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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
After Work
Non classifié
519
Piano & claviers
Piano, Voix
1 091
Piano seul
328
Orgue
40
Piano Facile
36
Piano, Voix et Guitare
27
Instruments en Do
16
1 Piano, 4 mains
10
Piano Trio: piano, violon, violoncelle
8
2 Pianos, 4 mains
7
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Accompagnement Piano
3
Orgue, Trompette (duo)
1
Clavecin
1
Clavier
1
+ 10 instrumentations
Retracter
Guitares
Guitare
69
Guitare notes et tablatures
25
Ukulele
6
Ligne De Mélodie, (Paroles) et Accords
4
2 Guitares (duo)
2
Piano, Guitare (duo)
2
Dulcimer
2
Guitare, Orchestre
1
Mandoline
1
2 Dulcimers (duo)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
160
Chorale 3 parties
32
Chorale SSAA
15
Chorale TTBB
14
Chorale 2 parties
9
Voix Soprano, Piano
9
Chorale Unison
6
Chorale SSATTB
3
Voix Soprano
3
Chorale SSAATTBB
2
Voix seule
2
Soli, choeur mixte et accompagnement
2
Voix duo
2
Voix haute
2
Voix Alto, Piano
2
Voix moyenne, Piano
1
Voix Baryton, Piano
1
Chorale
1
Voix basse, Piano
1
Voix duo, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix Baryton
1
Voix Tenor
1
Chorale SSATB
1
+ 19 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
62
Flûte traversière et Piano
56
Clarinette et Piano
43
Saxophone Alto et Piano
42
Quatuor de Saxophones: 4 saxophones
42
Quatuor de Clarinettes: 4 clarinettes
32
Saxophone Soprano et Piano
28
Hautbois, Piano (duo)
27
2 Saxophones (duo)
25
Flûte traversière
21
2 Flûtes traversières (duo)
18
2 Clarinettes (duo)
17
Clarinette
17
3 Saxophones (trio)
16
Flûte, Hautbois, Clarinette, Basson
16
Quintette de Saxophone: 5 saxophones
15
Saxophone Tenor et Piano
13
Quatuor de Flûtes : 4 flûtes
13
2 Flûte à bec (duo)
12
Saxophone Baryton, Piano
12
Cor anglais, Piano
9
Clarinette Basse, Piano
9
3 Clarinettes (trio)
8
Quintette de Clarinettes: 5 clarinettes
8
Flûte, Clarinette (duo)
7
Clarinette, Basson (duo)
7
Ensemble de Flûtes
6
Ensemble de Clarinettes
6
Flûte et Guitare
6
Saxophone, Clarinette (duo)
5
Quatuor de Flûtes à bec
5
Clarinette, Guitare (duo)
5
Saxophone Alto
5
Quintette de Flûte : 5 flûtes
5
Saxophone Tenor
4
Clarinette, Violon (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Hautbois, Basson (duo)
4
Saxophone (partie séparée)
4
Hautbois (partie séparée)
3
Clarinette (partie séparée)
3
Flûte à Bec
3
2 Hautbois (duo)
3
Trio de Flûtes: 3 flûtes
3
Clarinette, Trompette (duo)
3
Ensemble de saxophones
3
Clarinette et Alto
2
Ensemble De Flûte à bec
2
Flûte, Violon
2
Cor anglais, Guitare (duo)
2
3 Flûtes à bec (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Saxophone (duo)
2
Hautbois, Flûte
2
5 Flûtes à bec
2
Clarinette Basse
1
Flûte irlandaise
1
Flute, alto, violoncelle et guitare
1
Piccolo, Piano
1
Ensemble de Hautbois
1
Flûte, Alto (duo)
1
Cornemuse
1
Flûte et Trio à cordes
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Soprano
1
Flute (partie séparée)
1
Saxophone et Guitare
1
Flûte, Hautbois (duo)
1
Flûte à bec Alto
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte traversière, Basse continue
1
Flûte à bec Tenor
1
Flûte, Trompette (duo)
1
Hautbois, Clarinette (duo)
1
2 Saxophones, Piano
1
+ 70 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
48
Trombone et Piano
27
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Cor et Piano
23
Trompette
17
Trompette, Piano
15
Euphonium, Piano (duo)
15
Tuba et Piano
14
Ensemble de Trombones
14
Quatuor de cuivres: 4 trombones
11
Cor anglais, Piano
9
Trompette, Trombone (duo)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Quatuor de Cuivres
5
Trombone
5
Trompette (partie séparée)
5
Ensemble de Trompettes
5
Cor (partie séparée)
4
2 Trombones (duo)
4
Trompette, Saxophone (duo)
4
Trombone (partie séparée)
4
3 Trombones (trio)
4
2 Trompettes (duo)
3
Cor
3
Ensemble de Cors
3
4 Tubas
3
2 Euphoniums et 2 Tubas
3
Quatuor de cuivres: 4 cors
2
2 Tubas (duo)
2
