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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Arches
Non classifié
231
Piano & claviers
Piano seul
110
Accordéon
38
Piano Facile
34
Piano, Voix et Guitare
14
Piano, Voix
10
Orgue
10
1 Piano, 4 mains
8
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Ensemble d'Accordéons
1
Piano grosses notes
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Instruments en Do
1
+ 9 instrumentations
Retracter
Guitares
Guitare
9
Guitare notes et tablatures
8
Ligne De Mélodie, (Paroles) et Accords
5
Ensemble de guitares
5
Banjo
4
2 Guitares (duo)
4
Guitare, Violon, Violoncelle (trio)
2
Paroles et Accords
2
Dulcimer
2
Mandoline
2
Partitions De Groupes
1
Ensemble de Ukulélés
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
16
Chorale 3 parties
2
Chorale 2 parties
1
Chorale Unison
1
Vents
Flûte, Hautbois, Clarinette, Basson
30
Quatuor de Clarinettes: 4 clarinettes
28
Quatuor de Saxophones: 4 saxophones
23
Flûte traversière et Piano
22
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
Clarinette et Piano
17
Saxophone Alto et Piano
15
Quintette de Saxophone: 5 saxophones
13
Clarinette (partie séparée)
9
Saxophone (partie séparée)
9
Flûte traversière
7
Hautbois, Piano (duo)
7
Clarinette
6
Saxophone Tenor et Piano
6
Saxophone Soprano et Piano
6
Quintette de Clarinettes: 5 clarinettes
5
Quatuor de Flûtes : 4 flûtes
5
Ensemble de saxophones
4
Saxophone Alto
4
Saxophone Tenor
3
Flûte, Violon, Piano
3
Ensemble de Clarinettes
3
Saxophone et Guitare
2
Trio de Flûtes: 3 flûtes
2
Flute (partie séparée)
2
Flûte à Bec, Piano
2
Flûte, Clarinette et Basson
2
Flûte à bec Tenor
2
Flûte à bec Soprano, Piano
2
Hautbois (partie séparée)
2
Cor anglais, Piano
2
2 Saxophones (duo)
2
Saxophone Baryton, Piano
1
Flûte, Violoncelle, Piano (trio)
1
2 Flûte à bec (duo)
1
Flûte à Bec
1
Flûte, Clarinette (duo)
1
Flûte et Quatuor à Cordes
1
3 Clarinettes (trio)
1
Clarinette, Basson (duo)
1
3 Saxophones (trio)
1
2 Flûtes traversières (duo)
1
Piccolo, Piano
1
Flûte et Guitare
1
Hautbois
1
Ocarina
1
Flûte irlandaise
1
Clarinette Basse, Piano
1
Clarinette, Guitare (duo)
1
Quintette de Flûte : 5 flûtes
1
+ 45 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
176
Ensemble de Trompettes
33
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Trompette
10
Trompette, Piano
9
Trombone et Piano
6
Cor et Piano
6
Quatuor de cuivres: 4 trompettes
4
Quatuor de cuivres: 4 cors
4
Trombone (partie séparée)
3
2 Trompettes (duo)
3
Trompette (partie séparée)
3
Tuba et Piano
2
Tuba (partie séparée)
2
3 Trompettes (trio)
2
Cor (partie séparée)
2
Trombone
2
Cor anglais, Piano
2
Tuba
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Tuba ou Euphonium ou Saxhorn
1
2 Euphoniums et 2 Tubas
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
4 Tubas
1
Ensemble de Trombones
1
Quatuor de Cuivres
1
Ensemble de Cors
1
Quatuor de cuivres: 4 trombones
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
37
Violon et Piano
25
Violon
19
Alto, Piano
18
Violoncelle, Piano
17
Violoncelle
12
Trio à Cordes: violon, alto, violoncelle
7
Violon, Guitare (duo)
4
Harpe
4
Alto, Guitare (duo)
4
Alto seul
3
Violon, Violoncelle (duo)
3
Violon, Alto (duo)
3
Trio à cordes: 3 violins
3
Trio à Cordes: 2 violons, violoncelle
2
Contrebasse, Piano (duo)
2
Trio à Cordes: 3 violoncelles
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Quatuor à cordes: 4 violons
1
Violon, Clarinette, Piano (trio)
1
2 Violons, Piano
1
Trio à cordes: 3 altos
1
Trio à cordes
1
Quatuor à cordes : 4 altos
1
Alto (partie séparée)
1
Contrebasse (partie séparée)
1
2 Altos, Piano
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle , Guitare (duo)
1
2 Violoncelles (duo)
1
Alto, Violoncelle (duo)
1
4 Violoncelles
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
