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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Be My Forever
Non classifié
26
Piano & claviers
Piano seul
32
Piano, Voix et Guitare
7
Piano, Voix
7
Instruments en Do
6
2 Pianos, 4 mains
4
Piano Trio: piano, violon, violoncelle
2
Orgue
1
Piano Facile
1
+ 3 instrumentations
Retracter
Guitares
Guitare notes et tablatures
4
Basse electrique
1
Ligne De Mélodie, (Paroles) et Accords
1
Guitare
1
Voix
Chorale SATB
12
Voix Alto, Piano
1
Voix duo, Piano
1
Chorale TTBB
1
Vents
Quatuor de Saxophones: 4 saxophones
4
Clarinette
3
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte traversière
2
Saxophone (partie séparée)
1
2 Saxophones (duo)
1
Flûte, Clarinette et Basson
1
Saxophone Tenor
1
Flûte et Guitare
1
Saxophone Alto et Piano
1
Saxophone Alto
1
+ 6 instrumentations
Retracter
Cuivres
Trompette
2
Trombone
2
Cordes
Harpe
2
Violoncelle
2
Harpe, Voix
1
Trio à Cordes: 2 violons, violoncelle
1
Violon
1
Alto seul
1
Quatuor à cordes: 2 violons, alto, violoncelle
1
Violon et Piano
1
+ 3 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
6
Orchestre
5
Ensemble Jazz
3
Ensemble de Percussions
2
Ensemble de cuivres
1
Orchestre à Cordes
1
Orchestre de chambre
1
+ 2 instrumentations
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COR
COR ANGLAIS
CORNEMUSE
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DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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OPERA
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POP ROCK - POP MUSIC
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Vous avez sélectionné:
Be My Forever
Chorale SATB
Partitions à imprimer
12 partitions trouvées
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1
Be My Forever
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.726214 By Christina Perri.…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.726214 By Christina Perri. By Christina Perri and Jamie Scott. Arranged by Parker Wright. A Cappella,Contemporary,Pop,Standards,Wedding. Octavo. 6 pages. Squad Harmonix #334501. Published by Squad Harmonix (A0.726214). This arrangement is suited for middle/high school to professional level groups & choirs. This is an upbeat classic and is perfect for weddings/engagements. The arrangement was originally commissioned for Squad Harmonix in Los Angeles, CA.
$1.99
1.83 €
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Chorale SATB
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Christina Perri
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Parker Wright
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Be My Forever
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Squad Harmonix
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SheetMusicPlus
I May Not Be the One - an original hymn for SATB voices
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701452 Composed by Kevin G…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701452 Composed by Kevin G. Pace, Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kevin G. Pace #3125159. Published by Kevin G. Pace (A0.701452). An original hymn with text by Mark Fotheringham below.YouTube video: https://youtu.be/BGhqSeLVhqgI may not be the one to brighten your eye, I may not be the one whose heart makes you fly, I may not be the one who shows you His ways, But know I am one who for you prays. I may not be the one who gave everything To bring you back to God, our glorious King, I cannot save your soul or cleanse it or mend, But this I can do, forever be your friend. I may not be the one who knows all the truth. It's true I may have been a faltering youth, But now I know my God, who saved me from sin By sending His Son who let me in. So now I am the one who will testify, And now I am the one who'll reach out to try To bless a friend in need, just as I've been blessed, Until we in heaven find eternal rest.
