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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Air for flute and piano
Non classifié
443
Piano & claviers
Piano seul
54
Piano, Voix et Guitare
12
Piano Facile
8
Instruments en Do
8
Accompagnement Piano
7
Piano, Voix
5
Piano Quatuor: piano, violon, alto, violoncelle
3
1 Piano, 4 mains
3
Orgue, Piano (duo)
2
Piano Trio: piano, violon, violoncelle
2
Orgue
1
+ 6 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
1
Guitare
1
Voix
Chorale SATB
50
Voix seule
8
Chorale 3 parties
8
Chorale Unison
4
Chorale 2 parties
3
Voix Baryton, Piano
3
Voix Alto, Piano
1
Chorale SSAA
1
Voix haute
1
Chorale TTBB
1
+ 5 instrumentations
Retracter
Vents
Flûte traversière et Piano
482
Flûte traversière
153
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
62
Flûte, Hautbois, Clarinette, Basson
45
2 Flûtes traversières (duo)
27
Hautbois, Piano (duo)
22
Saxophone Tenor et Piano
15
Saxophone Alto et Piano
14
Clarinette et Piano
12
Flûte, Clarinette, Piano (trio)
10
Quatuor de Flûtes : 4 flûtes
9
Flûte, Clarinette (duo)
9
Flûte, Violoncelle, Piano (trio)
8
2 Flûtes traversières, Piano
8
Flûte, Violon, Piano
6
Trio de Flûtes: 3 flûtes
5
Saxophone Soprano et Piano
4
Flûte et Guitare
4
Flûte, Alto et Piano
4
Clarinette
3
Flûte, Clarinette et Basson
3
Quatuor de Clarinettes: 4 clarinettes
3
Ensemble de Flûtes
3
2 Clarinettes (duo)
3
Flûte, trombone et piano
2
Flûte, Hautbois (duo)
2
Saxophone Tenor
2
Flûte irlandaise
2
Hautbois, Basson et Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Violon
1
Flûte, Saxophone (duo)
1
2 Clarinettes, Piano
1
Cor anglais, Guitare (duo)
1
Clarinette, Guitare (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Violon (duo)
1
Saxophone Baryton, Piano
1
Flûte, Hautbois, Piano (trio)
1
Cor anglais, Piano
1
Flûte, Basson et Piano
1
Quintette de Flûte : 5 flûtes
1
Flûte, Violoncelle
1
3 Clarinettes (trio)
1
Quatuor de Saxophones: 4 saxophones
1
2 Saxophones (duo)
1
Saxophone Alto
1
Piccolo, Piano
1
+ 43 instrumentations
Retracter
Cuivres
Trompette
5
Trombone et Piano
5
Cor et Piano
4
Trompette, Piano
3
Cor anglais, Guitare (duo)
1
Tuba et Piano
1
Cor anglais, Piano
1
+ 2 instrumentations
Retracter
Cordes
Violon et Piano
26
Alto, Piano
12
Violoncelle, Piano
8
Trio à Cordes: violon, alto, violoncelle
5
Harpe, Flûte (duo)
4
Violon
4
2 Violons (duo)
3
Quatuor à cordes: 2 violons, alto, violoncelle
2
Alto seul
2
Violoncelle
2
Harpe, Violoncelle (duo)
1
Piano Trio: Violon, Alto, Piano
1
Harpe
1
Violoncelle , Guitare (duo)
1
Contre Basse
1
Alto, Guitare (duo)
1
+ 11 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
28
Orchestre
22
Orchestre de chambre
21
Ensemble Jazz
11
Cloches
2
Jazz combo
1
Ensemble de cuivres
1
Fanfare
1
+ 3 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
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Vous avez sélectionné:
Air for flute and piano
Chorale SATB
Partitions à imprimer
50 partitions trouvées
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Northwest Passage (Downloadable Piano/Choral Score)
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Chorale SATB
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INTERMÉDIAIRE
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Z
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Northwest Passage
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir, wind quintet and string quartet or piano - Medium - SKU: MQ.1.3438-E Composed by Z. Randall Stroope. Advanced/Collegiate. Secular, 21st Cent...
