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Ascending Music
Chorale SATB
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Gospel Songs: Steal Away (Downloadable Piano/Choral Score)
Chorale SATB
SATB choir and Piano - Moderately Easy - Digital Download Composed by Gwyneth W. Walker …
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SATB choir and Piano - Moderately Easy - Digital Download Composed by Gwyneth W. Walker (1947-). Secular, 21st century. Downloadable piano/choral score. 14 pages. Duration 3 minutes, 40 seconds. MorningStar Music Publishers - Digital Sheet Music #8228-E. Published by MorningStar Music Publishers - Digital Sheet Music
Steal Away interprets the traditional spiritual, "Steal Away to Jesus," as a song of alternating sorrow and strength. The refrains are presented quietly and mournfully: "Steal away to Jesus. I ain't got long to stay here." In contrast, the verses are sung with conviction: "My Lord calls me, calls me by the thunder." Similarly, the accompaniment varies from florid arpeggiations (for the refrains) to rhythmic chordal entrances (for the verses). Of special interest is the use of scale patterns. In the opening refrain, and on every occurrence of the words "steal away," the scales descend, marked as falling tears, or stealing away. At the conclusion of the song, the scales rise, as the soul ascending to heaven. "My Lord calls me, calls me home." Duration: 3:40.Steal Away interprets the traditional spiritual, "Steal Away to Jesus," as a song of alternating sorrow and strength. The refrains are presented quietly and mournfully: "Steal away to Jesus. I ain't got long to stay here." In contrast, the verses are sung with conviction: "My Lord calls me, calls me by the thunder." Similarly, the accompaniment varies from florid arpeggiations (for the refrains) to rhythmic chordal entrances (for the verses).
Of special interest is the use of scale patterns. In the opening refrain, and on every occurrence of the words "steal away," the scales descend, marked as falling tears, or stealing away. At the conclusion of the song, the scales rise, as the soul ascending to heaven. "My Lord calls me, calls me home." Duration: 3:40.
$2.85
2.6 €
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Chorale SATB
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Gwyneth W
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Gospel Songs: Steal Away
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Spirituals from Harlem Songs
Chorale SATB
SATB choir and Piano - Digital Download SKU: MQ.5769-E Composed by Gwyneth W. Walke…
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SATB choir and Piano - Digital Download SKU: MQ.5769-E Composed by Gwyneth W. Walker. African American Heritage. 16 pages. E. C. Schirmer Music Company - Digital #5769-E. Published by E. C. Schirmer Music Company - Digital (MQ.5769-E). English.Spirituals is about strength. It opens with ascending patterns representing the rising shafts of mountains...something strong to put my hands on. The focus then shifts to the strength of song in times of trouble: I heard my mother singing when life hurt her: Gonna ride in my chariot someday! The music then rises to the affirmation: Sing, O black mother! Song is a strong thing..
$2.85
2.6 €
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Chorale SATB
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Gwyneth W
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Spirituals from Harlem Songs
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Hymn of Thanks
Chorale SATB
Four to eight part mixed choir a cappella - intermediate - Digital Download SKU: S9.Q85…
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Four to eight part mixed choir a cappella - intermediate - Digital Download SKU: S9.Q8522 (Didache IX, 2, 3, 4; X, 2, 5). Composed by Bertold Hummel. This edition: choral score. Chormusik. Downloadable, Choral score. Op. 57b. Duration 6 minutes. Schott Music - Digital #Q8522. Published by Schott Music - Digital (S9.Q8522). German • English.Written for church services, Bertold Hummel's motets were first performed by the choirs of the Würzburg Cathedral. This Dankhymnus enjoys remarkable popularity. The text from the first Christian century was set to powerful music by Hummel, some of it in unison, some of it with imitations or homophonic chord progressions leading to hymnically ascending sounds. An effective a-cappella work that studies without any particular problems and can be performed in churches and at concerts.
$5.99
5.45 €
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Chorale SATB
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Bertold Hummel
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X, 2, 5)
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Hymn of Thanks
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Schott Music - Digital
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SheetMusicPlus
Born in Bethlehem (Downloadable Choral Score)
Chorale SATB
SATB choir, Bb clarinet, and piano - Moderately Easy - Digital Download SKU: MQ.8794-E
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SATB choir, Bb clarinet, and piano - Moderately Easy - Digital Download SKU: MQ.8794-E Composed by Gwyneth W. Walker. Christmas, Christmas-Sacred. 24 pages. Duration 4 minutes, 15 seconds. E. C. Schirmer Music Company - Digital #8794-E. Published by E. C. Schirmer Music Company - Digital (MQ.8794-E). English.“Born in Bethlehem†is a numbers song, similar to “The Twelve Days of Christmas.†Each group traveling to the Nativity, or associated with Jesus, is presented in ascending numerical order, from one to twelve. [“One for the little bitty Baby…Twelve for the Twelve Apostlesâ€] Once the complete set has been introduced, the numbers are performed in reverse order, in a frantic, prestissimo race from twelve to one. This is an energetic song!The Clarinet plays a featured role, enhancing the message of the lyrics. For example, the phrase “Children, go where I send thee†is matched by the Clarinet scampering up a scale as children setting forth on a trip. And the next line, “How shall I send thee?†has the Clarinet/children coming back down the scale, returning home. Duration: 4:15.
