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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
At Last Folk
Non classifié
130
Piano & claviers
Piano seul
29
Piano, Voix et Guitare
10
Piano, Voix
9
Piano Facile
5
Instruments en Do
4
Accompagnement Piano
3
Orgue
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 4 mains
1
1 Piano, 4 mains
1
+ 5 instrumentations
Retracter
Guitares
Guitare
6
Guitare notes et tablatures
4
Ligne De Mélodie, (Paroles) et Accords
2
Dulcimer
1
Paroles et Accords
1
Ensemble de guitares
1
+ 1 instrumentations
Retracter
Voix
Voix Soprano, Piano
27
Voix Baryton, Piano
26
Voix Tenor, Piano
26
Voix Alto, Piano
26
Chorale SATB
20
Chorale TTBB
5
Chorale Unison
4
Voix haute
2
Chorale 3 parties
2
Chorale 2 parties
2
Voix duo, Piano
1
+ 6 instrumentations
Retracter
Vents
2 Saxophones (duo)
11
Saxophone (partie séparée)
8
Saxophone Alto
6
Saxophone Tenor
6
2 Clarinettes (duo)
6
Flûte, Hautbois, Clarinette, Basson
6
Flûte traversière
4
Quatuor de Saxophones: 4 saxophones
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
2 Flûtes traversières (duo)
3
2 Hautbois (duo)
3
Clarinette
2
Clarinette et Piano
2
Flûte traversière et Piano
2
Hautbois, Piano (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Hautbois, Basson (duo)
2
Hautbois
2
Flûte, Alto (duo)
1
Cornemuse
1
Trio de Flûtes: 3 flûtes
1
Clarinette, Violon (duo)
1
Hautbois, Clarinette (duo)
1
Clarinette, Trompette (duo)
1
Flûte à Bec
1
Hautbois, violon (duo)
1
2 Flûte à bec (duo)
1
Clarinette et Alto
1
Saxophone Alto et Piano
1
Harmonica
1
Flûte, Clarinette (duo)
1
Hautbois (partie séparée)
1
Quatuor de Flûtes : 4 flûtes
1
Quatuor de Clarinettes: 4 clarinettes
1
Flûte, Violon
1
Flûte, Saxophone (duo)
1
Ensemble de Clarinettes
1
Flûte et Guitare
1
Ensemble de Flûtes
1
Saxophone et Orgue
1
Flûte, Hautbois (duo)
1
+ 36 instrumentations
Retracter
Cuivres
Trombone et Piano
15
Trompette
4
Trombone (partie séparée)
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Cor
3
2 Trompettes (duo)
2
Tuba et Piano
2
Trompette, Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Cor et Piano
2
Trombone
2
2 Trombones (duo)
2
Tuba
2
2 Cors (duo)
1
Trompette, Trombone (duo)
1
Ensemble de Tubas
1
Trompette (partie séparée)
1
Trompette, Cor (duo)
1
Trompette, Saxophone (duo)
1
+ 14 instrumentations
Retracter
Cordes
Alto, Piano
15
Quatuor à cordes: 2 violons, alto, violoncelle
10
Violon et Piano
9
Violon
6
Violon, Violoncelle (duo)
5
Harpe
5
Violoncelle, Piano
4
Violoncelle
4
Trio à Cordes: 2 violons, violoncelle
3
Violon, Alto (duo)
3
Trio à Cordes: violon, alto, violoncelle
2
Alto, Violoncelle (duo)
2
Alto seul
2
2 Violoncelles (duo)
2
2 Violons (duo)
2
Contre Basse
1
4 Violoncelles
1
2 Altos (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à Cordes: 3 violoncelles
1
Contrebasse (partie séparée)
1
Trio à cordes: 3 violins
1
+ 17 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
29
Orchestre à Cordes
10
Orchestre
7
Orchestre de chambre
2
Percussion (partie séparée)
1
Batterie
1
Marimba
1
Ensemble de cuivres
1
+ 3 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
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Vous avez sélectionné:
At Last Folk
Chorale SATB
Partitions à imprimer
20 partitions trouvées
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1
Slavery Chain Done Broke At Last (with "Free At Last")
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Chorale SATB
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Spiritual
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Stephen DeCesare
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Slavery Chain Done Broke At La
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Exultet Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.620930 Composed by Spiritual. Arranged by Stephen DeCesare. Folk,Instructional,Spiritual,Standards,Traditional. ...
