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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Be the One
Non classifié
10 457
Piano & claviers
Piano seul
2 986
Piano, Voix
1 376
Piano Facile
794
Piano, Voix et Guitare
562
Orgue
364
Accompagnement Piano
230
1 Piano, 4 mains
183
Instruments en Do
182
Piano grosses notes
167
2 Pianos, 4 mains
72
Piano Trio: piano, violon, violoncelle
50
Accordéon
24
Piano (partie séparée)
23
Piano Quatuor: piano, violon, alto, violoncelle
18
Piano Quatuor: piano, 2 violons, violoncelle
17
Orgue, Piano (duo)
13
Piano Quintette: piano, 2 violons, alto, violoncelle
10
Orgue, Trompette (duo)
9
Clavecin
4
2 Pianos, 8 mains
3
1 Piano, 6 mains
2
Ensemble d'Accordéons
1
Clavier
1
Ligne De Mélodie, Piano
1
+ 19 instrumentations
Retracter
Guitares
Guitare notes et tablatures
278
Guitare
271
Ukulele
90
Ligne De Mélodie, (Paroles) et Accords
77
Basse electrique
57
Guitare (partie séparée)
48
2 Guitares (duo)
40
Piano, Guitare (duo)
26
Dulcimer
23
4 Guitares (Quatuor)
21
Banjo
19
Mandoline
16
Paroles et Accords
15
3 Guitares (trio)
10
Ensemble de guitares
10
Ukulele Baryton
8
2 Dulcimers (duo)
7
Mandoline, Guitare (duo)
3
2 Mandolines (duo)
2
Ensemble de Ukulélés
1
Mandoline, Piano (duo)
1
2 Ukuleles
1
Guitare, Violon, Violoncelle (trio)
1
+ 18 instrumentations
Retracter
Voix
Chorale SATB
2 117
Chorale 3 parties
668
Chorale 2 parties
492
Chorale TTBB
341
Chorale Unison
307
Chorale SSAA
222
Voix duo, Piano
130
Voix duo
93
Voix Soprano, Piano
63
Pack Instrumental pour Chorale
63
Voix Baryton, Piano
60
Voix Alto, Piano
48
Voix haute
42
Voix Tenor, Piano
36
Voix moyenne, Piano
18
Voix seule
15
Chorale
11
Voix basse, Piano
7
Chorale SSATTB
7
Chorale SSAATTBB
7
Voix Tenor
6
Voix basse
5
Voix Mezzo-Soprano, Piano
4
Voix Soprano
3
Soli, choeur mixte et accompagnement
2
Chorale SSATB
2
Voix, Guitare
1
Chorale SAATB A Cappella
1
+ 23 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
1 107
2 Saxophones (duo)
873
Saxophone Alto et Piano
795
Saxophone Tenor et Piano
692
Saxophone Alto
668
Saxophone Tenor
600
Saxophone (partie séparée)
533
Flûte traversière et Piano
469
Quintette de Saxophone: 5 saxophones
463
Flûte, Hautbois, Clarinette, Basson
452
Saxophone Soprano et Piano
411
Clarinette et Piano
362
3 Saxophones (trio)
337
Quatuor de Clarinettes: 4 clarinettes
336
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
336
Hautbois, Piano (duo)
285
2 Clarinettes (duo)
271
2 Flûtes traversières (duo)
229
Ensemble de saxophones
227
Saxophone Baryton, Piano
201
Flûte traversière
171
Clarinette
163
Saxophone, Clarinette (duo)
152
Ensemble de Clarinettes
124
Clarinette, Violon (duo)
121
Flûte, Clarinette (duo)
116
3 Clarinettes (trio)
102
Quatuor de Flûtes : 4 flûtes
97
Clarinette, Trompette (duo)
96
2 Hautbois (duo)
94
Hautbois (partie séparée)
92
Ensemble de Flûtes
90
2 Flûte à bec (duo)
83
Hautbois, Basson (duo)
68
Flûte, Saxophone (duo)
66
Saxophone
66
Hautbois, Clarinette (duo)
65
Flûte, Violon
60
Saxophone Soprano
60
Quintette de Clarinettes: 5 clarinettes
60
Hautbois, Flûte
57
Clarinette et Alto
56
Trio de Flûtes: 3 flûtes
52
Flûte, Alto (duo)
51
Clarinette (partie séparée)
50
Cor anglais, Piano
47
Flûte, Trompette (duo)
47
Clarinette Basse, Piano
44
Quintette de Flûte : 5 flûtes
43
Saxophone Baryton
39
Flûte et Guitare
38
Flute (partie séparée)
31
Flûte, Hautbois, Clarinette (trio)
25
Hautbois, Clarinette, Basson (trio d'anches)
24
Hautbois
24
Quatuor de Flûtes à bec
23
Flûte, Hautbois (duo)
19
Clarinette, Guitare (duo)
18
Clarinette, Basson (duo)
16
Flûte, Clarinette et Basson
16
Saxophone et Orgue
15
Flûte à bec Alto
14
Flûte, Trombone (duo)
14
Flûte à bec Soprano
14
3 Flûtes à bec (trio)
14
Hautbois, violon (duo)
12
Clarinette, Trombone (duo)
12
5 Flûtes à bec
12
Flûte à Bec
10
Piccolo, Piano
10
3 Hautbois
9
4 Hautbois
9
Flûte, Violoncelle
8
Hautbois, trombone (duo)
8
Flûte, Violon, Piano
8
Flute, harpe et violon
8
Ocarina
8
Flûte, Hautbois, Basson
7
Ensemble De Flûte à bec
7
Saxophone et Guitare
7
Flûte à bec Tenor
6
2 Saxophones, Piano
5
Saxophone et Piano
5
Hautbois, Guitare (duo)
5
Cor anglais, Guitare (duo)
5
Cor Anglais
4
Flûte à bec Soprano, Piano
4
Flûte à bec Alto, Piano
4
Instruments en Mib
4
Clarinette, Violoncelle (duo)
4
2 Flûtes traversières, Piano
3
2 Clarinettes, Basson
3
Ensemble à vent
3
Clarinette, Orgue
3
Saxophone, Violon (duo)
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
2 Cors Anglais Et Pianoforte
3
Flûte, Hautbois, Piano (trio)
3
Saxophone et Harpe
2
Flûte, Violon, Violoncelle et Piano
2
Hautbois, Violoncelle
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte et Trio à cordes
1
Flûte traversière, Basse continue
1
Flûte, Basson et Piano
1
Harmonica