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SATB choir, wind quintet and string quartet or piano - Medium - SKU: MQ.1.3438-E Composed by Z. Randall Stroope. Advanced/Collegiate. Secular, 21st Century, Creation/Nature. Score & instrument part. 24 pages. Duration 8 minutes, 25 seconds. Galaxy Music Corporation - Digital #1.3438-E. Published by Galaxy Music Corporation - Digital (MQ.1.3438-E). English.Northwest Passage is a set of “poetic landscapes†that reflects on three elements of the great Northwest of the United States—rivers, mountains, and prairies. Each sonic reflection (movement) combines to form a larger image, not unlike someone standing on a vista and seeing rivers, mountains, and prairies—each distinct, but part of one vast expanse.The work is scored for two versions: mixed chorus and piano, or mixed chorus, wind quintet, and string quartet. The harmonic vocabulary of the work maintains an uncomplicated, transparent (“organicâ€) approach in describing nature. The melodic vocabulary immediately pulls the listener's eye to the image, and rhythm is used as the underlying spark that is subtly ever changing and unpredictable. These three poetic landscapes should be performed without applause between movements.1. A Willow by the River|William Carlos Williams was a medical practitioner, pediatrician, and an avid writer. He wrote short stories, novels, plays, critical essays and, of course, poetry. The subjects of his writing were often “local†images, and he preferred to see the world “as it is,†without unnecessary trappings or “airs.†He was an important mentor to many younger poets of his day. “Willow Poem†(A Willow by the River) has no rhyme scheme but is comprised of fourteen individual lines. The willow is the focus of the poem (by its title and content) and how it never changes but will always “be.†The river represents, among other things, life quickly moving by and in a constant state of motion.2. Mountains|Marjorie Seiffert (who often used the pseudonyms Elijah Hay or Angela Cypher) led an incredibly full and balanced life. College introduced her to a world beyond her domestic and civic life and, as a result, she wanted to experience self-empowerment and independence. She prided herself in being a spouse, mother and maintaining a full slate of professional appearances and commissions for writing. Her poetry is vivid, keenly “visual,†and full of fast-paced, tightly woven ideas. “Mountain trails†(Mountains) was written at Glacier Park, Montana in September 1917.3. The Prairie|John Hay was an American statesman who was personal assistant to Abraham Lincoln. He also served as U. S. Secretary of State and Ambassador to Great Britain. He was a cultivated man of letters and wrote poetry which was straightforward in design and delivery. Nature was often the subject of his creative output. -Z. Randall StroopeDuration: 8:25Instrumental Parts packet includes: Flute, Oboe, Clarinet, Horn, Bassoon, Strings (1-1-1-1).
$3.20
I Would Rock My Child to Sleep from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
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Chorale SATB
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INTERMÉDIAIRE
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Dandelion Music Press
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I Would Rock My Child to Sleep
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion Music Press #3104...
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Choral Choir (SATB) - Level 3 - SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion Music Press #3104497. Published by Dandelion Music Press (A0.891206). This tender lullaby is a touching memorial for an end of life commemoration of a parent or caregiver. Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infantIII. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Old Beggarman from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
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Chorale SATB
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INTERMÉDIAIRE
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Traditional Irish
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Laurie Betts Hughes
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Old Beggarman from "Lost
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.891205 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 26 pages...
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Choral Choir (SATB) - Level 3 - SKU: A0.891205 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 26 pages. Dandelion Music Press #3104495. Published by Dandelion Music Press (A0.891205). The first of three movements, here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project : Encore 2017Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved. I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WASet of three and single movements available for purchase.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Lost Songs of Ancient Ireland [SATB with Treble Descant]
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Chorale SATB
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INTERMÉDIAIRE
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Celtique/Irlandais
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Folklorique/Traditionel
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Traditional Irish
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Laurie Betts Hughes
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Lost Songs of Ancient Ireland
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.891204 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 61 pages...
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Choral Choir (SATB) - Level 3 - SKU: A0.891204 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 61 pages. Dandelion Music Press #3104111. Published by Dandelion Music Press (A0.891204). Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$6.25
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
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Chorale SATB
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INTERMÉDIAIRE
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Stuart Brown
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An Omani Dance Suite - COMPLET
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Stuart Brown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681...