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Choral Choir (SATB) - Level 2 - SKU: A0.620930 Composed by Spiritual. Arranged by Stephen DeCesare. Folk,Instructional,Spiritual,Standards,Traditional. Octavo. 12 pages. Exultet Music #3493147. Published by Exultet Music (A0.620930). Two African-American spirituals from the Civil War period that sing of the freeing of the slaves, have been freshly arranged and joined together and scored for Soprano Solo, Tenor Solo, SATB, with Piano accompaniment. Accessible and appropriate for any church or concert setting. Featured in the musical The American Civil War which is available on this site.
$3.99
FREE AT LAST
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Chorale SATB
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FACILE
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Norfolk Jubilee Singers 1937
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Tony Backhouse
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FREE AT LAST
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Tony Backhouse
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1499103 By Norfolk Jubilee Singers 1937. By PD. Arranged by Tony Backhouse. 19th Century,A Cappella,...
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1499103 By Norfolk Jubilee Singers 1937. By PD. Arranged by Tony Backhouse. 19th Century,A Cappella,Religious,Spiritual. 2 pages. Tony Backhouse #1075151. Published by Tony Backhouse (A0.1499103). This spiritual/jubilee is a relaxed (calmly confident) SATB piece, with call-and-response verse. Original key is E.
$2.99
Medley of British Folksongs
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Chorale SATB
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FACILE
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Traditional
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Gordon Thornett
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Medley of British Folksongs
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Gordon John Thornett
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.821200 Composed by Traditional. Arranged by Gordon Thornett. Folk,World. Octavo. 16 pages. Gordon John Thornett ...
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Choral Choir (SATB) - Level 2 - SKU: A0.821200 Composed by Traditional. Arranged by Gordon Thornett. Folk,World. Octavo. 16 pages. Gordon John Thornett #3018305. Published by Gordon John Thornett (A0.821200). These simple folksong arrangements were made for two community choirs based in Selly Oak, Birmingham, but they would be equally suitable for school choirs or other groups. Included are well known songs from England, Wales, Scotland and Ireland, which are woven into a continuous piece lasting about 6' 45. The medley starts with the English song, ‘Early one morning’, one verse of which re-appears at the end to round things off. The tradition of singing folk songs in schools and in the community has very much faded away in the UK, but the four songs selected for this medley are likely to be well known and loved by many of the older generation!The simple harmonies range from three to four parts (SAB/SATB), with some unison sections as well.
$2.99
At the Mid Hour of Night
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Chorale SATB
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INTERMÉDIAIRE
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Traditional Irish folk tune/po
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Scott S
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At the Mid Hour of Night
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Scott S. Stewart
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1451464 Composed by Traditional Irish folk tune/poem by Thomas Moore. Arranged by Scott S. Stewart. ...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1451464 Composed by Traditional Irish folk tune/poem by Thomas Moore. Arranged by Scott S. Stewart. 19th Century,Celtic,Folk,Irish,Romantic Period,Singer/Songwriter. 6 pages. Scott S. Stewart #1030846. Published by Scott S. Stewart (A0.1451464). “At the Mid Hour of Night” comes from The Irish Melodies, National Airs, Sacred Songs, Etc., of Thomas Moore, published between 1807 and 1834. Moore, himself a singer and accomplished musician, is now best remembered for the lyrics of “The Minstrel Boy” and “The Last Rose of Summer.” His poem “At the Mid Hour of Night” is about love, loss and belief in the afterlife as a place where love persists. The suggested ‘tune’ for this poem is the harp air: O! Molly Dear AKA Molly My Dear an Irish air and fiddle tune. This 2024 setting of Moore’s masterpiece is scored for 4-part SATB ensemble to be performed a cappella. Performance time: 2:55+.
