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ACCORDEON
ALTO
AUTOHARPE
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BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CORNEMUSE
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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MARIMBA
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expert
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avec vidéo
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Non classifié
20179
PIANO & CLAVIERS
Piano seul
3665
Piano, Voix
1950
Piano Facile
1263
Piano, Voix et Guitare
1191
Instruments en Do
397
Orgue
383
Accompagnement Piano
333
Piano grosses notes
166
1 Piano, 4 mains
154
Piano Trio: piano, violon, violoncelle
94
Piano (partie séparée)
93
2 Pianos, 4 mains
71
Accordéon
68
Piano Quatuor: piano, violon, alto, violoncelle
27
Orgue, Trompette (duo)
24
Piano Quatuor: piano, 2 violons, violoncelle
13
1 Piano, 6 mains
13
Piano Quintette: piano, 2 violons, alto, violoncelle
11
Orgue, Piano (duo)
9
Clavier
8
Clavecin
7
2 Pianos, 8 mains
6
2 Accordéons
2
Concertina
1
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GUITARES
Guitare notes et tablatures
630
Guitare
466
Basse electrique
394
Ligne De Mélodie, (Paroles) et Accords
241
Guitare (partie séparée)
186
Ukulele
163
Paroles et Accords
72
2 Guitares (duo)
54
4 Guitares (Quatuor)
33
Mandoline
29
Piano, Guitare (duo)
27
Dulcimer
24
3 Guitares (trio)
22
Banjo
21
Ukulele Baryton
14
Ensemble de guitares
12
Guitare, Violon, Violoncelle (trio)
7
Basse électrique (partie séparée)
5
Mandoline, Guitare (duo)
4
2 Dulcimers (duo)
3
2 Mandolines (duo)
2
Ensemble de Ukulélés
2
Mandoline, Piano (duo)
2
Guitare Pedal Steel
1
Orchestre à Plectres
1
2 Ukuleles
1
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VOIX
Chorale SATB
2569
Chorale 3 parties
776
Chorale TTBB
606
Chorale 2 parties
531
Chorale Unison
321
Chorale SSAA
302
Voix duo, Piano
114
Voix seule
113
Voix duo
98
Voix Soprano, Piano
67
Chorale
27
Voix Tenor, Piano
26
Voix haute
24
Voix Alto, Piano
21
Voix moyenne, Piano
15
Chorale SSAATTBB
9
Voix Tenor
9
Voix Soprano
8
Voix basse, Piano
8
Voix Baryton, Piano
8
Chorale SSATTB
6
Chorale SSATB
5
Voix d'Enfants
4
Soli, choeur mixte et accompagnement
4
Voix Mezzo-Soprano, Piano
3
Chorale SSAB, Piano
2
Voix basse
1
Voix Baryton
1
Chorale SAATB A Cappella
1
Voix Soprano, Orchestre
1
Voix, Guitare
1
Instrumentations suivantes
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VENTS
Saxophone (partie séparée)
2624
Quatuor de Saxophones: 4 saxophones
2164
2 Saxophones (duo)
1993
Saxophone Alto et Piano
1250
Saxophone Alto
1246
Saxophone Tenor et Piano
1033
Quintette de Saxophone: 5 saxophones
909
Saxophone Soprano et Piano
717
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
695
Saxophone
684
Flûte traversière et Piano
625
Flûte, Hautbois, Clarinette, Basson
615
3 Saxophones (trio)
498
2 Clarinettes (duo)
449
Clarinette et Piano
448
Hautbois, Piano (duo)
435
Saxophone Tenor
420
Saxophone Baryton, Piano
410
Clarinette
400
Quatuor de Clarinettes: 4 clarinettes
389
2 Flûtes traversières (duo)
383
Saxophone, Clarinette (duo)
342
Ensemble de saxophones
322
Flûte traversière
298
Clarinette, Violon (duo)
230
Flûte, Clarinette (duo)
211
Hautbois (partie séparée)
177
Clarinette, Trompette (duo)
176
2 Hautbois (duo)
161
Quatuor de Flûtes : 4 flûtes
156
Saxophone Soprano
156
Ensemble de Clarinettes
149
Hautbois, Basson (duo)
148
Hautbois, Clarinette (duo)
142
Flûte, Saxophone (duo)
126
3 Clarinettes (trio)
120
Clarinette et Alto
118
Flûte, Violon
115
Ensemble de Flûtes
114
Quintette de Clarinettes: 5 clarinettes
107
Hautbois, Flûte
99
2 Flûte à bec (duo)
97
Flûte, Alto (duo)
92
Clarinette (partie séparée)
88
Flûte, Trompette (duo)
87
Saxophone Baryton
85
Cor anglais, Piano
83
Hautbois
82
Trio de Flûtes: 3 flûtes
73
Flute (partie séparée)
73
Flûte et Guitare
71
Flûte à bec Soprano
68
Quatuor de Flûtes à bec
60
Clarinette Basse, Piano
58
Quintette de Flûte : 5 flûtes
47
2 Saxophones, Piano
40
Clarinette, Basson (duo)
36
Flûte à Bec
35
Flûte, Hautbois (duo)
34
Instruments en Mib
30
Clarinette, Guitare (duo)
29
Hautbois, Clarinette, Basson (trio d'anches)
28
2 Flûtes traversières, Piano
28
Flûte, Violoncelle
26
Flûte à bec Alto
25
Clarinette, Violoncelle (duo)
24
Flûte, Hautbois, Clarinette (trio)
22
3 Flûtes à bec (trio)
22
5 Flûtes à bec
22
Flûte, Trombone (duo)
20
Ensemble De Flûte à bec
20
Harmonica
20
Cor Anglais
19
Clarinette, Trombone (duo)
18
Flûte, Violon, Piano
18
Hautbois, violon (duo)
18
Hautbois, Violoncelle
17
Saxophone et Guitare
15
Flûte, Clarinette et Basson
15
Flûte, Violon et Violoncelle
14
4 Hautbois
13
Saxophone et Orgue
13
Saxophone, Violon (duo)
12
Piccolo, Piano
12
Flûte à bec Soprano, Piano
12
Flûte, Hautbois, Basson
12
Hautbois, Guitare (duo)
12
Flûte, Clarinette, Cor, Basson (Quartet)
11
Flûte, Clarinette, Piano (trio)
10
3 Hautbois
10
Flute, harpe et violon
9
Piccolo
9
Saxophone et Harpe
8
Flûte, Violoncelle, Piano (trio)
8
Cor anglais, Guitare (duo)
7
Ensemble à vent
7
Flûte à bec Alto, Piano
7
Saxophone et Piano
6
Clarinette, Violoncelle, Piano (trio)
6
Flûte et Trio à cordes
5
2 Clarinettes, Piano
5
Hautbois, trombone (duo)
5
Hautbois et alto (duo)
5
Flûte, Violon, Violoncelle et Piano
4
Clarinette Basse
4
Flûte irlandaise
4
Ocarina
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Flûte à bec Tenor
3
Flûte, Harpe et Violoncelle
3
Flûte, Clarinette, Violon (trio)
3
Flûte, trombone et piano
3
Flûte, Alto et Piano
3
Flûte, Basson et Piano
3
Clarinette, Harpe (duo)
3
2 Cors Anglais Et Pianoforte
3
Flûte, alto et harpe
2
Flûte, Hautbois, Piano (trio)
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Flûte traversière, Basse continue
2
Hautbois, Violon, Piano
2
Saxophone, Tuba (duo)
2
Clarinette, trompette et piano
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Flûte traversière, Orgue (duo)
1
Flûte à Bec, Piano
1
Flûte, Violoncelle, Guitare
1
Saxophone, Basson (duo)
1
Clarinette, Basson, Piano (trio)
1
Ensemble de Hautbois
1
Clarinette, Orgue
1
Clarinette, Alto et Piano (trio)
1
Flûte à bec, Guitare (duo)
1
Clarinette, Contrebasse (duo)
1
Flûte, Hautbois, Violon
1
Clarinette, Orchestre
1
Clarinette, Tuba
1
Flûte de Pan
1
