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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
All the Time
Non classifié
8 163
Piano & claviers
Piano seul
4 539
Piano, Voix
2 265
Piano Facile
1 437
Piano, Voix et Guitare
945
Instruments en Do
384
Orgue
253
Accompagnement Piano
252
Piano Trio: piano, violon, violoncelle
101
1 Piano, 4 mains
97
Piano grosses notes
62
2 Pianos, 4 mains
50
Piano (partie séparée)
30
Piano Quatuor: piano, violon, alto, violoncelle
28
Accordéon
12
Piano Quatuor: piano, 2 violons, violoncelle
11
Piano Quintette: piano, 2 violons, alto, violoncelle
9
1 Piano, 6 mains
8
Orgue, Piano (duo)
7
Clavecin
5
Orgue, Trompette (duo)
4
2 Pianos, 8 mains
3
Accordéon et Orchestre
1
2 Accordéons
1
Ensemble d'Accordéons
1
Clavier
1
+ 20 instrumentations
Retracter
Guitares
Guitare
362
Guitare notes et tablatures
303
Basse electrique
136
Ligne De Mélodie, (Paroles) et Accords
113
Ukulele
80
Guitare (partie séparée)
57
2 Guitares (duo)
51
Mandoline
28
4 Guitares (Quatuor)
24
Piano, Guitare (duo)
19
Paroles et Accords
19
Banjo
18
Dulcimer
13
3 Guitares (trio)
10
Ensemble de guitares
6
Mandoline, Guitare (duo)
6
Guitare, Violon, Violoncelle (trio)
4
Guitare, Flûte, Clarinette
2
2 Ukuleles
2
Cithare
1
Mandoline, Piano (duo)
1
Guitare, Orchestre
1
Ukulele Baryton
1
2 Mandolines (duo)
1
+ 19 instrumentations
Retracter
Voix
Chorale SATB
1 839
Chorale 3 parties
610
Chorale Unison
529
Chorale 2 parties
501
Voix seule
469
Chorale TTBB
271
Chorale SSAA
185
Voix duo, Piano
150
Voix Tenor, Piano
76
Voix Soprano, Piano
71
Voix Alto, Piano
63
Voix duo
54
Voix Baryton, Piano
34
Voix haute
25
Pack Instrumental pour Chorale
22
Voix Tenor
10
Voix moyenne, Piano
9
Chorale SSAATTBB
6
Chorale
6
Chorale SSAB, Piano
2
Voix basse
2
Voix basse, Piano
2
Voix Soprano
2
Chorale SSAB a cappella
1
Chorale SAATB A Cappella
1
Soli, choeur mixte et accompagnement
1
Chorale SATTBB A Cappella
1
Voix Soprano, Orchestre
1
+ 23 instrumentations
Retracter
Vents
2 Saxophones (duo)
861
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
686
Quatuor de Saxophones: 4 saxophones
676
Flûte traversière et Piano
543
Flûte, Hautbois, Clarinette, Basson
522
Clarinette et Piano
506
Clarinette
431
2 Flûtes traversières (duo)
429
Hautbois, Piano (duo)
429
Flûte traversière
425
Quintette de Saxophone: 5 saxophones
412
2 Clarinettes (duo)
374
Saxophone Alto et Piano
369
Quatuor de Clarinettes: 4 clarinettes
324
Saxophone Alto
291
Saxophone Tenor et Piano
290
Saxophone (partie séparée)
283
Saxophone, Clarinette (duo)
271
Saxophone Soprano et Piano
247
Saxophone Tenor
218
2 Hautbois (duo)
200
Clarinette, Violon (duo)
197
Flûte, Clarinette (duo)
191
Hautbois (partie séparée)
174
Saxophone
172
Clarinette, Trompette (duo)
152
Saxophone Baryton, Piano
152
2 Flûte à bec (duo)
145
Hautbois, Basson (duo)
143
Hautbois, Clarinette (duo)
140
Quatuor de Flûtes : 4 flûtes
137
3 Saxophones (trio)
129
Hautbois
126
Ensemble de Clarinettes
117
Ensemble de saxophones
112
Flûte, Violon
106
Clarinette et Alto
96
Flûte, Saxophone (duo)
94
Hautbois, Flûte
90
Cor anglais, Piano
86
3 Clarinettes (trio)
83
Flûte, Alto (duo)
78
Flûte, Trompette (duo)
75
Ensemble de Flûtes
72
Clarinette Basse, Piano
71
Quintette de Clarinettes: 5 clarinettes
71
Trio de Flûtes: 3 flûtes
64
Flûte à bec Soprano
58
Flûte à Bec
55
Saxophone Soprano
49
Quintette de Flûte : 5 flûtes
45
Flûte et Guitare
43
Flûte, Clarinette et Basson
40
Cor Anglais
40
Clarinette, Basson (duo)
38
Saxophone Baryton
37
Flûte, Hautbois (duo)
34
Hautbois, Violoncelle
33
Flute (partie séparée)
33
Quatuor de Flûtes à bec
31
Flûte, Violon, Piano
26
Flûte, Hautbois, Basson
26
Hautbois, Clarinette, Basson (trio d'anches)
24
Flûte à bec Alto
24
Flûte, Hautbois, Clarinette (trio)
24
Clarinette, Violoncelle (duo)
24
Flûte, Violoncelle
24
Flûte, Hautbois, Piano (trio)
21
Clarinette (partie séparée)
19
Clarinette, Guitare (duo)
17
Flûte, Violon et Violoncelle
15
Flûte, Violoncelle, Piano (trio)
14
Clarinette, Violoncelle, Piano (trio)
14
3 Flûtes à bec (trio)
13
5 Flûtes à bec
13
Flûte, Clarinette, Piano (trio)
12
Clarinette, Trombone (duo)
11
Hautbois, violon (duo)
11
Flûte irlandaise
10
Harmonica
10
Flûte, Clarinette, Cor, Basson (Quartet)
9
2 Flûtes traversières, Piano
9
2 Clarinettes, Piano
8
Flûte, Alto et Piano
8
Hautbois et alto (duo)
8
Flûte à bec Soprano, Piano
8
2 Cors Anglais Et Pianoforte
8
Hautbois, Guitare (duo)
7
Flûte à bec Alto, Piano
7
Clarinette Basse
6
Flûte, Basson et Piano
6
Clarinette, Harpe (duo)
5
Flûte, trombone et piano
5
Flûte à bec Tenor
5
Piccolo
5
Piccolo, Piano
5
Ocarina
4
Saxophone et Orgue
4
Flûte, Violon, Violoncelle et Piano
4
Clarinette, Basson, Piano (trio)
4
3 Hautbois
4
Hautbois, Clarinette et Piano (Trio)
4
Hautbois, Violoncelle et Piano
3
Cor anglais, Guitare (duo)
3
Flute, harpe et violon
3
Ensemble De Flûte à bec
3
Saxophone et Guitare
3
Clarinette, Alto et Piano (trio)
3
Hautbois, Violon, Piano
3
Clarinette, Contrebasse (duo)
3
2 Saxophones, Piano
2
Flûte, alto et harpe
2
Flûte traversière, Orgue (duo)
2
Flûte à bec Alto, Basse continue
2
Flûte et Trio à cordes
2
Flûte, Hautbois, Violon
2
Flûte, Clarinette, Violon (trio)
2
Ensemble à vent
2