270
Orchestre
28
Orchestre à Cordes
22
Ensemble de cuivres
11
Fanfare
7
Orchestre de chambre
5
Percussion (partie séparée)
3
Cloches
3
Ensemble Jazz
2
Instrumentation Flexible
2
Batterie
2
Percussion
1
Quintette de Cuivres: autres combinaisons
1
Timbales (partie séparée)
1
Timbales
1
Marimba
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Librairie Musicale
Matériel de musique
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
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Pertinence
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Prix + au -
Nouveautes
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Arches
Chorale SATB
Partitions à imprimer
16 partitions trouvées
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1
A Fantasy
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Chorale SATB
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INTERMÉDIAIRE
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Alyssa Lawson
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Alyssa Lawson
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A Fantasy
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Alyssa Lawson
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 3 - SKU: A0.1510068 Composed by Alyssa Lawson. Arranged by Alyssa Lawson. Chamber. 3 pages. Alyssa Lawson...
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Choral Choir,Choral,SATB Chorus divisi - Level 3 - SKU: A0.1510068 Composed by Alyssa Lawson. Arranged by Alyssa Lawson. Chamber. 3 pages. Alyssa Lawson #953802. Published by Alyssa Lawson (A0.1510068). A Fantasy was originally a poem published in 1911 by Sara Teasdale. This poem is set to music to reflect the emotions behind the words. This piece is arranged for SS,AA,TT,BB choir a capella, and is intended for intermediate/advanced choirs.A Fantasy Her voice is like clear waterThat drips upon the stoneIn forests far and silentWhere Quiet plays alone.Her thoughts are like the lotusAbloom by sacred streamsBeneath the temple archesWhere Quiet sits and dreams.Her kisses are the rosesThat glow while dusk is deepIn Persian garden closesWhere Quiet falls asleep.For easy music arrangements and more check out https://www.alyssalawsonmusic.com/
$2.99
LES OISEAUX DE NEIGE - Les marches naturelles
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Francois Couture
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Disques BOGHEI Records
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LES OISEAUX DE NEIGE - Les mar
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Francois Couture
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.971051 Composed by Francois Couture. Arranged by Disques BOGHEI Records. 20th Century,Contemporary,Folk. Octavo....
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Choral Choir (SATB) - Level 4 - SKU: A0.971051 Composed by Francois Couture. Arranged by Disques BOGHEI Records. 20th Century,Contemporary,Folk. Octavo. 32 pages. Francois Couture #6054315. Published by Francois Couture (A0.971051). Lyrics - Louis Honoré Fréchette 1839-1908
$6.95
The Restoration Marches On - an original hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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The Restoration Marches On - a
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.701899 Composed by Kevin G. Pace (ASCAP), Michael Young. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kev...
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Choral Choir (SATB) - Level 4 - SKU: A0.701899 Composed by Kevin G. Pace (ASCAP), Michael Young. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kevin G. Pace #3879877. Published by Kevin G. Pace (A0.701899). An original hymn with text by Michael Young below.
