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Both Sides Now
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Vous avez sélectionné:
Both Sides Now
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Partitions à imprimer
7 partitions trouvées
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Both Sides Now
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Chorale SATB
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AVANCÉ
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Joni Mitchell
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Yumiko Matsuoka
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Both Sides Now
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Yumiko Matsuoka
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1413778 By Joni Mitchell. By Joni Mitchell. Arranged by Yumiko Matsuoka. A Cappella,Pop. 10 pages. Y...
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Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1413778 By Joni Mitchell. By Joni Mitchell. Arranged by Yumiko Matsuoka. A Cappella,Pop. 10 pages. Yumiko Matsuoka #995563. Published by Yumiko Matsuoka (A0.1413778). Originally written for a cappella quartet In the Mix, the arrangement is a little word play on both sides, going back and forth between 2/2 and 3/4. It features a soprano lead throughout, but there are places for every part to shine. Recorded by another vocal jazz ensemble Syncopation on my 2008 anthology album To Every Thing There is a Season. Approx. performance time 4:40.
$4.00
Both Sides Now
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Chorale SATB
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AVANCÉ
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Joni Mitchell
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Both Sides Now
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Paul Langford
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1507336 By Joni Mitchell. By Joni Mitchell. Arranged by Gene Puerling (transcribed and adapte...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1507336 By Joni Mitchell. By Joni Mitchell. Arranged by Gene Puerling (transcribed and adapted by Paul Langford). A Cappella,Jazz. 8 pages. Paul Langford #1082738. Published by Paul Langford (A0.1507336). A transcription/adaptation of the Gene Puerling arrangement for the Singers Unlimited. SATB acappella with divisi.
$2.99
Both Sides Now
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Joni Mitchell
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Cay Outerbridge
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Both Sides Now
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Cay Outerbridge
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1474836 By Joni Mitchell. By Joni Mitchell. Arranged by Cay Outerbridge. A Cappella,Barbershop,Folk....
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1474836 By Joni Mitchell. By Joni Mitchell. Arranged by Cay Outerbridge. A Cappella,Barbershop,Folk. 8 pages. Cay Outerbridge #1052456. Published by Cay Outerbridge (A0.1474836). SATB Barbershop (Very Rangy).
$1.99
Both Sides Now
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Chorale SATB
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INTERMÉDIAIRE
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Joni Mitchell
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Ben Bram and Rob Dietz
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Both Sides Now
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Ben Bram Music
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1369039 By Joni Mitchell. By Joni Mitchell. Arranged by Ben Bram and Rob Dietz. 20th Century,A Cap...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1369039 By Joni Mitchell. By Joni Mitchell. Arranged by Ben Bram and Rob Dietz. 20th Century,A Cappella,Folk,Pop,Singer/Songwriter. 9 pages. Ben Bram Music #953382. Published by Ben Bram Music (A0.1369039). A Cappella Academy Choir 2022http://acappellacademy.orgPlease email thebenbram@gmail.com for learning tracks.
$5.00
Both Sides Now (arr. Roger Emerson)
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Chorale SATB
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Folk Rock
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Joni Mitchell
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Roger Emerson
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Both Sides Now
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Hal Leonard - Digital
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SheetMusicPlus
By Joni Mitchell. Arranged by Roger Emerson. This edition: scorch. Folk, Pop. Octavo. 11 pages. Duration 285. Hal Leonard - Digital #262462. Published...
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By Joni Mitchell. Arranged by Roger Emerson. This edition: scorch. Folk, Pop. Octavo. 11 pages. Duration 285. Hal Leonard - Digital #262462. Published by Hal Leonard - Digital
$2.50
Sommar i bergen
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Chorale SATB
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Matthew Peterson
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Sommar i bergen
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SATB chorus and key harp - SKU: BJ.1410 Composed by Matthew Peterson. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1410. Published by Bo Ejeby ...
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SATB chorus and key harp - SKU: BJ.1410 Composed by Matthew Peterson. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1410. Published by Bo Ejeby Forlag - Digital (BJ.1410). 8.27 x 11.7 inches.Composer Matthew Peterson is an award-winning Swedish-American composer known for his work on both sides of the Atlantic. He describes Södergran’s poems as lyrical and free, rich in colour and detail, an apt description of his own atmospheric and deeply absorbing choral music, which uses much more than the vocal chords to evoke its broad, luminous landscapes.
$3.60
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
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Both Sides Now 