Cor anglais et Harpe (duo)
1
Flûte, Violoncelle, Guitare
1
Clarinette, Orgue
1
Ensemble de Hautbois
1
Flûte à Bec, Piano
1
Clarinette, Tuba
1
4 Hautbois
1
Hautbois, Harpe
1
Flûte, Trombone (duo)
1
2 Clarinettes, Basson
1
Saxophone et Piano
1
Flûte, Violon, Guitare
1
2 Hautbois, Piano
1
Hautbois, trombone (duo)
1
Hautbois, Basson et Piano
1
Flûte de Pan
1
+ 129 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
835
Trompette
414
Trompette, Piano
395
Trombone et Piano
383
Quatuor de Cuivres : 2 trompettes, trombone, tuba
350
Cor et Piano
312
Trombone
293
2 Trompettes (duo)
218
Cor
212
2 Trombones (duo)
207
Tuba et Piano
191
Trompette, Saxophone (duo)
189
Quatuor de Cuivres: 2 trompettes, Cor, trombone
171
Tuba
169
Trompette, Trombone (duo)
151
Trombone (partie séparée)
148
Quatuor de Cuivres
136
Trompette (partie séparée)
119
2 Cors (duo)
94
Cor anglais, Piano
86
Euphonium, Piano (duo)
84
Ensemble de Trompettes
73
Ensemble de Trombones
51
Quatuor de cuivres: 4 trombones
41
Cor Anglais
40
2 Tubas (duo)
39
Trompette, Cor (duo)
34
Cor (partie séparée)
31
Quatuor de cuivres: 4 cors
30
Tuba (partie séparée)
29
Euphonium
27
Trio de Cuivres
21
3 Trombones (trio)
19
Quatuor de cuivres: 4 trompettes
17
2 Euphoniums et 2 Tubas
17
2 Euphoniums (duo)
14
Ensemble de Cors
13
4 Tubas
13
Trombone basse
12
Tuba et Orgue
11
Trombone basse et Piano
9
Trombone, Cor (duo)
8
2 Cors Anglais Et Pianoforte
8
Cor, Violoncelle (duo)
7
3 Trompettes (trio)
6
3 Tubas (trio)
5
Cor et Basson (duo)
5
Trompette, Violoncelle (duo)
5
Trompette, Basson (duo)
5
Quatuor de cuivres: 2 trompettes, 2 trombones
5
Cor, Tuba (duo)
4
2 Trombones, Piano
3
Trompette, Trombone, Piano
3
Cor anglais, Guitare (duo)
3
Euphonium, Tuba (duo)
3
Trompette, Tuba (duo)
3
Trompette et Guitare
3
Trombone, Orgue
3
Instruments en Sib
2
2 Cors, Piano
2
2 Trompettes, Clavier (piano ou orgue)
2
Cor anglais et Harpe (duo)
1
Trombone et orchestre
1
3 Cors (trio)
1
3 Euphoniums
1
Trompette, Euphonium (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Ensemble de Tubas
1
Trombone, Tuba (duo)
1
Bass Clef Instruments
1
Cor, Violoncelle et Piano
1
Cor et Orgue
1
+ 67 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 468
Violon
777
Violon et Piano
681
Violon, Violoncelle (duo)
621
Alto, Piano
486
Violoncelle, Piano
459
Trio à Cordes: violon, alto, violoncelle
440
Violoncelle
437
Alto seul
353
Quintette à cordes: 2 violons, alto, violoncelle, basse
326
2 Violons (duo)
298
Violon, Alto (duo)
220
2 Violoncelles (duo)
219
2 Altos (duo)
207
Harpe
176
Contre Basse
167
Contrebasse, Piano (duo)
154
Trio à Cordes: 2 violons, violoncelle
136
Alto, Violoncelle (duo)
64
Alto (partie séparée)
58
2 Harpes (duo)
57
Violon (partie séparée)
53
Contrebasse (partie séparée)
48
4 Violoncelles
41
Trio à Cordes: 3 violoncelles
39
2 Contrebasses (duo)
37
Trio à cordes: 3 violins
37
Violon, Basson (duo)
33
Piano Trio: Violon, Alto, Piano
27
Quatuor à cordes : 4 altos
25
Ensemble de Violons
22
Ensemble d'Altos
19
Harpe, Flûte (duo)
19
Quatuor à cordes: 4 violons
18
Trio à Cordes: 2 violons, alto
17
Trio à cordes: 3 altos
16
Violon, Guitare (duo)
16
Quintette à cordes: 2 violons, 2 altos, violoncelle
14
Alto et Basson
11
Violoncelle (partie séparée)
10
Violoncelle , Guitare (duo)
10
Quintette à cordes : 2 violons, alto et 2 violoncelles
9
Harpe, Voix
7
Violoncelle, Contrebasse (duo)
7
Violon, Clarinette, Piano (trio)
6
Alto, Guitare (duo)
5
2 Violons, Piano
5
Flûte, Contrebasse (duo)
4
4 Contrebasses
4
Harpe, Violon (duo)
4
4 Harpes
3
Violoncelle, Orgue
3
Ensemble de Violoncelles
3
2 Altos, Piano
2
Harpe, Trombone (duo)
2
Alto et Harpe
2
2 Violoncelles, Piano
2
Harpe, Violon, Violoncelle
2
Harpe et Orgue
1
Violon, Tuba (duo)
1
Alto, Orgue
1
3 Harpes
1
Violoncelle, Orchestre
1
Harpe, Violoncelle (duo)
1
+ 59 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 057
Orchestre à Cordes
697
Orchestre
400
Ensemble Jazz
321
Ensemble de cuivres
289
Cloches
246
Batterie
222
Fanfare
215
Orchestre de chambre
153
Jazz combo
75
Ensemble de Percussions
60
Marimba
33
Batterie (partie séparée)
32
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
23
Xylophone, Piano
22
Percussion (partie séparée)
19
Xylophone
16
Vibraphone
9
Percussion
4
Ensemble d'École
4
Instrumentation Flexible
3
Quintette de Cuivres: autres combinaisons
2
Piano et Orchestre
2
2 Xylophones
2
Orchestre, Violon
2
Voix Mezzo-Soprano, Orchestre
1
2 Marimbas
1
Quintette à Vent
1
Caisse Claire
1
Timbales (partie séparée)
1
+ 25 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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UKULELE
VIBRAPHONE
VIELLE A RO…
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VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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LIVRES
LUTH
MANDOLINE
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Vous avez sélectionné:
All the Time
Chorale SATB
Partitions à imprimer
1 839 partitions trouvées
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1826
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Stuart Brown
#
An Omani Dance Suite - COMPLET
#
Stuart Brown Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681...