$1.99
The Maid of Culmore
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Celtique/Irlandais
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Folklorique/Traditionel
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Traditional Irish
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Kevin Whyms
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The Maid of Culmore
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Seolta Music Limited
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1291813 Composed by Traditional Irish. Arranged by Kevin Whyms. Celtic,Irish,Traditional. 14 pages...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1291813 Composed by Traditional Irish. Arranged by Kevin Whyms. Celtic,Irish,Traditional. 14 pages. Seolta Music Limited #882425. Published by Seolta Music Limited (A0.1291813). Like many great Irish love songs, The Maid of Culmore tells the story of man longing for his absent lover, who has ‘sailed out of Ireland away from Culmore’. He is so forlorn that he wishes a storm would prevent her from emigrating. He searches for her far and wide and his journey leads him to America, where he vows to wander like a pilgrim in search of his love.Kevin Whyms has arranged this piece for tenor solo and SATB choir divisi with guitar accompaniment which may also be performed on the piano.To explore all choral titles in College Choral Series please click here.
$2.50
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
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Chorale SATB
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestri...
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Choral Choir (SATB) - SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestrina #481065. Published by Guido Menestrina (A0.828714). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://www.youtube.com/watch?v=vqOa9skJg5o.
$13.99
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guid...
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Choral Choir (SATB) - Level 4 - SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guido Menestrina #238145. Published by Guido Menestrina (A0.828703). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimentoEdit Published by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: http://youtu.be/q3iMskZjm1Y.
$17.99
Joseph, Look and See (SATB divisi and Piano)
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Chorale SATB
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INTERMÉDIAIRE
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Noël
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D
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Joseph, Look and See
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D. M. Gardner Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.799624 Composed by D. M. Gardner. Christmas,Sacred. Octavo. 8 pages. D. M. Gardner Music #62077. Published by D....
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Choral Choir (SATB) - Level 3 - SKU: A0.799624 Composed by D. M. Gardner. Christmas,Sacred. Octavo. 8 pages. D. M. Gardner Music #62077. Published by D. M. Gardner Music (A0.799624). Joseph, Look and See is a heart warming look at Mary and Joseph's experience after Jesus' birth. It is set to an original text that depicts the nativity as a conversation between Mary, Joseph, baby Jesus and the Lord.This work was premiered as part of the annual Gallery of Living Art performance at First Lutheran Church, Colorado Springs, Colorado in 2010.Joseph, Look and See is an accessible, colorful work with an equally interesting piano accompaniment.TEXT:Joseph, look and seeAs I hold our new child,As he looks up at me,How he smiles.As the angel foretold,Gift more precious than gold,Only peace in his eyes,Tiny eyes.And behold,It’s your star,My Jesus.But how will I raiseThe Son of Man (God)?Even now,Herod searches for my child (baby boy).Jesus, look and seeAll the stars in the night,As the light of the LordShines down upon you,My son.Guide us with your light.Guide us, Lord, As we flee, The dark of night.Joseph, look and seeJesus smile back at me,As I sing him a song,My (child) baby, Jesus.Baby Jesus,Savior of the world.Approx. 3''18 in length.Learn more about the composer at https://www.dmgardner.com .
$1.99
Snow-flakes from "Madrigals for the Seasons" (Downloadable)
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Chorale SATB
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AVANCÉ
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David Conte
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Snow-flakes from "Madriga
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir (choir divisi) unaccompanied - Difficult - SKU: MQ.8894-E Composed by David Conte. 15 pages. E. C. Schirmer Music Company - Digital #8894-E. ...
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SATB choir (choir divisi) unaccompanied - Difficult - SKU: MQ.8894-E Composed by David Conte. 15 pages. E. C. Schirmer Music Company - Digital #8894-E. Published by E. C. Schirmer Music Company - Digital (MQ.8894-E). English.“Madrigals for the Seasons†was composed especially for Cappella SF, Ragnar Bohlin, conductor. The theme of Longfellow’s great poem “Snow-flakes†is human loss and grief. The poetic structure is reflected in the musical phrase structure, with the resolution withheld until the end of each stanza. The mournful harmonies sung on a wordless syllable often accompany the main melodic line in various sections of the choir, who intone the full text. The mood of the madrigal is intensely sorrowful, as the speaker searches the sky for signs of God’s presence in the face of his grief.