1
Melodica
1
Flûte, Violon et Violoncelle
1
2 Clarinettes, Piano
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Orchestre
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Ensemble de Hautbois
1
Flûte, Clarinette, Violon (trio)
1
Flûte traversière, Orgue (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette Basse
1
Flûte à Bec, Piano
1
+ 114 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
963
Trombone et Piano
785
Quatuor de Cuivres : 2 trompettes, trombone, tuba
574
Trombone
434
Trombone (partie séparée)
303
2 Trombones (duo)
264
Trompette, Piano
264
Quatuor de Cuivres: 2 trompettes, Cor, trombone
245
Trompette
215
Cor et Piano
204
Quatuor de Cuivres
192
Quatuor de cuivres: 4 trombones
167
Trompette, Trombone (duo)
150
2 Trompettes (duo)
143
Trompette, Saxophone (duo)
127
Trompette (partie séparée)
122
Ensemble de Trombones
110
Ensemble de Trompettes
107
Tuba et Piano
105
Cor
92
Euphonium, Piano (duo)
91
Tuba
81
2 Cors (duo)
61
Cor anglais, Piano
47
Quatuor de cuivres: 4 cors
42
2 Tubas (duo)
41
Cor (partie séparée)
39
3 Trombones (trio)
34
Trompette, Cor (duo)
32
Tuba (partie séparée)
32
Trio de Cuivres
30
2 Euphoniums et 2 Tubas
26
Ensemble de Cors
24
Trombone, Tuba (duo)
18
Euphonium
18
4 Tubas
18
Quatuor de cuivres: 4 trompettes
15
2 Euphoniums (duo)
14
Trombone, Orgue
14
Euphonium, Tuba (duo)
14
Trombone, Violon (duo)
12
Quatuor de cuivres: 2 trompettes, 2 trombones
11
Trombone, Cor (duo)
11
Tuba et Orgue
10
Trombone basse
10
3 Trompettes (trio)
9
Trombone basse et Piano
7
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
6
3 Cors (trio)
6
3 Tubas (trio)
5
Bass Clef Instruments
5
Cor anglais, Guitare (duo)
5
Cor Anglais
4
Instruments en Sib
4
Trompette, Tuba (duo)
3
Trompette, Trombone, Piano
3
2 Cors Anglais Et Pianoforte
3
Cor et Orgue
2
2 Trombones, Piano
2
2 Trompettes, Clavier (piano ou orgue)
2
Trombone et orchestre
2
Ensemble de Tubas
1
3 Euphoniums
1
Cor, Violoncelle (duo)
1
Cor, Trompette, Trombone (trio)
1
Cor, Tuba (duo)
1
Trompette, Basson (duo)
1
+ 62 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 144
Violon et Piano
514
Violon
393
Violon, Violoncelle (duo)
392
Violoncelle, Piano
320
Harpe
296
Alto, Piano
296
Trio à Cordes: violon, alto, violoncelle
293
Violoncelle
262
2 Violons (duo)
170
2 Violoncelles (duo)
151
Violon, Alto (duo)
142
2 Altos (duo)
120
Alto seul
97
Quintette à cordes: 2 violons, alto, violoncelle, basse
97
Violon (partie séparée)
82
Trio à Cordes: 2 violons, violoncelle
81
Contrebasse, Piano (duo)
70
Contre Basse
61
Contrebasse (partie séparée)
59
Alto (partie séparée)
40
Piano Trio: Violon, Alto, Piano
38
Trio à cordes: 3 violins
36
Alto, Violoncelle (duo)
33
4 Violoncelles
32
Trio à Cordes: 3 violoncelles
28
2 Contrebasses (duo)
27
Violon, Guitare (duo)
24
Ensemble de Violons
23
2 Harpes (duo)
23
Harpe, Flûte (duo)
23
Trio à cordes: 3 altos
23
Violoncelle, Contrebasse (duo)
22
Ensemble d'Altos
21
Quatuor à cordes: 4 violons
18
Harpe, Violon (duo)
14
Violoncelle , Guitare (duo)
13
Harpe, Voix
12
Quatuor à cordes : 4 altos
12
Quintette à cordes: 2 violons, 2 altos, violoncelle
11
Trio à Cordes: 2 violons, alto
9
Alto et Harpe
8
Violoncelle (partie séparée)
7
Alto, Guitare (duo)
6
Harpe, Violoncelle (duo)
6
Violoncelle, Orgue
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
3 Harpes
3
Ensemble de Violoncelles
3
5 Harpes
2
4 Contrebasses
2
Harpe et Piano
2
Violon, Clarinette, Piano (trio)
1
2 Violons, Piano
1
4 Harpes
1
Violon, Basson (duo)
1
Violon, Basse continue
1
Violon, Orgue
1
Violoncelle, Basse continue
1
Flûte, Contrebasse (duo)
1
Harpe, Violon, Violoncelle
1
+ 56 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 878
Ensemble Jazz
768
Orchestre
595
Orchestre à Cordes
591
Ensemble de cuivres
529
Cloches
370
Fanfare
295
Orchestre de chambre
212
Jazz combo
123
Ensemble de Percussions
116
Batterie
71
Percussion (partie séparée)
33
Batterie (partie séparée)
29
Marimba
29
Xylophone, Piano
22
Vibraphone
11
Xylophone
10
2 Xylophones
6
Ensemble d'École
6
Orchestre, Violon
2
Quintette de Cuivres: autres combinaisons
2
Piano et Orchestre
2
Xylophone ou Marimba ou Vibraphone
1
Marimba et Orgue
1
Percussion
1
Instrumentation Flexible
1
Xylophone (partie séparée)
1
3 Marimbas
1
Quintette à Vent
1
Vibraphone et Marimba
1
+ 25 instrumentations
Retracter
Autres
Formation musicale - Solfège
9
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Be the One
Chorale SATB
Partitions à imprimer
2 117 partitions trouvées
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2101
The Story of a Leader
#
Chorale SATB
#
AVANCÉ
#
Classique
#
Igor Korneitchouk
#
The Story of a Leader
#
Studio at the Post
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio ...