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
Beyond The Sea
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Charles Tenet
#
Tobi Crawford
#
Beyond The Sea
#
Tobi Crawford
#
SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #89803...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00
Brisbane Ladies (Augathella Station)
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Chorale SATB
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DÉBUTANT
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Traditional
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Sandra Milliken
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Brisbane Ladies
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.774722 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 16 pages. Sandra Milliken #3863...
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Choral Choir (SATB) - Level 1 - SKU: A0.774722 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 16 pages. Sandra Milliken #3863763. Published by Sandra Milliken (A0.774722). Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon. Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port.Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.
$2.20
Breathe Low
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Cody Weinmann
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Breathe Low
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Cody Weinmann
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - SKU: A0.835039 Composed by Cody Weinmann. Contemporary,Instructional. Octavo. 8 pages. Cody Weinmann #2005165. Publishe...
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Choral Choir (Mixed) - Level 4 - SKU: A0.835039 Composed by Cody Weinmann. Contemporary,Instructional. Octavo. 8 pages. Cody Weinmann #2005165. Published by Cody Weinmann (A0.835039). An epic piece for SATB choir and optional solo soprano part on the last page of the piece. This piece represents close and even clustered harmony, almost like a beautiful orchestra, but with voices. The piano player is more of a piano reduction of the choral parts. This is the perfect score for harmony practice within the choir, especially with ensembles that have trouble finding pitch in closer quarters. The text of Breathe Low is a meditation for those who are in tough times. The original text speaks peace and restoration. Breathe Low and Speak soft refer to a calming effect that will sooth audiences. There is also what I call the Football Section where a fugue like subject, Let us find peace, tosses itself between all voices starting in the bass section, moving to tenor, alto and soprano. Sometimes this section shares harmony (SA and TB together). It does have multiple meters from 4/4 to 2/4 time and back again. This peace encompasses a wide use of dynamics from piano to double forte. Print this piece on 8.5 x 11 in. paper. It is around 4 1/2 minutes and is 8 pages long in print.
$4.50
The Old Palmer Song
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Chorale SATB
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FACILE
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the time the rush was over, th
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Traditional
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Sandra Milliken
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The Old Palmer Song
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.774724 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 14 pages. Sandra Milliken #3873...
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Choral Choir (SATB) - Level 2 - SKU: A0.774724 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 14 pages. Sandra Milliken #3873279. Published by Sandra Milliken (A0.774724). The Old Palmer Song is a favourite Australian folk song that is meant to be sung in a rollicking style that reflects the excitement and anticipation of hardy Australian colonials setting out in search of gold. Following hard on the heels of the great California gold rushes (1848 – 1855) came the discovery of payable quantities of gold in Australia. The first gold rush in Australia began in New South Wales in May 1851 after prospector Edward Hargraves discovered gold near Orange, at a site he called Ophir. Other discoveries quickly followed, including those at Ballarat and Bendigo in the colony of Victoria. Then came Rosewood and Gympie (1867) in Queensland; the Gawler region in South Australia in 1868; and Halls Creek (1885), Kalgoorlie and Coolgardie (1893) in Western Australia. One of Australia’s richest alluvial goldfields was that of the Palmer River in far north Queensland. The rush to the Palmer began in 1873 and lasted for about three years. The goldfields were nearly 100 miles inland from the small coastal settlement of Cooktown and the early prospectors had a hard time of it just getting to the field. Leaving Cooktown they crossed the coastal mangroves, then on through dense tropical rainforest, into the more open eucalypt forest beyond and then across the dry, inhospitable and rugged country of the hinterland dissected by wide and deep rivers. And always there was the risk of meeting with fierce resistance from the Aborigines whose tribal land they were travelling through. At the height of the rush there were around 35,000 prospectors on the Palmer (including a great many Chinese). By the time the rush was over, the Palmer had yielded over 100 tons of gold! The Old Palmer Song is set to the tune of Ten Thousand Miles Away, a shore ballad/sea shanty that probably originated in Ireland in the early 19th Century.
$2.20
Mystery of the Hills
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Chorale SATB
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INTERMÉDIAIRE
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Debbie Allen
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Mystery of the Hills
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Nottingham Scores
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1240133 Composed by Debbie Allen. Children,Contemporary,Contest,Festival,Folk,Historic. Octavo. 14 pages. Nottin...