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Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
The Settling Years: (Piano/Choral Score)
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Chorale SATB
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Libby Larsen
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The Settling Years:
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir and piano or wind quintet and piano - Medium - SKU: MQ.4286-E Composed by Libby Larsen. Choral score. 52 pages. E. C. Schirmer Music Company ...
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SATB choir and piano or wind quintet and piano - Medium - SKU: MQ.4286-E Composed by Libby Larsen. Choral score. 52 pages. E. C. Schirmer Music Company - Digital #4286-E. Published by E. C. Schirmer Music Company - Digital (MQ.4286-E). English.This piece is a three-part collection based on poetry by American pioneers. The texts are full of a kind of raw energy, swashbuckling attitude, and profundity of heart and commitment characteristic of those settlers west of the Hudson. I had also looked at the more erudite essays of Coleridge-Taylor, Thoreau, and Emerson but chose the rougher stanzas because the primitive voices, the pioneers, were profound, simply in the way they expressed the nature of their experiences. The first piece, 'Comin’ to Town,' is about cowboys after a month on the range—bawdy, rowdy, and raucous. The second, 'Beneath These Alien Stars,' is about the bonding of the human spirit to the land. The third piece, 'A Hoopla,' depicts a barn dance and vocalists circle ‘round the instruments, stomp, clap, and generally perform with abandon, vigor, and boisterousness. The Settling Years was commissioned and premiered by The Singing Sergeants and the United States Air Force Band for the 150th anniversary of the Music Educators National Convention.-Libby LarsenInstrumental Parts include: Flute, Oboe, Clarinet, Horn, Bassoon, and Piano.
$5.60
The Settling Years: 1. Comin' to Town (Piano/Choral Score)
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Chorale SATB
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INTERMÉDIAIRE
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Libby Larsen
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The Settling Years: 1. Comin'
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir, wind quintet, and piano - Medium - SKU: MQ.8560-E Composed by Libby Larsen. Instrument part. 28 pages. E. C. Schirmer Music Company - Digita...
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SATB choir, wind quintet, and piano - Medium - SKU: MQ.8560-E Composed by Libby Larsen. Instrument part. 28 pages. E. C. Schirmer Music Company - Digital #8560-E. Published by E. C. Schirmer Music Company - Digital (MQ.8560-E). English.This piece is a three-part collection based on poetry by American pioneers. The texts are full of a kind of raw energy, swashbuckling attitude, and profundity of heart and commitment characteristic of those settlers west of the Hudson. I had also looked at the more erudite essays of Coleridge-Taylor, Thoreau, and Emerson but chose the rougher stanzas because the primitive voices, the pioneers, were profound, simply in the way they expressed the nature of their experiences. The first piece, 'Comin’ to Town,' is about cowboys after a month on the range—bawdy, rowdy, and raucous. The second, 'Beneath These Alien Stars,' is about the bonding of the human spirit to the land. The third piece, 'A Hoopla,' depicts a barn dance and vocalists circle ‘round the instruments, stomp, clap, and generally perform with abandon, vigor, and boisterousness. The Settling Years was commissioned and premiered by The Singing Sergeants and the United States Air Force Band for the 150th anniversary of the Music Educators National Convention.-Libby LarsenInstrumental Parts include: Flute, Oboe, Clarinet, Horn, Bassoon, and Piano.
$3.25
Only from Blood Does Freedom Grow (Piano/Choral Score)
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Chorale SATB
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FACILE
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom G
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 2 - SKU: A0.1465704 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,...
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Choral Choir,Choral,SATB Chorus divisi - Level 2 - SKU: A0.1465704 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 16 pages. Stanleymhoffman.com #1044314. Published by stanleymhoffman.com (A0.1465704). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30.
$4.00
For This Glorious Easter Morning
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Chorale SATB
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Joel Raney
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For This Glorious Easter Morni
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Hope Publishing - Digital
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SheetMusicPlus
Choral SATB choir with optional Flute, Brass & Percussion - SKU: H1.C5555DP Composed by Joel Raney. Piano with Optional Flute, Brass & Percussion. Easte...