$3.20
2.91 €
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Chorale SATB
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Gwyneth W
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Born in Bethlehem
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Drink From the River - an original hymn for SATB voices
Chorale SATB
SATB - Advanced Intermediate - Digital Download Composed by Kevin G. Pace (ASCAP), Ma…
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SATB - Advanced Intermediate - Digital Download Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian, Contemporary Christian, Praise & Worship, General Worship, Graduation. 3 pages. Published by Kevin G. Pace
An original hymn with text by Mark Fotheringham below. Performed at the 2016 Alice Lloyd College convocation for Dr. D. Gene Pace.<br> YouTube video: https://youtu.be/lvo3XVJrVrw<br> We come to the river for to drink from the stream.<br> <br> We climb up the mountainside to reach for a dream.<br> <br> <br> <br> We come to the forest for to blaze new trails<br> <br> Reaching oceans, we unfurl sails.<br> <br> <br> <br> And for our food and our raiment we will lightly care,<br> <br> For learning and knowledge is our fare.<br> <br> <br> <br> And every page which we study, every word we write<br> <br> Leads closer to the truth and the right.<br> <br> <br> <br> May each question be answered. May our vision be clear.<br> <br> May we serve with conviction that our God's ever near.<br> <br> <br> <br> May He ever sustain us as we follow His beam<br> <br> Let us drink from the river and dream.<br> <br> We'll mine every theory with the zeal of our youth,<br> Expose every error and reveal every truth.<br> <br> The joy of discovery will feed our souls<br> As we master our heartfelt goals.<br> <br> So many friends and companions met along our way<br> Will reach out in friendship, ne'er to stray.<br> <br> And then ascending together, every day we'll find<br> A soul refreshed in heart and in mind.<br> <br> May each question be answered. May our vision be clear.<br> May we serve with conviction that our God's ever near.<br> <br> May He ever sustain us as we follow His beam<br> Let us drink from the river and dream.An original hymn with text by Mark Fotheringham below. Performed at the 2016 Alice Lloyd College convocation for Dr. D. Gene Pace.<br> YouTube video: https://youtu.be/lvo3XVJrVrw<br> We come to the river for to drink from the stream.<br> <br> We climb up the mountainside to reach for a dream.<br> <br> <br> <br> We come to the forest for to blaze new trails<br> <br> Reaching oceans, we unfurl sails.<br> <br> <br> <br> And for our food and our raiment we will lightly care,<br> <br> For learning and knowledge is our fare.<br> <br> <br> <br> And every page which we study, every word we write<br> <br> Leads closer to the truth and the right.<br> <br> <br> <br> May each question be answered. May our vision be clear.<br> <br> May we serve with conviction that our God's ever near.<br> <br> <br> <br> May He ever sustain us as we follow His beam<br> <br> Let us drink from the river and dream.<br> <br> We'll mine every theory with the zeal of our youth,<br> Expose every error and reveal every truth.<br> <br> The joy of discovery will feed our souls<br> As we master our heartfelt goals.<br> <br> So many friends and companions met along our way<br> Will reach out in friendship, ne'er to stray.<br> <br> And then ascending together, every day we'll find<br> A soul refreshed in heart and in mind.<br> <br> May each question be answered. May our vision be clear.<br> May we serve with conviction that our God's ever near.<br> <br> May He ever sustain us as we follow His beam<br> Let us drink from the river and dream.
$1.99
1.81 €
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Chorale SATB
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Kevin G
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Drink From the River - an original hymn for SATB voices
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Kevin G. Pace
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SheetMusicPlus
Psalm 121-Organ
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.969570 Composed by Zachary Damm. Chr…
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Choral Choir (SATB) - Digital Download SKU: A0.969570 Composed by Zachary Damm. Christian,Sacred,Spiritual. Octavo. 7 pages. Digital Print Publishing #3025043. Published by Digital Print Publishing (A0.969570). This Psalm is a lovely piece with organ accompaniment that captures the spirit of the Biblical text. One of the songs of degrees, this was sung by the Jews many believe on their way to Jerusalem for a festive occasion or by the priests as they went up into the temple. Either way, it can be used in conjunction with the other fourteen songs, from Psalm 120 to Psalm 134, which are musically organized in a chromatic scale, ascending from one song to the next (ascending F sharp major and G flat major separately and using C major three times, at the beginning, in the middle, and at the end).
$4.75
4.33 €
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Chorale SATB
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Zachary Damm
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Psalm 121-Organ
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Digital Print Publishing
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SheetMusicPlus
Psalm 121-Piano and Organ
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.969571 Composed by Zachary Damm. Chr…
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Choral Choir (SATB) - Digital Download SKU: A0.969571 Composed by Zachary Damm. Christian,Sacred,Spiritual. Octavo. 8 pages. Digital Print Publishing #3025045. Published by Digital Print Publishing (A0.969571). This Psalm is a lovely piece with piano and organ accompaniment that captures the spirit of the Biblical text. One of the songs of degrees, this was sung by the Jews many believe on their way to Jerusalem for a festive occasion or by the priests as they went up into the temple. Either way, it can be used in conjunction with the other fourteen songs, from Psalm 120 to Psalm 134, which are musically organized in a chromatic scale, ascending from one song to the next (ascending F sharp major and G flat major separately and using C major three times, at the beginning, in the middle, and at the end).