$1.99
1.83 €
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Chorale SATB
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sending His Son who let me in
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Kevin G
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I May Not Be the One - an original hymn for SATB voices
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Kevin G. Pace
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SheetMusicPlus
Amazing Grace (my Chains Are Gone)
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1225384 By Chris Tomlin. B…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1225384 By Chris Tomlin. By Chris Tomlin, John Newton, Louie Giglio, and Traditional American Melody. Arranged by Dan Garrett. Christian,Contemporary,Sacred,Spiritual. Octavo. 11 pages. Daniel Garrett #821460. Published by Daniel Garrett (A0.1225384). This contemporary SATB divisi with piano arrangement provides much of the sound of today's professional a cappella renditions, but in a more approachable format for moderately advanced to advanced high school, church and community choirs. Written 250 years ago, the poetry and music of Amazing Grace make it one of the most recognizable and beloved hymns of all time. In 2006, Chris Tomlin was asked to provide the title composition for the movie, Amazing Grace, a docudrama about William Wilberforce's efforts in Parliament to end the British transatlantic slave trade. Inspired by the movie's subject, Tomlin added a powerful refrain, My Chains Are Gone, and a transcendent new verse. Refrain: My chains are gone, I've been set free, My God, my Savior has ransomed me. And like a flood, His mercy reigns. Unending love, Amazing Grace. Verse: The Earth shall soon dissolve like snow, The sun forbear to shine, But God, Who called me here below, Will be forever mine.
$2.99
2.76 €
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Chorale SATB
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Chris Tomlin
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Dan Garrett
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Amazing Grace
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Daniel Garrett
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SheetMusicPlus
You Are My King Forever
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.618664 Composed by Stephen…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.618664 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 10 pages. Exultet Music #119523. Published by Exultet Music (A0.618664). Joyful Praise and Worship / Contemporary Christian song that is appropriate for many times throughout the liturgical year. Scored for Solo, SATB and Piano. Accessible and appropriate for any church or concert setting. Can be used for many times throughout the liturgical year. An accompaniment track and a rehearsal track are also available.CCLI Song Number: 7119038Video Review: https://www.youtube.com/watch?v=jpx_vjwJ4fI
$3.99
3.68 €
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Chorale SATB
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Stephen DeCesare
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You Are My King Forever
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Exultet Music
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SheetMusicPlus
My Angel Mother
Chorale SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4378 Composed by …
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4378 Composed by Edwin A. Gowen. Love, Death, Grief, Symbols, Heaven. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4378). My Angel Mother. Composed by Edwin A. Gowen. Published 1870 by G.D. Russell & Company, 126 Tremont, Opp. Park St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Love, Death, Grief, Symbols, Heaven. First line reads In that land beyond the river, under skies forever fair.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Chorale SATB
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Edwin A
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My Angel Mother
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Broken, sacred music for SATB choir
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1382558 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1382558 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritual. 9 pages. Kevin G. Pace #966982. Published by Kevin G. Pace (A0.1382558). Solemn, sacred music for choir with music by Kevin G. Pace and text by Kathryn W. Hales.Text:His broken body on the tree,Wounded, stripped for all to see,From chains of sin I’m now set free.Bruised and broken, Lord for me;A miracle broke the sealed tomb,Walls no barrier to the Upper RoomWhere with apostles He did commune,Overcoming death and gloomMy wounded heart now is healed,Changed to one that truly feels;Through His covenants I am sealedIf my will I meekly yield.My broken heart now mended rightBy threads of holy words of Light,Is now humbled and contriteAs I keep Him in my sight.Broken bread upon the traysBlessed by those who kneel and pray,Tied to Him I’ll always stayAnd remember Him all my days. There’s nothing broken He can’t mend;He’ll forever be my Friend,Now made whole, I humbly bend,Enduring gratefully to the end.