$2.99
Shall We Gather at the River (Downloadable Choral Score)
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Chorale SATB
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INTERMÉDIAIRE
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Albert L
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Shall We Gather at the River
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir divisi, organ, flute, full orchestra - Medium - SKU: MQ.50-6061-E Composed by Albert L. Travis, Benjamin Harlan, Robert Wadsworth Lowry, and ...
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SATB choir divisi, organ, flute, full orchestra - Medium - SKU: MQ.50-6061-E Composed by Albert L. Travis, Benjamin Harlan, Robert Wadsworth Lowry, and Stephen Johnson. All Saints/All Souls, Easter Season, Funeral. 17 pages. MorningStar Music Publishers - Digital Sheet Music #50-6061-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-6061-E). This arrangement combines the talents of two very gifted composers. The anthem is set in a gentle, folk-like way with a substantial organ accompaniment and a lyrical flute obbligato. It culminates with a stately treatment of the last stanza and chorus and then ends slowly and expressively. A full orchestration of the accompaniment is also available.
$2.85
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
The First Witnesses
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Chorale SATB
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INTERMÉDIAIRE
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Samuel Micah Hunter
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The First Witnesses
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Samuel Hunter
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.877669 Composed by Samuel Micah Hunter. A Cappella,Christian,Christmas,Contemporary,Folk,Sacred. Octavo. 2 pages...
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Choral Choir (SATB) - Level 3 - SKU: A0.877669 Composed by Samuel Micah Hunter. A Cappella,Christian,Christmas,Contemporary,Folk,Sacred. Octavo. 2 pages. Samuel Hunter #3417659. Published by Samuel Hunter (A0.877669). A small, simple, and sensitive work for a capella SATB choir, The First Witnesses explores the birth of Jesus from the perspective of the animals present in the stable in Bethlehem. Each verse presents Jesus as both newborn baby and Lord of all creation, including the very animals who were the first witnesses to his birth. This piece was premiered by the Chamber Choir of Stillwater Christian School in December of 2016, a mere three weeks after its composition. Hunter says of the piece: It was presented to the choir as a 'read through' piece in rehearsal, but instantly became a favorite and was added to our concert program at the last minute. It has since become a staple of our Christmas literature, and has consistently been a Christmas favorite for both our choirs and our audiences. Easy to learn, fun to sing, and celebrating a childlike imagination of the first Christmas, The First Witnesses is a true singer's song, which makes it enjoyable to rehearse and perform. The simple, pentatonic melody lends the piece a folk flavor, and the men and women both get chances to shine in their respective soli sections. A beautiful ooh refrain ends each verse, including the last.
$1.99
300 MASTER BOWMEN-incident 1
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Chorale SATB
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INTERMÉDIAIRE
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Socrates Arvanitakis
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OLD FOLKS AT HOME >
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300 MASTER BOWMEN-incident 1
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Socrates Arvanitakis
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1172313 Composed by Socrates Arvanitakis. Early Music,New Age,Thriller. Octavo. 48 pages. Socrates Arvanitakis #...
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Choral Choir (SATB) - Level 3 - SKU: A0.1172313 Composed by Socrates Arvanitakis. Early Music,New Age,Thriller. Octavo. 48 pages. Socrates Arvanitakis #772538. Published by Socrates Arvanitakis (A0.1172313). Most of my song titles have structural tags as headers in the PDF files provided. The tags for this song are : LEMONIA PERFORCE >> OLD FOLKS AT HOME >> 300 MASTER BOWMEN.The last tag refers to a poem cycle of the same title which is divided into incidents. This song for SATB choir is the first incident of the cycle. Dates in the PDF can also be and are in most cases structural elements of the song. The song is given in two printable versions, first in decorated pages only the score and then in undecorated pages as score and parts. Although not present in this video, a very short break between each movement is advisable.A decorated lyrics page has been included as well as a blank page for insertion at will in different pages if so needed.