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Choral SATB choir with optional Flute, Brass & Percussion - SKU: H1.C5555DP Composed by Joel Raney. Piano with Optional Flute, Brass & Percussion. Easter Sunday, Sacred. Octavo. 12 pages. Hope Publishing - Digital #C5555DP. Published by Hope Publishing - Digital (H1.C5555DP). John Parker. Matthew 28:1 - Matthew 28:2 - Matthew 28:3 - Matthew 28:4 - Matthew 28:5 - Matthew 28:6 - Matthew 28:7 - Matthew 28:8 - Matthew 28:9 - Matthew 28:10 - Mark 16:1 - Mark 16:2 - Mark 16:3 - Mark 16:4 - Mark 16:5 - Mark 16:6 - Mark 16:7 .Original anthem A majestic tune and triumphant text are perfectly paired in this powerful, original anthem which includes all the essential elements needed for a glorious Easter morning. With choir, organ, optional brass, flute and orchestral percussion, the forces come together in praise of the Conquering King of all creation. The appearance of a verse of EASTER HYMN in the mid-section is both refreshing and familiar. The Brass packet contains a Conductor's Score and parts for: Flute, 2 Trumpets in B-flat, 2 Trombones, Tuba, Glockenspiel and Percussion.
$3.25
Black is the Color of My True Love‘s Hair
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Chorale SATB
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FACILE
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Southern Appalachian Folk Song
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David Lantz
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Black is the Color of My True
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Lantz Choral Publications
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1398298 Composed by Southern Appalachian Folk Song. Arranged by David Lantz. Contest,Festival,Folk,Tradit...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1398298 Composed by Southern Appalachian Folk Song. Arranged by David Lantz. Contest,Festival,Folk,Traditional. 12 pages. Lantz Choral Publications #981574. Published by Lantz Choral Publications (A0.1398298). This beautiful Southern Appalachian love song arrangement for SATB voices includes both piano and optional flute. The piano part is purposefully arranged to accommodate the intermediate student player. The flute part is included in the octavo. This haunting offering will add to any high school, college or community non-seasonal concert.
$2.55
Lamb of God / Agnus Dei, SATB, piano and 2 flutes, part of rhythmical mass setting by Simon Peberdy
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Chorale SATB
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DÉBUTANT
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Christian contemporain
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Musique Sacrée
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Simon Peberdy
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Lamb of God / Agnus Dei, SATB,
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Simon Peberdy
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.756912 Composed by Simon Peberdy. Contemporary,Sacred. Octavo. 16 pages. Simon Peberdy #368393. Published by Sim...
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Choral Choir (SATB) - Level 1 - SKU: A0.756912 Composed by Simon Peberdy. Contemporary,Sacred. Octavo. 16 pages. Simon Peberdy #368393. Published by Simon Peberdy (A0.756912). Written for a village church choir in Maria Alm, Austria, many of whom could not read music. Very quick and easy to learn, and catchy too! Guitar/bass can be added if desired. The mp3 is a poor quality live recording.Video: https://www.youtube.com/watch?v=xS3JYg87QVg&t=13m30s where you can hear the village choir giving it an airing.For more new pieces, please visit www.simonpeberdymusic.com
$1.99
Amazing Grace for Mixed Choir and Melody Instruments
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Chorale SATB
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INTERMÉDIAIRE
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Traditional
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Gustavo Fuentes
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Amazing Grace for Mixed Choir
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Gustavo Fuentes
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.900393 Composed by Traditional. Arranged by Gustavo Fuentes. Celtic,Christian,Christmas,World. Octavo. 5 pages. ...
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Choral Choir (SATB) - Level 3 - SKU: A0.900393 Composed by Traditional. Arranged by Gustavo Fuentes. Celtic,Christian,Christmas,World. Octavo. 5 pages. Gustavo Fuentes #3532483. Published by Gustavo Fuentes (A0.900393). A beautiful traditional song, arranged for Mixed Choir (SATB) and three voices of melody instrument, such as tin whistle, low whistle, flute, recorder or violin, and low voice like cello or bass, with chords for piano or guitar. This arrangement belongs to the repertory of Avalon Choir (Coro Avalon) and Ensamble de Música Celta de Buenos Aires, of which I am its director and arranger. The audio is from a live concert. https://youtu.be/2p9y5WwVT8I Una hermosa canción tradicional, arreglada para Coro Mixto (SATB) y tres voces de instrumentos melódicos, como tin-whistle, low whistle, flauta traversa, flauta dulce o violÃn, y voz grave como cello o bajo, con acordes para piano o guitarra. Este arreglo forma parte del repertorio del Coro Avalon y del Ensamble de Música Celta de Buenos Aires, de los cuales soy el director y arreglador. El audio es de un concierto en vivo.