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Choral Choir (SATB) - Level 3 - SKU: A0.1240133 Composed by Debbie Allen. Children,Contemporary,Contest,Festival,Folk,Historic. Octavo. 14 pages. Nottingham Scores #835514. Published by Nottingham Scores (A0.1240133). Mystery of the Hills is an S.A.T.B. choral work describing the wonder of the Flint Hills, a region in East Central Kansas.  I’m not a native Kansan, but whenever I drive through this area, I am enthralled by the infinite sense of expanse and gently rolling terrain. Geologists believe there was an inland seaway that covered central North America starting 290 million years ago. Over time, alternating layers of hard limestone and softer shale rocks formed. It is believed erosion caused the varied elevations of terrain, unique to the slopes of the Flint Hills. These surface layers of limestone and chert prevented the settler’s ability to farm, which in turn preserved the integrity of the soil. Today, the prairie grasses can reach 10 feet tall if not managed.  The rich grasses are prime for feeding livestock. This music attempts to provide images of traveling through the Flint Hills today, while imagining changes over eons of time, due to weather and eventually, human interaction.  Generally, the upper voices provide the imagery and some history, while the lower voices describe a bedrock foundation.  Describing the rock foundation found in the Flint Hills is also a metaphor for human strife and struggle as man, among living flora and fauna, interact with the area. The vocal ranges and harmonies are accessible for young ensembles, whether in development or with years of experience.
$2.99
The Day Is Done (Downloadable Choral Score)
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Chorale SATB
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INTERMÉDIAIRE
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Gwyneth W
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The Day Is Done
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir, children’s choir (SA), flute, strings, and percussion, or piano - Medium - SKU: MQ.8776-E Composed by Gwyneth W. Walker. 23 pages. E....
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SATB choir, children’s choir (SA), flute, strings, and percussion, or piano - Medium - SKU: MQ.8776-E Composed by Gwyneth W. Walker. 23 pages. E. C. Schirmer Music Company - Digital #8776-E. Published by E. C. Schirmer Music Company - Digital (MQ.8776-E). English.Longfellow's poem, The Day is Done, speaks of evening as the time when poetry and music comealive and soothe the cares of day. The musical setting presents the opening lyrics in the children’s voices: The day is done, and the darkness falls from the wings of night. These phrases, or slight variations thereof, return as refrains throughout the song. The verses alternate between the men’s and women’s voices, with the children interjecting refrains or offering commentary in the background. Finally, the children interrupt the SATB dialogue with exclamations of a song! a song! a song! These lead to the climax of the song, given to the children’s chorus, singing And the night shall be filled with music. All voices then join together in celebration: Our song shall fill the night. The accompaniment (originally composed for piano, later adapted for flute, strings, and percussion) delights in text-setting with sparkling arpeggios depicting the celestial harmonies, and filigree patterns for the star-filled night sky. Duration: 5:00.
$3.20
Alleluia! Let Praises Ring! (Downloadable)
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Chorale SATB
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FACILE
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Michael Burkhardt
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Alleluia! Let Praises Ring!
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir, handbells, optional percussion - Moderately Easy - SKU: MQ.50-6024-E Composed by Michael Burkhardt. Reformation, Trinity. Score & instrument...
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SATB choir, handbells, optional percussion - Moderately Easy - SKU: MQ.50-6024-E Composed by Michael Burkhardt. Reformation, Trinity. Score & instrument parts. 7 pages. MorningStar Music Publishers - Digital Sheet Music #50-6024-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-6024-E). Written for the 1999 Lutheran Hymn Festival at Meyerson Symphony Hall in Dallas, Texas, the choral fantasy on Alleluia! Let Praises Ring (WIE SCHON LEUCHTET) may be sung as an anthem, hymn of praise, or choral prelude to the hymn, Alleluia! Let Praises Ring! Pitched percussion instruments (Orff and other malleted or rung instruments) may be used in addition to handbells to accompany the vocal forces. Instrumental parts included on score. Appropriate for Trinity Sunday and other times of praise and celebration. Handbells (4 octaves- 11 bells).
$1.25
An Adagio Suite, in Three Movements for Small Orchestra, Solo Voices, SATB Chorus(or Various Combina
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Chorale SATB
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INTERMÉDIAIRE
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James Nathaniel Holland
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An Adagio Suite, in Three Move
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.730393 Composed by James Nathaniel Holland. Contemporary,Sacred,Wedding. Octavo. 92 pages. James Nathaniel Holla...
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Choral Choir (SATB) - Level 3 - SKU: A0.730393 Composed by James Nathaniel Holland. Contemporary,Sacred,Wedding. Octavo. 92 pages. James Nathaniel Holland #3075871. Published by James Nathaniel Holland (A0.730393). New and original music by 21st century, American Costa Rican composer James Nathaniel Holland. This extremely versatile publication of a score and set of parts is a great addition to any orchestral or choral music library: either school, church, or community orchestra. Excellent for young musicians or intermediate-level volunteers, for the beginning conductor, but full of meaning for the professional orchestra as well.YouTube video presentation:https://youtu.be/WonTmPLYP1gThese three beautiful Adagios are adapted from JN Holland's ballet, The Wind in the Willows Perform together for concert or as stand alone pieces. They are perfect for weddings, funerals, graduations, or any solemn occasions. Texts are non-religious, but express universal sentiments of one's helping others, healing, and impermanence. Complete, intended orchestration for: fl, ob, cl Bb, bsn, hrn, hrp, SATB choir, strings Use as optional accompaniment for solos, or SATB choir. (Vocal parts included.) Adagio No. 1 My Salvation (or if If I've done one bit of good, that is my salvation) text by JN HollandAdagio No. 2 The Healing Power (aka Forget) Text by Kenneth GrahameAdagio No. 3 All Are PassersbyMix, omit and match combinations of available instruments of your group. Such as:Strings, woodwind quintet, harp (or piano), soloists and/or chorus. (omissions and combinations thereof, except the essential string section) String orchestra onlyTripled Strings players with woodwind quintetStrings, woodwind quintetIncluded are substitution parts in key of C for the parts of Clarinet in Bb and Horn in F (if those instruments are not available).Add one trumpet, or trombone, etc. etc.(Complete duration: 20 minutes)Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html
$20.95
Hope of the World 10: Zebulun, Naphtali by Stephen R Dalrymple
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Stephen R Dalrymple
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Hope of the World 10: Zebulun,
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Stephen R Dalrymple
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.818368 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrympl...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.818368 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. 27 pages. Stephen R Dalrymple #6709715. Published by Stephen R Dalrymple (A0.818368). Hope of the World: 10 Zebulun, Naphtalioriginal song arranged for SATB choir and piano by Stephen R Dalrymple♫ sequenced by the composer♫ music © 1999 Stephen R Dalrymple♫ recording ℗ 2022 Stephen R Dalrymple♫ presentation © 2024 Stephen R Dalrymple♫ based on Isaiah 8-9 and Matthew 4.♫ Isaiah 8 ends and Isaiah 9 begins with the brutal Assyrian invasion and deportation of the northern 10 tribes of Israel (586 BC). Assyria was so effective in disrupting the nation, that we call the 10 northern tribes the “lost tribes of Israel.†God sent many prophets to warn the people that they were failing to keep their covenant with God and that judgment day was coming for the nation.♫ The tribes of Zebulun and Naphtali were located near the Sea of Galilee. They, like all the Northern people, would curse God on the day of darkness as they were killed or deported.♫ But Isaiah sees ahead to a time when Zebulun and Naphtali will be overcome with light and joy. “The people walking in darkness have seen a great light.†This prophecy was fulfilled as Jesus healed and taught in the cities of ancient Zebulun and Naphtali.♫ Includes 1) full score 2) SATB choir part on 2 staves 3) full score for 10 inch tablet♫  (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube channel @DalrympleDesigns.