$2.85
The Lost Chord from Sing Evermore!
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Chorale SATB
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INTERMÉDIAIRE
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Gwyneth W
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The Lost Chord from Sing Everm
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir and piano, with optional flute - Medium - SKU: MQ.9214-E Composed by Gwyneth W. Walker. 16 pages. E. C. Schirmer Music Company - Digital #921...
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SATB choir and piano, with optional flute - Medium - SKU: MQ.9214-E Composed by Gwyneth W. Walker. 16 pages. E. C. Schirmer Music Company - Digital #9214-E. Published by E. C. Schirmer Music Company - Digital (MQ.9214-E). English.This piece gives occasion to explore complex harmonies as an expression of the mystery of chords. These are added-tone sonorities—clusters. The author searches for that perfect peace, the one lost chord divine, which, perhaps may only be heard in Heaven. It is a grand Amen.
$2.85
"He's the Reflection of His Glory", SATB, instruments, piano
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Shannon Bailey and Paul Dosset
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Terry M
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Opening, anthem, closing
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"He's the Reflection of H
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Forsyth Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.932709 Composed by Shannon Bailey and Paul Dossett. Arranged by Terry M. Forsyth. Christian,Praise & Worship. Oc...
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Choral Choir (SATB) - Level 4 - SKU: A0.932709 Composed by Shannon Bailey and Paul Dossett. Arranged by Terry M. Forsyth. Christian,Praise & Worship. Octavo. 20 pages. Forsyth Publishing #6246321. Published by Forsyth Publishing (A0.932709). An exciting! bold statement of Jesus' Glory that could be used anywhere in the worship service: Opening, anthem, closing. For soloist and SATB chorus with various instruments including advanced intermediate piano and keyboard for strings. If you liked Crown Him King of Kings you will love this praise to God as much. Text written in a church group healing effort as the church went through a dark time, Shannon searches to see what God looks like and at the end, she does.
$16.00
The Little Drummer Boy
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Gloria Gaynor
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Eric T Knechtges
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The Little Drummer Boy
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Eric T Knechtges
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1487369 By Gloria Gaynor. By Harry Simeone, Henry Onorati, and Katherine K. Davis. Arranged by Eric ...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1487369 By Gloria Gaynor. By Harry Simeone, Henry Onorati, and Katherine K. Davis. Arranged by Eric T Knechtges. Christmas,Contemporary,Jazz,Pop. 10 pages. Eric T Knechtges #1064352. Published by Eric T Knechtges (A0.1487369). This arrangement marches to the beat of a different drummer. Swing feel, predominantly 3/4. Video link is to the TTBB version -- audio clip is the SATB version. Limited divisi
$2.99
For the Fallen (Choral suite - SATB, Piano)
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Chorale SATB
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INTERMÉDIAIRE
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John Ross
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For the Fallen
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John Ross
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1137248 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737448. Published by John Ross ...
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Choral Choir (SATB) - Level 3 - SKU: A0.1137248 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737448. Published by John Ross (A0.1137248). “For the Fallen†was written for Bec Beall and her choir “Lux Alba†and was premiered by them in 2019 at St Matthew’s Church, Albury, NSW, Australia. The words of this choral suite were written by the English poet Laurence Binyon in 1914, immediately after the Battle of Mons, where the British Expeditionary Force suffered a serious loss, soon after the start of World War I. The fourth verse (“They shall not grow old as we that are left grow oldâ€) has become known as the “Ode of Remembranceâ€, regularly recited at memorial services. This suite uses the words of the Ode for the first movement, with echoes of the bugle call “The Last Postâ€. The second movement, “They went with songs to the battle†portrays the soldiers as young men in fine fettle, physically and mentally fit for what lies ahead of them. The third movement, “As the stars that shall be bright as we are dust†compares the war dead to stars and constellations. They move “in marches upon the heavenly plainâ€. Will Longstaff’s painting “Menin Gate at Midnight†(reproduced on the cover of this score) movingly illustrates this concept, with ghostly soldiers marching by the Menin Gate at Ypres, Belgium. The work concludes with an alternate setting of the opening movement “They shall not grow oldâ€. A version of this suite with organ accompaniment is also available on this website.