$3.00
GLORIA RV 589 - Antonio VIVALDI - for Full Orchestra - Arr. Marc Garetto / Optionnal Organ and Choir
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Chorale SATB
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonio Vivaldi
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Marc GARETTO
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GLORIA RV 589 - Antonio VIVALD
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Marc GARETTO - Harmonie Editions
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SheetMusicPlus
Composed by Antonio Vivaldi (1678-1741). Arranged by Marc GARETTO. Baroque Period, Christian, Christmas, Fairy Tales, Wedding. Score, Set of Parts. 64 pages. Pu...
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Composed by Antonio Vivaldi (1678-1741). Arranged by Marc GARETTO. Baroque Period, Christian, Christmas, Fairy Tales, Wedding. Score, Set of Parts. 64 pages. Published by Marc GARETTO - Harmonie Editions (S0.144183). - Score,Set of Parts - Baroque Period,Christian,Christmas,Fairy Tales,Wedding - Marc GARETTO - Harmonie Editions
One of the most famous music by Antonio Vivaldi, now arranged for modern Full Orchestra. Strings Wind Brass and Percussion with Optionnal Choir and Organ (included) Piccolo / Flute 1 / Flute 2 / Oboe / Clarinet 1 / Clarinet 2 / Bassoon Horn 1and2 / Trumpet 1 / Trumpet 2and3 / Trombone 1and2 / Tuba / Timpani Violin 1 / Violin 2 / Viola / Cello / DoubleBass Optionnal : Piano/Church Organ or Choir SATB (ou optionnal Brass if Choir)
$68.00
The "What's Your Answer?" Game Show (Christmas Religious Edition)
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Chorale SATB
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FACILE
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Noël
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Stephen DeCesare
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The "What's Your Answer?&
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Exultet Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.618409 Composed by Stephen DeCesare. Children,Film/TV,Instructional,Sacred. Octavo. 16 pages. Exultet Music #202...
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Choral Choir (SATB) - Level 2 - SKU: A0.618409 Composed by Stephen DeCesare. Children,Film/TV,Instructional,Sacred. Octavo. 16 pages. Exultet Music #2020011. Published by Exultet Music (A0.618409). A wonderful way to have your children's choir learn as well as sing. This IS a game show all set to music. Features a host, Offstage Announcer, SATB, Three contestants, Flute and Piano. There are other version of this game that are also available on this site (Religious Edition, Fairy Tale Edition, Christmas Secular Edition, and School Edition). An accompaniment track for the game can be found at: stephendecesare.com.
$3.99
The "What's Your Answer?" Game Show (Christmas Secular Edition)
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Chorale SATB
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FACILE
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Noël
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Stephen DeCesare
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The "What's Your Answer?&
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Exultet Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.618410 Composed by Stephen DeCesare. Children,Contemporary,Film/TV,Instructional. Octavo. 18 pages. Exultet Musi...
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Choral Choir (SATB) - Level 2 - SKU: A0.618410 Composed by Stephen DeCesare. Children,Contemporary,Film/TV,Instructional. Octavo. 18 pages. Exultet Music #2020013. Published by Exultet Music (A0.618410). A wonderful way to have your children's choir learn as well as sing. This IS a game show all set to music. Features a host, Offstage Announcer, SATB, Three contestants, Flute and Piano. There are other version of this game that are also available on this site (Religious Edition, Fairy Tale Edition, Christmas Religious Edition, and School Edition). An accompaniment track for the game can be found at: stephendecesare.com.
$3.99
A Song With No Tune / Inisheer
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Chorale SATB
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FACILE
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Celtique/Irlandais
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Folklorique/Traditionel
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Alan Wagstaff
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Alan Wagstaff
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A Song With No Tune / Inisheer
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Alan Wagstaff
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 2 - SKU: A0.507012 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octa...