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Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04
When I Survey the Wondrous Cross
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Chorale SATB
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Isaac Watts / Lowell Mason
#
Robert Myers
#
When I Survey the Wondrous Cro
#
WheatMyer Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pag...
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Choral Choir (SATB) - Level 3 - SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pages. WheatMyer Music #4775085. Published by WheatMyer Music (A0.976711). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The piano/organ accompaniments are straightforward yet very colorful. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet does not compromise on artistic expression.The parts provided in this version include a full score, a piano-vocal octavo (which may be performed alone), and organ and timpani/percussion parts. Neither organ or timpani are required but adding either or both provides a deep and rich experience. Parts for reduced orchestra (strings and single winds) are available separately.
$2.50
The Sense of a Place Will Remain
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Chorale SATB
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Contemporain
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Paul Burnell
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The Sense of a Place Will Rema
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Paul Burnell
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835...
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Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
$7.95
Sound the Bell of Holy Freedom: Come to Us, O Holy Spirit (Downloadable Concertato Choral Score)
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Chorale SATB
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FACILE
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Normand Gouin
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8
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Sound the Bell of Holy Freedom
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Congregation, SATB choir, brass quintet, timpani, suspended cymbal, organ - Moderately Easy - SKU: MQ.60-6015-E Composed by Normand Gouin. Cathedral Ser...
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Congregation, SATB choir, brass quintet, timpani, suspended cymbal, organ - Moderately Easy - SKU: MQ.60-6015-E Composed by Normand Gouin. Cathedral Series. Ordination, Pentecost, Confirmation, Ordination/Installation, 21st Century. Instrument parts. 12 pages. MorningStar Music Publishers - Digital Sheet Music #60-6015-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-6015-E). English.This new hymn, with words by Andrew Ciferni and music by Normand Gouin, was chosen as the official hymn of the World Meeting of Families 2015, and it will be used at the liturgies in Philadelphia during Pope Francis' first visit to the United States. This festive concertato features brass and percussion, and includes a special introduction appropriate for a solemn procession. The arrangement may also be pared down to fit available musical resources and liturgical use. It includes a second text, by Anthony Corvaia, that invokes the Holy Spirit and is appropriate for general use and for Pentecost. A special optional verse is provided for use at Confirmation and Ordination.Instrumental parts packet includes: Trumpets I and II C and in B-flat, Trombones I and II, Horn in F (sub for Trombone I), Bass Trombone/Tuba, Timpani, Suspended Cymbal, OrganNotes regarding Congregation Card Pack, 60-6015C: Printed on white card stock and are sold in quantities of 50 packs. Dimensions: 5.5†width; 8.5†length. Notes regarding Downloadable Congregation Part, file_60-6015C-E:Purchaser may reproduce this page for the congregation under these circumstances:-With valid license from OneLicense or LicenSing. -Usage must be reported to either OneLicense or LicenSing. -Copyright notice must be included. -If the purchaser does not have a license from OneLicense or LicenSing, one may be obtained directly from the publisher. Click here to email the MorningStar Music Publishers Copyright Department. -If the purchaser does not wish to purchase a license, then they should purchase the printed congregational cards, product 60-6015C. Notes regarding SATB/Accompaniment Hymn Only:This publication serves as the accompaniment to the hymn Sound the Bell of Holy Freedom. The publication may also be used as a simple SATB version for the choir. If used by the choir, multiple copies need to be purchased. -Reprint permission is not included with the purchase of this publication.-Multiple copies must be purchased for additional instrumentalists, or the choir.-This publication is available in two forms, either as a downloadable publication, or as a printed publication.
$2.65
Into the Wind, sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Into the Wind, sacred music fo
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1199426 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1199426 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 10 pages. Kevin G. Pace #798494. Published by Kevin G. Pace (A0.1199426). Poignant, sacred choral music. The text is in reference to the sacrifices of the pioneers of the Church of Jesus Christ of Latter-day Saints.  Music by Kevin G. Pace.  Text by Mark R. Fotheringham. Dedicated to the Willie and Martin handcart companies. Text: Into the wind, we suffer the more. To Zion we march, or to heaven's door. We stumble and fall; angels attend To help us rise up and march on again. No never alone, for God is our guide. We know inside.Tattered and torn, our shoes all in shreds. In sage or in snow, we lay down our heads. We dig shallow graves, bury our dead, Then wake the next morn and onward we tred. Through trial and pain, we hold to the rod, And thus know God.All that we have in one little cart, Together we push; we each do our part. And somehow our hearts, knit by our chores, Are strengthened to know we'll see temple doors. These rags will be white, for joy is in store Forevermore.