Hautbois, Basson et Piano
1
Flûte, Tuba (duo)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2183
Trombone (partie séparée)
1372
Trombone
1205
Trombone et Piano
1195
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1159
2 Trombones (duo)
645
Quatuor de Cuivres: 2 trompettes, Cor, trombone
499
Quatuor de Cuivres
389
Trompette
361
Trompette (partie séparée)
361
Trompette, Trombone (duo)
356
Trompette, Piano
325
Quatuor de cuivres: 4 trombones
308
Cor et Piano
282
Trompette, Saxophone (duo)
254
Ensemble de Trombones
199
2 Trompettes (duo)
199
Cor
180
Tuba
153
Tuba et Piano
132
Euphonium, Piano (duo)
126
Ensemble de Trompettes
104
Cor (partie séparée)
101
2 Cors (duo)
91
Cor anglais, Piano
83
Tuba (partie séparée)
75
Trio de Cuivres
66
3 Trombones (trio)
62
2 Tubas (duo)
44
Trompette, Cor (duo)
43
Quatuor de cuivres: 4 cors
37
Instruments en Sib
36
Bass Clef Instruments
36
Euphonium
32
Trombone, Tuba (duo)
31
2 Euphoniums et 2 Tubas
30
2 Euphoniums (duo)
28
Trombone basse
24
Ensemble de Cors
23
Quatuor de cuivres: 2 trompettes, 2 trombones
23
4 Tubas
20
Cor Anglais
19
Tuba ou Euphonium ou Saxhorn
18
Quatuor de cuivres: 4 trompettes
17
Trombone, Cor (duo)
16
Trombone, Orgue
16
Euphonium, Tuba (duo)
16
Trompette, Trombone, Piano
15
Trombone basse et Piano
14
Trompette, Basson (duo)
12
Trombone, Violon (duo)
10
Cor, Violoncelle (duo)
9
Trompette, Violoncelle (duo)
8
Cor anglais, Guitare (duo)
7
Cor et Basson (duo)
7
Tuba et Orgue
7
3 Tubas (trio)
5
2 Trombones, Piano
4
Trompette, Tuba (duo)
4
3 Cors (trio)
4
2 Trompettes, Clavier (piano ou orgue)
4
3 Trompettes (trio)
4
Trombone et orchestre
3
2 Cors Anglais Et Pianoforte
3
Cor, Trompette, Trombone (trio)
2
Cor, Tuba (duo)
2
Cor et Orgue
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
3 Euphoniums
2
Ensemble de Tubas
1
Cornet et orchestre
1
Trompette, Violoncelle et Piano
1
Trompette, violon (duo)
1
Trompette et Guitare
1
Trompette, Euphonium (duo)
1
2 Cors, Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1703
Violon et Piano
716
Violon
710
Violon, Violoncelle (duo)
596
Violoncelle, Piano
519
Harpe
438
Trio à Cordes: violon, alto, violoncelle
408
Alto, Piano
383
Violoncelle (partie séparée)
284
2 Violons (duo)
281
Quintette à cordes: 2 violons, alto, violoncelle, basse
269
Violon, Alto (duo)
239
2 Violoncelles (duo)
230
Alto seul
219
2 Altos (duo)
200
Violoncelle
162
Contre Basse
146
Contrebasse (partie séparée)
141
Trio à Cordes: 2 violons, violoncelle
118
Contrebasse, Piano (duo)
93
Violon (partie séparée)
86
Alto (partie séparée)
74
Alto, Violoncelle (duo)
67
4 Violoncelles
50
2 Harpes (duo)
40
2 Contrebasses (duo)
36
Violoncelle, Contrebasse (duo)
32
Violon, Guitare (duo)
32
Piano Trio: Violon, Alto, Piano
31
Trio à Cordes: 3 violoncelles
26
Ensemble de Violons
23
Quatuor à cordes: 4 violons
21
Trio à cordes: 3 violins
20
Ensemble d'Altos
20
Violoncelle , Guitare (duo)
20
Quatuor à cordes : 4 altos
19
Trio à cordes: 3 altos
14
Harpe, Voix
13
Harpe, Flûte (duo)
12
Trio à Cordes: 2 violons, alto
11
Violon, Basson (duo)
11
Alto et Basson
10
Quintette à cordes: 2 violons, 2 altos, violoncelle
10
Alto, Guitare (duo)
9
Flûte, Contrebasse (duo)
7
Trio à cordes
6
Harpe, Violon (duo)
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Violoncelle, Orgue
4
4 Contrebasses
4
Harpe, Violon, Violoncelle
4
Harpe, Trombone (duo)
4
Violon, Clarinette, Piano (trio)
3
Alto et Harpe
3
2 Violons, Piano
3
3 Harpes
3
Ensemble de Violoncelles
3
Alto et orchestre
2
Harpe, Violoncelle (duo)
2
5 Harpes
2
Harpe et Piano
2
Violon, Tuba (duo)
1
Harpe (partie séparée)
1
Harpe, Quatuor à cordes
1
Violoncelle, Orchestre
1
Harpe et mandoline
1
Violon, Basse continue
1
2 Violoncelles, Piano
1
Autoharp
1
Violoncelle, Basse continue
1
4 Harpes
1
3 Contrebasses
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
4256
Ensemble Jazz
1102
Orchestre
927
Orchestre à Cordes
795
Ensemble de cuivres
742
Orchestre de chambre
313
Cloches
296
Jazz combo
234
Fanfare
192
Ensemble de Percussions
164
Batterie (partie séparée)
119
Batterie
108
Percussion (partie séparée)
69
Xylophone
58
Marimba
50
Xylophone, Piano
43
Percussion
25
2 Xylophones
21
Vibraphone
17
Ensemble d'École
8
Instrumentation Flexible
5
Xylophone ou Marimba ou Vibraphone
4
Vibraphone et Marimba
3
Orchestre, Violon
3
Quintette de Cuivres: autres combinaisons
2
Caisse Claire
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Piano et Orchestre
2
3 Marimbas
2
Timbales (partie séparée)
1
Marimba et Orgue
1
Marimba, Saxophone (duo)
1
Marimba, Piano (duo)
1
Marimba ou Xylophone et Piano
1
Quintette à Vent
1
Big band
1
Bongos
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
4
Vous avez sélectionné:
All For One
Chorale SATB
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Let All Creation Praise His Coming, sacred music for SATB choir
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1107927 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1107927 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 9 pages. Kevin G. Pace #710541. Published by Kevin G. Pace (A0.1107927). An epic, exciting, sacred composition for SATB choir. Music by Kevin G. Pace. Text by Mary Ann W. Snowball. Text: Let all creation praise His coming, Sending triumph through the sky! When Jesus Christ steps from the Father All the heavens will supply Grand hallelujahs to all list’ning. And those long-awaited sounds Will announce the Second Coming When His glory will abound. So, let the earth burst forth revering; Let the waters cheer with praise. Let the mountains shout for gladness All because our Lord was raised. Let all valleys hear rejoicing And the seas and dry lands bring Grandest strains to all formation Because He is Christ, our King. Let the stars and morning sunbeams Sing together, all as one. Let the woods and trees and meadows Voice their joy because He comes. Then let the animals speak jointly, And the sun and moon share light; Let the whole world join in worship Because He is in our sight. Let his creations call for oneness To declare his name with love, To proclaim the voice of Jesus When He visits from above. Let all creation praise His coming For his light will be our sun; Let us shout with hymns of singing Because Christ, our Savior comes!