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Choral Choir (SATB divisi) - Level 2 - SKU: A0.507012 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 37 pages. Alan Wagstaff #117526. Published by Alan Wagstaff (A0.507012). This is a new Irish song about the magic of Irish music. It's arranged for choir (SSAATB), harp, piano, flute, and fiddle. Elements of O'Carolan's 'Inisheer' are woven into the melody. Lyric A Song With No Tune The stories they tell in the Town of Athlone, would gladden the heart of a man made of stone. I joined in with them freely, until it was Spring, then I was off, like a hawk on the wing - searching for fortune - and something to sing. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. The pipers are proud in Kildare and Athy; there's no better music found under the sky. But, one bright Summer's evening, I left them behind; put my feet to the road and I followed them blind - searching for fortune - and what I might find. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. The fiddlers are famous from Bantry to Cork. The rake of their reels would make the lame walk. But still, at the close of a fine Autumn day, I packed up my bags and I went on my way - searching for fortune but finding low pay. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. Far up the west coast, in Aran and Clare, there's harpers to bring you a magical aire. I listened, enthralled, till the Winter came on, then pulled up my boots - and soon I was gone - searching for fortune for still I had none. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. I rested, by chance, at the close of the day, by a small rounded hill, where I happened to stray. And there, as the drowsiness over me stole, I dreamed of a woman with eyes black as coal - And the fortune she held was the song of my soul. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. Alan Wagstaff.
$100.00
On the Seashore of Endless Worlds (SATB Choir)
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Chorale SATB
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INTERMÉDIAIRE
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Colin Kirkpatrick
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On the Seashore of Endless Wor
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Colin Kirkpatrick Publications
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.522260 Composed by Colin Kirkpatrick. Holiday,Patriotic. Octavo. 33 pages. Colin Kirkpatrick Publications #60285...
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Choral Choir (SATB) - Level 3 - SKU: A0.522260 Composed by Colin Kirkpatrick. Holiday,Patriotic. Octavo. 33 pages. Colin Kirkpatrick Publications #6028587. Published by Colin Kirkpatrick Publications (A0.522260). This choral work is sure to add excitement to your concert and it was given splendid reviews when it was first performed at London’s Royal Albert Hall. It was later performed at Croydon’s Fairfield Halls just outside London where it received a rapturous reception from the large audience. The work is ideal for music festivals (for which it was originally written) or any important event which needs a celebratory piece for choir and orchestra. The piece celebrates the endless joy of life and light, as children play on the seashore. The choral parts are not difficult and parts of the soprano could also be sung by children’s chorus if necessary. The words of the soprano solo part have a reflective, maternal quality as she watches the children playing on the shore. Singers are sure to enjoy the catchy melodies, the expressive soprano solo and the dramatic middle section of this work. Parts of the piece use several irregular time signatures. Don’t let them put you off! They are good deal easier than they look and the score contains indicates how they break down into simple units of two and three beats.The choral score contains a piano reduction of the orchestral score. The full orchestral score and parts are available separately from SMP. The orchestration is standard and requires: 2 flutes and piccolo, 2 oboes, 2 clarinets in B flat, 2 bassoons; 4 horns in F, 3 trumpets, 3 trombones, 1 tuba, timpani, percussion (4 players), violin 1, violin 2, viola, cello, double bass. A high-quality audio file containing the orchestral accompaniment is also available.The words are by the distinguished and much-loved Bengali poet Rabindranath Tagore (1861-1941). He made significant contributions to literature and wrote a prodigious number of works including essays, philosophical treatises, journals, memoirs, short stories and letters. The text of this work is taken from two poems in the book entitled Gitanjali. The title is translated as Song Offerings and was largely responsible for Tagore winning the Nobel Prize for Literature. The book contains over one hundred poems, translated freely by the author into English from the original Bengali, published in 1910. The English version appeared in 1912 published by the Indian Society of London. The text has been adapted slightly for this choral setting.Colin Kirkpatrick has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester and Belwin Mills. His music has been performed and broadcast world-wide.
$3.99
The Sense of a Place Will Remain
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Chorale SATB
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Contemporain
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Paul Burnell
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The Sense of a Place Will Rema
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Paul Burnell
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835...