$2.00
THE ICON OF THE INVISIBLE GOD (SATB) – Colossians 1:15-20
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Michael A
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THE ICON OF THE INVISIBLE GOD
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926661 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588399. Published by M...
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Choral Choir (SATB) - Level 3 - SKU: A0.926661 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588399. Published by M.A. Morizio (A0.926661). In the first chapter of Paul’s letter to the Colossians, we discover the next known Hymn to Christ right after his introductory passages, beginning at the 15th verse. Paul opens this letter with a blessing, then immediately flows to one of the 1st century hymns, which I have called, The Icon of the Invisible God. The lyrics of this hymn are declarative, bold and illuminating as to whom the Christ figure is-the icon, the very image of the invisible God, the firstborn of all creation. The text makes it abundantly clear that Jesus is the authority; that He was there before all things, that He created all things, and that through Him all things hold together. This anthem is composed for SATB choir with Pipe Organ accompaniment. The meter is set to 6/8 time, with a rhythm tempo of Totally Alive; which is one actual definition of the word Holy. The anthem starts at a good clip (♪=100). The key is G Major, with an incidental and occasional flatted 5th (Dâ™) as a surprise-landing befitting to the text presented, as if to say, This is so amazing, how can it be? The flatted 5th gives the piece it's own identity and causes the listener to stand up and take notice whenever it occurs. When the hymn's lyrics glide into the all-important resolution, having made peace through the blood of the cross, the song retards and lands on a surprising musical cadence, the sixth chord (E Major). In this piece, the pipe organ is boldly featured as it supports and under girds the musical line, occasionally trumpeting its own victorious motifs and adding some contrapuntal elements, such as this duplet motif, in the pedal line. The final lyrics about Christ having reconciled everything to Himself, whether things on the earth or in the heavens, finish the piece with a great, ‘High-Church’ choral ending.
$1.99
AND THE WORD BECAME FLESH - SEVEN ANTHEMS TO CHRIST
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Chorale SATB
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INTERMÉDIAIRE
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Michael A
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AND THE WORD BECAME FLESH - SE
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Pu...
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Choral Choir (SATB) - Level 3 - SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Published by M.A. Morizio (A0.926660). During the late spring of 2017, I began composing a new choral piece based on the 1 Timothy 3:16 text. I was studying Paul's first letter to Timothy at the time when this particular passage jumped out at me. Not only was it an efficient summary of the Gospel message, but it was also a textual grouping, or form, such as might be found in a traditional hymn. What I was reading were indeed lyrics to an actual 1st Century Hymn to Christ, the music of which has since been lost. I entitled my piece, Great is the Mystery. I composed the anthem for SATB (a cappella), and set it to the ESV translation of the scripture. Based on its context, I suspected the song would work great for Ascension Sunday. Our choir sang the piece beautifully, crescendoing at the finish to the words, Believed on in the world and taken up in glory! Later that spring, I played the piece for a dear friend of mine who is Pastor at Immanuel Church in Manchester, New Hampshire. What he told me was actually a bit stunning. He informed me that there were (at least) seven specific known Hymns to Christ written into the New Testament Scriptures, whose text is found among the writings of the apostles’ Paul and John. The 1 Timothy 3:16 verse that I had selected for my piece was indeed one of those texts. At that moment, Pastor Don and I made a pact. If he were to supply me with the literal Greek translations of the other six known Hymns to Christ, I would set out to compose brand new anthems for them all. A new musical collaboration had begun. With this short introduction serving as the genesis of my new song cycle, I offer you these new Seven Anthems to Christ based on the seven known ancient ‘Hymns to Christ' texts found in the New Testament.
$9.99
I Just Want To (party All The Time)
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Chorale SATB
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FACILE
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Big Time Rush
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Jeff Tincher
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I Just Want To
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Jeff Tincher
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1269036 By Big Time Rush. By Adam B. Korbesmeyer, Carlos Penavega, James A Johnson, James Maslow, Kendall Schmid...