Trompette, Cor (duo)
2
Cor anglais, Guitare (duo)
2
Tuba (partie séparée)
2
2 Cors (duo)
2
Quatuor de cuivres: 4 trompettes
2
3 Euphoniums
1
3 Trompettes (trio)
1
Trombone basse et Piano
1
Cor, Violoncelle (duo)
1
Tuba
1
3 Tubas (trio)
1
3 Cors (trio)
1
Tuba et Orgue
1
Trio de Cuivres
1
Euphonium
1
Trombone basse
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
93
Violon et Piano
67
Violoncelle, Piano
46
Violon
36
Alto, Piano
36
Violoncelle
24
Harpe
19
Violon, Violoncelle (duo)
17
2 Violons (duo)
11
2 Violoncelles (duo)
10
Violon, Alto (duo)
9
Alto seul
8
2 Altos (duo)
8
Contrebasse, Piano (duo)
7
Violon (partie séparée)
6
Trio à Cordes: violon, alto, violoncelle
6
Violon, Guitare (duo)
4
Alto, Violoncelle (duo)
4
4 Violoncelles
3
Alto (partie séparée)
3
Trio à cordes: 3 violins
3
Quatuor à cordes: 4 violons
3
Alto, Guitare (duo)
3
Trio à Cordes: 3 violoncelles
3
Quatuor à cordes : 4 altos
3
Contrebasse (partie séparée)
3
Trio à cordes: 3 altos
3
Contre Basse
2
Harpe, Flûte (duo)
2
Violoncelle , Guitare (duo)
2
2 Harpes (duo)
2
Harpe, Voix
1
Violoncelle, Orchestre
1
4 Contrebasses
1
Trio à Cordes: 2 violons, violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Clarinette, Piano (trio)
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
382
Orchestre
93
Orchestre à Cordes
59
Orchestre de chambre
29
Ensemble de cuivres
27
Ensemble Jazz
11
Ensemble de Percussions
5
Marimba
3
Cloches
3
Orchestre, Violon
3
Percussion (partie séparée)
2
Batterie
1
Piano et Orchestre
1
Vibraphone
1
Jazz combo
1
+ 10 instrumentations
Retracter
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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Vous avez sélectionné:
After Work
Chorale SATB
Partitions à imprimer
160 partitions trouvées
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51
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151
Nice Work If You Can Get It
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Comédie Musicale
#
Frank Sinatra
#
John Fries
#
Nice Work If You Can Get It
#
John Fries
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1228242 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by John Fries. 20th Century. 4 pa...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1228242 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by John Fries. 20th Century. 4 pages. John Fries #824360. Published by John Fries (A0.1228242). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  This song began life in 1930 as a nine-bar phrase with the working title There's No Stopping Me Now.  Its title phrase Nice work if you can get it came from an English magazine.  It was one of nine songs the Gershwin brothers wrote for the movie A Damsel in Distress in which it was performed by Fred Astaire with backing vocals by The Stafford Sisters.  The song was published in 1937.  The first jazz recording of the work was by Tommy Dorsey three weeks after the release of the film.  The song was recorded by many jazz singers and adopted by bebop instrumentalists; Jerry Newman recorded pianist Thelonious Monk performing the tune in 1941 at Minton's Playhouse, a nightclub closely connected with early bebop, and he subsequently recorded it several times.
$1.99
Happily Ever After
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Adam Watts, Andrew Creighton D
#
Ryan Perrotte
#
Happily Ever After
#
Ryan Perrotte
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1309473 Composed by Adam Watts, Andrew Creighton Dodd, and Melissa Peirce. Arranged by Ryan Perrotte. A C...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1309473 Composed by Adam Watts, Andrew Creighton Dodd, and Melissa Peirce. Arranged by Ryan Perrotte. A Cappella,Pop,Rock. 9 pages. Ryan Perrotte #894065. Published by Ryan Perrotte (A0.1309473). Contemporary a cappella arrangement of Disney's Magic Kingdom Fireworks Song. Â For 8 voices, plus 2 leads, and vocal percussion.
