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Vous avez sélectionné:
Amen, Go Tell It!
Chorale SATB
Partitions à imprimer
4 partitions trouvées
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Amen, Go Tell It!
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Musique Sacrée
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Donald Moore
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Choral Octavo
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Amen, Go Tell It!
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Jubilate Music Group - Digital
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SheetMusicPlus
Incorporating Amen! and Go, Tell It on the Mountain. Composed by Donald Moore. Arranged by Donald Moore and Steve Herold. Choral (Sacred); Choral Octa...
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Incorporating Amen! and Go, Tell It on the Mountain. Composed by Donald Moore. Arranged by Donald Moore and Steve Herold. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Alfred SingPraise Series. Advent; Christmas; Epiphany; Sacred. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-24237. Published by Jubilate Music Group - Digital
$2.25
What Happened on that Mountain
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Chorale SATB
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FACILE
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John W
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What Happened on that Mountain
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John Fisher
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1324224 Composed by John W. Fisher. A Cappella,Christian,Instructional,Praise & Worship,Spiritual. 3 page...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1324224 Composed by John W. Fisher. A Cappella,Christian,Instructional,Praise & Worship,Spiritual. 3 pages. John Fisher #912420. Published by John Fisher (A0.1324224). WHAT HAPPENED ON THAT MOUNTAIN is a sermon song based on the sermon With Jesus on the Mountain delivered by Dr. Paul de Jong on November 12, 2023 at the First Presbyterian Church, Fort Myers, Florida using the text of Mark 8:31-9:29. The tune is an SATB arrangement of the famous Christmas spiritual Go Tell it on the Mountain with original lyrics to teach about a very important event in the New Testament - Jesus on the Mount of Transfiguragtion. The Chorus departs from the rhythm of the original spiritual when the name of Jesus is sung, emphasizing that He is on a different plane than Moses and Elijah.This and the second verse emphasize how Peter, as he often was, was in error of considering building temporal booths to celebrate the three transfigured beings. What the voice from heaven says and what Jesus says are extremely important. This may not overtake the popularity of the original Christmas spiritual, but I would hope that some congregations would consider using it as a teaching hymn.
$7.00
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
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Chorale SATB
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INTERMÉDIAIRE
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Stuart Brown
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An Omani Dance Suite - COMPLET
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Stuart Brown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681...
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Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
La Cura
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Chorale SATB
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Contemporain
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Franco Battiato
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Bacco Baccanels
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La Cura
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Bacco Baccanels
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.978040 By Franco Battiato. By Francesco Battiato and Manlio Sgalambro. Arranged by Bacco Baccanels. Contemporary. Octavo. ...
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Choral Choir (SATB) - SKU: A0.978040 By Franco Battiato. By Francesco Battiato and Manlio Sgalambro. Arranged by Bacco Baccanels. Contemporary. Octavo. 8 pages. Bacco Baccanels #5989447. Published by Bacco Baccanels (A0.978040). Description is first in Italiano e then in English, since I think the song is quite famous in Italy but little known abroad.[ITALIANO]Arrangiare un brano di Franco Battiato è molto difficile perché la sua interpretazione staccata e narrativa, la sua voce dal timbro molto alto e l'argomento, di solito lontano nel tempo e dalla realtà ma qui estremamente vicino a raccontare l'amore in una delle fasi più intense della vita rischiano di stravolgerla. In più, ogni tentantivo di reinterpretarla con altra musica richiede di essere un artista altrettanto grande: io non sono nè grande nè artista, al limite... essere.Ho cercato perciò di stare vicino all'orginale, riconoscibile dal motivetto in sedicesimi che si ripete per tutta la canzone.Poiché si sa che la versione vocale stufa prima delle versioni suonate e l'originale dura 4 minuti, ho tagliato l'intera strofa Ti porterò.... Per chi volesse reinserirla, è facile: dalla battuta 41 si torna alla 5, si ripercorre fino alla 18 (con il testo cambiato per il solista, Ti porterò..., ma le altre voci sono identiche ) e si riprende dalla 42 fino alla fine.[ENGLISH]Arranging a piece by Franco Battiato it's not an easy game: lyrics are often very far in time and his singing very personal and narrative. Here the lyrics tells a love in a hard moment of life and every element is placed in a delicate balance where any change can be disruptive.Even trying to modify the music style would require an artist of the same weight, and I am not.So I tried to stay close to the original, using the most recognizable pattern of the song (the notes in sixteenth).Since we know that the vocal versions have to be shorter than the played ones (ears get bored before) and the original song if 4 minutes long, I cut the entire verse Ti porterò.... For those who want to play also the missing part, it’s easy: from bar 41 go back to bar 5, sing up to bar 18 (with the lyrics changed for the lead, Ti porterò..., other voices do not change) and then go ahead to bar 42 and from there to the end.
$2.99
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Amen, Go Tell It!