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Choral Choir (SATB) - Level 2 - SKU: A0.1269036 By Big Time Rush. By Adam B. Korbesmeyer, Carlos Penavega, James A Johnson, James Maslow, Kendall Schmidt, Logan Henderson, Nicholas Michael Furlong, Spencer Afari Nezey, and William T Ventres. Arranged by Jeff Tincher. Contemporary,Pop. Octavo. 12 pages. Jeff Tincher #861571. Published by Jeff Tincher (A0.1269036). Here is a great uptempo song from Big Time Rush. In the original key from their Another Life project. Duration = 2:58. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$1.99
Come, O Thou Traveler Unknown (Anthem for SATB Choir)
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Chorale SATB
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INTERMÉDIAIRE
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Charles Wesley and Trad
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Nathaniel Hontz
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Come, O Thou Traveler Unknown
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TigerSong LLC
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1243842 Composed by Charles Wesley and Trad. Scottish Melody. Arranged by Nathaniel Hontz. Christian,Folk...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1243842 Composed by Charles Wesley and Trad. Scottish Melody. Arranged by Nathaniel Hontz. Christian,Folk,Religious,Sacred,Traditional. 10 pages. TigerSong LLC #838814. Published by TigerSong LLC (A0.1243842). Charles Wesley's poem Jacob Wrestling is better known by its first line, Come, O Thou Traveler Unknown. A sermon in itself, the poem recontextualizes the struggle of the Old Testament story of Jacob wrestling with an angel to current believers' struggles with faith. Isaac Watts, one of the fathers of English hymnody, stated that this poem was worth all the verses [he] had written. It is set here to a traditional Scottish melody, Candler or Ye Banks and Braes of Bonnie Doon, and arranged for SATB choir. It opens with a tenor soli, joined by the other voices. When the speaker makes demands of his divine opponent, the anthem modally shifts to the parallel minor. Eventually, the choir wrestles, as the four wrestling verses of the poem are sung at the same time in a 4-part canon. Finally, the speaker's epiphany is accompanied by a key change and a joyous conclusion in 4-part harmony.
$12.99
The Fiddle And The Drum
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Chorale SATB
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INTERMÉDIAIRE
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Joni Mitchell
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Scott S
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The Fiddle And The Drum
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Scott S. Stewart
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1385810 By Joni Mitchell. By Joni Mitchell. Arranged by Scott S. Stewart. 20th Century,Contemporar...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1385810 By Joni Mitchell. By Joni Mitchell. Arranged by Scott S. Stewart. 20th Century,Contemporary,Multicultural,Patriotic,Singer/Songwriter,World. 12 pages. Scott S. Stewart #969752. Published by Scott S. Stewart (A0.1385810). Sometimes the song of a single voice, over time, evolves into a needed chorus of many. Such is Joni Mitchell’s anthem to activism “The Fiddle and the Drum†(1969).  Originally an anti-Vietnam-war protest song, the song has since been recorded 42 times, and counting, because it inspires us to “remember all the good things ‘we’ are… and because we have all come to fear the beating of ‘your’ drum.† This arrangement is scored for 8-part [SSAATTBB occasional divisi] chorus, with a very minimal piano part added for percussion-purposes only; essentially the piece is sung a cappella. The ‘piano’ part is actually an interpretation of a timpani and bass drum [2 players] accompaniment which is included with the score.  Performance time 3:48+- Note: this arrangement was conceived with large choral ensemble with mature voices in mind.  The registers are extreme for the bass and alto sections, but doable when building the overall sound of the ensemble and adjusting dynamic levels of the other voices.
$3.99
Hope of the World:13 Feed the Flock for Slaughter by Stephen R Dalrymple
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Stephen R Dalrymple
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Hope of the World:13 Feed the
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Stephen R Dalrymple
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.818372 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.818372 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. 29 pages. Stephen R Dalrymple #6709747. Published by Stephen R Dalrymple (A0.818372). Hope of the World: 13 Feed the Flock for Slaughter original song arranged for SATB choir and piano by Stephen R Dalrymple♫ sequenced by the composer♫ music © 1999 Stephen R Dalrymple♫ recording ℗ 2022 Stephen R Dalrymple♫ presentation © 2024 Stephen R Dalrymple♫ based on Zechariah 11, John 10, and Matthew 27♫ The Judah of Zechariah was marred by exiles who struggled greatly to obey God’s law. Ezra, Nehemiah, Haggai and Malachi contain many passages that point out the sin of the people. Joshua, the current high priest, is pictured in one of Zechariah’s visions as wearing filthy apparel, desperately needing cleansing. Sheep in Bible times are grown more for their wool and milk, not so much for the slaughterhouse. Zechariah likens the leadership of Judah to shepherds and flock owners who are primarily concerned with selling meat. But there is a good shepherd who intervenes to lead the flock. He is mistreated by the owners and the shepherds and paid the price of a slave for his efforts. The good shepherd, casts the price on the floor for the potter.♫ Zechariah is looking ahead to a time when the religious leaders of Judah were short on compassion and the needs of people. Jesus called Himself the Good Shepherd. We see several parallel’s here in John 10. He called the religious leaders of His day, thieves and robbers, and predators. Judas Iscariot was paid the price of a slave to betray Jesus, which he threw to the ground, but was scooped to purchase a Potter’s Field!♫ Includes 1) full score 2) SATB choir part on 2 staves 3) full score for 10 inch tablet♫  (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube channel @DalrympleDesigns.
$2.00
Leise rieselt der Schnee (The Snow Falls Quietly) for family band
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Chorale SATB
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DÉBUTANT
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Eduard Ebel, traditional
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Sophia Transistor
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Leise rieselt der Schnee
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Sophia Transistor
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.851142 Composed by Eduard Ebel, traditional. Arranged by Sophia Transistor. Children,Christian,Christmas,World. ...
