an anthem, interesting and idiomatic use of flute and harp, nice mix of beautiful melodic passages and crunchy bits!A Setting of Philippians 2:5-11 from New Revised Standard VersionFor SATB chorus, flute, and clà rsach (Scottish lever harp) or harp or pianoDuration approximately 5:00 The Letter of Paul to the Philippians 2:5-11 (NRSV)*Let the same mind be in you that was in Christ Jesus, who, though he was in the form of God, did not regard equality with God as something to be exploited, but emptied himself, taking the form of a slave, being born in human likeness. And being found in human form, he humbled himself and became obedient to the point of death - even death on a cross.Therefore God also highly exalted him and gave him the name that is above every name, so that at the name of Jesus every knee should bend, in heaven and on earth and under the earth, and every tongue should confess that Jesus Christ is Lord, to the glory of God the Father. *New Revised Standard Version Bible, copyright © 1989 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved.Composed by Adrienne Inglis in 2014 and premiered in 2014 in Austin, Texas, by the Westminster Presbyterian Church Sanctuary Choir, In Heaven and on Earth for SATB chorus, flute, and clà rsach, draws inspiration from the tune Love is the Cause of my Mourning from The Caledonian Pocket Companion Book 1, p. 27. The piece opens with the tune altered to G mixolydian mode. As the word exploited appears, a sinister-sounding E flat enters the harmony. Open octaves between soprano and bass show the emptying, followed by a shift to E phrygian mode with the word slave. Several dissonances emerge as the narrative gets darker. The flute and clà rsach represent chaos or hell with an aleatoric interlude of extended techniques involving tongue rams, flutter tonguing, multiphonics, spoken syllables, and lever glissandi. The harp then joyfully proclaims the new tonality of G major in a fanfare to introduce the text of praise and exaltation. The original source tune returns harmonically restored to G major.
$3.99
The Rage and Reconciliation of King Lear for SATB, bassoon, and piano
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Adrienne Inglis
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The Rage and Reconciliation of
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.953613 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 20 pages. Adrienne Inglis (ASCAP) #4643489. Pu...
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Choral Choir (SATB) - Level 4 - SKU: A0.953613 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 20 pages. Adrienne Inglis (ASCAP) #4643489. Published by Adrienne Inglis (ASCAP) (A0.953613). Program note: Scored for mixed chorus, bassoon, and piano, The Rage and Reconciliation of King Lear by Adrienne Inglis weaves passages from Shakespeare’s King Lear with signature phrases of the Rev. Dr. Milton H. Riemer. Dr. Riemer’s words bring insight and reflection to the poignant narrative of a parent-child relationship. Outside in a raging storm, King Lear angrily punishes himself for foolishly excluding his favorite daughter, Cordelia, from a portion of his kingdom. As mental illness takes hold, he suffers from curious confusion but understands his failings and begs Cordelia’s forgiveness. The Scottish air Etrick Banks provides melodic material that yields a royal fanfare, lament, thunderstorm, dementia, regret, and reconciliation. Crunchy chords and unsettling dissonances punctuate the sounds of modal chants and medieval polyphony.
$3.99
Santo y Hosanna for SATB chorus and piano
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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Santo y Hosanna for SATB choru
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.953633 Composed by Adrienne Inglis (ASCAP). Contemporary,Easter,Multicultural,Sacred,World. Octavo. 40 pages. Ad...
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Choral Choir (SATB) - Level 4 - SKU: A0.953633 Composed by Adrienne Inglis (ASCAP). Contemporary,Easter,Multicultural,Sacred,World. Octavo. 40 pages. Adrienne Inglis (ASCAP) #6639479. Published by Adrienne Inglis (ASCAP) (A0.953633). Perfect for a multicultural celebration, Easter, Mass, World Communion Sunday, or other sacred occasion - Spanish language with a Venezuelan â… rhythm and virtuosic piano partSanto y Hosanna (2020) by Adrienne Inglis, commissioned by Inversion as part of its collaborative requiem project Be near me when my light is low, sets a modified version of the Spanish liturgical Sanctus Benedictus text for mixed choir and piano. Referenced in the startling narrative of Isaiah 6, this remarkable prayer to God reacts to the sacred call to Christians-apathetic, unclean, stingy-to go to the difficult, tough places in the world to offer compassion, peace, and mercy. The choral passages reveal amazement and gratitude while the piano both dazzles with divine glory and squirms with human reluctance. The interplay between the B Phrygian and C Lydian modes reflects struggle between apathy and compassion, stinginess and mercy, darkness and peace. The rhythm is loosely based on â… Venezuelan merengue style.The music you purchase and download here contains the full score, a piano score, and a vocal score with piano reduction.
$2.99
Wren for SATB chorus and flute
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Chorale SATB
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Contemporain
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Adrienne Inglis
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Wren for SATB chorus and flute
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.953622 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 12 pages. Adrienne Inglis (ASCAP) #4835887. Published by...