$5.00
4.55 €
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Chorale SATB
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Zachary Damm
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Psalm 121-Piano and Organ
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Digital Print Publishing
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SheetMusicPlus
Psalm 121-Piano
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.969569 Composed by Zachary Damm. Chr…
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Choral Choir (SATB) - Digital Download SKU: A0.969569 Composed by Zachary Damm. Christian,Sacred,Spiritual. Octavo. 5 pages. Digital Print Publishing #3025041. Published by Digital Print Publishing (A0.969569). This Psalm is a lovely piece with a piano accompaniment that captures the spirit of the Biblical text. One of the songs of degrees, this was sung by the Jews, many believe, on their way to Jerusalem for a festive occasion or by the priests as they went up into the temple. Either way, it can be used in conjunction with the other fourteen songs, from Psalm 120 to Psalm 134, which are musically organized in a chromatic scale, ascending from one song to the next (ascending F sharp major and G flat major separately and using C major three times, at the beginning, in the middle, and at the end).
$4.75
4.33 €
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Chorale SATB
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Zachary Damm
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Psalm 121-Piano
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Digital Print Publishing
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SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
23.63 €
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Chorale SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
18.17 €
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Chorale SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
GOD SO LOVED (SATB)
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.891170 Composed by Richard…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.891170 Composed by Richard Donn. Christmas,Contemporary,Easter,Sacred,Traditional. Octavo. 8 pages. Cartecay River Music Publishing #3129725. Published by Cartecay River Music Publishing (A0.891170). GOD SO LOVED is an original setting of John 3:16 for SATB adult or youth choir. It features a lovely ascending melody with a descending bass line facilitating the harmonic structure. The soprano solo is very accessible with homophonic and gentle contrapuntal interplay in the choir parts. An optional flute part adds just the right touch, making this a piece that you will return to time and again. It is medium-easy and appropriate for any time of year, but especially Easter or Advent. God So Loved is also available as a solo in high, medium, and low keys with the optional flute part and piano accompaniment. As an added bonus, the flute part can be played on a violin. Duration 3:10.
$2.00
1.82 €
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Chorale SATB
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Richard Donn
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GOD SO LOVED
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Cartecay River Music Publishing
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SheetMusicPlus
Cradle Song (SATB + Piano)
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.761463 Composed by Russell…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.761463 Composed by Russell Ronnebaum. Contemporary. Octavo. 11 pages. Russell Ronnebaum #2912079. Published by Russell Ronnebaum (A0.761463). Cradle Song for SATB Choir and PianoWords by: William BlakeMusic by: Russell Ronnebaum About the piece:William Blake’s serene language inspired this dramatic setting of his poem Cradle Song. The piece opens with a constantly descending scale as a mother sings to her sleeping child. As more voices are layered in, the texture becomes increasingly lush, but still soothing. The third stanza of text is marked with peaceful harp-like figures (as thy softest limbs I feel) while the voices take over the calming decent into deeper, more peaceful sleep. The mother’s concern suddenly changes as the descending scale transforms and (the cunning wiles that creep) set in. Anticipation of escaping the terror of potential nightmares escalates as the ascending textures grow more tense and dissonant. The tension finally peaks with a breathless silence before resolving with (then the dreadful night shall break). The final phrase of the piece is a slightly transformed iteration of the opening vocal phrase and is a subtle nod to Johannes Brahms’ Wiegenlied: Guten Abend, Gute Nacht, more commonly known as Brahms’ Lullaby.Cradle Song was commissioned by Rincon/University High School Concert Choir in Tucson, Arizona; Directed by Mareena Boosamra.www.RRonnebaum.com
$2.25
2.05 €
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Chorale SATB
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Russell Ronnebaum
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Cradle Song
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Russell Ronnebaum
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SheetMusicPlus
Quem Quaeritis
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.851305 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.851305 Composed by Tim Attride. Christian,Concert,Easter. Octavo. 5 pages. Tim Attride #3591181. Published by Tim Attride (A0.851305). Using words from the early liturgical dramas, this setting is of the conversation between the angels and the women at the tomb on the day of Christ's resurrection. With a slight liberty, I have set the angels' voices for the ladies to sing (SSAA) but the human response is in the men's voices (TBarB). Another liberty is to suggest that the Angels' response He is not here. He is risen as foretold must also be the message of Christians everywhere and in all times. Hence, we end on a glorious three-octave, seven-part ascending scale representing the resurrection in music. One for the more advanced choirs, but not difficult as such. An obvious choice for Easter or for concert use.
$1.99
1.81 €
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Chorale SATB
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Tim Attride
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Quem Quaeritis
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Tim Attride
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SheetMusicPlus
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