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Choral Choir (SATB) - Level 1 - SKU: A0.851142 Composed by Eduard Ebel, traditional. Arranged by Sophia Transistor. Children,Christian,Christmas,World. Octavo. 14 pages. Sophia Transistor #6626617. Published by Sophia Transistor (A0.851142). Year after year, the whole family comes together and eventually tries to perform Christmas songs on the fly.This arrangement of the german traditional Leise rieselt der Schnee = The Snow Falls Quietly / Softly falls the snow offers several parts for many variable instruments in their specific notation forms. The voices can be combined ad libitum. The score also offers decent vocal scores with the original german lyrics and also english lyrics.The score includes the following parts:- Piano (easy piano, voicings, chord symbols and melody)- vocals (in english and in german); 3 verses- solo instruments in C (violin, flute, etc.); quartet- solo instruments in alto key (viola, alto-trombone, etc.); quartet- solo instruments in Bb (trumpet, clarinet, tenor saxophone, etc.); quartet- solo instruments in bass clef (trombone, cello, bass, etc.); quartet- solo instruments in Eb (alto saxophone, Eb-clarinet, etc.); quartet- solo instruments in F (french horn, F-tuba, etc.); quartet- guitar (notation and TABs)- accordion / harmonica / squeeze box- drums / PercussionType and font sizes have been maximized to support older, elder and farsighted readers in soft candle light situations.So: easy to read even in poor visibility.This arrangement has been optimized for on the fly performances during Christmas time. The constitution of instruments (rhythm and solo instruments (also in transposing scores)) can be put together ad libitum. All parts are matching, can be combined or played alone.YouTube Playalong: https://youtu.be/LSERuO8KMsUGerman description (Beschreibung auf Deutsch):Alle Jahre wieder wird mit der Familie zusammen Weihnachten gefeiert. Lasst uns doch was zusammen spielen! Na klar, hast du Noten? Ja hier, für Keyboard... hm, für mich passen die nicht...Dieses Arrangement des Weihnachtsklassikers Leise rieselt der Schnee beinhaltet Noten für die gängigsten Hausinstrumente. Alle Stimmen können miteinander kombiniert werden. Die Gesangsnoten sind vernünftig notiert und den Liedtext gibt es auf Englisch und auf Deutsch. Folgende Musikinstrumente werden durch diese Noten abgedeckt; die Partitur enthält folgende Auszüge:- Klavier (leichte, mittlere Begleitung, Intonationsvorschläge, Akkordsymbole und Melodie)- Gesang (auf Englisch und auf Deutsch); 4 Strophen- Soloinstrumente in C (Geige, Flöte, etc.); Quartett- Soloinstrumente in Altschlüssel (Bratsche, Altposaune, etc.); Quartett- Soloinstrumente in Bb (Trompete, Klarinette, Tenorsaxofon, etc.); Quartett- Soloinstrumente mit Bassschlüssel (Posaune, Cello, Bass, etc.); Quartett- Soloinstrumente in Eb (Altsaxofon, Eb-Klarinette, etc.); Quartett- Soloinstrumente in F (Waldhorn, F-Tuba, etc.); Quartett- Gitarre (Noten und TABS)- Akkordeon / Harmonika / Schifferklavier- Schlagzeug / PerkussionSchriftgrößen wurden maximiert, um ältere und weitsichtige Notentextleser in schlecht ausgeleuchteten Situationen mit sanftem Kerzenlicht zu unterstützen.Also: Gut lesbar auch bei schlechten Sichtverhältnissen.Dieses Arrangement wurde für On-the-Fly-Auftritte während der Weihnachtszeit optimiert.Die Besetzung der Instrumente (Rhythmus- und Soloinstrumente (auch in transponierenden Partituren)) kann nach Belieben zusammengestellt werden.Alle Teile sind aufeinander abgestimmt, können kombiniert oder alleine gespielt werden.Viel Spaß beim Ausprobieren!#LeiseRieseltDerSchnee#Weihnachtsmusic#smppressmusic
$4.99
Twenty-Four Hallelujahs (SATB with piano)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Joseph Hasper
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Twenty-Four Hallelujahs
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Joseph Hasper
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.734640 Composed by Joseph Hasper. Contemporary,Sacred,Spiritual. Octavo. 12 pages. Joseph Hasper #59329. Publish...
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Choral Choir (SATB) - Level 4 - SKU: A0.734640 Composed by Joseph Hasper. Contemporary,Sacred,Spiritual. Octavo. 12 pages. Joseph Hasper #59329. Published by Joseph Hasper (A0.734640). Twenty-Four Hallelujahs, for SATB chorus with piano, is a simple song of praise in a rich harmonic setting. The single word of text, Hallelujah, is repeated in various ways, at times contemplative and in others jubilant and forceful, but always filled with awe. The choral parts are meant to be vocally unchallenging to allow the singers to focus on the expression of each phrase. The piano part, on the other hand, is intended to be technically challenging, and provides a foil which, when juxtaposed against the voices, adds yet another nuance of meaning to the words.
$1.99
#WeToo
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Chorale SATB
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INTERMÉDIAIRE
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Sally Whitwell
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#WeToo
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Publish...
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Choral Choir (SATB) - Level 3 - SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. We’d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. It’s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that I’m virtue signalling and that I look ridiculous (as if I care how I look). I’ve asked questions about workplace Covid safety and been informed that it’s “a bit rich†that I’m asking at all, when everything is now safe. A friend’s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed “Oh, it’s not Covid. How old are you? In your forties? It’s your hormones, it’s the menopause.†The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, there’s really no point.Sally Whitwell 11 July 2023.
$1.99
Joseph, Thou Son of David (Matthew 1 : 20-21) : SSAATB or SSATB Choir Acapella
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Chorale SATB
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M
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Joseph, Thou Son of David
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Vocal Works
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.741923 Composed by M. Ryan Taylor. 20th Century,A Cappella,Christian,Christmas,Contemporary,Sacred. Octavo. 6 pages. Vocal...
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Choral Choir (SATB) - SKU: A0.741923 Composed by M. Ryan Taylor. 20th Century,A Cappella,Christian,Christmas,Contemporary,Sacred. Octavo. 6 pages. Vocal Works #484783. Published by Vocal Works (A0.741923). It is difficult to find Christmas music that focuses on the role of Joseph, Christ’s foster father. That is one of the reasons I chose to set this text, it is a part of the story that is often left out. The other reason is that this it contains one of the first New Testament prophecies concerning Christ, the revelation that Jesus will save his people from their sins. That seems to be what Joseph needed to know at the time. Joseph was perhaps the third convert, after Mary and Martha. Demo: https://mryantaylor.bandcamp.com/track/joseph-thou-son-of-david-demo . . . Joseph, thou son of David, fear not to take unto thee Mary thy wife: for that which is conceived in her is of the Holy Ghost. And she shall bring forth a son, and thou shalt call his name JESUS: for he shall save his people from their sins.
$1.99
Why The Chimes Rang (the musical) (for Virtual or Reader's Theatre) (Score and Script)
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Chorale SATB
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FACILE
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Stephen DeCesare
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Why The Chimes Rang
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Exultet Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.627629 Composed by Stephen DeCesare. Broadway,Christian,Christmas,Film/TV,Musical/Show. Octavo. 62 pages. Exulte...