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Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
$7.95
Come, Lord Jesus Bass Rehearsal MP3
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Chorale SATB
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Incorporating The First Noel M
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Jim Ailor
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Come, Lord Jesus Bass Rehearsa
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Celebrating Grace - Digital
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SheetMusicPlus
SATB, opt. Children, opt. Flute - SKU: C6.834142 (Sing Noel). Composed by Incorporating The First Noel Music by Rowland H. Prichard HYFRYDOL. Arr...
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SATB, opt. Children, opt. Flute - SKU: C6.834142 (Sing Noel). Composed by Incorporating The First Noel Music by Rowland H. Prichard HYFRYDOL. Arranged by Jim Ailor. Advent, Christmas, Multigenerational. MP3. Celebrating Grace - Digital #834142. Published by Celebrating Grace - Digital (C6.834142). Jim Ailor’s original Advent text is paired with the HYFRYDOL tune, creating a stunning musical moment of worship! Strains of The First Noel can be heard in the introduction, and the piece eventually gives way to the refrain in a beautiful crescendo of praise. Lush choral writing abounds, and options for including children’s choir are included. The lovely flute part adds a special dimension and is included in the octavo. Available separately: Score and parts for Flute, Oboe (Flute 2), Percussion 1 & 2, Harp, Violin 1 & 2, Viola, Cello, String Bass, (String Reduction), and Piano (opt. Rhythm).
$2.99
Come, Lord Jesus Orchestration (Digital)
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Chorale SATB
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Incorporating The First Noel M
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Jim Ailor
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Come, Lord Jesus Orchestration
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Celebrating Grace - Digital
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SheetMusicPlus
SATB, opt. Children, opt. Flute, opt. Orchestra - SKU: C6.821142 (Sing Noel). Composed by Incorporating The First Noel Music by Rowland H. Pricha...
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SATB, opt. Children, opt. Flute, opt. Orchestra - SKU: C6.821142 (Sing Noel). Composed by Incorporating The First Noel Music by Rowland H. Prichard HYFRYDOL. Arranged by Jim Ailor. Advent, Christmas, Multigenerational. PDF. 34 pages. Celebrating Grace - Digital #821142. Published by Celebrating Grace - Digital (C6.821142). 8.5 x 11.0 inches.Jim Ailor’s original Advent text is paired with the HYFRYDOL tune, creating a stunning musical moment of worship! Strains of The First Noel can be heard in the introduction, and the piece eventually gives way to the refrain in a beautiful crescendo of praise. Lush choral writing abounds, and options for including children’s choir are included. The lovely flute part adds a special dimension and is included in the octavo. Available separately: Score and parts for Flute, Oboe (Flute 2), Percussion 1 & 2, Harp, Violin 1 & 2, Viola, Cello, String Bass, (String Reduction), and Piano (opt. Rhythm).
$40.00
Come, Lord Jesus Alto Rehearsal MP3
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Chorale SATB
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Incorporating The First Noel M
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Jim Ailor
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Come, Lord Jesus Alto Rehearsa
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Celebrating Grace - Digital
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SheetMusicPlus
SATB, opt. Children, opt. Flute - SKU: C6.832142 (Sing Noel). Composed by Incorporating The First Noel Music by Rowland H. Prichard HYFRYDOL. Arr...
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SATB, opt. Children, opt. Flute - SKU: C6.832142 (Sing Noel). Composed by Incorporating The First Noel Music by Rowland H. Prichard HYFRYDOL. Arranged by Jim Ailor. Advent, Christmas, Multigenerational. MP3. Celebrating Grace - Digital #832142. Published by Celebrating Grace - Digital (C6.832142). Jim Ailor’s original Advent text is paired with the HYFRYDOL tune, creating a stunning musical moment of worship! Strains of The First Noel can be heard in the introduction, and the piece eventually gives way to the refrain in a beautiful crescendo of praise. Lush choral writing abounds, and options for including children’s choir are included. The lovely flute part adds a special dimension and is included in the octavo. Available separately: Score and parts for Flute, Oboe (Flute 2), Percussion 1 & 2, Harp, Violin 1 & 2, Viola, Cello, String Bass, (String Reduction), and Piano (opt. Rhythm).
$2.99
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Air for flute and piano