$1.99
O Praise the Lord
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Andrew Schneider
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O Praise the Lord
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Andrew Schneider
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.930752 Composed by Andrew Schneider. Baroque,Christian,Classical,Contemporary,Sacred. Octavo. 18 pages. Andrew S...
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Choral Choir (SATB) - Level 3 - SKU: A0.930752 Composed by Andrew Schneider. Baroque,Christian,Classical,Contemporary,Sacred. Octavo. 18 pages. Andrew Schneider #3584607. Published by Andrew Schneider (A0.930752). This is a choral anthem setting of Psalm 117 designed for either church or concert use. In its effortless use of various elements of Baroque practice, I have written a piece which will hopefully be useful for high schools and community colleges with smaller choirs to get students to sing works which can prep them for repertoire. Churches will also find this a work appropriate for any festive occasion and also useful in telling people that composers actually exist today who like the bygone way of doing things. And also with a rather exciting piano part! I certainly enjoy raising the bar.To that end, the A section can be sung on its own as a separate piece, as it is deliberately easier than the B section, which has more chromatic and polyphonic passages. This is the perfect piece to convey to high school students the impression that Baroque music can be exciting, spontaneous, and not old-fashioned, and in a matter which will be immediately perceived to be authentic.The ad libitum trumpet parts are available directly from the composer. Though they are not strictly necessary for a successful performance, they do give a special spice and festive aura that can only be beneficial.
$2.99
Rock - a Roger Jones musical
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Roger Jones, Alison Fuggle
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Annie Routley
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Rock - a Roger Jones musical
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise &...
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Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99
In the Garden, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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thy sole desire be done
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In the Garden, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1271326 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1271326 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #863722. Published by Kevin G. Pace (A0.1271326). A beautiful, somber, sacred hymn about the atonement of Jesus Christ.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:In the Garden Jesus knelt before His Father’s face.Then He pled: “Remove this cup,†in that most hallowed place.“But if not, I will submit; thy sole desire be done.â€Then He prayed more earnestly, for agony had come.In the Garden Jesus bled; He bled from every pore.Falling to the ground He took all sin and so much more.Trembling with a grievous soul, He faced this test alone.Yet there was the surest grace with each afflicting groan.In the Garden Jesus wept with tears to show his love,Love for all humanity, and Father up above.Willingly He suffered there to free us from the same.Weeping in Gethsemane, He saved us from our pain.In the Garden Jesus gave so all the world would knowHe is God’s beloved Son, the One to whom we owe.As we kneel in gratitude, our tears mix with His own.In the Garden Jesus saved; we’ll never be alone!
$1.99
One in Charity, sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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I feel my flesh consumed
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One in Charity, sacred music f
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1416395 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religiou...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1416395 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 9 pages. Kevin G. Pace #998076. Published by Kevin G. Pace (A0.1416395). An epically beautiful choral composition.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:Although I bestow all my goods to feed the poor and lone, Without the gift of charity, I will never own the right of oneness to be sealed to Father up above, And with my Savior, Jesus Christ, unite in perfect love.Until God distills purity, giv'n through the Holy Ghost, I'll pray with all my energy for this inner Host. Then to this Spirit I will cleave so God can live in me, And so be clothed with purest love... beloved charity. My holy conferral to love each fellowman I see comes as a gift from God above, for He first loved me. And now I'm filled with pain and more, with sorrow and with tears, All for the welfare of lost souls. I feel my Savior near.Sweet oneness within fills my heart; I feel my flesh consumed. An entity has swelled my soul and entered to bloom. For others, now, true charity can manifest my love, All given from the grace of Christ, and Father up above. bove.Chorus:Charity for humankind is my gift with love divine. One in love and one in grace promises Christ's sacred face.
$1.99
One in Charity, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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I feel my flesh consumed
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One in Charity, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1294654 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sac...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1294654 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #885008. Published by Kevin G. Pace (A0.1294654). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text:Although I bestow all my goods to feed the poor and lone, Without the gift of charity, I will never own the right of oneness to be sealed to Father up above, And with my Savior, Jesus Christ, unite in perfect love.Until God distills purity, giv'n through the Holy Ghost, I'll pray with all my energy for this inner Host. Then to this Spirit I will cleave so God can live in me, And so be clothed with purest love... beloved charity. My holy conferral to love each fellowman I see comes as a gift from God above, for He first loved me. And now I'm filled with pain and more, with sorrow and with tears, All for the welfare of lost souls. I feel my Savior near.Sweet oneness within fills my heart; I feel my flesh consumed. An entity has swelled my soul and entered to bloom. For others, now, true charity can manifest my love, All given from the grace of Christ, and Father up above. bove.Chorus:Charity for humankind is my gift with love divine. One in love and one in grace promises Christ's sacred face.