$1.99
1.84 €
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Chorale SATB
#
Kevin G
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Let All Creation Praise His Coming, sacred music for SATB choir
#
Kevin G. Pace
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SheetMusicPlus
Shelter in Place for SSAATB chorus and nature soundtrack
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.953628 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.953628 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 14 pages. Adrienne Inglis (ASCAP) #6405671. Published by Adrienne Inglis (ASCAP) (A0.953628). Great for concerts about nature and the environment, pandemic life, creativity!Shelter in Place by Adrienne Inglis (ASCAP) for mixed SSAATB chorus with nature soundtrack created by Chris Clark-Johnsona setting of Shelter in Place, a poem by Kim Stafford Commissioned by Lewis & Clark College, Portland, Oregon, April 2021Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.Poet Kim Stafford grew up in Oregon, Iowa, Indiana, California, and Alaska, following his parents as they taught and traveled through the West. He is the author of a dozen books of poetry and prose, and the founding director of the Northwest Writing Institute at Lewis & Clark College, where he has taught since 1979. He holds a PhD in Medieval Literature from the University of Oregon, and has worked as a printer, photographer, oral historian, editor, and visiting writer at a host of colleges and schools, and offered writing workshops in Italy, Scotland, and Bhutan.Shelter in Place by Kim Stafford (used with permission)Long before pandemic prisoned us,the trees knew how to guard their placewith roots and shade.Moss found how to hug a stone for life.Every stream knows how to move in place,stay home and yet flow outward,sending bounty far.Now is our time to practice-now to sing from balconies,now send words of comfortby any courier,now to hoard lonesome generosity-and then to shine in all directions like stars.Program note: Shelter in Place (2021) by Adrienne Inglis, commissioned by Lewis & Clark College, Portland, Oregon, April 2021, sets former Oregon poet laureate Kim Stafford’s poem Shelter in Place (2020) for SSAATB mixed choir with Oregon nature soundtrack created by Chris Clark-Johnson, Lewis & C lark College class of 2021. Written during the coronavirus pandemic, the poem expresses how quarantine can serve as a conduit for healing, how words of comfort flow despite barriers, and how the paralysis of sheltering in place generates creative movement. The music and poem draw inspiration from ancient forest wisdom, shown musically with a pentatonic scale. The tight harmonies of Locrian mode bind moss to stone and stream to its own flow. Then vocal expression bursts forth with lush harmonies as singers serenade from balconies, sharing compassion through music. Returning to the pentatonic scale, we overcome obstacles and send generosity beyond our ancient and modern world into the celestial realm. The nature soundtrack features sounds of the Oregon forest, stream, and night sky.Acknowledgements: The composer warmly thanks Katherine FitzGibbon, Bailey Dean, Chris Clark-Johnson, Kim Stafford, and the Lewis & Clark College Community Chorale. Contact the composer to obtain the audio file of the nature soundtrack.Copyright © 2021 Adrienne Inglis | adrienne.inglis.com
$3.99
3.69 €
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Chorale SATB
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Adrienne Inglis
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Shelter in Place for SSAATB chorus and nature soundtrack
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Adrienne Inglis
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SheetMusicPlus
VOCALIZZI: Concone Panofka Seidler Tosti - volume 1
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.934266 Composed by Concone…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.934266 Composed by Concone Panofka Seidler Tosti. Arranged by Antonio Cericola. Instructional. Octavo. 165 pages. Antonio Cericola #6329505. Published by Antonio Cericola (A0.934266). I migliori e più belli vocalizzi, lezioni e solfeggi cantati tratti dalle opere storiche più importanti della didattica del belcanto internazionale. Unica nel panorama editoriale e didattico, questa edizione annovera tutti i vocalizzi trasportati per tutte le estensioni vocali in tre tonalità diverse. Questa comodità sarà senz’altro utile non solo ai pianisti accompagnatori (che avranno a portata di mano la stessa composizione già trasposta), ma anche agli insegnanti. Gli allievi più illuminati e musicalmente più evoluti, inoltre, potrebbero esercitare la stessa lezione in tonalità diverse per fini didattici e musicali. Una chiarissima impaginazione e formattazione musicale contraddistingue questa edizione da tutte le altre esistenti. La raccolta si articola in due volumi.Questi vocalizzi del primo volume: 1 - G. Concone - Op. 9 n° 1 § 2 - G. Concone - Op. 9 n° 2 § 3 - G. Concone - Op. 9 n° 3 § 4 - H. Panofka - Op. 85 n° 2 § 5 - F. P. Tosti - Piccolo solfeggio n° 1 § 6 - G. Concone - Op. 9 n° 4 § 7 - F. P. Tosti - Piccolo solfeggio n° 2 § 8 - G. Concone - Op. 9 n° 5 § 9 - G. Concone - Op. 9 n° 27 § 10 - F. P. Tosti - Piccolo solfeggio n° 5 § 11 - F. P. Tosti - Piccolo solfeggio n° 3 § 12 - G. Seidler - Melodia n° 1 § 13 - H. Panofka - Op. 85 n° 3 § 14 - F. P. Tosti - Piccolo solfeggio n° 4 § 15 - H. Panofka - Op .85 n° 6 § 16 - H. Panofka - Op. 81 n° 9 § 17 - G. Seidler - Melodia n° 3 § 18 - H. Panofka - Op. 81 n° 8 § 19 - G. Concone - Op. 9 n° 6 § 20 - F. P. Tosti - Piccolo solfeggio n° 6 § 21 - F. P. Tosti - Piccolo solfeggio n° 8 § 22 - G. Concone - Op. 9 n° 11. The best and most beautiful vocalizations, lessons and sung solfeggi taken from the most important historical works of the teaching of international bel canto. Unique in the publishing and educational landscape, this edition includes all the vocalizations carried for all the vocal extensions in three different tones. This convenience will certainly be useful not only to accompanying pianists (who will have the same composition already transposed to hand), but also to teachers. Furthermore, the more enlightened and musically advanced students could practice the same lesson in different tones for educational and musical purposes. A very clear layout and musical formatting distinguishes this edition from all the other existing ones. The collection is divided into two volumes: vocalizations present in the first volume: 1 - G. Concone - Op. 9 n° 1 § 2 - G. Concone - Op. 9 n° 2 § 3 - G. Concone - Op. 9 n° 3 § 4 - H. Panofka - Op. 85 n° 2 § 5 - F. P. Tosti - Piccolo solfeggio n° 1 § 6 - G. Concone - Op. 9 n° 4 § 7 - F. P. Tosti - Piccolo solfeggio n° 2 § 8 - G. Concone - Op. 9 n° 5 § 9 - G. Concone - Op. 9 n° 27 § 10 - F. P. Tosti - Piccolo solfeggio n° 5 § 11 - F. P. Tosti - Piccolo solfeggio n° 3 § 12 - G. Seidler - Melodia n° 1 § 13 - H. Panofka - Op. 85 n° 3 § 14 - F. P. Tosti - Piccolo solfeggio n° 4 § 15 - H. Panofka - Op .85 n° 6 § 16 - H. Panofka - Op. 81 n° 9 § 17 - G. Seidler - Melodia n° 3 § 18 - H. Panofka - Op. 81 n° 8 § 19 - G. Concone - Op. 9 n° 6 § 20 - F. P. Tosti - Piccolo solfeggio n° 6 § 21 - F. P. Tosti - Piccolo solfeggio n° 8 § 22 - G. Concone - Op. 9 n° 11.