$5.00
After the Last
#
Chorale SATB
#
INTERMÉDIAIRE
#
Don Macdonald
#
After the Last
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
SATB choir unaccompanied - Medium - SKU: MQ.9225-E Composed by Don Macdonald. Funeral. 6 pages. E. C. Schirmer Music Company - Digital #9225-E. Publishe...
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SATB choir unaccompanied - Medium - SKU: MQ.9225-E Composed by Don Macdonald. Funeral. 6 pages. E. C. Schirmer Music Company - Digital #9225-E. Published by E. C. Schirmer Music Company - Digital (MQ.9225-E). English.A hauntingly beautiful work of comfort for those who are struggling with losing a loved one. Close harmonies and a lyrical melody make for a rewarding experience.
$2.25
Firework
#
Chorale SATB
#
Pop musique
#
Katy Perry
#
Gregory Lee Harrell
#
Firework
#
Kelekolio
#
SheetMusicPlus
Choral Choir (SATB) - SKU: A0.934423 By Katy Perry. By Esther Dean, Katy Perry, Mikkel Eriksen, Sandy Wilhelm, and Tor Erik Hermansen. Arranged by Grego...
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Choral Choir (SATB) - SKU: A0.934423 By Katy Perry. By Esther Dean, Katy Perry, Mikkel Eriksen, Sandy Wilhelm, and Tor Erik Hermansen. Arranged by Gregory Lee Harrell. Pop. Octavo. 7 pages. Kelekolio #5290179. Published by Kelekolio (A0.934423). Katy Perry's Firework with a bridge of Afternoon Delight for soloist, SATBB, and piano.
$3.99
After Death
#
Chorale SATB
#
AVANCÉ
#
Sarah Blythe Shapiro
#
After Death
#
Sarah Blythe Shapiro
#
SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.1029804 Composed by Sarah Blythe Shapiro. Contemporary,Spiritual. Octavo. 6 pages. Sarah Blythe Shapiro #...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.1029804 Composed by Sarah Blythe Shapiro. Contemporary,Spiritual. Octavo. 6 pages. Sarah Blythe Shapiro #5728941. Published by Sarah Blythe Shapiro (A0.1029804). Approximately 4 minutes in length, After Death is a composition set to the text by Sara Teasdale. It is a contemporary choral composition and appropriate in schools with students. It could be performed in a church service but is still considered secular. After Death works well in a program about darkness, space, life and death, and grief.
$1.99
Afternoon on a Hill
#
Chorale SATB
#
Cynthia Gray
#
Afternoon on a Hill
#
Heritage Music Press
#
SheetMusicPlus
SATB choir, Piano - SKU: LX.15-3433H Composed by Cynthia Gray. Educational. Octavo. 16 pages. Heritage Music Press #e15/3433H. Published by Heritage Mus...
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SATB choir, Piano - SKU: LX.15-3433H Composed by Cynthia Gray. Educational. Octavo. 16 pages. Heritage Music Press #e15/3433H. Published by Heritage Music Press (LX.15-3433H). ISBN 9780787754303.Cynthia Gray delivers Millay's vivid imagery and emotional message through the marriage of her memorable music to this artful text. Extremely expressive and complemented by a contrasting middle section in minor mode, this absolutely lovely work, now available for mixed voices, offers the perfect opportunity to showcase groups of all ages.
$2.75
After The Gold Rush
#
Chorale SATB
#
DÉBUTANT
#
Neil Young
#
Joey Minshall
#
After The Gold Rush
#
Joey Minshall
#
SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.736332 By Neil Young. By Neil Young. Arranged by Joey Minshall. A Cappella,Rock. Octavo. 6 pages. Joey Minshall ...
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Choral Choir (SATB) - Level 1 - SKU: A0.736332 By Neil Young. By Neil Young. Arranged by Joey Minshall. A Cappella,Rock. Octavo. 6 pages. Joey Minshall #4360093. Published by Joey Minshall (A0.736332). SATB a cappella - 4 voice parts - very accessible version of this Neil Young classic. Works great with a larger chorus if small ensembles sing portions of the chart - a simple way to add texture in this repetitive folky style; suggestions notated in the chart! Enjoy!