$1.99
1.83 €
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Chorale SATB
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threads of holy words of Light,
Is now humbled and contrite
As I keep Him in my sight
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Kevin G
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Broken, sacred music for SATB choir
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Kevin G. Pace
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SheetMusicPlus
This I Know
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.747292 By Aaron Shust. By …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.747292 By Aaron Shust. By Aaron Shust, Andrew Pruis, and Matthew West. Arranged by Christopher R. Brown. Contemporary. Octavo. 7 pages. Christopher Brown #5324397. Published by Christopher Brown (A0.747292). This anthem is arranged for tenor soloist, SATB choir, piano & optional worship band (rhythm chart). The lyrics direct us to be assured of what we know is true according to the Word of God during times of uncertainty, anxiety, and doubt. Lyrics below.This is the vocal part for the arrangement which includes the soloist and choral parts. The piano accompaniment and rhythm chart is available separately on SheetMusicPlus.Please Note:Performance of this music requires one copy of the vocal score purchased for each singer.Lyrics:When I'm surrounded by uncertaintyAnd my fear tries to steal controlThere's one thing that is no mysteryJesus loves me this I knowWhen I'm flooded with anxietyWaves of doubt won't drown my soulThere's a peace that rests inside of meJesus loves me this I knowPraise the One Who walks beside me throughMountain high and valley lowMy hope is found in this forever TruthJesus loves me this I knowJesus loves me this I knowWhen my sin says I'm unreachablePast the point where grace can goWhen I feel anything but loveableJesus loves me this I knowPraise the One Who walks beside me throughMountain high and valley lowMy hope is found in this forever TruthJesus loves me this I knowJesus loves me this I knowOn Christ the Solid Rock I standAll other ground is sinking sandMy Saving Grace My only hopeMy Jesus loves me this I knowOn Christ the Solid Rock I standAll other ground is sinking sandMy Saving Grace My only hopeMy Jesus loves me this I knowPraise the One Who walks beside me throughMountain high and valley lowMy hope is found in this forever TruthJesus loves me this I knowJesus loves me this I knowPraise the One Who walks beside me throughMountain high and valley lowMy hope is found in this forever TruthJesus loves me this I knowJesus loves me this I knowJesus loves me this I knowOn Christ the Solid Rock I standAll other ground is sinking sandMy Saving Grace My only hopeMy Jesus loves me this I know
$1.99
1.83 €
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Chorale SATB
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Aaron Shust
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Christopher R
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This I Know
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Christopher Brown
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SheetMusicPlus
Illumine le tenebre
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.900166 By Sa…
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Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.900166 By Sarah Labrie, Conductor - Chamber Choral Conducting Workshop, Sarteano, Italy. By Mary Ellen Haupert. Easter,Sacred,Spiritual. 5 pages. Mary Ellen Haupert #3031789. Published by Mary Ellen Haupert (A0.900166). ILLUMINE LE TENEBRE (SSAATTBB) For Jean Saladino and the Viterbo University Concert Choir TRANSLATION of TEXT: Most High, glorious God, enlighten the darkness of my heart and give me true faith, certain hope and perfect charity, sense and knowledge, Lord, that I may carry out your holy and true command. Amen. - St. Francis of Assisi's Prayer before the Crucifix NOTES from the composer: One year ago, I had the privilege of participating in the Leadership Pilgrimage to Assisi and Rome (2011) sponsored by the Franciscan Sisters of Perpetual Adoration, Franciscan Healthcare, and Viterbo University. I carried with me, not only the responsibility of bringing back a hint of Francis’ lived experience to my students, but the desire to compose something wholly Franciscan. The San Damiano Cross is one of the most distinctive Franciscan images we have on campus. The gentle Jesus that hangs on this 12th-century icon will forever be linked to Francis’ dramatic step from citizen to sainthood-welcoming his earnest prayer to enlighten the darkness of his heart. The Basilica of Santa Chiara in Assisi holds both the San Damiano Cross and the remains of his confidante, St. Clare. It seemed a good place to start getting serious. Copying the prayer in at least six different languages, I tucked it away in my travel books, not digging it out again until the following summer (2012). The opening phrases in the piece came easily enough (Altissimo, glorioso Dio), but I stumbled through a handful of ideas before coming up with the mantra (illumine le tenebre…). It made sense that Francis would joyfully address God singing forte (Altissimo and Signore), while quietly chanting his humble prayers for faith, hope, charity, and knowledge. The friendship between Francis and Clare can’t be missed, not only in the intermingling of SATB voices, but in the setting of che faccia lo tuo santo e verace comadamento (that I may carry out your holy and true command). The phrase is sung only once by the women before the final return of the illumine chant (which is repeated throughout by the men). Maybe I chanced on weaving some of Clare’s courage with Francis’ persistence into Illumina le tenebre, all while trying to compose something wholly Franciscan?  ---Mary Ellen Haupert, October 2012. Â