$14.99
13.85 €
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Chorale SATB
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Concone Panofka Seidler Tosti
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Antonio Cericola
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VOCALIZZI: Concone Panofka Seidler Tosti - volume 1
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Antonio Cericola
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SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
23.97 €
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Chorale SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
18.43 €
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Chorale SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Halloween songs for Choir
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.1250451 By Scholler. By Scholler. Ar…
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Choral Choir (SATB) - Digital Download SKU: A0.1250451 By Scholler. By Scholler. Arranged by Scholler. Classical,Comedy,Contemporary,Multicultural,World. Octavo. 28 pages. Scholler #844774. Published by Scholler (A0.1250451). Phonetically Enchanting Language: Delve into the realm of the unknown as you explore a specially crafted phonetical language, adding a mysterious and otherworldly element to your choir performance. Each vocal line is meticulously created to emphasize the chilling ambiance, embracing the unusual and bizarre.Mixed Choir Flexibility: Whether you have a large mixed choir or a smaller ensemble, Halloween songs for choir accommodates varying vocal ranges and abilities, making it accessible and exciting for choirs of all sizes. The composition is designed to showcase the power and diversity of a mixed choir, allowing each voice to contribute to the enigmatic soundscape.Energetic and Spooky Piano Accompaniment: Complementing the choir, the piano accompaniment takes on a central role, infusing the piece with a sense of frenzied excitement and ghostly enchantment. From frenetic arpeggios to dissonant chords, the piano part adds an additional layer of madness and intensity, pushing the boundaries of the traditional choral experience.Embrace the transformative power of musicSchollermusic
$12.99
12 €
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Chorale SATB
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Scholler
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Scholler
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Halloween songs for Choir
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Scholler
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SheetMusicPlus
Wilt Thou Forgive?
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.965556 Composed by Ron Anderson. A C…
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Choral Choir (SATB) - Digital Download SKU: A0.965556 Composed by Ron Anderson. A Cappella,Christian,Contemporary,Sacred. Octavo. 9 pages. Ron James Anderson #5994791. Published by Ron James Anderson (A0.965556). Wilt Thou Forgive? is a setting of the John Donne poem, A Hymn to God the Father. John Donne (1572 – 1631) was one of the greatest of the metaphysical poets in England, a group that included George Herbert, Andrew Marvell, and possibly John Milton. An Anglican priest with a less than perfect moral reputation, Donne expressed through his poetry (notably, the Holy Sonnets) the incongruities of human attempts at living the Christian life.In the present poem, the speaker reveals his struggles with sin-the sin he was born with, the sin he commits daily, the sin through which he influences others to sin, and the sin he has quit for a short while, only to take up again for many more years. He confesses yet another sin: the fear that he will perish on the shore, presumably to die with unforgiven sins, consigned to eternal damnation. His desperate plea is that God’s Son shall shine as he shines now and heretofore. If God answers this prayer, he will fear no more, and will know that all his sins, including the sin of fear, are finally forgiven.This musical setting uses subtle inflection of rhythm and meter to mirror the text, aiming for natural prosody of speech and expressive accentuation. Melodic contours emphasize important words, while harmonic placement projects the various moods throughout the poem. The key relationships involve mostly shifts of minor 3rds; starting in D minor, the piece moves through several keys, reaching its final statement in D major. A variety of textures maintains aural interest: clusters and close harmony, full divisi chords, and an imitative passage painting the words, won others to sin, and made my sin their door. A series of shimmering major chords brings the work to a close, declaiming the words, Thy Son shall shine as he shines now and heretofore, and, I fear no more.
$2.50
2.31 €
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Chorale SATB
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Ron Anderson
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Wilt Thou Forgive?
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Ron James Anderson
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SheetMusicPlus
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
27.71 €
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Chorale SATB
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Stuart Brown
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An Omani Dance Suite - COMPLETE BUNDLE
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Stuart Brown Music
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SheetMusicPlus
VOCALIZZI: Concone Panofka Seidler Tosti - volume 2
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.934264 Composed by Concone…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.934264 Composed by Concone Panofka Seidler Tosti. Arranged by Antonio Cericola. Instructional. Octavo. 162 pages. Antonio Cericola #6328883. Published by Antonio Cericola (A0.934264). I migliori e più belli vocalizzi, lezioni e solfeggi cantati tratti dalle opere storiche più importanti della didattica del belcanto internazionale. Unica nel panorama editoriale e didattico, questa edizione annovera tutti i vocalizzi trasportati per tutte le estensioni vocali in tre tonalità diverse. Questa comodità sarà senz’altro utile non solo ai pianisti accompagnatori (che avranno a portata di mano la stessa composizione già trasposta), ma anche agli insegnanti. Gli allievi più illuminati, inoltre, potrebbero esercitare la stessa lezione in tonalità diverse per fini didattici e musicali. Una chiarissima impaginazione e formattazione musicale contraddistingue questa edizione da tutte le altre esistenti. La raccolta si articola in due volumi.Vocalizzi presenti nel primo volume: 1 H. Panofka Op 85 n 1 § 2 H. Panofka Op 81 n 13 § 3 F. P. Tosti Piccolo solfeggio n 12 § 4 G. Seidler Melodia n 4 § 5 H. Panofka Op 85 n 4 § 6 H. Panofka Op 85 n 10 § 7 H. Panofka Op 85 n 11 § 8 H. Panofka Op 85 n 12 § 9 H. Panofka Op 85 n 13 § 10 H. Panofka Op 85 n 14 § 11 H. Panofka Op 85 n 24 § 12 H.The best and most beautiful vocalizations, lessons and sung solfeggi taken from the most important historical works of the teaching of international bel canto. Unique in the publishing and educational landscape, this edition includes all the vocalizations carried for all the vocal extensions in three different tones. This convenience will certainly be useful not only to accompanying pianists (who will have the same composition already transposed to hand), but also to teachers. Furthermore, the more enlightened students could practice the same lesson in different tones for educational and musical purposes. A very clear layout and musical formatting distinguishes this edition from all the other existing ones. The collection is divided into two volumes: vocalizations present in the first volume: 1 H. Panofka Op 85 n 1 § 2 H. Panofka Op 81 n 13 § 3 FP Tosti Piccolo solfeggio n 12 § 4 G. Seidler Melody n 4 § 5 H . Panofka Op 85 n 4 § 6 H. Panofka Op 85 n 10 § 7 H. Panofka Op 85 n 11 § 8 H. Panofka Op 85 n 12 § 9 H. Panofka Op 85 n 13 § 10 H. Panofka Op 85 n 14 § 11 H. Panofka Op 85 n 24 § 12 H. Panofka Op 81 n 14 § 13 H. Panofka Op 85 n 8 § 14 H. Panofka Op 85 n 16 § 15 H. Panofka Op 85 n 9 § 16 H. Panofka Op 81 n 17 § 17 H. Panofka Op 81 n 1. Panofka Op 81 n 14 § 13 H. Panofka Op 85 n 8 § 14 H. Panofka Op 85 n 16 § 15 H. Panofka Op 85 n 9 § 16 H. Panofka Op 81 n 17 § 17 H. Panofka Op 81 n 1.