$1.99
I Walk Beside Thee
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Chorale SATB
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FACILE
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Musique Sacrée
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Brooke Griffin Carpenter
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Brooke Griffin Carpenter
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I Walk Beside Thee
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Brooke Griffin Carpenter
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1376536 By Brooke Griffin Carpenter. By Brooke Griffin Carpenter. Arranged by Brooke Griffin Carpenter. C...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1376536 By Brooke Griffin Carpenter. By Brooke Griffin Carpenter. Arranged by Brooke Griffin Carpenter. Christian,Praise & Worship,Religious,Sacred,Spiritual. 8 pages. Brooke Griffin Carpenter #961065. Published by Brooke Griffin Carpenter (A0.1376536). I wrote this song to describe my feelings about the atonement of Jesus Christ. It's a conversation with the Savior about His role in my life and my desire to follow Him. It was greatly inspired by the October 2012 General Conference address The First Great Commandment by Elder Jeffrey R. Holland. Elder Holland states: My beloved brothers and sisters, I am not certain just what our experience will be on Judgment Day, but I will be very surprised if, at some point in that conversation, God does not ask us exactly what Christ asked Peter: 'Did you love me?' I think He will want to know if in our very mortal, very inadequate, and sometimes childish grasp of things, did we at least understand one commandment, the first and greatest commandment of them all—'Thou shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy strength, and with all thy mind' (Luke 10:27; see also Matthew 22:37–38). And if at such a moment we can stammer out, 'Yea, Lord, thou knowest that I love thee,' then He may remind us that the crowning characteristic of love is always loyalty. This song is a testament of the words I want to say when that day comes for me.*Please note that this is the choral version of this composition.
$2.75
Sacred Anthems for Choir 3, sacred choral music
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Sacred Anthems for Choir 3, sa
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1380601 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sac...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1380601 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. 169 pages. Kevin G. Pace #965379. Published by Kevin G. Pace (A0.1380601). Sacred Anthems for Choir volume 3 is a collection of 21 sacred choral compositions with piano accompaniment. Music composed by Kevin G. Pace. Text by Mark R. Fotheringham.This music could be used by any Christian choir. Though written from the perspective of the Church of Jesus Christ of Latter-day Saints, the themes in many of these compositions are non-specific to any single creed,praising God and His Son, Jesus Christ, with unique fervor and beauty appropriate for any congregation.Titles:Come and SeeGethsemane, Garden Lovely The Prisoners Shall Surely Go Free Lord, Humbly I Come To Thee Now, TTBB Lord, Humbly I Come To Thee NowThe Dark GardenAll Wisdom, Grace and GloryInto the WindWaiting for Sunrise Let Thy Holy Spirit Guide, revised 2023Holy Father, I PrayBlessed Be God When We Call Sing to the Lord Dearest Savior Every Tongue Ye Are As a Fruitful FieldEver Saints Await Thee What Can I Offer? Where Would We Go Without You? Lead Us On To Victory!
$18.99
The Winds of Grace As You Soar—SATB Choir and Piano
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Daniel Carter
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Daniel Carter
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The Winds of Grace As You Soar
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Daniel Carter
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1293980 By Daniel Carter. By Daniel Carter. Arranged by Daniel Carter. Christian,Praise & Worship,Religio...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1293980 By Daniel Carter. By Daniel Carter. Arranged by Daniel Carter. Christian,Praise & Worship,Religious,Sacred. 6 pages. Daniel Carter #884462. Published by Daniel Carter (A0.1293980). A musical blessing of healing and safety for those who have experienced difficulty and trauma in their lives. Arranged for intermediate-advanced choir and piano with flowing accompaniment and memorable melodic lines. Suitable for worship, farewells, homecomings, concert events, and many other settings. The text uses powerful images to strengthen and reassure:Safety of a mother’s womb to you. / Strength of a father’s love to you; / May the breath of each word that you speak and hear / Be a breath of affirming life in your ears, / Be the winds of grace in your wings, / Be grace in your wings as you soar.When stones of abuse and deceit are hurled / May you catch them and drop them before they harm. / But when your wounds are too much to bear, / May you offer no harm in return.Healing of a mother’s love to you. / Wisdom of a father’s heart to you. / And may your damaged wings heal once again / By the winds of grace as you soar.And so it is. / So be it. / AmenFor other choral, instrumental, vocal solo, and duet works by Daniel Carter, visit Daniel Carter Music.
$1.99
Whiter Than the Snow
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Chorale SATB
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FACILE
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Text: Eden Reeder Latta
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Ken Litton
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Whiter Than the Snow
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Artist of Note, Inc.
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1490010 Composed by Text: Eden Reeder Latta (1839 - 1915) Tune: Henry Southwick Perkins (1833 -1914....
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1490010 Composed by Text: Eden Reeder Latta (1839 - 1915) Tune: Henry Southwick Perkins (1833 -1914. Arranged by Ken Litton. Christian,Lent,Religious,Sacred. 11 pages. Artist of Note, Inc. #1066874. Published by Artist of Note, Inc. (A0.1490010). Whiter Than the Snow/Eden Reeder Latta - Henry Southwick Perkins BLESSED BE THE FOUNTAIN arr. Ken Litton (ASCAP)As an SBC music missionary active in Brazil I quickly discovered the hymns missionaries had taken with them as the work gained impetus from the 1890s when the Bagbys arrived to build on the foundation laid by early pioneers like Solomon Ginsburg. I found myself leading those hymns from the nearly 100 year old Cantor Cristão (Christian Singer) in the strongly attended evening services at the Igreja Batista Rio Doce (Sweet River Baptist Church) in Recife, with people literally leaning in through the windows from outside to sing along. Just a normal p.m. attendance or... curiosity about the missionary leading? No, certainly it was the message of the gospel in these great hymns and in the Brazilians’ creative work as well. I mainly remember holding that small print hymnal in one hand and leading with the other (shaking badly) and singing in Portuguese!From that kind of congregational participation I vividly remember the hymn Blessed be the Fountain by Eden Reeder Latta (1839 - 1915) and Henry Southwick Perkins (1833 -1914) with it’s energetic dotted eighth and sixteenth rhythm figures and text of confession based on Zechariah 13:1. That text was very important in the lives of disciples in Brazil and in my own heart. Here I have used only the verses of the text and tune, simply smoothing out the rhythm and adjusting the lyric to more modern usage (yet preserving the devotional pronouns Thee, Thy and Thine).The tune BLESSED BE THE FOUNTAIN is altered in rhythm, tempo and one descending interval from the original. The arrangement is by me, having built the intro, interlude and key change as well as the ending from the material that constituted the refrain in the origina. As a bridge and additional textual/musical impulse into the key change and final verse I’ve interpolated the refrain from the well-known gospel hymn Whiter than Snow (FISCHER) by James Nicholson and William G. Fischer.The voices include a wide variety of unison, two-part and four-part passages that are well within the capability of the average church choir. The accompaniment difficulty level is about as minimal as it can be I hope, while still reflecting support for the voices, a measure of variety as well as some real independence.I certainly think choirs of some ability and their dedicated accompanists will enjoyWhiter Than the Snow as much as I have in developing it.