$3.00
Be Happy In Jesus
#
Chorale SATB
#
FACILE
#
Musique Sacrée
#
Ralph Hohenstein, Jeff Tincher
#
Jeff Tincher
#
Be Happy In Jesus
#
Jeff Tincher
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.582499 Composed by Ralph Hohenstein, Jeff Tincher. Arranged by Jeff Tincher. Christian,Gospel,Praise & Worship,S...
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Choral Choir (SATB) - Level 2 - SKU: A0.582499 Composed by Ralph Hohenstein, Jeff Tincher. Arranged by Jeff Tincher. Christian,Gospel,Praise & Worship,Sacred,Traditional. Octavo. 7 pages. Jeff Tincher #3222409. Published by Jeff Tincher (A0.582499). This is a choral (SATB) arrangement of a new camp meeting style song. One day I received an email from Ralph which had some words that came to him and wanted to know if I could put music to it. After working with the wording to fit the measure structure, the song came into being. This song is definitely old-style camp meeting feel. It is a fun piece to perform. Great for any level choir. Duration=1:47. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$1.99
Faith, Hope, Love
#
Chorale SATB
#
Thomas Coker
#
Faith, Hope, Love
#
Thomas Rembert Coker Jr
#
SheetMusicPlus
Choral Choir (SATB) - SKU: A0.933615 Composed by Thomas Coker. Christian,Holiday,Sacred,Wedding. Octavo. 11 pages. Thomas Rembert Coker Jr #3539209. Pub...
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Choral Choir (SATB) - SKU: A0.933615 Composed by Thomas Coker. Christian,Holiday,Sacred,Wedding. Octavo. 11 pages. Thomas Rembert Coker Jr #3539209. Published by Thomas Rembert Coker Jr (A0.933615). Built on the famous text from I Corinthians 13: 1-2, 4-8a, 13 (NCV), Faith, Hope, Love, was originally written as a solo for a wedding. Shortly thereafter, it was made into an SATB anthem for use with our choirs at South Main Baptist Church in Houston. Subsequently published by Alliance Music Publishers in Houston, it has been used many times by youth and adults for workshops, tours, worship services, concerts and weddings both at South Main and elsewhere. Thus, in 2018, 50 years after our own wedding in August of 1968 and 20 years after the anthem’s original publication, it seemed appropriate to reissue this haunting anthem as part of the celebration of our golden anniversary – and in the hope that others will continue to enjoy it.
$2.25
Forever Anew (from "Rising from the Ashes: Stories of Lahaina")
#
Chorale SATB
#
INTERMÉDIAIRE
#
Christopher Alexander
#
Forever Anew
#
Christopher Alexander
#
SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 3 - SKU: A0.1510473 By Christopher Alexander. By Cameron Henry and Christopher Alexander. A Cappella,Contest,F...
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Choral Choir,Choral (SATB Chorus) - Level 3 - SKU: A0.1510473 By Christopher Alexander. By Cameron Henry and Christopher Alexander. A Cappella,Contest,Festival,Multicultural,World. 12 pages. Christopher Alexander #1085670. Published by Christopher Alexander (A0.1510473). This is the second movement from the extended choral work Rising from the Ashes: Stories of Lahaina.After the horrific Maui wildfires, many residents of Lahaina (like many of us after a devastating event) became distraught and hopeless that their homeland was destroyed. This prayer gives solemness to this moment in the aftermath with the wish to bring their houses and livelihoods back again. A solo opportunity with an accompanying aleatoric choir creates a unique sound illustration that will astound your audience in performance. A closing statement gives renewed hope for a better tomorrow.Full score and other movements (On That Night, Finding Strength in Shadows, Kama'aina) also available for purchase.
$2.99
Evening Prayer
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Chorale SATB
#
Ron Anderson
#
the moment of death itself
#
Evening Prayer
#
Ron James Anderson
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.965554 Composed by Ron Anderson. A Cappella,Christian,Contemporary,Sacred. Octavo. 5 pages. Ron James Anderson #5994763. P...
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Choral Choir (SATB) - SKU: A0.965554 Composed by Ron Anderson. A Cappella,Christian,Contemporary,Sacred. Octavo. 5 pages. Ron James Anderson #5994763. Published by Ron James Anderson (A0.965554). Evening Prayer is somewhat in the style of a chorale prelude, with its flowing accompaniment and simple melody. The form divides neatly into two distinct sections-the first in F major, and the second in Bb major. The F major section represents our earthly life. Even though God’s peace is present throughout (the flowing accompaniment), the words speak of the strife and hardship of our time on Earth. While we are here on Earth, we tend to believe that this life is all there is (that F major will continue to the end). But at the point in the music where the text says and our work is done, ending on a D major chord, we find ourselves in a strange place between life and the afterlife; the moment of death itself. After this comes an a cappella section in Bb major, which represents our life in Heaven. The F major life merely served as a dominant preparation for the Bb major afterlife! (Actually, I think we should call eternity life, and our earthly life pre-life). The piece ends with the same flowing passages found in the beginning of the piece, this time in Bb major.