$14.99
13.85 €
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Chorale SATB
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Concone Panofka Seidler Tosti
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Antonio Cericola
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VOCALIZZI: Concone Panofka Seidler Tosti - volume 2
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Antonio Cericola
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SheetMusicPlus
This is My Prayer, sacred music for SATB choir
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1313410 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1313410 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 8 pages. Kevin G. Pace #902166. Published by Kevin G. Pace (A0.1313410). A stunningly beautiful choral arrangement.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:This is My Prayer“Charity never faileth: . . .†(1 Corinthians 13:8)To care for the poor who have none.To feed all the hungry who come.To cover the naked and weary.To teach all of those who feel numb.This is my prayer to Father above . . .To be given Christ’s gift, to be filled with His love.To receive with my heart and my soul charity, oh so rare . . .This is my prayer.To free when a person’s done wrong.To lend when one wants to be strong.To comfort the weak and the dying.To mourn when the struggle is long.This is my prayer to Father above . . .To be given Christ’s gift; to be filled with His love.To be clothed with His shawl and His cloak and give goodness to share . . .This is my prayer.To claim Father’s gift for my own.To share all the grace I have known.To plead with all energy summoned.To weep for the love Christ has shown.This is my prayer to Father above . . .To be given Christ’s gift; to be filled with His love.To give thanks for His generous kindness for all whom I care . . .This is my prayer. This is my prayer.
$1.99
1.84 €
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Chorale SATB
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Kevin G
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to be filled with His love
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This is My Prayer, sacred music for SATB choir
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Kevin G. Pace
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SheetMusicPlus
The City In the Sea: Choral Tone Poem
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanle…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60
5.17 €
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Chorale SATB
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Stanley M Hoffman
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The City In the Sea: Choral Tone Poem
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stanleymhoffman.com
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SheetMusicPlus
Shouldest Not the Heavens Weep? sacred music for SATB choir wth Baritone soloist
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1349477 Comp…
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1349477 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 11 pages. Kevin G. Pace #934234. Published by Kevin G. Pace (A0.1349477). An epically beautiful, sacred choral work with baritone soloist.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:Shouldst Not the Heavens Weep?“ . . . for He loveth the world . . .† (2 Nephi 26:24)In a striking prophecy and opened to his view,Enoch saw mortality as a glorious truth.Curtains of creation birthed God’s pure holy race.Yet what Enoch saw were tears on His saddened face.How is it that Thou canst weep? Thou art God of all!All eternity is thine . . . this thy sacred call.Mercy goes before thy eyes, truth before thy throne.How is it that Thou canst weep? All thy worlds are known.Of my soul pure children came, from my very hands.I gave mankind agency so all love could stand.But, behold, their sins I see; mis’ry is their doom.Seeing some shall suffer much, my heart feels entombed.Shouldest not the heavens weep for these ofmy own?Suff’ring for each child of mine, I for them atoned.Tears that fall are for their souls; these must suffer too.If they choose not to repent, my love seems untrue.Chorus:Shouldst not the heavens weep? God gave life to all.Shouldst not the heavens weep? His love covers all.
$1.99
1.84 €
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Chorale SATB
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Kevin G
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mis’ry is their doom
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Shouldest Not the Heavens Weep? sacred music for SATB choir wth Baritone soloist
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Kevin G. Pace
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SheetMusicPlus
Giovanni Bononcini - Anthem (for the Funeral of John Duke of Marlborough)
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828704 Composed by Giovann…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina. Baroque,Contemporary,Sacred. Octavo. 44 pages. Guido Menestrina #368381. Published by Guido Menestrina (A0.828704). Anthem which was performed in King Henry the Seventh's Chappel at the Funeral of the most Noble & Victorious Prince John Duke of Marlborough By Giovanni Bononcini (1670-1747) transcribed by Guido Menestrina Il padre, Giovanni Maria Bononcini (Buononcini) (1642-1678), era stato violinista e compositore: attivo alla corte di Modena, aveva scritto un trattato, Musico prattico, pubblicato nel 1673. Il fratello minore di Giovanni, Antonio Maria, fu anch'egli musicista. Proprio dal padre Giovanni ricevette la prima educazione musicale; quando questi morì, nel 1678, divenne studente di Giovanni Paolo Colonna a Bologna, dove vennero eseguiti i suoi primi lavori. Proprio grazie al Colonna entrò a far parte dell'Accademia dei Filarmonici in veste di compositore. Nel 1685 aveva già preparato e pubblicato le sue prime opere. Ottenne nel 1688 il posto di musicista presso la basilica di San Petronio, e più tardi divenne maestro di cappella nella chiesa di San Giovanni in Monte. Sempre a Bologna fece la conoscenza del librettista Silvio Stampiglia, assieme al quale, tra il 1692 e il 1696, produrrà cinque opere. A partire dal 1692 si recò a Milano, Roma (dove fu apprezzato e sostenuto da Filippo II Colonna e dalla sua consorte Olimpia Pamphilj) e Venezia; infine, dal 1698 al 1711 si stabilì a Vienna, dove godette i favori degli imperatori Leopoldo I e Giuseppe I. Di passaggio a Berlino nel 1702, incontrò Georg Friedrich Händel, di quindici anni più giovane di lui, di cui riconobbe il talento precoce: lo avrebbe rincontrato alcuni anni più tardi. Dal 1714 al 1719 fu di nuovo a Roma, al servizio di Johann Wenzel, Conte di Gallas, Ambasciatore dell'Imperatore d'Austria a Roma, molto noto per il suo amore per la musica. Al Conte di Gallas, Bononcini dedicò la Favola Pastorale Erminia, rappresentata al Teatro della Pace nella Stagione del Carnevale del 1719. Il dramma musicale ebbe grandissimo successo sia per la musica, sia per gli interpreti, fra cui si segnalarono Domenico Gizzi (1687-1758), Musico Soprano della Real Cappella di Napoli ed il celebre contralto napoletano Francesco Vitale. Sempre nella Stagione del Carnevale 1719 al Teatro della Pace, Bononcini rappresentò il dramma per musica L'Etearco, dal librettista Silvio Stampiglia dedicato alla Contessa Ernestina di Gallas, moglie dell'Ambasciatore austriaco. Anche in questo dramma per musica Domenico Gizzi e Francesco Vitale fecero apprezzare tutte le spezie più ricercate del virtuosismo canoro. Poi, dal 1720 si stabilì a Londra, sotto la protezione del John Churchill, I duca di Marlborough. Qui si esibì anche al violoncello in numerosi concerti, molto apprezzati dall'aristocrazia inglese. Divenne membro della prestigiosa Royal Academy of Music.[senza fonte] Il pubblico londinese era, all'epoca, totalmente ignorante dell'opera italiana, e Händel stava muovendo i primi passi della sua prestigiosa carriera. Fra i due compositori si accese un forte spirito di competizione, sia che collaborassero alla realizzazione della medesima impresa (i tre atti dell'opera Muzio Scevola furono composti il primo da Filippo Amadi, il secondo da Bononcini, il terzo da Händel, al fine di soddisfare tutti e tre gli artisti), sia che, più spesso, si impegnassero in produzioni rivali. Le opere di maggior successo di Bononcini in quegli anni furono Astarto (1720), Crispo (1722), Griselda (1722), che si rivelò un vero e proprio trionfo, Erminia (1723), Calfurnia (1724). A favore dell'italiano era anche una certa ostilità verso Händel dovuta alle sue origini tedesche e alla contemporanea presenza sul trono inglese della poco amata dinastia di Hannover. Ma nel 1727-1728 scoppiò uno scandalo che compromise il successo di Bononcini e lo costrinse a lasciare Londra: il compositore Antonio Lotti accusò il madrigale di Bononcini In una siepe ombrosa di essere un plagio di un brano dei suoi Duetti, terzetti e madrigali. Fuggito a Parigi nel 1733, a causa di speculazion.