$2.99
The City In the Sea: Choral Tone Poem
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Chorale SATB
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AVANCÉ
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Contemporain
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Stanley M Hoffman
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The City In the Sea: Choral To
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Pu...
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Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60
The Kingdom Has A New Son (Cast) from "The Kings" - ACT 2:Song 10
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Chorale SATB
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INTERMÉDIAIRE
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McCorkle, Dennis F
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The Kingdom Has A New Son
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.784836 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Octavo. 24 pages. DF McCorkl...
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Choral Choir (SATB) - Level 3 - SKU: A0.784836 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Octavo. 24 pages. DF McCorkle Music and eBook Publications #11763. Published by DF McCorkle Music and eBook Publications (A0.784836). ACT 2: Song 10. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 12:24 - And David comforted Bathsheba his wife, and went in unto her, and lay with her; and she bore a son, and called his name Solomon. And Yahweh loved him;] [1 Kings 2:1-4 - Now the days of David drew nigh that he should die; and he charged Solomon his son, saying: 2 I go the way of all the earth; be thou strong therefore, and show thyself a man; 3 and keep the charge of Yahweh your God, to walk in His ways, to keep His statutes, and His commandments, and His ordinances, and His testimonies, according to that which is written in the law of Moses, that you may prosper in all that you do, and whithersoever you turn yourself; 4 that Yahweh establish His word which He spoke concerning me, saying: ‘If thy children take heed to their way, to walk before Me in truth with all their heart and with all their soul, there shall not fail thee, said He, a man on the throne of Israel.’] BATHSHEBA becomes pregnant again and DAVID a son, SOLOMON is born to them [The Kingdom has a New Son – Elders]. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
Beyond The Sea
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #89803...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00
Anthem of World United
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Chorale SATB
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INTERMÉDIAIRE
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Johnson Gao
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Johnson Gao
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Anthem of World United
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Johnson Gao
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1300859 By Johnson Gao. By Johnson Gao. Arranged by Johnson Gao. 21st Century,Multicultural,Patriotic,Wor...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1300859 By Johnson Gao. By Johnson Gao. Arranged by Johnson Gao. 21st Century,Multicultural,Patriotic,World. 11 pages. Johnson Gao #890537. Published by Johnson Gao (A0.1300859). Anthem of the “All nations will be perished, and the world must uniteâ€Â Colorful Number One Scholar October 3, 2023 The world was originally no any nations.The land was plundered and divided into territories.Colonize first after occupying a frontier;If you had formed a country, you must raise an army.Warfare is a deadly killing weapon,The saints use it when there are no other satisfied ways.Today's world is in ruins.The United States, China, Russia, and European Union compete. Each of them wants to dominate the world.They don't want to be cooperative diligently;They use the dirty tricks instead;They use every possible means for cunning.When the saint raises only one foot high,While the devil has already jumped ten feet tall.They are blind at what the Doomsday is coming,They still love to rob and snatch.They would like to die together;You die and I die, too.What a shame.The human body contains cells.All cells have membranes.With membranes they know how to be selfish.Selfish genes have played an important role in evolution.Love yourself and your country is only a low level of selfishness; Sacrifices oneself and destroys countries are the high level of selfishness: The world must be for the global public welfare.It is really a kind of selfish seeking benefit only for human beings. Looking at the world today, Among Emperors, Empresses, Presidents and Chairmen,No one is worthy of become a future world leader.They only know how to love themselvesAnd their countries’ benefits in a naive way;They dislike to destroy all the countries,They don’t practice the rule for world population’s commonwealth, Knowing not the brilliance patriotism in the past Has becoming the hurdles on the road to globalization. How sad, how sad!Preparing to establish the “World Leadership Education Instituteâ€. It should be put to the top priority.I advise you not to be too innocent,All nations will be perished;This is a historical march.Ah, ha, oh, eh, yah!Home sapiensism needs to be promoted.The world must be unified. è¬åœ‹æ¶ˆäº¡, 世界一統æŒÂ 七彩狀元 2023 å¹´ 10 月 3 日 世界原無國。 æŽ åœ°å‰²ç‚ºç–†ã€‚ 開疆先殖民; 有國必建è»ã€‚ 兵乃凶器也, è–人ä¸å¾—æ„而用之。 如今世é“悪。 美, ä¸, ä¿„, æçˆã€‚ å„想稱霸雄; ä¸æ€åˆä½œå‹¤ã€‚ å用拆臺術。 åˆé‘½è§¸æŠ¼è¨ˆ, 無所ä¸ç”¨å…¶æ¥µã€‚ é“高æ‰ä¸€å°º, é”高已一丈。 ä¸è¦‹æœ«æ—¥è¿‘, é‚„è¦æ¶èˆ‡å¥ªã€‚ 情願åŒæ¸ç›¡; ä½ æ»æˆ‘ä¸æ´»ã€‚ æ¥ç¬‘何ç‰çµ•ã€‚ 人體å«ç´°èƒžã€‚ 細胞皆有膜。 有膜知自ç§ã€‚ 自ç§åŸºå› 在進化ä¸åŠŸå‹³å“著。 å°ç§æ„›å·±æ„›åœ‹; 大ç§æ¨å·±æ»…國, 天下為公。 蓋實為æ§äººé¡žä¹‹å¤§ç§ä¹Ÿã€‚統觀當今世界,皇, åŽ, 總統, 主å¸, 無一é…ç•¶æœªä¾†ä¸–ç•Œé ˜è¢–ã€‚ 唯其åªçŸ¥å°ç§æ„›å·±æ„›åœ‹; 勿崇大ç§æ»…國, 天下為公。 å°ä¸çŸ¥æ˜”日辉煌的爱国主义 æ£åœ¨æˆä¸ºå…¨çƒåŒ–é“路上的攔路虎。 悲哉, 悲哉! ç±Œå»ºä¸–ç•Œé ˜è¢–æ•™è‚²å¸é™¢ã€‚ å¯è¬‚當務之急。 勸å›èŽ«å¤ªè ¢, è¬åœ‹å¿…消亡; æ¤ä¹ƒæ·å²è¦å¾‹ã€‚å•Š, 哈, 哦, ä¾, å‘€! 智人主義需æ創; 世界必æ¸ä¸€ã€‚.