$2.25
Five O'clock World
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Chorale SATB
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INTERMÉDIAIRE
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Film/TV
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Rock
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Hal Ketchum
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Christopher Alexander
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Five O'clock World
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Christopher Alexander
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1404400 By Hal Ketchum. By Allen Reynolds. Arranged by Christopher Alexander. Film/TV,Pop,Rock. 16 p...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1404400 By Hal Ketchum. By Allen Reynolds. Arranged by Christopher Alexander. Film/TV,Pop,Rock. 16 pages. Christopher Alexander #987476. Published by Christopher Alexander (A0.1404400). This classic rock song comes from the 1960s vocal group The Vogues, becoming one of their most well-known hits.  The song’s positive lyrics of being with your loved one after a hard day’s work have made this a popular standard to listen amongst office workers.  It became a theme song for The Drew Carey Show and has been featured in many popular movies.  Your choir will love performing this work, bringing some nostalgia to your pops concert.Full Score and Parts available separately.
$2.25
Wondrous Love : SATB Acapella Choir (with Divisi)
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Chorale SATB
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Musique Sacrée
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Traditional
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M
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Wondrous Love : SATB Acapella
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Vocal Works
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SheetMusicPlus
Composed by Traditional. Arranged by M. Ryan Taylor. Christian, Sacred, Folk, Christmas, Easter. Score. 9 pages. Published by Vocal Works (S0.87673). - Score - ...
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Composed by Traditional. Arranged by M. Ryan Taylor. Christian, Sacred, Folk, Christmas, Easter. Score. 9 pages. Published by Vocal Works (S0.87673). - Score - Christian,Sacred,Folk,Christmas,Easter - Vocal Works
This arrangement opens with the first verse as it is seen in the originalSouthern Harmony of 1835 (transposed down a fourth). Subsequent verses borrowmuch from the stark sound of the original. This style of song is part of the living"Sacred Harp" tradition (so named after a later collection of these songs) in whichpeople have gathered and sung in for over 150 years.This arrangement was premiered by Phoenix Rising at the 2008 Comunity EasterCelebration held at the Alpine Tabernacle in American Fork, UT.
$1.99
Sueño-Vibrant
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Chorale SATB
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AVANCÉ
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Kristian S Rodriguez
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Sueño-Vibrant
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Kristian S. Rodriguez
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1023342 Composed by Kristian S Rodriguez. 20th Century,Contemporary. Octavo. 43 pages. Kristian S. Rodriguez #51...
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Choral Choir (SATB) - Level 5 - SKU: A0.1023342 Composed by Kristian S Rodriguez. 20th Century,Contemporary. Octavo. 43 pages. Kristian S. Rodriguez #5191607. Published by Kristian S. Rodriguez (A0.1023342). I composed this work partially to serve as my master’s thesis, but also to explore the blurring and eradication of boundaries – whether the boundaries are musical, social, cultural, linguistical, or political. I wanted to create a work that would explore the boundaries of my own dual identities, such as Mexican or American, or masculine or feminine, and that of my varied interests, such as popular, jazz, and European art music. After half a year of work, Sueño-Vibrant is the dazzling, whirlwind of a result (vibrant is pronounced just as it is in English). I worked with poet Marco Piña because we share many similar artistic philosophies owing to our mutual identities as bilingual Chicanxs. Bastardized Spanglish Translations portrays an individual going through a painful break-up, whereas Night Song is about self-discovery of
$19.99
Moonlight Sonata by Beethoven for Choral and Piano
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Chorale SATB
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FACILE
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Classique
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven
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Woods Only, Arrangements
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1150939 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,March,Romantic Period,We...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1150939 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,March,Romantic Period,Wedding. 23 pages. Woods Only, Arrangements #751125. Published by Woods Only, Arrangements (A0.1150939). This arrangement adapted for choir SATB and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$9.99
Clouds of Love
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Hyun Kook
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Clouds of Love
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Hyun Kook
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1014887 Composed by Hyun Kook. A Cappella,Broadway,Holiday,Jazz,Pop,Wedding. Octavo. 17 pages. Hyun Kook #441448...