$9.99
9.23 €
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Chorale SATB
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Giovanni Bononcini
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Giovanni Bononcini, Giovanni Battista Bononcini
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Guido Menestrina
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Giovanni Bononcini - Anthem
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Guido Menestrina
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SheetMusicPlus
Sanbutsuge: A Buddhist Motet for Chorus SATB and Piano, with Solo Soprano
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.939717 Composed by Richard…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.939717 Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 23 pages. Richard St. Clair #3002339. Published by Richard St. Clair (A0.939717). This 9-minute motet in which the Buddha-to-be Dharmakara praises His master, Lokeshvaraja Buddha and vows to become the Savior of all Beings (namely, Amida Buddha). The music beings with an extended recitative/aria by solo soprano, and proceeds to the full choral ensemble to its conclusion. The MP3 Audio Clip is a computer-generated soundfile of the entire work. The music is completely tonal and traditional, suitable for good amateur choirs and professional choruses alike.Words from the Larger Sutra on Amida Buddha expounded by Shakyamuni Buddha some 2500 years ago in India.[Setting: Many ages ago, Dharmakara Bhikshu (in his stage before becoming Amida Buddha) declares to his Master, Buddha Lokeshvararaja, his intention to create a Pure Land wherein all suffering beings can be saved.]Text (slightly abridged):Then appeared a Buddha named Lokeshvararaja, the Tathagata, Arhat, Perfectly Enlightened One, Possessed of Wisdom and Practice, Perfected One, Knower of the World, Unsurpassed One, Tamer of Men, Master of Gods and Men, Buddha and World-Honored One.At that time there was a king, who, having heard the Buddha's exposition of the Dharma, rejoiced in his heart and awakened aspiration for the highest, perfect Enlightenment. He renounced his kingdom and the throne, and became a monk named Dharmakara. Having superior intelligence, courage and wisdom, he distinguished himself in the world. He went to see the Tathagata Lokeshvararaja, knelt down at his feet, walked round him three times keeping him always on his right, prostrated himself on the ground, and putting his palms together in worship, praised the Buddha with these verses:The shining face of the Buddha is glorious;Boundless is his magnificence.Radiant splendor such as hisIs beyond all comparison.The sun, the moon and the mani-jewel,Though shining with dazzling brightness,Are completely dimmed and obscuredAs if they were a pile of ink-sticksThe countenance of the TathagataIs beyond compare in the whole world.The great voice of the Enlightened OneResounds throughout the ten regions.His morality, learning, endeavor,Absorption in meditation, wisdomAnd magnificent virtues have no equal;They are wonderful and unsurpassed.I resolve to become a Buddha,Equal in attainment to you, O holy king of the Dharma,To save living beings from birth-and-death,And to lead them all to emancipation.I vow that, when I have become a Buddha,I shall carry out this promise everywhere;And to all fear-ridden beingsShall I give great peace.Even though there are Buddhas,A thousand million kotis in number,And multiudes of great sagesCountless as the sands of the Ganges,I shall make offeringsTo all those Buddhas.I shall seek the supreme WayResolutely and tirelessly.Even though the Buddha-lands are as innumerableAs the sands of the Ganges,And other regions and worldsAre also without number,My light shall shine everywhere,Pervading all those lands.Such being the result of my efforts,My glorious power shall be immeasurable.When I have become a Buddha,My land shall be most exquisite,And its people wonderful and unexcelled;The seat of Enlightenment shall be supreme.My land, being like Nirvana itself,Shall be beyond comparison.I take pity on living beingsAnd resolve to save them all.Those who come from the ten quartersShall find joy and serenity of heart;When they reach my land,They shall dwell in peace and happiness.I beg you, the Buddha, to become my witnessAnd to vouch for the truth of my aspiration.Having now made my vows to you,I will strive to fulfilll them.The World-Honored Ones in the ten quartersHave unimpeded wisdom;I call upon those Honored OnesTo bear witness to my intention.Even though I mu.
$10.99
10.15 €
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Chorale SATB
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Richard St
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Sanbutsuge: A Buddhist Motet for Chorus SATB and Piano, with Solo Soprano
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Richard St. Clair
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SheetMusicPlus
One in Charity, sacred music for SATB choir
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1416395 Compos…
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1416395 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 9 pages. Kevin G. Pace #998076. Published by Kevin G. Pace (A0.1416395). An epically beautiful choral composition.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:Although I bestow all my goods to feed the poor and lone, Without the gift of charity, I will never own the right of oneness to be sealed to Father up above, And with my Savior, Jesus Christ, unite in perfect love.Until God distills purity, giv'n through the Holy Ghost, I'll pray with all my energy for this inner Host. Then to this Spirit I will cleave so God can live in me, And so be clothed with purest love... beloved charity. My holy conferral to love each fellowman I see comes as a gift from God above, for He first loved me. And now I'm filled with pain and more, with sorrow and with tears, All for the welfare of lost souls. I feel my Savior near.Sweet oneness within fills my heart; I feel my flesh consumed. An entity has swelled my soul and entered to bloom. For others, now, true charity can manifest my love, All given from the grace of Christ, and Father up above. bove.Chorus:Charity for humankind is my gift with love divine. One in love and one in grace promises Christ's sacred face.
$1.99
1.84 €
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Chorale SATB
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Kevin G
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I feel my flesh consumed
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One in Charity, sacred music for SATB choir
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Kevin G. Pace
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SheetMusicPlus
Calvary is Far Away, sacred music for SATB Choir
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1104757 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1104757 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 11 pages. Kevin G. Pace #707994. Published by Kevin G. Pace (A0.1104757). Beautiful, sacred music for SATB choir. Music composed by Kevin G. Pace. Text by Mark R. Fotheringham. Text: Calvary is far away On a little hill, Where the Son was crucified To fulfill God's will. Rock and stone washed clean with time No longer bear the stain Of blood our Savior shed for man, By whom the Lord was slain. Nature wept to hide the deed. Wind would scour His pain, To leave behind a promise true That we shall live again. Far too is Gethsemane, Hidden 'midst the trees, Where he suffered for our sins, Fallen on His knees. There he drank the bitter cup, With none His pain to ease. The forest silent to HIs groans Dispersed upon the breeze. Ev'ry bough in reverence bent To His grief unseen, In honor of His sacrifice, That man could now be clean. Christ is not so far away, Nor His loving care. All creation sings His praise, Knowing He is there. See Him in each blooming flower, In rivers streaming by. Then feel Him in each mighty gale, Each snowflake in the sky. Glory Lord is thine alone. Earth still sings Thy fame, 'Til all shall bow before Thy throne, Remembering Thy name.