$10.00
Leave Her, Johnny
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Chorale SATB
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FACILE
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Traditional Sea Shanty
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Jordan Gotchy
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Leave Her, Johnny
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Jordan Gotchy
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1091466 Composed by Traditional Sea Shanty. Arranged by Jordan Gotchy. A Cappella,Contest,Festival,Folk,Traditio...
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Choral Choir (SATB) - Level 2 - SKU: A0.1091466 Composed by Traditional Sea Shanty. Arranged by Jordan Gotchy. A Cappella,Contest,Festival,Folk,Traditional,Video Game. Octavo. 4 pages. Jordan Gotchy #695647. Published by Jordan Gotchy (A0.1091466). This SATB arrangement of “Leave Her Johnny†by Jordan Gotchy is a traditional sea shanty commonly sung on the last day at sea, especially when arriving at the docks. “Her†in this song refers to the ship, not a woman. There are many verses to this song, and some of them were improvised with the sailors’ complaints of that voyage. The three verses here are suitable for school-aged singers. Great for learning homophonic, a cappella singing, as well as call-and-response. Also available for SAB and TTB choir. Find more of my music at http://jordangotchy.com/mymusic.
$1.99
Angel, Blow that Trumpet
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Chorale SATB
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Ken Litton
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Ken Litton
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Angel, Blow that Trumpet
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Artist of Note, Inc.
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - SKU: A0.1436603 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. 20 pages. A...
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Choral Choir,Choral,SATB Chorus - SKU: A0.1436603 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. 20 pages. Artist of Note, Inc. #1016714. Published by Artist of Note, Inc. (A0.1436603). Angel, Blow that TrumpetWords & Music by Ken Litton (ASCAP)SATB Piano, opt. String Bass, Clarinet, Trumpet & TromboneMany choirs/ensembles haven't done many trumpet-feature songs in the last decade or so. But, since the trumpet figures so prominently in the Bible why not try one?! And, since both the anthems and contemporary worship songs of today tend to neglect the second coming of Christ here’s an offering from the spiritual/anthem/jazz confluence.Angel, Blow that Trumpet is based on I Corinthians 13:50-57 and I Thessalonians 4:13-18. The style? Well, let’s call it “Natalie Sleeth meets New Orleans jazz!”You’re almost sure to find the voicing very approachable, yet thrilling for SATB (TTNN and SSA also available).The accompaniment is a dixie-land styling originally conceived for piano, string bass/fretless electric bass/standard bass guitar (it would be fun to have someone do it on the “big bass viol”), Bb clarinet, trombone and Bb trumpet. These parts are included with the choral score.Above all, it's fairly easy to learn and fun to sing!The clarinet and trombone parts a lot of fun and the trumpet part features an easily playable/adaptable ending that really nails the piece (actually the lower version is really nice). It turns out that they are really best for good, legit players just as written in a swing style.And, though I know that you have more than enough skill to get all of this from the score, the audio file in mp3 format (3:32) will also available separately.All this from the places you go for the best in downloadable resources:Sheet Music Directsheetmusicdirect.comSheet Music Plussheetmusicplus.comAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$1.99
The Old Palmer Song
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Chorale SATB
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FACILE
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the time the rush was over, th
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Traditional
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Sandra Milliken
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The Old Palmer Song
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.774724 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 14 pages. Sandra Milliken #3873...
