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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
BASS Sonata
Non classifié
717
Piano & claviers
Piano seul
114
Piano Facile
5
Orgue
4
Accompagnement Piano
3
Accordéon
2
Piano, Voix et Guitare
1
2 Pianos, 4 mains
1
+ 2 instrumentations
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Guitares
Guitare
20
Guitare notes et tablatures
3
Basse electrique
2
Ukulele
1
2 Mandolines (duo)
1
Mandoline
1
+ 1 instrumentations
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Voix
Chorale SATB
1
Voix duo, Piano
1
Voix Mezzo-Soprano, Piano
1
Chorale 2 parties
1
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
112
Flûte traversière
88
Flûte, Clarinette et Basson
62
Flûte, Hautbois, Basson
56
Flûte, Hautbois, Clarinette, Basson
51
Flûte à bec Alto, Basse continue
46
2 Flûtes traversières (duo)
45
3 Clarinettes (trio)
39
3 Flûtes à bec (trio)
37
2 Clarinettes (duo)
34
Flûte traversière et Piano
33
Flûte traversière, Basse continue
31
Clarinette Basse, Piano
31
Hautbois, Basson (duo)
29
2 Clarinettes, Basson
28
Quatuor de Clarinettes: 4 clarinettes
27
Flûte à Bec
22
Hautbois, Clarinette, Basson (trio d'anches)
17
Clarinette, Basson (duo)
17
Flûte à Bec, Piano
15
Trio de Flûtes: 3 flûtes
13
Ensemble de Clarinettes
12
2 Flûte à bec (duo)
11
Clarinette et Piano
8
Flûte à bec Soprano, Basse continue
7
Quintette de Clarinettes: 5 clarinettes
7
Ensemble de Flûtes
7
2 Saxophones (duo)
6
Quatuor de Flûtes : 4 flûtes
5
Quatuor de Flûtes à bec
5
Flûte, Hautbois, Clarinette (trio)
5
Flûte et Guitare
5
Hautbois, Piano (duo)
5
2 Hautbois et Basson
4
Flûte à bec Soprano
4
2 Hautbois (duo)
4
2 Flûtes, Basse continue
4
Saxophone Soprano et Piano
3
Saxophone Alto et Piano
3
Quintette de Saxophone: 5 saxophones
3
3 Saxophones (trio)
3
Ensemble de saxophones
3
Flûte, Violon et Violoncelle
2
Clarinette (partie séparée)
2
Saxophone Tenor et Piano
2
Clarinette
2
Quatuor de Saxophones: 4 saxophones
2
Cor anglais, Piano
1
Saxophone Alto
1
Saxophone Baryton
1
2 Cors Anglais Et Pianoforte
1
Flûte, Basson et Piano
1
Flûte à bec Alto, Piano
1
2 Flûtes traversières, Piano
1
Flûte, Violon
1
Flûte à bec Soprano, Piano
1
Saxophone Baryton, Piano
1
Saxophone
1
Saxophone (partie séparée)
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Violoncelle
1
Ensemble De Flûte à bec
1
Ensemble à vent
1
+ 58 instrumentations
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Cuivres
Trombone et Piano
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Quatuor de cuivres: 4 trombones
6
Trombone basse et Piano
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Tuba et Piano
4
2 Trombones (duo)
4
Ensemble de Trombones
3
Euphonium, Piano (duo)
3
Trompette, Piano
3
Trompette (partie séparée)
2
Bass Clef Instruments
2
Trombone
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trompette, Trombone (duo)
2
3 Trombones (trio)
2
Cor anglais, Piano
1
2 Tubas (duo)
1
2 Euphoniums (duo)
1
2 Trompettes (duo)
1
2 Cors Anglais Et Pianoforte
1
Tuba
1
Cor et Piano
1
Trio de Cuivres
1
2 Cors (duo)
1
+ 20 instrumentations
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Cordes
Violon, Basse continue
42
Violoncelle, Basse continue
38
2 Violons et Basse continue
36
Violoncelle, Piano
31
Violon et Piano
29
Contrebasse, Piano (duo)
27
Violoncelle, Contrebasse (duo)
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
18
Quatuor à cordes: 2 violons, alto, violoncelle
17
2 Violoncelles (duo)
15
Violon, Alto (duo)
15
Contre Basse
14
Violon, Basson (duo)
12
Violoncelle
12
2 Altos (duo)
11
2 Contrebasses (duo)
10
Contrebasse (partie séparée)
10
Trio à Cordes: violon, alto, violoncelle
9
Alto, Piano
8
Violon
8
Alto (partie séparée)
6
Violon (partie séparée)
5
Flûte, Contrebasse (duo)
5
2 Violons (duo)
4
Violon, Violoncelle (duo)
4
Alto seul
3
Alto, Violoncelle (duo)
3
Trio à Cordes: 2 violons, violoncelle
2
Violoncelle , Guitare (duo)
2
Violoncelle (partie séparée)
2
4 Contrebasses
1
Harpe
1
Harpe, Flûte (duo)
1
Trio à Cordes: 3 violoncelles
1
2 Violons, Piano
1
+ 30 instrumentations
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Orchestre & Percussions
Orchestre à Cordes
27
Orchestre
23
Orchestre de chambre
17
Orchestre d'harmonie
13
Ensemble de cuivres
5
Ensemble de Percussions
2
Ensemble Jazz
2
Batterie
1
+ 3 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HAUTBOIS
LIVRES
LUTH
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BASS Sonata
Chorale SATB
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Anim Zemiros
#
Chorale SATB
#
AVANCÉ
#
Stanley M Hoffman
#
Stanley M Hoffman
#
Anim Zemiros
#
stanleymhoffman.com
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
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