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African Folk Songs
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36
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
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Vous avez sélectionné:
African Folk Songs
Chorale SATB
Partitions à imprimer
8 partitions trouvées
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Two South African Folk Songs
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Chorale SATB
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Ruth Morris Gray
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Two South African Folk Songs
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - SKU: AX.00-PO-0002338 Two South African Folk Songs - SATB. Arranged by Ruth Morris Gray. Secular Choral. 10 pages. Alfred Music - Digita...
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Chorus - SKU: AX.00-PO-0002338 Two South African Folk Songs - SATB. Arranged by Ruth Morris Gray. Secular Choral. 10 pages. Alfred Music - Digital Sheet Music #00-PO-0002338. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002338). UPC: 038081359786.Vocal and auxiliary percussion instruments add yet another layer to these traditional African folk songs. Authentic and artistic repertoire.
$2.25
Three African Folksongs: Wana Baraka-Tshotsholoza-Amavolovolo
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Chorale SATB
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Traditional
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Jon Arterton
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Three African Folksongs: Wana
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Jon Arterton
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.777045 Composed by Traditional. Arranged by Jon Arterton. African. Octavo. 11 pages. Jon Arterton #6695865. Published by J...
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Choral Choir (SATB) - SKU: A0.777045 Composed by Traditional. Arranged by Jon Arterton. African. Octavo. 11 pages. Jon Arterton #6695865. Published by Jon Arterton (A0.777045). This is a rousing set of three wonderful songs from Africa. Wana Baraka is a traditional song from Kenya: Those who pray have blessings. Alleluia. They have peace, joy and well-being. Tshotsholoza is a freedom song from South Africa: Go forward to the mountains. The train is coming from South Africa. You are running away on those mountains. Amavolovolo is a traditional Zulu dowry song. In past times it told the story of people afraid to go to Kwamashu because there were so many guns there, but today it’s sung joyously at weddings and other ceremonies.
$2.25
Stille Nacht
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Franz Xaver Gruber
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Andrew Tumbo
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Stille Nacht
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Andrew Tumbo
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1031932 Composed by Franz Xaver Gruber. Arranged by Andrew Tumbo. African,Christmas,Folk,World. Octavo. 8...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.1031932 Composed by Franz Xaver Gruber. Arranged by Andrew Tumbo. African,Christmas,Folk,World. Octavo. 8 pages. Andrew Tumbo #3860723. Published by Andrew Tumbo (A0.1031932). An arrangement of the carol Silent Night juxtaposed against Swahili folk songs and Maasai and Zulu idiomatic expressions.
$8.99
R. Nathaniel Dett - Listen to the Lambs for solo soprano and 8-part chours
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Chorale SATB
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INTERMÉDIAIRE
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R
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Music for a While
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R. Nathaniel Dett - Listen to
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Music for a While
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.914176 Composed by R. Nathaniel Dett, Robert Nathaniel Dett. Arranged by Music for a While. 20th Century,Christi...
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Choral Choir (SATB) - Level 3 - SKU: A0.914176 Composed by R. Nathaniel Dett, Robert Nathaniel Dett. Arranged by Music for a While. 20th Century,Christian,Romantic Period,Sacred,Spiritual. Octavo. 11 pages. Music for a While #6416607. Published by Music for a While (A0.914176). Robert Nathaniel Dett (1882-1943) was born in Canada before moving to the Unites States at the age of 11. He began studying piano at an early age and went on to be the first black American to graduate from Oberlin Conservatory of Music. Throughout his career he worked as a composer, organist, pianist, choral director and music professor; he received many awards for his music and writing and spent a period at the Fontainebleau School of Music south of Paris where he studied with Nadia Boulanger. Dett became well known for incorporating tunes and and elements of African American folk songs and spirituals into classical music.Listen to the Lambs is scored for mixed unaccompanied chorus with solo soprano part and was originally published by G. Schirmer in 1914. It became one of his most famous choral works and was featured in The Oxford Book of Spirituals and Choral Music: A Norton Historical Anthology. There are modern recordings of the anthem performed by chamber choirs but Dett himself conducted a 900-voice performance of the work at Hampton University, Virginia where he was the director of the music department between 1928 and 1932.
$1.99
Anonymous: Two South African Folk Songs - choir (SATB: soprano, alto, tenor, bass)
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Chorale SATB
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Anonymous
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Virtualsheetmusic
Instantly printable sheet music by Anonymous for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / secular choral
Instantly printable sheet music by Anonymous for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / secular choral
$6.23
Livet under solen
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Chorale SATB
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Lennart Esborn
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Livet under solen
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SATB chorus and accompaniment - SKU: BJ.1203 Composed by Lennart Esborn. African, World, Folk. Octavo. 25 pages. Bo Ejeby Forlag - Digital #1203. Publis...
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SATB chorus and accompaniment - SKU: BJ.1203 Composed by Lennart Esborn. African, World, Folk. Octavo. 25 pages. Bo Ejeby Forlag - Digital #1203. Published by Bo Ejeby Forlag - Digital (BJ.1203). 8.27 x 11.7 inches.Life under the sun. Five Swedish-Gambian songs, deriving from a collaboration between two countries. The music is catchy and inspires to accompaniment with various instruments. Texts in Swedish and various African languages.Contents: Det ar med hjartat man ser Nar morkret ar sa morkt Kairabe Kana koronto Livet under solen.
$7.00
The Gift to Sing - SATB choir
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Chorale SATB
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Gospel Spirituel
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Musique Sacrée
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Francis Kayali
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The Gift to Sing - SATB choir
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Francis Kayali
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.973048 Composed by Francis Kayali. 20th Century,Contemporary. Octavo. 19 pages. Francis Kayali #6230277. Published by Fran...
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Choral Choir (SATB) - SKU: A0.973048 Composed by Francis Kayali. 20th Century,Contemporary. Octavo. 19 pages. Francis Kayali #6230277. Published by Francis Kayali (A0.973048). The Gift to Sing is a poem by James Weldon Johnson (1871-1938) published in 1917. The central theme of the text is one of optimism and resilience, using the power of song – meaning, more broadly, art or any kind of artful, heightened expression – to overcome adversity. Although the poem can be interpreted broadly to pertain to any kind of struggle, it is likely that Johnson, as a civil-rights activist was alluding more specifically to the oppression African-Americans in the United States, a struggle that continues to this day, in 2020. I composed this setting in September of 2020, right after the Black Lives Matter protests that took place that summer, so current events played a role in this interpretation on my part as well. If one reads the poem as pertaining the continued struggle of African Americans, some passages may come across as ambiguous. For instance, I brood not over the broken past should not be taken as suggesting that the horrors of the past should be forgotten, but as an injunction that the memory of these horrors should not discourage us or diminish our resolve to work toward overcoming the injustices. The musical inspiration for the opening of the piece comes from the song Lonesome Valley, which starts with a pentatonic melodic gesture. The pentatonic scale is often used in African American Spirituals, Christian hymns, and folksongs (e.g., Swing Low, Sweet Chariot, Amazing Grace, How Can I Keep from Singing?, Red River Valley, Oh Shenandoah). The more rhythmic parts take inspiration from the African-American spiritual tradition, as found for instance in the choral music of Moses Hogan (1957-2003). Meanwhile, the tenor solo at the end, is intended to be very loud, bright, and without the pronounced vibrato one would find in a Western operatic style. This kind of bright and intense vocal sound is not unfamiliar to most listeners, who may have encountered it in places as varied as Sacred Harp singing, the opening of the Lion King soundtrack, or the Muslim call to prayer.
$1.99
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