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Choral Choir (SATB) - Level 2 - SKU: A0.774724 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 14 pages. Sandra Milliken #3873279. Published by Sandra Milliken (A0.774724). The Old Palmer Song is a favourite Australian folk song that is meant to be sung in a rollicking style that reflects the excitement and anticipation of hardy Australian colonials setting out in search of gold. Following hard on the heels of the great California gold rushes (1848 – 1855) came the discovery of payable quantities of gold in Australia. The first gold rush in Australia began in New South Wales in May 1851 after prospector Edward Hargraves discovered gold near Orange, at a site he called Ophir. Other discoveries quickly followed, including those at Ballarat and Bendigo in the colony of Victoria. Then came Rosewood and Gympie (1867) in Queensland; the Gawler region in South Australia in 1868; and Halls Creek (1885), Kalgoorlie and Coolgardie (1893) in Western Australia. One of Australia’s richest alluvial goldfields was that of the Palmer River in far north Queensland. The rush to the Palmer began in 1873 and lasted for about three years. The goldfields were nearly 100 miles inland from the small coastal settlement of Cooktown and the early prospectors had a hard time of it just getting to the field. Leaving Cooktown they crossed the coastal mangroves, then on through dense tropical rainforest, into the more open eucalypt forest beyond and then across the dry, inhospitable and rugged country of the hinterland dissected by wide and deep rivers. And always there was the risk of meeting with fierce resistance from the Aborigines whose tribal land they were travelling through. At the height of the rush there were around 35,000 prospectors on the Palmer (including a great many Chinese). By the time the rush was over, the Palmer had yielded over 100 tons of gold! The Old Palmer Song is set to the tune of Ten Thousand Miles Away, a shore ballad/sea shanty that probably originated in Ireland in the early 19th Century.
$2.20
The Star-Spangled Banner
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Chorale SATB
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INTERMÉDIAIRE
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John Stafford Smith
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Shelton Ridge Love
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The Star-Spangled Banner
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Shelton Ridge Love
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.779348 Composed by John Stafford Smith. Arranged by Shelton Ridge Love. Folk,Holiday,Patriotic. Octavo. 14 pages...
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Choral Choir (SATB) - Level 3 - SKU: A0.779348 Composed by John Stafford Smith. Arranged by Shelton Ridge Love. Folk,Holiday,Patriotic. Octavo. 14 pages. Shelton Ridge Love #3096887. Published by Shelton Ridge Love (A0.779348). Arranged for SATB choir with piano duet (one piano, four hand) accompaniment, this majestic arrangement of The Star-Spangled Banner is perfect for every American patriotic concert or celebration. After a fanfare opening, the audience is invited to participate in the pledge to the flag and the first stanza. The choir then sings the lesser-known second stanza, concluding with a triumphant coda.At this time, the companion recording includes only digitized voices, so the lyrics for the entire arrangement are included below. (Lyrics by Francis Scott Key)America! America!God shed his grace on thee!O say, can you see, by the dawn's early light,What so proudly we hailed at the twilight's last gleaming?Whose broad stripes and bright stars, through the perilous fight,O'er the ramparts we watched were so gallantly streaming?And the rocket's red glare, the bombs bursting in air,Gave proof through the night that our flag was still there.O say, does that star-spangled banner yet waveO'er the land of the free and the home of the brave?O thus be it ever when free men shall standBetween their loved homes and the war's desolation!Blest with vict'ry and peace, may the head'n-rescued landPraise the pow'r that hath made and preserved us a nation!Then conquer we must when our cause it is just,And this be our motto: In God is our trust!And the star-spangled banner in triumph shall waveO'er the land of the free and the home of the brave!Ah! America!
$1.99
Big Yellow Taxi
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Chorale SATB
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AVANCÉ
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Joni Mitchell
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Kerry Marsh
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Big Yellow Taxi
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Kerry Marsh
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SheetMusicPlus
Rhythm Section SATB Chorus divisi,Voice - Level 5 - SKU: A0.1488643 By Joni Mitchell. By Joni Mitchell. Arranged by Kerry Marsh. Folk,Jazz,Pop. Vocal Ja...