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Choral Choir (SATB) - Level 2 - SKU: A0.627629 Composed by Stephen DeCesare. Broadway,Christian,Christmas,Film/TV,Musical/Show. Octavo. 62 pages. Exultet Music #6035855. Published by Exultet Music (A0.627629). Once, long ago, a majestic church stood on a high hill in the center of a great city. But more remarkable than its tall towers, great archways and grand entrance was the legend surrounding the bells. It was the custom on Christmas Eve for all the people to bring to the church their offerings to the Christ-child. And there had been a time when an unusual offering brought magnificent music from the chimes which were rung, everyone believed, by the angels. But lately, no offering had been great enough...that is until young, poor brothers, Pedro and Manuel, make their first pilgrimage through the snow to give their simple gift.This touching story is enhanced with a re-enactment of the nativity by the children's choir. Score and script included as well as unlimited performance rights for one year. To hear the entire score, please visit the YouTube link. If you are interested in accompaniment tracks, please contact: mtapublishing@gmail.com and ask about pricing.
$50.00
Son to Mother
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Chorale SATB
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Henrik Dahlgren
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Son to Mother
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SATB chorus divisi - SKU: BJ.1370 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1370. Published by Bo Ejeby Forlag ...
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SATB chorus divisi - SKU: BJ.1370 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1370. Published by Bo Ejeby Forlag - Digital (BJ.1370). 8.27 x 11.7 inches.In 2017, I was commissioned by the male voice choir Svanholm Singers to write a work for inclusion in a concert marking 70 years since the proclamation of the Universal Declaration of Human Rights. Choosing a text was difficult. I came across upon a poem by Maya Angelou, but it struck me as being too powerful and emotional for the music I was writing to carry it; everything I composed sounded banal next to Angelou's words. I soon realized that I could use silence to enhance the text, rather than heaping layers and layers of music upon it. Silence is both terrifying and serious - in a sense, it is the only adequate counterpoint to the poetry. So, I decided to build the piece on silence. Though the beginning of the piece is the opposite of silence - a scream of desperation -, I followed that outburst by cutting the poem's stanzas into single words, repeated in a different order each time, almost in the manner of a mantra. Finally, they end up in the right order and suddenly the words take on their rightful meaning. I hope, in this way, the music is equally powerful as the words. Son to Mother has been well-received and has gone on to become one of the most widely performed pieces I have written. It has been performed at various festivals and in various countries, including Taiwan, France and China - where it only just made it past the government censors. - Henrik DahlgrenThis version is an adaptation for mixed choir of the original male choir version. Henrik Dahlgren is a Swedish composer, born 1991. He has been studying at the Academy Of Music in Malmo with Prof. Rolf Martinsson and the Royal College Of Music in London with Dr. Haris Kittos. Henrik started his musical career as a drummer and has ever since worked in a very wide range of different genres and styles, both as a performer and as a composer.
$5.40
By The Time I Get To Phoenix
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Chorale SATB
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FACILE
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Glen Campbell
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Stewart J Wallace
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By The Time I Get To Phoenix
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Stewart J Wallace
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1157801 By Glen Campbell. By Jimmy Webb. Arranged by Stewart J Wallace. Contemporary,Country,Pop,Singer/Songwrit...
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Choral Choir (SATB) - Level 2 - SKU: A0.1157801 By Glen Campbell. By Jimmy Webb. Arranged by Stewart J Wallace. Contemporary,Country,Pop,Singer/Songwriter. Octavo. 12 pages. Stewart J Wallace #758133. Published by Stewart J Wallace (A0.1157801). This ballad by Jimmy Webb (writer of MacArthur Park and Wichita Lineman amongst many others) was a hit for country singer Glen Campbell who recorded it in 1967, and it was also covered by Dionne Warwick, Ann Murray, and Isaac Hayes. This arrangement is a straight-forward version for SATB choir, with all parts singing with the same rhythm and phrasing - aim to sing smoothly, with the same rhythms, and blend the voices. The piano part can be played as written note-for-note or with some variation, and the chord symbols will allow other instruments such as guitar and bass to play along too. The printed score includes a reduced score with just the vocal parts.
$2.49
Where'd All The Time Go?
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Chorale SATB
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FACILE
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Dr
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Matthew Udland
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Where'd All The Time Go?
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Midwest A Cappella
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1202738 By Dr. Dog. By Scott Mcmicken and Toby Leaman. Arranged by Matthew Udland. A Cappella,Contemporary,Folk,...
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Choral Choir (SATB) - Level 2 - SKU: A0.1202738 By Dr. Dog. By Scott Mcmicken and Toby Leaman. Arranged by Matthew Udland. A Cappella,Contemporary,Folk,Pop,Singer/Songwriter. Octavo. 10 pages. Midwest A Cappella #801503. Published by Midwest A Cappella (A0.1202738). Dr. Dog's groovy song, Where'd All the Time Go, makes a WONDERFUL a cappella arrangement for your SSATB group with a tenor or alto soloist. The rhythmic displacement at the end of the chorus drives this song to a really satisfying and entertaining end. Definitely recommend for your early or intermediate a cappella ensemble!
$2.50
O Lord We Pray All Day
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Chorale SATB
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FACILE
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Musique Sacrée
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Peter Spinney
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Peter Spinney
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O Lord We Pray All Day
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Peter Spinney
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1436309 Composed by Peter Spinney. Arranged by Peter Spinney. Christian,Praise & Worship,Religious,S...
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1436309 Composed by Peter Spinney. Arranged by Peter Spinney. Christian,Praise & Worship,Religious,Sacred. 12 pages. Peter Spinney #1016380. Published by Peter Spinney (A0.1436309). An upbeat and catchy choral anthem in 11/8 time for SATB and accompaniment, plus optional tambourine (or clapping, or any other suitable percussion).The song draws insipiration from two sources. First my dog who day and night begs to go outside to play; the melody came to me while singing to myself about how he wished to play all day, no matter the time or weather. Second, given how similar, play all day, was to, pray all day, I was reminded of Paul's final instructions in first Thessalonians, where he tells us to rejoice and pray continuously. I realized then that this would be a perfect message for the upbeat melody, and endeavoured to turn my idle singing into a church anthem.
$3.00
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