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Choral Choir (SATB) - SKU: A0.953622 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 12 pages. Adrienne Inglis (ASCAP) #4835887. Published by Adrienne Inglis (ASCAP) (A0.953622). Perfect for a spring or nature-themed concert, Wren elicits giggles and spontaneous applause. The quick tempo and syncopated rhythms of this two-minute light-hearted piece contrast nicely with slow lush repertoire in a program. It's best for an intermediate chorus with a good amount of rehearsal time or advanced chorus.Commissioned by Inversion Ensemble, Wren (2019) by Adrienne Inglis sets Robert Macfarlane’s acrostic poem of the same name for mixed chorus and flute. With quick harmonic changes, syncopations, and melodic gestures, the composition captures a sense of the charming poem as well as the actual Wren (Troglodytes troglodytes) found year round throughout the United Kingdom. Macfarlane’s poem Wren comes from his 2017 illustrated poetry book, The Lost Words, which conjures pictures of wild things and untamed spaces that get shortchanged in modern urban life.Duration: 2 minutesWren, a poem © Robert Macfarlane 2017 from The Lost Words written by Robert Macfarlane and illustrated by Jackie Morris (Hamish Hamilton, 2017). Permission granted by David Higham Associates Limited.
$2.99
Innocent Blood for SATB chorus, mezzo solo, flute, organ
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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Innocent Blood for SATB chorus
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1108243 Composed by Adrienne Inglis (ASCAP). Classical,Historic,Sacred. Octavo. 75 pages. Adrienne Inglis...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.1108243 Composed by Adrienne Inglis (ASCAP). Classical,Historic,Sacred. Octavo. 75 pages. Adrienne Inglis (ASCAP) #710671. Published by Adrienne Inglis (ASCAP) (A0.1108243). A gripping, powerful narrative jumping off of the pages of 1692 court records, Innocent Blood tells the tragic story of the composer’s 8th great-grandmother, Mary Esty, who was falsely accused of witchcraft and hanged. Scored for mixed chorus with some divisi, mezzo-soprano solo, flute (with optional bass flute), and organ, the work calls for some staging and extended techniques to enhance the drama.
$2.99
Asleep in a Blanket Spun of Energy for SATB a cappella, no divisi
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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Asleep in a Blanket Spun of En
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.953616 Composed by Adrienne Inglis (ASCAP). A Cappella,Contemporary,Multicultural,World. Octavo. 16 pages. Adrie...
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Choral Choir (SATB) - Level 4 - SKU: A0.953616 Composed by Adrienne Inglis (ASCAP). A Cappella,Contemporary,Multicultural,World. Octavo. 16 pages. Adrienne Inglis (ASCAP) #4790391. Published by Adrienne Inglis (ASCAP) (A0.953616). Asleep in a Blanket Spun of Energy for a cappella mixed chorus evokes vivid imagery of Margaret Noodin’s poem We Are Returning Always. Honoring the composer’s Ojibwe ancestors, the piece sets all of the English text and a few key words of the Anishinaabemowin text from the bilingual poem that beautifully captures a glimpse into the natural and celestial wonders of the Ojibwe world. Laced with ethereal special effects, the music reflects a taste of the syncopated embellished singing, pentatonic melodies, steady drumbeat characteristic of Ojibwe music. This version includes an IPA pronunciation guide for the Anishinaabe words. There is no divisi.
$1.99
Uma for SATB and string quartet, with optional charango and sikus
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Chorale SATB
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FACILE
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Adrienne Inglis
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Uma for SATB and string quarte
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Adrienne Inglis
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1311809 Composed by Adrienne Inglis (ASCAP). 21st Century,Folk,Latin,Multicultural,World. 38 pages. Adrie...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1311809 Composed by Adrienne Inglis (ASCAP). 21st Century,Folk,Latin,Multicultural,World. 38 pages. Adrienne Inglis (ASCAP) #900744. Published by Adrienne Inglis (ASCAP) (A0.1311809). Sing in the ancient Andean language of Aymara! Pronunciation guide included!Uma (2023)SATB and string quartet with optional charango and sikus, composed in the style of a Bolivian huayñoText — excerpts from the Aymara poem Uma (2002) by Pedro Humire Loredo (1935-2020) — used with permissionDuration — about 2’Difficulty 2 (High school)World premiere:21 Oct 2023 at 7 PMJester King — Brewery, Kitchen, Farm & Event Hall — 13187 Fitzhugh Rd, Austin, TX 78736Panoramic Voices presents “Folk Yeah†with Invoke that includes two world premieres, Wari and Uma, both Andean folk settings in Aymara.Commissioned by Panoramic Voices for its “Folk Yeah!†concert October, 21, 2023, Uma for SATB and string quartet with optional charango and sikus is written as a dance in the style of a Bolivian huayño. The text in the indigenous language of Aymara comes from the poem “Uma†written by Chilean poet Pedro Humire Loredo. In the high Andean plateau called the altiplano or puna, the scarcity of water calls on the local people to share the precious and essential resource. Humire’s poetry reassures us that there is enough uma (water) for all. The popular indigenous huayño dance predates the Spanish conquest. This choral setting celebrates cooperation and sharing of water with embellished instrumental sections and optional panpipes (sikus or zampoñas) played in hocket (trenzado) and charango. Occasional shouts (gritos) may add to the excitement.