$1.99
1.84 €
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Chorale SATB
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whom the Lord was slain
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Kevin G
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Calvary is Far Away, sacred music for SATB Choir
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Kevin G. Pace
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SheetMusicPlus
YOU ARE MY HOLY LORD, A 16 Minute Worship Service for Choir & Congregation (Score & Parts included)
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1171042 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1171042 Composed by Various. Arranged by Gary Lanier. Christian,Contemporary,Praise & Worship,Religious,Spiritual. 52 pages. The Lanier Company #771379. Published by The Lanier Company (A0.1171042). YOU ARE MY HOLY LORD is a 16 minute non-stop worship servicefor choir and congregation, compiled by world-renowned Composer, Gary Lanier.SUGGESTED USE1. NON-STOP WORSHIP SERVICE: This musical was designed tobe used as one complete work, allowing the choir to be spotlighted withsegments, and the congregation joining the choir, expanding the worshipexperience for everyone. The Worship Leader knits the work together withnarration throughout, guiding all participants.2. WORSHIP SEGMENTS: This work can also be used in segments.Consider adding some of the following to your worship service:1. HOLY, HOLY, HOLY / SPIRIT OF THE LIVING GOD2. THERE IS NONE LIKE YOU / GOD OF MANY WONDERS3. TURN YOUR EYES UPON JESUS / I LONG TO WORSHIP YOU4. HE IS LORD / HOLY, HOLY, HOLY / YOU ARE MY HOLY LORDADDITIONAL RESOURCESIn preparation for presenting YOU ARE MY HOLY LORD, considerintroducing these new worship songs to the congregation,several weeks in advance:GOD OF MANY WONDERSI LONG TO WORSHIP YOUYOU ARE MY HOLY LORDYou can find WORSHIP LEAD SHEETS at the end of the socreand production notes.PERFORMANCE NOTEOn page 37 you will find a SUGGESTED WORSHIP GUIDE for theperformance of YOU ARE MY HOLY LORD. In additon, it is effective touse projection of words during the worship service. Consider projecting allthe words, even those that the choir is singing, without the congregation.This will allow everyone to experience the text of each song, andencourage the congregation to sing, at the right times. Also available is a MP3 Orchestra Accompaniment Track and MP3 Performance Track with Worship Leader, Gary Lanier, Choir & Orchestra.Â
$2.99
2.76 €
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Chorale SATB
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Various
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Gary Lanier
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Orchestra.Â
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YOU ARE MY HOLY LORD, A 16 Minute Worship Service for Choir & Congregation
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The Lanier Company
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SheetMusicPlus
Twas The Night Before Christmas
Chorale SATB
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.831013 Composed by …
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.831013 Composed by Harry Simeone and Ken Darby. Arranged by John Maclane Schirard. Contemporary. Octavo. 28 pages. John Maclane Schirard #4616375. Published by John Maclane Schirard (A0.831013). A challenging arrangement, but one that will steal the show if done well! This version of the classic setting of 'Twas the Night Before Christmas is fun, charming, and a real joy to listen to. The vocal parts are intense, a real challenge for singers of all ages and levels. Coming in at just under six minutes, this piece tells the iconic holiday tale in a way your audience will never forget!
$2.99
2.76 €
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Chorale SATB
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Harry Simeone and Ken Darby
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John Maclane Schirard
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Twas The Night Before Christmas
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John Maclane Schirard
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SheetMusicPlus
Leise rieselt der Schnee (The Snow Falls Quietly) for family band
Chorale SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.851142 Composed by Eduard …
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.851142 Composed by Eduard Ebel, traditional. Arranged by Sophia Transistor. Children,Christian,Christmas,World. Octavo. 14 pages. Sophia Transistor #6626617. Published by Sophia Transistor (A0.851142). Year after year, the whole family comes together and eventually tries to perform Christmas songs on the fly.This arrangement of the german traditional Leise rieselt der Schnee = The Snow Falls Quietly / Softly falls the snow offers several parts for many variable instruments in their specific notation forms. The voices can be combined ad libitum. The score also offers decent vocal scores with the original german lyrics and also english lyrics.The score includes the following parts:- Piano (easy piano, voicings, chord symbols and melody)- vocals (in english and in german); 3 verses- solo instruments in C (violin, flute, etc.); quartet- solo instruments in alto key (viola, alto-trombone, etc.); quartet- solo instruments in Bb (trumpet, clarinet, tenor saxophone, etc.); quartet- solo instruments in bass clef (trombone, cello, bass, etc.); quartet- solo instruments in Eb (alto saxophone, Eb-clarinet, etc.); quartet- solo instruments in F (french horn, F-tuba, etc.); quartet- guitar (notation and TABs)- accordion / harmonica / squeeze box- drums / PercussionType and font sizes have been maximized to support older, elder and farsighted readers in soft candle light situations.So: easy to read even in poor visibility.This arrangement has been optimized for on the fly performances during Christmas time. The constitution of instruments (rhythm and solo instruments (also in transposing scores)) can be put together ad libitum. All parts are matching, can be combined or played alone.YouTube Playalong: https://youtu.be/LSERuO8KMsUGerman description (Beschreibung auf Deutsch):Alle Jahre wieder wird mit der Familie zusammen Weihnachten gefeiert. Lasst uns doch was zusammen spielen! Na klar, hast du Noten? Ja hier, für Keyboard... hm, für mich passen die nicht...Dieses Arrangement des Weihnachtsklassikers Leise rieselt der Schnee beinhaltet Noten für die gängigsten Hausinstrumente. Alle Stimmen können miteinander kombiniert werden. Die Gesangsnoten sind vernünftig notiert und den Liedtext gibt es auf Englisch und auf Deutsch. Folgende Musikinstrumente werden durch diese Noten abgedeckt; die Partitur enthält folgende Auszüge:- Klavier (leichte, mittlere Begleitung, Intonationsvorschläge, Akkordsymbole und Melodie)- Gesang (auf Englisch und auf Deutsch); 4 Strophen- Soloinstrumente in C (Geige, Flöte, etc.); Quartett- Soloinstrumente in Altschlüssel (Bratsche, Altposaune, etc.); Quartett- Soloinstrumente in Bb (Trompete, Klarinette, Tenorsaxofon, etc.); Quartett- Soloinstrumente mit Bassschlüssel (Posaune, Cello, Bass, etc.); Quartett- Soloinstrumente in Eb (Altsaxofon, Eb-Klarinette, etc.); Quartett- Soloinstrumente in F (Waldhorn, F-Tuba, etc.); Quartett- Gitarre (Noten und TABS)- Akkordeon / Harmonika / Schifferklavier- Schlagzeug / PerkussionSchriftgrößen wurden maximiert, um ältere und weitsichtige Notentextleser in schlecht ausgeleuchteten Situationen mit sanftem Kerzenlicht zu unterstützen.Also: Gut lesbar auch bei schlechten Sichtverhältnissen.Dieses Arrangement wurde für On-the-Fly-Auftritte während der Weihnachtszeit optimiert.Die Besetzung der Instrumente (Rhythmus- und Soloinstrumente (auch in transponierenden Partituren)) kann nach Belieben zusammengestellt werden.Alle Teile sind aufeinander abgestimmt, können kombiniert oder alleine gespielt werden.Viel Spaß beim Ausprobieren!#LeiseRieseltDerSchnee#Weihnachtsmusic#smppressmusic
$4.99
4.61 €
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Chorale SATB
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Eduard Ebel, traditional
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Sophia Transistor
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Leise rieselt der Schnee
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Sophia Transistor
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SheetMusicPlus
Amazing Grace (my Chains Are Gone)
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1225384 By Chris Tomlin. B…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1225384 By Chris Tomlin. By Chris Tomlin, John Newton, Louie Giglio, and Traditional American Melody. Arranged by Dan Garrett. Christian,Contemporary,Sacred,Spiritual. Octavo. 11 pages. Daniel Garrett #821460. Published by Daniel Garrett (A0.1225384). This contemporary SATB divisi with piano arrangement provides much of the sound of today's professional a cappella renditions, but in a more approachable format for moderately advanced to advanced high school, church and community choirs. Written 250 years ago, the poetry and music of Amazing Grace make it one of the most recognizable and beloved hymns of all time. In 2006, Chris Tomlin was asked to provide the title composition for the movie, Amazing Grace, a docudrama about William Wilberforce's efforts in Parliament to end the British transatlantic slave trade. Inspired by the movie's subject, Tomlin added a powerful refrain, My Chains Are Gone, and a transcendent new verse. Refrain: My chains are gone, I've been set free, My God, my Savior has ransomed me. And like a flood, His mercy reigns. Unending love, Amazing Grace. Verse: The Earth shall soon dissolve like snow, The sun forbear to shine, But God, Who called me here below, Will be forever mine.