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Choral Choir (SATB) - Level 4 - SKU: A0.1014887 Composed by Hyun Kook. A Cappella,Broadway,Holiday,Jazz,Pop,Wedding. Octavo. 17 pages. Hyun Kook #4414485. Published by Hyun Kook (A0.1014887). Lyrics: Cindy Ovokaitys This interesting, jazzy a cappella work follows the typical jazz chord and harmonies like many barbershop choral works for ensemble. After the basic sketch of the melody and structure, this piece was handed to the lyricist, Cindy Ovokaitys and after her extensive work, the beautiful and funny text that fits extremely well to the music was completed. Many scat words were determined after extensive discussion between the lyricist and the composer. A sensitive understanding of the jazz chords and hard shuffle rhythm are required for better performance. The soli could sing the melodies greasily or oily for better expression. Composed November 25, 2017 Recordings: Kammerchor Manila (Philippines) Conductor: Anthony G. Villanueva Soli: Ma. Eloisa Contreras (alto) & Darwin Lomentigar (baritone) Recording venue: The University of Santo Tomas Museum / June 2, 2018
$2.95
Medallion Girls for Choir from Science Fiction Opera Libertaria
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Sabrina Pena Young
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Medallion Girls for Choir from
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Sabrina Peña Young
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.976936 Composed by Sabrina Pena Young. Broadway,Film/TV,Halloween,Musical/Show,Opera. 6 pages. Sabrina Pe...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.976936 Composed by Sabrina Pena Young. Broadway,Film/TV,Halloween,Musical/Show,Opera. 6 pages. Sabrina Peña Young #3430823. Published by Sabrina Peña Young (A0.976936). Dramatic science fiction inspired choral work from groundbreaking post-apocalyptic 21st century animated opera Libertaria. Quirky and partially inspired by Dr. Who, this choral work is a fun musical theater piece for choir. The Medallion Girls are part of a futuristic genetic experiment meant to perfect humanity after a radiation permanently mutated humans. Truly a unique work. Award-winning composer and TED Talk Speaker. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerLIBERTARIA: THE VIRTUAL OPERAhttps://virtualopera.wordpress.com/ ABOUT LIBERTARIA: In a post-USSA apocalyptic world, the young Libertaria escapes from evil geneticists and teams up with her addict father Simeon to defeat the Collective with a ragtag Underground army of cyborgs and misfits. The world’s first machinima opera, Libertaria has been called Groundbreaking by the Palm Beach Arts Paper. A truly dystopian novelization, the Libertaria Chronicles, is now available at Amazon. One of my favorite things about this story is its odd apocalyptic tone and strong sci-fi/fantasy foundation. The dark quality that comes with it is the cherry on top. –FanboysAnonymous.comWHAT FANS ARE SAYING ABOUT THE LIBERTARIA CHRONICLESBetween the book, virtual opera, soundtrack, and all the extras, Young has created a convincing world…a dark dystopian future for you to get lost in. The characters are complex, flawed, and human, and you are never sure what they will do next. Looking forward to the next book in the series!Award-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$7.99
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
Soon We Will Be Done (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Gospel Spirituel
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Kyle Pederson
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Soon We Will Be Done
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporati...