$1.99
Tribute to Pioneer Women - an original hymn for SATB voices
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Tribute to Pioneer Women - an
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.701458 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G....
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Choral Choir (SATB) - Level 4 - SKU: A0.701458 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3125373. Published by Kevin G. Pace (A0.701458). An original hymn about pioneer women. See the text by Kathryn Hales below.YouTube video: https://youtu.be/fHirSHGBR0M The women walked alongside the wagons, The burden on oxen to spare, Wrapped in a shawl or a blanket, Their feet often calloused and bare. They met at the quarter-master’s wagon, Their own scant rations to receive, Then with culinary skills prepared A meal, a family’s hunger to relieve. Their prayers arose like incense From the campfires’ spark-filled glow, That the God they believed in from Heaven Would bless their loved ones below. Left alone to drive the wagons When military duty was the demand, Courageous pioneer women Obeyed the prophet’s commands. Some lived to complete their journey; Some died by the trail on the way, Yet the trials or hardships encountered, Their faith in God did not sway. Whether over the rivers or mountains They trudged onward each day, Till they arrived in The Valley, And prayed for more courage to stay. Praise be to such pioneer women, Who with courage did their part, For the building up of a holy people, With Zion a goal of their hearts. Valiant men have always needed Virtuous women by their sides, So both can progress together And in God’s eternal home abide.
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Our Mother Eve - an original Mother's Day hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Our Mother Eve - an original M
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.701832 Composed by Kevin G. Pace (ASCAP), Michael Young. Christian,Holiday,Praise & Worship,Sacred. Octavo. 2 pa...
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Choral Choir (SATB) - Level 4 - SKU: A0.701832 Composed by Kevin G. Pace (ASCAP), Michael Young. Christian,Holiday,Praise & Worship,Sacred. Octavo. 2 pages. Kevin G. Pace #3520239. Published by Kevin G. Pace (A0.701832). An original hymn with text by Michael Young below.YouTube video: https://youtu.be/xTMwFuQ3DeQ1. Our Mother Eve was first to see That they must fall that man may be, Then gave to Adam to partake, Convinced him it was no mistake. Take courage as our mother Eve, When faced with fear, instead believe. 2. Our mother Eve was first to hope, That she, united, then could cope, Outside their garden paradise, That heaven’s gifts would then suffice, Take courage as our mother Eve, When faced with want, then still believe. 3. Our mother Eve was first to weep, For her stray child who did not keep, All God’s commands, but turned away, One son she lost, one went astray. Take courage as our mother Eve, When faced with grief, be still, believe. 4. Our mother Eve was first on Earth, God’s daughter of a royal birth, First mother of the human race, A vessel of God’s holy grace. Take courage as our mother Eve, All through your life, stand firm, believe.
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Wassail the Trees
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Chorale SATB
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Contemporain
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the 4th verse the drone is in
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Paul Burnell
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Wassail the Trees
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Paul Burnell
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SheetMusicPlus
Choral Choir (Mixed) - SKU: A0.835784 Composed by Paul Burnell. Contemporary. Octavo. 2 pages. Paul Burnell #3396247. Published by Paul Burnell (A0.8357...
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Choral Choir (Mixed) - SKU: A0.835784 Composed by Paul Burnell. Contemporary. Octavo. 2 pages. Paul Burnell #3396247. Published by Paul Burnell (A0.835784). For voices and instruments. The words adapted from the poem by Robert Herrick (1591 - 1674)Duration 3:00 The piece can be performed in several ways - possible options are: The 1st verse/refrain is solo voices (perhaps one voice, or one section). Men would sing an octave lower.The 2nd, 3rd and 4th verses/refrains are accompanied by an increasingly layered drone. The drone could be a mix of organ and/or instruments and voices. The voices sing the drone to ‘ay’ and will need to stagger their breaths. By the 4th verse the drone is in three lines - and perhaps is in organ or instruments alone because voices are all singing the melody line. The ascending chromatic line could be doubled an octave lower. Each line of the drone begins at the end of the previous refrain.At each verse more singers join the melody line. The melody may be played by organ/instruments as well. The 4th refrain is the loudest.The 5th verse is sung without the drone. It might be effective for this to be performed with a gradual diminuendo, or for singers to drop out one by one.