$3.99
3.68 €
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Chorale SATB
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Sarah Labrie, Conductor - Chamber Choral Conducting Workshop, Sarteano, Italy
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Illumine le tenebre
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Mary Ellen Haupert
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SheetMusicPlus
A Psalm of Suffering and of Hope (By the Waters of Babylon)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.989242 Composed by Mary An…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.989242 Composed by Mary Ann Joyce. Christian,Concert,Jewish,Sacred,World. Octavo. 9 pages. Mary Ann Joyce-Walter #6244605. Published by Mary Ann Joyce-Walter (A0.989242). Mary Ann Joyce-Walters writes: The first two sections of In Anguish and Hope are based on verses from two terrifying Psalms; the third section is a setting of a passage from Micah. I chose to use these texts after listening to a friend of mine speak about the death of her son.I became keenly aware of her personal and genuine feelings of rage against God, which were so similar to David’s Why do You hide Your face and forget our persecution and our oppression? Christ’s My God, My God, why have you forsaken me? and Elie Wiesel’s Never shall I forget those flames which consumed my faith forever. I realized that a far more difficult question (and perhaps more deeply personal) than that of asking God to forgive us is Can we forgive God?After asking that intimate and bold question, the words of Micah recall that peace, based on justice, will come one day: you shall be at peace and unafraid.…nations shall not lift up sword against nation….you shall bear fruit in justice and peace.
$4.50
4.15 €
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Chorale SATB
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Mary Ann Joyce
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A Psalm of Suffering and of Hope
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Mary Ann Joyce-Walter
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SheetMusicPlus
Only from Blood Does Freedom Grow (Piano/Choral Score)
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Level 2 - Digital Download SKU: A0.1465704…
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Choral Choir,Choral,SATB Chorus divisi - Level 2 - Digital Download SKU: A0.1465704 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 16 pages. Stanleymhoffman.com #1044314. Published by stanleymhoffman.com (A0.1465704). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30.
$4.00
3.69 €
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Chorale SATB
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom Grow
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stanleymhoffman.com
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SheetMusicPlus
I Cannot Go (for SATB Choir, a cappella)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.817434 Composed by Aaron L…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.817434 Composed by Aaron Lee. 20th Century,A Cappella,Classical,Contemporary. Octavo. 8 pages. J. Aaron Lee #423391. Published by J. Aaron Lee (A0.817434). With a text taken from Emily Brontë's poem, The Night is Darkening Round Me, this setting represents an individual who is feeling increasingly trapped and helpless in their situation, and could even depict feelings of depression. Even the key changes in the work bring the listener through a full cycle and sets them up to repeat this spiral forever. Unlike some of my other works, this work is not intended to be uplifting, but is instead an ernest acknowledgement of the pain some people endure. This work is written for SATB choir (a cappella) and is approximately 3 minutes in duration. The choral parts are largely diatonic and should be accessible to most audiences/ensembles. For more music from Aaron Lee, you can visit www.MusicOfLee.com.
$2.49
2.3 €
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Chorale SATB
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Aaron Lee
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I Cannot Go
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J. Aaron Lee
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SheetMusicPlus
Three Latin Elegies to Lesbia
Chorale SATB
Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Cen…
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Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.<br> <br> Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.<br> <br> Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:<br> <br> Lesbia keeps insulting me in front of her husband:<br> <br> thisfills the fatuous idiot with delight.<br> <br> Mule, doyou perceive nothing? If she shut up and ignored me<br> <br> that’dshow healthy indifference;…<br> <br> In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.<br> <br> Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.<br> <br> Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.<br> <br> Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:<br> <br> Lesbia keeps insulting me in front of her husband:<br> <br> thisfills the fatuous idiot with delight.<br> <br> Mule, doyou perceive nothing? If she shut up and ignored me<br> <br> that’dshow healthy indifference;…<br> <br> In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.<br> <br> Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
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Chorale SATB
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
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