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SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporation - Digital #1.3610-E. Published by Galaxy Music Corporation - Digital (MQ.1.3610-E). English. From the arranger, Kyle Pederson To me, spirituals are the most powerful type of music. Spirituals were birthed and rooted in the experience of chattel slavery in the United States—and arose out of, as Arthur C. Jones asserts, “deeply meaningful, archetypically human experiences, relevant not only to the specific circumstances of slavery but also to women and men struggling with issues of justice, freedom, and spiritual wholeness in all times and places.†The original text of Soon Ah Will Be Done is as follows: Soon ah will be done with the troubles of the world (repeat) Goin’ home to live with God No more weeping and a-wailing (repeat) Goin’ home to live with God I want t’ meet my mother (repeat) Goin’ home to live with God I want t’ meet my Jesus (repeat) Goin’ home to live with God When I sang this spiritual growing up, I was struck by both the withering sorrow and expectant hope throughout. The melody and emotion has stuck with me since. When approaching my own arrangement, I hoped to honor the voice of the original writers and their experience of slavery, and I also sought to extend a voice to people today who are suffering from oppression and discrimination. I hoped an appropriate way to honor the experience of the original writers might be to invite the contemporary listener to envision and commit to a better, more just world today—a world of inclusion, radical kindness, compassion, love, and grace—a world where we have the courage to champion the inherent dignity and value of all people, a world where we will be done with all the ways we deny a person’s worth. A world where “heaven has come to earth.†In this arrangement, spoken word is incorporated throughout, intended to heighten the intensity of the performance, and meant to give a sense of immediacy to the challenge for the choir and audience to work together for justice, equity, and wholeness. Spoken word has often been used as the language of protest—and I include it intentionally as a way of giving voice to the choir members (and listener)—where all can stand in solidarity against oppression and injustice. If desired, choir members are encouraged to write their own spoken word text that speaks to issues of inequity and injustice in their own communities. I am writing this program note not long after George Floyd was killed in Minneapolis, MN, on May 25, 2020. As a Minneapolis area resident for the past 25 years, I want to take a more active role in working towards justice in my community. All proceeds received from the sale and performance of Soon We Will Be Done will be directed to ISAIAH—a multi-racial, state-wide, nonpartisan coalition of faith communities fighting for racial and economic justice in Minnesota. You can read more about the phenomenal work ISAIAH is doing at isaiahmn.org.
$3.20
Let Us Move (score - vocal choir and violin solo)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Mark O'Connor
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Let Us Move
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Mark O'Connor Musik International
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.861905 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Octavo. 38 pages. Mark O'Connor Musik Internat...
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Choral Choir (SATB) - Level 4 - SKU: A0.861905 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Octavo. 38 pages. Mark O'Connor Musik International #6206201. Published by Mark O'Connor Musik International (A0.861905). Let Us Move (score - vocal choir and violin solo) MO144AVocal Choir (Soprano, Alto, Tenor, Baritone, Bass with violin obligato). Violin part availableMusic by Mark O’Connor34 pages - 15:00 minutes in length Let Us Move (for vocal chorus and violin solo) composed by Mark O'Connor was written in early 2000. This choral work was commissioned by the superb Gloriea Dei Cantores choir from Cape Cod, Massachusetts. After finding the text from an old hymn, Hail The Day That Sees Him Rise, O'Connor finished the choral piece to include unusual singing techniques with no other accompaniment except a violin obbligato weaving in and out of the choral textures for a unique combination of sound. The performance length is sixteen minutes.In the recording's liner notes, Mr. O'Connor writes: on a cold February morning I walked into their church, their house of worship and community. I experienced an inspirational devotion to music I'd never known. Under the leadership of Mother Betty, Gloria Dei Cantores voices sounded like angels descending from Heaven, delivering and rendering my music in a way that seemed to shake the rafters and elevate the spirit. It was a magnificent sound borne of discipline and motivation, faithful love for craft and result. A glorious celebration... a joyous melding of mission and gift. For this experience I am truly grateful. Praise God and Let Us Move!. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2000 Composed by Mark O’ConnorText is Public Domain (Hail The Day That Sees Him Rise)Commissioned by Gloriae Dei Cantores Can be heard on Folk Mass by Gloriae Dei Cantores and Mark O’Connor, OMAC Recordshttps://omacrecords.com/omac-10-folk-mass Catalogue Number MO144ACopyright © 2000 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
Let Us Move (violin part - vocal choir and violin solo)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Mark O'Connor
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Let Us Move
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Mark O'Connor Musik International
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.861906 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Octavo. 10 pages. Mark O'Connor Musik Internat...