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How Can I Be Like Jesus? - sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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go where He leads
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How Can I Be Like Jesus? - sac
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1352071 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sac...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1352071 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 13 pages. Kevin G. Pace #936900. Published by Kevin G. Pace (A0.1352071). An epically beautiful, sacred choral composition for SATB choir.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:How Can I Be Like Christ?“Come, follow Me . . .†(Luke 18:22)How can I be like Christ while on the earth?How can I live His ways and heed His words?How can I love the same as He loves me?How can I be aware and help those who plead?Follow His ev’ry step; go where He leads.Love ev’ry friend alike, or enemy.Lighten each burden shown from suff’ring souls.Shepherd them to His side; He will make each whole.How can my walk through life show God I care?Will others know to trust so I can share?How do I reach each one when in a crowd?Can I still help these souls ev’n though sin abounds?Follow His ev’ry step; go where He leads.Give of your meager store when one’s in need.Search for the lonely heart with eyes attuned.Loving each child of God can diminish wounds.How can I be like Christ, ev’n as I am?He gives sure promises; I am His lamb.As I go where He leads, gath’ring His souls,My love will shepherd them where Christ makes each whole.
$1.99
How Can I Be Like Jesus? - a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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go where He leads
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How Can I Be Like Jesus? - a s
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1311956 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sac...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1311956 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #900848. Published by Kevin G. Pace (A0.1311956). An attractive, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:How Can I Be Like Christ?“Come, follow Me . . .†(Luke 18:22)How can I be like Christ while on the earth?How can I live His ways and heed His words?How can I love the same as He loves me?How can I be aware and help those who plead?Follow His ev’ry step; go where He leads.Love ev’ry friend alike, or enemy.Lighten each burden shown from suff’ring souls.Shepherd them to His side; He will make each whole.How can my walk through life show God I care?Will others know to trust so I can share?How do I reach each one when in a crowd?Can I still help these souls ev’n though sin abounds?Follow His ev’ry step; go where He leads.Give of your meager store when one’s in need.Search for the lonely heart with eyes attuned.Loving each child of God can diminish wounds.How can I be like Christ, ev’n as I am?He gives sure promises; I am His lamb.As I go where He leads, gath’ring His souls,My love will shepherd them where Christ makes each whole.
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By Bethesda's Pool, sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Bethesda’s special pool
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Kevin G
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healing was the goal
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By Bethesda's Pool, sacred mus
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1208296 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1208296 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 11 pages. Kevin G. Pace #806402. Published by Kevin G. Pace (A0.1208296). A stunningly beautiful, sacred composition for SATB choir.  Music by Kevin G. Pace and text by Mary Ann W. Snowball.  Depicting the miracle of Jesus curing the man by the Pool of Bethesda.Text:By Bethesda’s special pool, each day they did wait.Blind and halt and withered there, each to not be late.By the pool the crippled lay; healing was the goal.Ere an angel’s touch was stirred, not one would be whole.Years and years a man stayed near, but with none to aid.Then the Savior came, unknown, to surround and stay.Wilt thou be made whole? was asked by the Healer there.I can’t reach the pool myself. These pains I must bear.Wilt thou be made whole? I can ease thy load.Can I heal thy sun-parched soul? May I make thee whole?Rise, and take thy bed and walk. These words Jesus spoke.Soon the man was cleansed and healed, as if he awoke.Had full faith been shown that day from this aged man?Can we also trust our Lord? Will we take his hand?By our own Bethesda pools in a sacred space,He can clearly mend our cares through (by) his wondrous grace.We can also rise like him o’er our doubts and fearsAs we linger, patiently, listening to hear.We can be made whole when his hand we hold.He can heal our holy souls; He will make us whole.
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THE ICON OF THE INVISIBLE GOD (SATB) – Colossians 1:15-20
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Michael A
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THE ICON OF THE INVISIBLE GOD
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926661 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588399. Published by M...
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Choral Choir (SATB) - Level 3 - SKU: A0.926661 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588399. Published by M.A. Morizio (A0.926661). In the first chapter of Paul’s letter to the Colossians, we discover the next known Hymn to Christ right after his introductory passages, beginning at the 15th verse. Paul opens this letter with a blessing, then immediately flows to one of the 1st century hymns, which I have called, The Icon of the Invisible God. The lyrics of this hymn are declarative, bold and illuminating as to whom the Christ figure is-the icon, the very image of the invisible God, the firstborn of all creation. The text makes it abundantly clear that Jesus is the authority; that He was there before all things, that He created all things, and that through Him all things hold together. This anthem is composed for SATB choir with Pipe Organ accompaniment. The meter is set to 6/8 time, with a rhythm tempo of Totally Alive; which is one actual definition of the word Holy. The anthem starts at a good clip (♪=100). The key is G Major, with an incidental and occasional flatted 5th (Dâ™) as a surprise-landing befitting to the text presented, as if to say, This is so amazing, how can it be? The flatted 5th gives the piece it's own identity and causes the listener to stand up and take notice whenever it occurs. When the hymn's lyrics glide into the all-important resolution, having made peace through the blood of the cross, the song retards and lands on a surprising musical cadence, the sixth chord (E Major). In this piece, the pipe organ is boldly featured as it supports and under girds the musical line, occasionally trumpeting its own victorious motifs and adding some contrapuntal elements, such as this duplet motif, in the pedal line. The final lyrics about Christ having reconciled everything to Himself, whether things on the earth or in the heavens, finish the piece with a great, ‘High-Church’ choral ending.
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