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Rhythm Section SATB Chorus divisi,Voice - Level 5 - SKU: A0.1488643 By Joni Mitchell. By Joni Mitchell. Arranged by Kerry Marsh. Folk,Jazz,Pop. Vocal Jazz Ensemble. 52 pages. Kerry Marsh #1065491. Published by Kerry Marsh (A0.1488643). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a lower price than the standard flat-fee range for vocal jazz ensemble arrangements ($75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the “All Tracks Pack (With SkyTracks Mixer)“ package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation).This arrangement of Joni Mitchell's Big Yellow Taxi is propelled by a driving groove, making it a perfect opener or closer for your program. It features fresh reharmonization while retaining many hints of the memorable aspects of Mitchell's original recording, capturing its essence while adding a modern twist.Originally released in 1970 on her album *Ladies of the Canyon*, Big Yellow Taxi is known for its catchy melody and poignant lyrics that lament environmental destruction and urban development. The song's playful yet impactful tone has made it a lasting classic, covered by numerous artists over the years.In this arrangement, a soli section challenges groups and offers directors the opportunity to teach advanced rhythmic and harmonic concepts, providing exciting and energetic musical treats for audiences. The chart is well worth the time spent preparing, especially with the help of our audio learning materials. This memorable and impactful arrangement will be a standout piece in your program, leaving a lasting impression on your audience.
$49.99
Lord Jesus, Think on Me — SATB voices, organ
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Chorale SATB
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INTERMÉDIAIRE
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Todd Marchand
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Lord Jesus, Think on Me &mdash
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1359972 Composed by Todd Marchand. Christian,Lent,Sacred. 4 pages. Con Spirito Music #944462. Published b...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1359972 Composed by Todd Marchand. Christian,Lent,Sacred. 4 pages. Con Spirito Music #944462. Published by Con Spirito Music (A0.1359972). “Lord Jesus, Think on Me†is a translation and free paraphrase of a 5th-century poem by Synesius of Cyrene (ca. 375-414), Bishop of Ptolemais in north Africa and contemporary of Augustine, Bishop of Hippo (354-430). Synesius was a public servant and statesman, a neo-Platonic philosopher and poet. In 410, he was popularly chosen as Bishop of Ptolemais, a position he reluctantly accepted, as his views on certain beliefs of the church, including the soul's creation, a literal resurrection, and the end of the world (eschatos) were unorthodox. In the last of 10 odes Synesius authored, he describes himself bowing humbly in the presence of Christ. In the 1930s, a literal prose translation of the ode was made by the Anglican cleric Harold Costley-White:Be mindful, Christ Son of Godwho rules on high, of thy servant,sinful of heart, who wrote these words.And grant to me release from passions breeding death,which are inborn in my unclean soul.But give me to behold, Saviour Jesus,thy divine brightness, wherein appearingI shall sing a song,to the healer of souls,to the healer of limbs,with the great Fatherand the Holy Spirit.Amen. The text of this setting for SATB voices and organ selects verses from a free paraphrase of that ode, crafted by the Anglican priest and scholar, Allen William Chatfield (1808-1896) and published in his Songs and Hymns of Earliest Greek Christian Poets (1876):Lord Jesus, think on me and purge away my sin; from earthborn passions set me free, and make me pure within. Lord Jesus, think on me, nor let me go astray; through dark-ness and perplexity point Thou the heav'nly way.Lord Jesus, think on me amid the battle's strife; in all my pain and misery be Thou my Health and Life.Lord Jesus, think on me with many a care oppressed; let me Thy loving servant be and taste Thy promised rest.Lord Jesus, think on me that I may sing above to Fa-ther, Spirit, and to Thee the strains of praise and love.The incipit of each verse, “Lord Jesus, think on [remember] me, recalls the words of the penitent thief to Jesus at their crucifixion, and the petitions for guidance, forgiveness, and succor make this a fitting anthem for the penitential season of Lent. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, holiday, and patriotic music for instruments and voices, visit www.conspiritomusic.com
$2.00
Byzantine Hymn: TI IPERMAHO
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Chorale SATB
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INTERMÉDIAIRE
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Classique
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Romanos o Melodos
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Marilena Zlatanou