$2.99
2.76 €
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Chorale SATB
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Chris Tomlin
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Dan Garrett
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Amazing Grace
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Daniel Garrett
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SheetMusicPlus
I Did Not See Temple Spires - an original hymn for SATB voices
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701457 Composed by Kevin G…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701457 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3125371. Published by Kevin G. Pace (A0.701457). An original hymn with text by Kathryn Hales below.YouTube video: https://youtu.be/w68JlvntMjcI did not see the vision, Nor dream a prophet’s dream, I only saw the barren desert Stretch forth upon the scene. I was not there when Brigham’s cane Touched the virgin ground Naming the spot the Lord had shown Where a temple would be found. I did not hear the Lord’s own voice As over ocean waves I tossed, Nor spared the death of loved ones dear As the vast plains I crossed. I only felt the Holy Spirit Telling me the work was true, So I obeyed the prophetic words Until my trek was through. I helped dig the rocky soil Before the foundation was laid Then with shovel filled the gaping hole Before Johnston’s army stayed. I did not see the temple’s spires I only saw the walls, I only shaped the granite stones With hammer, chisel, maul. I coaxed oxen through the mud To move stones down a mountain side, I watched our leaders grow old in years, No temple finished before they died. Now soon I too will join them Though I’ve labored oh so long, I’ll not see the rising spires Or sing praises in Hosanna song. I’m just a common earthly man, A laborer in a cause so great, To generations yet unborn, I’m not one you’ll appreciate. Through the years I’ve toiled and sweat, Shared blood and grief and tears, Obeyed the prophet’s call to serve Listened in faith, not fear. Please do not take for granted As you walk through these carved doors, Or hear the echo of carpenters From stairs or roof or floors The love and work that went into Many years of toil and prayer, Feel our spirits in the halls As you enter there. Though the structure’s end I’ll not see, To others who this path may trod, Go forth with diligence and faith Till we finish the work of God.
$1.99
1.84 €
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Chorale SATB
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Kevin G
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I Did Not See Temple Spires - an original hymn for SATB voices
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Kevin G. Pace
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SheetMusicPlus
Medallion Girls for Choir from Science Fiction Opera Libertaria
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.976936 Composed by …
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.976936 Composed by Sabrina Pena Young. Broadway,Film/TV,Halloween,Musical/Show,Opera. 6 pages. Sabrina Peña Young #3430823. Published by Sabrina Peña Young (A0.976936). Dramatic science fiction inspired choral work from groundbreaking post-apocalyptic 21st century animated opera Libertaria. Quirky and partially inspired by Dr. Who, this choral work is a fun musical theater piece for choir. The Medallion Girls are part of a futuristic genetic experiment meant to perfect humanity after a radiation permanently mutated humans. Truly a unique work. Award-winning composer and TED Talk Speaker. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerLIBERTARIA: THE VIRTUAL OPERAhttps://virtualopera.wordpress.com/ ABOUT LIBERTARIA: In a post-USSA apocalyptic world, the young Libertaria escapes from evil geneticists and teams up with her addict father Simeon to defeat the Collective with a ragtag Underground army of cyborgs and misfits. The world’s first machinima opera, Libertaria has been called Groundbreaking by the Palm Beach Arts Paper. A truly dystopian novelization, the Libertaria Chronicles, is now available at Amazon. One of my favorite things about this story is its odd apocalyptic tone and strong sci-fi/fantasy foundation. The dark quality that comes with it is the cherry on top. –FanboysAnonymous.comWHAT FANS ARE SAYING ABOUT THE LIBERTARIA CHRONICLESBetween the book, virtual opera, soundtrack, and all the extras, Young has created a convincing world…a dark dystopian future for you to get lost in. The characters are complex, flawed, and human, and you are never sure what they will do next. Looking forward to the next book in the series!Award-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$7.99
7.38 €
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Chorale SATB
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Sabrina Pena Young
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Medallion Girls for Choir from Science Fiction Opera Libertaria
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Sabrina Peña Young
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SheetMusicPlus
One in Charity, a sacred hymn
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1294654 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1294654 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #885008. Published by Kevin G. Pace (A0.1294654). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text:Although I bestow all my goods to feed the poor and lone, Without the gift of charity, I will never own the right of oneness to be sealed to Father up above, And with my Savior, Jesus Christ, unite in perfect love.Until God distills purity, giv'n through the Holy Ghost, I'll pray with all my energy for this inner Host. Then to this Spirit I will cleave so God can live in me, And so be clothed with purest love... beloved charity. My holy conferral to love each fellowman I see comes as a gift from God above, for He first loved me. And now I'm filled with pain and more, with sorrow and with tears, All for the welfare of lost souls. I feel my Savior near.Sweet oneness within fills my heart; I feel my flesh consumed. An entity has swelled my soul and entered to bloom. For others, now, true charity can manifest my love, All given from the grace of Christ, and Father up above. bove.Chorus:Charity for humankind is my gift with love divine. One in love and one in grace promises Christ's sacred face.
$1.99
1.84 €
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Chorale SATB
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Kevin G
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I feel my flesh consumed
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One in Charity, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
A Trumpet Sounded Forth, a sacred hymn
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1135629 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1135629 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #735685. Published by Kevin G. Pace (A0.1135629). A rousing, sacred hymn with music by Kevin G. Pace and text by Kathryn W. Hales. Text : The trumpet sounded forth: From the watchman on the tower: “Amend your ways, turn back to God, Feel His redeeming power.†The trumpet’s voice is loud and strong, It calls us to gather ‘round, For its clear voice is warning, “Hearken to the trumpet’s sound. A trumpet sounded forth, Calling men to arms: Prepare yourself for battles long, Protect all from danger’s harm. A trumpet sounded forth: “Raise the ensign high, Rally to the Standard Bearer, Yea, to the Lord on High.†His trumpet sounded forth, It will never call retreat: “Go forth in faith to meet the Lord, Kneel at His judgement seat.†A trumpet sounded forth, Proclaiming divine decree: The Gospel is restored to earth, So all men may come to Me. A trumpet shall sound forth, Calling all men from the grave When resurrected souls will sing, “Hosanna to the One Who Saves!†The trumpet sounded forth: “Prepare for the King to appear!†With songs of joy, we await that day, “Behold! Your King is Here!â€.
$1.99
1.84 €
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Chorale SATB
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Kevin G
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A Trumpet Sounded Forth, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
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