$1.99
Hosanna
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Simon Watkins
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Hosanna
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Simon Watkins
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1019452 Composed by Simon Watkins. Christian,Praise & Worship,Sacred. Octavo. 5 pages. Simon Watkins #3468674. P...
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Choral Choir (SATB) - Level 4 - SKU: A0.1019452 Composed by Simon Watkins. Christian,Praise & Worship,Sacred. Octavo. 5 pages. Simon Watkins #3468674. Published by Simon Watkins (A0.1019452). A brand new short anthem for Palm Sunday, suitable as an introit. Inspired by the positive and rhythmic energy of contemporary protest marches, the piece is intended to capture the excitement of the crowd in the story of Jesus' triumphal entry to Jerusalem. Approximately 1 3/4 minutes' duration. SATB with partially divided Soprano line.
$3.99
Pomp and Circumstance No.1 - SATB and Piano
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Chorale SATB
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FACILE
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Classique
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Edward Elgar
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César Madeira
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Pomp and Circumstance No.1 - S
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Sheet Music To Play Editions
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1179215 Composed by Edward Elgar. Arranged by César Madeira. Children,Film/TV,March,Multicultural,Romantic Pe...
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Choral Choir (SATB) - Level 2 - SKU: A0.1179215 Composed by Edward Elgar. Arranged by César Madeira. Children,Film/TV,March,Multicultural,Romantic Period,World. Octavo. 6 pages. Sheet Music To Play Editions #779188. Published by Sheet Music To Play Editions (A0.1179215). Pomp and Circumstance (Military March No.1 in D major). Arrangement for SATB and Piano. With Full Score. Enjoy it!Sir Edward William Elgar (1857 - 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King's Musick in 1924.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$2.99
For the Fallen (Choral suite - SATB, Organ)
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Chorale SATB
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INTERMÉDIAIRE
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John Ross
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For the Fallen
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John Ross
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1137245 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737445. Published by John Ross ...
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Choral Choir (SATB) - Level 3 - SKU: A0.1137245 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737445. Published by John Ross (A0.1137245). “For the Fallen†was written for Bec Beall and her choir “Lux Alba†and was premiered by them in 2019 at St Matthew’s Church, Albury, NSW, Australia. The words of this choral suite were written by the English poet Laurence Binyon in 1914, immediately after the Battle of Mons, where the British Expeditionary Force suffered a serious loss, soon after the start of World War I. The fourth verse (“They shall not grow old as we that are left grow oldâ€) has become known as the “Ode of Remembranceâ€, regularly recited at memorial services. This suite uses the words of the Ode for the first movement, with echoes of the bugle call “The Last Postâ€. The second movement, “They went with songs to the battle†portrays the soldiers as young men in fine fettle, physically and mentally fit for what lies ahead of them. The third movement, “As the stars that shall be bright as we are dust†compares the war dead to stars and constellations. They move “in marches upon the heavenly plainâ€. Will Longstaff’s painting “Menin Gate at Midnight†(reproduced on the cover of this score) movingly illustrates this concept, with ghostly soldiers marching by the Menin Gate at Ypres, Belgium. The work concludes with an alternate setting of the opening movement “They shall not grow oldâ€. A version of this suite with piano accompaniment is also available on this website.
$1.99
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