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Byzantine Hymn: TI IPERMAHO
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Marilena Zlatanou
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1343535 Composed by Romanos o Melodos. Arranged by Marilena Zlatanou. Classical. 8 pages. Marilena Zlatan...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1343535 Composed by Romanos o Melodos. Arranged by Marilena Zlatanou. Classical. 8 pages. Marilena Zlatanou #929063. Published by Marilena Zlatanou (A0.1343535). BYZANTINE HYMN: TI IPERMAHO (To the defender army leader) arranged for SATB choir and pianoDuring a siege of Constantinople in the 6th cent., and while the regular army was engaged in fighting elsewhere, the city was attacked by Avars. The women, children and seniors left there fought as best they could, but finally realized that they had to give up. As a last resort, they carried the icon of Panayia (St. Mary, always referred to as all-holy in Greek), alongside the city walls, something that produced an unexpected effect: The besiegers left! For three days the citizens participated in liturgies addressed to Her, in a hymn called AKATHISTOS YMNOS (=Non-sitting Hymn), where this tropation is central, as it is most actively still used in the Greek Orthodox Church at many other relevant services. The first part is the original, in unison, or sung by a soloist. The piano part and the following choir arrangement are my contribution.duration: 3'33'' Phonetic transcription in the Latin alphabet is notated right below the original Greek text, English translation, and a key to Greek Pronunciation are provided on the title page. The mp3 file provided is exported from the sibelius file.For more information on the arranger, (member of TONO, the Norwegian copyright org.), please visit website www.zlatanou.netAs a Greek living in Norway for most of my adult life, and in my many years’ work as a conductor of a Norwegian choir specializing in Greek music (!), I have experienced the need to enrich the choir’s repertoire with both folk song- as well as other -arrangements of Greek music: This gave me the opportunity to share with our audiences some of the centuries-long musical heritage, as well as helping me make known to them some of the History behind the music of a country of such international historical influence in the past, and such a tourist magnet in our times.
$20.00
Bring a Torch, Jeanette, Isabella - SATB and piano
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Chorale SATB
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FACILE
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French Carol - unknown
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Connie Boss
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Bring a Torch, Jeanette, Isabe
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Connie Boss
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SheetMusicPlus
Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801673 Composed by French Carol - unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Multicult...
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Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801673 Composed by French Carol - unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Multicultural,Sacred,World. Score. 11 pages. Connie Boss #6403321. Published by Connie Boss (A0.801673). This lovely French carol is about two women that found out that Jesus was born and that he was very special. They went around the town to let everyone know. They made food for Mary and Joseph. They warned others to be very quiet as to not awaken Jesus if he was sleeping. This is in SATB parts with piano accompaniment. It has a unique intro and the last verse has SATB taking turns. cdboss@cvalley.netBring a Torch Jeanette, Isabella French Carol Arranged by Connie Boss  Bring a torch Bring a torch Bring a torch Bring a torch Jeanette, Isabella.  Bring a torch, Jeanette, Isabella! Bring a torch, to the stable call Christ is born, tell the folk of the village Jesus is born and Mary's calling. Ah![a] Ah! Beautiful is the Mother! Ah! Ah! Beautiful is her Child  Who is knocking on the door? Who is it, knocking like that? Open up, we've arranged on a platter Lovely cakes that we have brought here Knock! Knock! Open the door for us! Knock! Knock! Let us celebrate!  It is wrong when the Child is sleeping, It is wrong to speak so loud. Silence, now as you gather around Him Lest your noise should waken Jesus. Hush! Hush! See how He slumbers; Hush! Hush! See how He's fast asleep!  Softly now unto the stable, Softly for a moment come! Look and see how charming is Jesus, Look at Him there,] His cheeks are rosy! Hush! Hush! See how the Child is sleeping; Hush! Hush! See how He smiles in His dreams  Â
$5.00
Sing On!
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Chorale SATB
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INTERMÉDIAIRE
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Vince Peterson
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Sing On!