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Choral Choir (SATB) - Level 4 - SKU: A0.861906 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Octavo. 10 pages. Mark O'Connor Musik International #6206203. Published by Mark O'Connor Musik International (A0.861906). Let Us Move (violin part - vocal choir and violin solo) MO144BViolin Obligato Part (vocal choir score available)Music by Mark O’Connor6 pages - 15:00 minutes in length Let Us Move (for vocal chorus and violin solo) composed by Mark O'Connor was written in early 2000. This choral work was commissioned by the superb Gloriea Dei Cantores choir from Cape Cod, Massachusetts. After finding the text from an old hymn, Hail The Day That Sees Him Rise, O'Connor finished the choral piece to include unusual singing techniques with no other accompaniment except a violin obbligato weaving in and out of the choral textures for a unique combination of sound. The performance length is sixteen minutes.In the recording's liner notes, Mr. O'Connor writes: on a cold February morning I walked into their church, their house of worship and community. I experienced an inspirational devotion to music I'd never known. Under the leadership of Mother Betty, Gloria Dei Cantores voices sounded like angels descending from Heaven, delivering and rendering my music in a way that seemed to shake the rafters and elevate the spirit. It was a magnificent sound borne of discipline and motivation, faithful love for craft and result. A glorious celebration... a joyous melding of mission and gift. For this experience I am truly grateful. Praise God and Let Us Move!. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2000 Composed by Mark O’ConnorText is Public Domain (Hail The Day That Sees Him Rise)Commissioned by Gloriae Dei Cantores Can be heard on Folk Mass by Gloriae Dei Cantores and Mark O’Connor, OMAC Recordshttps://omacrecords.com/omac-10-folk-mass Catalogue Number MO144BCopyright © 2000 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$6.00
Prophitiae Sibyllarum
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Chorale SATB
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INTERMÉDIAIRE
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Orlande De Lassus
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Jasper Swank
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Prophitiae Sibyllarum
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Jasper Swank
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1264673 Composed by Orlande De Lassus. Arranged by Jasper Swank. A Cappella,Historic,Religious,Renaissance. Octa...
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Choral Choir (SATB) - Level 3 - SKU: A0.1264673 Composed by Orlande De Lassus. Arranged by Jasper Swank. A Cappella,Historic,Religious,Renaissance. Octavo. 28 pages. Jasper Swank #857504. Published by Jasper Swank (A0.1264673). About the composer Orlando Lasso, Orlande de Lassus, Orlando di Lasso or Orlandus Lassus was born in Bergen (Dutch) or Mons (French) in Henegouwen, Belgium – which was a place in the Habsburg Netherlands at the time – in 1532, and was highly regarded as the best composer of his time. Temopraries appointed him titles like ‘ruler of music’ and ‘master of motets’. The roman-catholic composer was also one of the most productive composers of all times. Among his works are 53 masses for four to eight voices, and 1250 works for two to twelve voices in the form of motets, requiems, madrigals, chansons and songs for choir. Later in life, he wrote German drinking songs, as well as Dutch songs. From the latter category, none have been preserved. One of his drinking songs ‘Un jour vis un foulon qui fouloit’ was translated to English by William Shakespeare, after which it was used in his theatre play ‘Henry IV part 2’. About this work Prophetiae Sibyllarum is a motet in Latin for four voices. Posthumously published in 1600, it sets 12 prophecies attributed to the Sibyls (priestesses of Apollo later adopted by Christians) with a prologue.The movements are catalogued in order under separate opus numbers LV 1048 to 1060. About this edition This edition was notated from the composer’s manuscript (published around 1600), Das Chorwerk (Wolfenbüttel, 1937) and an anonymous reading score. The note values were halved for easier sightreading by modern singers. Recordings by De Labyrintho were studied for interpretation. On the base of these recordings, small checkmarks are added at places where collective breathing moments are suggested. These are not part of the manuscript.Great care has been put in the correct notation of the original work, as well as in solving apparent inconsistencies in the source materials. However, this edition was made purely to acommodate singers to study the melodic lines and should not be used for historic purposes.
$3.09
Chorale No.1
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Chorale SATB
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FACILE
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Musique Sacrée
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Leif Jack
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Chorale No.1
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Leif Thomas Marken Jack
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1022836 Composed by Leif Jack. Contemporary,Praise & Worship,Sacred,Spiritual. Octavo. 4 pages. Leif Thomas Mark...
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Choral Choir (SATB) - Level 2 - SKU: A0.1022836 Composed by Leif Jack. Contemporary,Praise & Worship,Sacred,Spiritual. Octavo. 4 pages. Leif Thomas Marken Jack #4623299. Published by Leif Thomas Marken Jack (A0.1022836). This original 1-minute chorale for SATB choir, with optional organ and cello, is set to the words of A Mighty Fortress is Our God by Martin Luther. Easy to learn for a high-school choir and beyond, this work fits best as part of a church service's programme, or an introduction for those new to singing in a choir. It may also serve as good padding to a concert programme. Following the form of the chorales of Bach, the composer has placed fermati to help mark phrases. The appropriate length of the fermati and any pauses after is up to the discretion of the performers. The text is in German, but can easily be changed to English as need be. Contact me at leifjack395@gmail.com for any further questions, concerns or business inquiries or check out my Instagram leif.jack.3 to see what I've been working on. Performing rights managed by SOCAN and BMI.
$4.59
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