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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CORNET
DEEJAY
DIDGERIDOO
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FORMATION MUSI…
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HARMONICA
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At Last: Oboe
Non classifié
134
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5
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2
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1
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1
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Guitare
1
Voix
Chorale SATB
4
Voix Soprano, Piano
1
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Flûte, Hautbois, Clarinette, Basson
43
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
42
Hautbois, Piano (duo)
38
2 Hautbois (duo)
13
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12
Hautbois (partie séparée)
12
Hautbois, Flûte
9
Hautbois, Clarinette (duo)
9
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3
Hautbois
2
Hautbois, violon (duo)
2
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2
Clarinette et Piano
2
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2
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2
Saxophone Alto et Piano
2
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2
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1
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1
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1
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1
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1
Ensemble de Hautbois
1
Flûte, Hautbois, Basson
1
Hautbois, Violoncelle
1
3 Hautbois
1
Flûte traversière et Piano
1
+ 22 instrumentations
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2
Cor et Piano
2
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1
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3
Violon et Piano
3
Alto, Piano
2
Violon, Alto (duo)
1
Trio à cordes: 3 violins
1
Alto seul
1
Violoncelle
1
Violoncelle, Piano
1
Piano Trio: Violon, Alto, Piano
1
Violon
1
Trio à Cordes: 2 violons, violoncelle
1
Contre Basse
1
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18
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16
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5
Ensemble de cuivres
2
Ensemble Jazz
2
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1
Marimba
1
Vibraphone
1
Piano et Orchestre
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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HAUTBOIS
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LUTH
MANDOLINE
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Crtitères actifs :
At Last: Oboe
Chorale SATB
Partitions à imprimer
4 partitions trouvées
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1
Gabriel's Oboe
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Chorale SATB
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INTERMÉDIAIRE
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Ennio Morricone
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Chip Wood
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Gabriel's Oboe
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Chip Wood
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1494542 Composed by Ennio Morricone. Arranged by Chip Wood. Praise & Worship,Religious,Spiritual. 8 ...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1494542 Composed by Ennio Morricone. Arranged by Chip Wood. Praise & Worship,Religious,Spiritual. 8 pages. Chip Wood #1071129. Published by Chip Wood (A0.1494542). This is Chip Wood's SATB arrangement, but opens with an oboe solo that becomes a yearning countermelody as the choir enters at bar 20. The solo can be found on the last page of this arrangement, and an MP3 accompaniment track is available for this song. In the historical drama The Mission, Father Gabriel plays a simple melody on his oboe in his first encounter with the Guaraní tribe. In this choral work, Ennio Morricone's enduring theme is set to lyrics that reflect Gabriel's journey of adversity, perseverance, and loss.
$3.00
One Life Can Make a Difference (SATB) - PRINT UNLIMITED COPIES
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Eric L
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One Life Can Make a Difference
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Eric Carlson, dba Uplifting Music
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.858143 Composed by Eric L. Carlson (ASCAP). 20th Century,Christian,Contemporary,Graduation. Octavo. 11 pages. Er...
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Choral Choir (SATB) - Level 4 - SKU: A0.858143 Composed by Eric L. Carlson (ASCAP). 20th Century,Christian,Contemporary,Graduation. Octavo. 11 pages. Eric Carlson, dba Uplifting Music #2917453. Published by Eric Carlson, dba Uplifting Music (A0.858143). SATB Chorus, Piano, OboeComposed by Eric L. Carlson, in recognition of his daughter Kayla's H.S. graduation in 2009. Poem It's Up to You (Anonymous)Performance time approx. 4:00WITH THIS DOWNLOAD, YOU ARE AUTHORIZED TO PRINT AS MANY COPIES AS NEEDED FOR YOUR CHOIR TO PRACTICE AND PERFORM THIS PIECE! This is a significant savings, as most choirs would need to spend $100 or more for enough copies of a typical choral arrangement. (For mass choirs or festivals with multiple choirs, please contact composer for special pricing by emailing: CarlsonMusicPro@yahoo.com)Includes separate oboe part (last page) with the score. ALSO AVAILABLE: Demonstration/Accompaniment CD with several tracks, including individual practice tracks for each vocal part, are available directly from the composer for just $30.00 plus shipping (or $25 for download). Send email request to CarlsonMusicPro@yahoo.comThis piece has been performed around the world, many times at graduation ceremonies. The world premiere performance was at Case High School for Racine Unified School District's Area Choral Festival on March 25, 2010, with the composer at the piano, and Kayla's oboe teacher (Suzanne Geoffrey) playing the oboe.The studio recording was done the same day as surprising Kayla with the composition, with Eric, Kayla, and another daughter, Rachel, singing all the parts a few times each. Kayla played the oboe part, which was then revised slightly prior to the world premiere.The live world premiere can be seen/heard here:https://www.youtube.com/watch?v=WoPYhHw5oSsThe studio recording can be seen/heard here:https://www.youtube.com/watch?v=ok46bj3UWm4
$55.00
Come Holy Spirit, Come
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Tina Nguyen
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Come Holy Spirit, Come
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Tina Nguyen
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.904748 Composed by Tina Nguyen. Christian,Sacred. Octavo. 14 pages. Tina Nguyen #3097663. Published by Tina Nguy...
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Choral Choir (SATB) - Level 3 - SKU: A0.904748 Composed by Tina Nguyen. Christian,Sacred. Octavo. 14 pages. Tina Nguyen #3097663. Published by Tina Nguyen (A0.904748). 2017 Choral Contest EntryCome, Holy Spirit, come, let thy bright beams arise; dispel the darkness from our minds, enlighten all our eyes. This touching prayer written by 18th century hymn writer Joseph Hart is paired with a hauntingly beautiful melody that soars in a spirit of hope in the last stanza. Optional cello and oboe parts included. Choose this anthem for your services during Communion or at any time of year.
$2.25
The City In the Sea: Choral Tone Poem
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Chorale SATB
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AVANCÉ
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Contemporain
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Stanley M Hoffman
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The City In the Sea: Choral To
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Pu...
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Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60
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