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Personage Press, LLC
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.882294 Composed by Vince Peterson. Broadway,Contemporary,Folk. Octavo. 9 pages. Personage Press, LLC #5205067. P...
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Choral Choir (SATB) - Level 3 - SKU: A0.882294 Composed by Vince Peterson. Broadway,Contemporary,Folk. Octavo. 9 pages. Personage Press, LLC #5205067. Published by Personage Press, LLC (A0.882294). Thank you for your interest in this title! You can purchase individual copies for a lower price at PersonagePress.com.This is a setting of a Walt Whitman text excerpted from his epic poem, When Lilacs Last in the Dooryard Bloomed. It is, among other things, a subtle comment on race inequality from the pen of a poet who fought in the Civil War and laid his own life down for American freedom. It begins and ends with a high soprano solo which signifies the bird itself, and bookmarks a quick-moving, infectiously rhythmic collaboration between the chorus and the piano reminiscent of American styles such as that of Sondheim. It's a real crowd pleaser!
$54.00
Going Across the Mountain (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Ellen Gilson Voth
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Going Across the Mountain
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir unaccompanied - Medium - SKU: MQ.1.3379-E Composed by Ellen Gilson Voth. Secular, 21st Century, Americana, Folk Song. 10 pages. Duration 2 mi...
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SATB choir unaccompanied - Medium - SKU: MQ.1.3379-E Composed by Ellen Gilson Voth. Secular, 21st Century, Americana, Folk Song. 10 pages. Duration 2 minutes, 1 second. Galaxy Music Corporation - Digital #1.3379-E. Published by Galaxy Music Corporation - Digital (MQ.1.3379-E). English.This arrangement contrasts the unbridled optimism and resolve of a person heading off to war with the bittersweet nostalgia of leaving a special person behind, along with the promise of return. The repeated statements of the refrain are most effective when singers highlight the syncopations and rhythmic differences among them. Tenors should sing the final statement of 'Goin' across the mountain' (m. 39) with a more wistful quality than at the start. All singers should enjoy the harmonic movement of the last line, and their carefully timed roles in it—all the way to the altos' final, delayed word. -Ellen Gilson VothDuration: 2:01.
$2.65
Tribute to the Trail of Tears
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Chorale SATB
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AVANCÉ
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Barron Brothers
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iyo he, iyo he
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Tribute to the Trail of Tears
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Barron Brothers
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SheetMusicPlus
Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice (SATB) - Level 5 - Interactive Download SKU: A0.726326 Composed by Barron Brothers. This edition: ...
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Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice (SATB) - Level 5 - Interactive Download SKU: A0.726326 Composed by Barron Brothers. This edition: Interactive Download. Folk,World. Octavo. 25 pages. Duration 281. Barron Brothers #6JvK5OaFLfcELYSz4fsbms. Published by Barron Brothers (A0.726326). Key: Ab major.**NJMEA Finalist Composition** Sun Tracks The track of the Sun across the sky leaves its shining, eternal message Illuminating, strengthening, warming... all of us who are here It shows us we are not alone. We are not alone. We are yet alive. And this fire, our fire shall not die! *- Atoni* Iyo he, iyo he; iyo he, iyo he; He, he, he, iyo he. - *Choctaw war dance* ...... Tribute to the Trail of Tears is an original SATB choir song commemorating my Choctaw heritage. When I wrote this song, I wanted to look at the Trail of Tears from the Choctaws' eyes. I did this by emphasizing the contrast between their anger with the shouting taken from a Choctaw war chant and hope with a Choctaw Sun Prayer (the sun is an important figure of hope in Choctaw spirituality), their English traditions forced upon them and their true Choctaw nature, and the betrayal of a government that was supposed to protect them. This song is designed to be slow and relaxed (~70bpm for the first part and ~85bpm for the piu mosso), with the bends representing relaxed glissandos in the voice. The last three chords are meant to be sensitive and should be taken very slowly. Keep in mind that this piece should not only be meaningful but convey the emotions to spread the Native awareness that is so direly needed in America.
$3.75
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