$1.99
Fireflies for SATB mixed chorus, piano, and percussion
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Chorale SATB
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INTERMÉDIAIRE
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Adrienne Inglis
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Fireflies for SATB mixed choru
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.953620 Composed by Adrienne Inglis (ASCAP). Contemporary,Multicultural,World. Octavo. 14 pages. Adrienne Inglis ...
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Choral Choir (SATB) - Level 3 - SKU: A0.953620 Composed by Adrienne Inglis (ASCAP). Contemporary,Multicultural,World. Octavo. 14 pages. Adrienne Inglis (ASCAP) #6026419. Published by Adrienne Inglis (ASCAP) (A0.953620). Commissioned by Inversion Ensemble for its Aether: Fire concert in the winter of 2020, Fireflies (2019) for mixed chorus, piano, and optional percussion evokes vivid imagery of Margaret Noodin’s bilingual poem Fireflies from her 2015 book, Weweni, poems in Anishinaabemowin and English. Honoring the composer’s Ojibwe ancestors, the piece sets the poem’s English text including the Anishinaabemowin word for fireflies (Waawaatesiwag). Moments of musical and whispered aleatory capture visions of fireflies on a summer night. Colorful augmented sixth chords and lush harmonies kindle visions of love and nature amidst the dreamy mixolydian modality and lilting ¾ time.
$1.99
Wari (Vicuña) for SATB + string quartet with optional charango
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Chorale SATB
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FACILE
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Adrienne Inglis
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Wari
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Adrienne Inglis
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1315612 Composed by Adrienne Inglis (ASCAP). 21st Century,Latin,Multicultural,World. 24 pages. Adrienne I...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1315612 Composed by Adrienne Inglis (ASCAP). 21st Century,Latin,Multicultural,World. 24 pages. Adrienne Inglis (ASCAP) #904350. Published by Adrienne Inglis (ASCAP) (A0.1315612). To celebrate Hispanic and Indigenous peoples, enjoy this easy, catchy tune in the ancient Andean language of Aymara (pronunciation guide included) in the style of an expressive Bolivian yaravà or lament. No worries if you don't have a charango — it can easily be performed with a string quartet.Wari (2023)SATB and string quartet with optional charango, composed in the style of a Bolivian yaravÃText — excerpts from the Aymara poem Uma (2002) by Pedro Humire Loredo (1935-2020) — used with permissionDuration — about 2’Difficulty 2 (High school)World premiere:21 Oct 2023Jester King — Brewery, Kitchen, Farm & Event Hall — 13187 Fitzhugh Rd, Austin, TX 78736Panoramic Voices presents “Folk Yeah†with Invoke that includes two world premieres, Wari and Uma, both Andean folk settings in Aymara.Commissioned by Panoramic Voices for its “Folk Yeah!†concert October 21, 2023, Wari for SATB and string quartet with optional charango is written as a lament in the style of a Bolivian yaravÃ. The text in the indigenous language of Aymara comes from the poem “Uma†written by Chilean poet Pedro Humire Loredo. Wari means vicuña, a native wild camelid species considered to be the ancestor of the domesticated alpaca. The harsh life of the Andes takes its toll on vicuña young, leaving behind grieving vicuña mothers. The Aymara people suffer similar losses and also cry for their lost loved ones. This yaravà lament includes expressive cadenza sections for both violin and cello, traditional key and rhythm, and a choral setting of Humire’s poignant poetry.
$1.99
Crying Out in the Wilderness for SATB chorus and pedal or lever harp or keyboard
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Chorale SATB
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INTERMÉDIAIRE
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Adrienne Inglis
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Crying Out in the Wilderness f
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.953615 Composed by Adrienne Inglis (ASCAP). Christmas,Contemporary,Sacred. Octavo. 11 pages. Adrienne Inglis (AS...
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Choral Choir (SATB) - Level 3 - SKU: A0.953615 Composed by Adrienne Inglis (ASCAP). Christmas,Contemporary,Sacred. Octavo. 11 pages. Adrienne Inglis (ASCAP) #8873. Published by Adrienne Inglis (ASCAP) (A0.953615). Crying Out in the Wilderness (2008) for SATB chorus with harp is a setting of the Gospel of Luke 3:2b-6 NRSV in phrygian mode. The passage about John's journey into the wilderness and ministry of baptism is appropriate for Advent. This particular scripture passage occurs on the Second Sunday of Advent during Year C of the Common Lectionary. This work is ideal as an anthem or offertory for an intermediate mixed choir. The harp part may be played on keyboard. Duration 2:50.
$3.99
Do Not Be Afraid, Mary
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Adrienne Inglis
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Do Not Be Afraid, Mary
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Adrienne Inglis
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SheetMusicPlus
Composed by Adrienne Inglis (ASCAP). For SATB. 21st Century, World. Intermediate. , Score. Published by Adrienne Inglis (ASCAP) ...
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Composed by Adrienne Inglis (ASCAP). For SATB. 21st Century, World. Intermediate. , Score. Published by Adrienne Inglis (ASCAP)
$3.99
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Adrienne Inglis (ASCAP)
