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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Can I Get It
Non classifié
509
Piano & claviers
Piano seul
243
Piano, Voix
72
Piano, Voix et Guitare
71
Piano Facile
44
2 Pianos, 4 mains
26
Instruments en Do
22
Orgue
14
1 Piano, 4 mains
8
Accordéon
2
Piano grosses notes
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
Orgue, Trompette (duo)
1
Accompagnement Piano
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Guitare
47
Guitare notes et tablatures
31
Ukulele
11
Ligne De Mélodie, (Paroles) et Accords
9
4 Guitares (Quatuor)
6
Basse electrique
4
Ensemble de guitares
2
2 Guitares (duo)
2
Mandoline
1
Paroles et Accords
1
Banjo
1
Guitare, Violon, Violoncelle (trio)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
84
Chorale 3 parties
31
Chorale 2 parties
14
Chorale TTBB
14
Chorale SSAA
12
Chorale Unison
9
Voix duo
6
Voix duo, Piano
3
Voix Alto, Piano
2
Voix seule
1
Voix Baryton, Piano
1
Voix Soprano, Piano
1
Voix basse, Piano
1
Chorale SSATTB
1
Voix Tenor
1
+ 10 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
26
Flûte traversière
19
Quatuor de Saxophones: 4 saxophones
19
Flûte traversière et Piano
17
Clarinette
15
Saxophone Alto et Piano
15
Saxophone Tenor et Piano
14
Quatuor de Clarinettes: 4 clarinettes
14
Quatuor de Flûtes : 4 flûtes
12
2 Flûtes traversières (duo)
12
Clarinette et Piano
11
Saxophone Alto
10
Saxophone Tenor
8
Saxophone (partie séparée)
8
Quintette de Saxophone: 5 saxophones
8
Flûte, Hautbois, Clarinette, Basson
8
Saxophone Soprano et Piano
7
Hautbois, Flûte
6
3 Saxophones (trio)
6
Flûte et Guitare
6
Hautbois (partie séparée)
6
Flûte à Bec
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Ensemble de saxophones
4
2 Saxophones (duo)
4
Ensemble de Clarinettes
4
Quintette de Clarinettes: 5 clarinettes
4
2 Clarinettes (duo)
3
Saxophone Baryton, Piano
3
Flûte, Clarinette (duo)
3
Clarinette Basse, Piano
3
2 Flûte à bec (duo)
3
Ensemble de Flûtes
3
Saxophone Soprano
2
Flute (partie séparée)
2
Cor Anglais
2
Clarinette, Violon (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, Basson (duo)
2
2 Saxophones, Piano
1
Flûte à bec Alto, Piano
1
Flûte, Violoncelle
1
Clarinette, Guitare (duo)
1
Piccolo
1
Flûte, Hautbois, Basson
1
Flûte et Trio à cordes
1
Flûte, Hautbois (duo)
1
Flûte à bec Soprano
1
3 Clarinettes (trio)
1
Flûte, Violon
1
Flûte, Clarinette et Basson
1
Saxophone et Orgue
1
+ 47 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Trompette
19
Trombone et Piano
16
Trompette, Piano
14
Cor et Piano
9
Tuba
8
Trompette, Trombone (duo)
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Cor
6
Trombone
6
Trompette (partie séparée)
5
Quatuor de Cuivres
4
Quatuor de cuivres: 4 trombones
4
Trombone (partie séparée)
4
Tuba et Piano
3
Euphonium
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
2 Trompettes (duo)
3
Euphonium, Piano (duo)
2
2 Euphoniums et 2 Tubas
2
Ensemble de Trombones
2
Ensemble de Trompettes
2
Trompette, Cor (duo)
2
Cor Anglais
2
Trio de Cuivres
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 cors
2
Bass Clef Instruments
1
2 Trombones (duo)
1
Trompette, Euphonium (duo)
1
Trompette, violon (duo)
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
242
Violon, Violoncelle (duo)
166
Violon
144
Trio à Cordes: violon, alto, violoncelle
130
Harpe
31
Violoncelle
28
Violon et Piano
26
Quintette à cordes: 2 violons, alto, violoncelle, basse
22
Violoncelle, Piano
20
Violon, Alto (duo)
19
Alto, Piano
17
Trio à Cordes: 2 violons, violoncelle
12
Alto seul
8
Violoncelle, Contrebasse (duo)
7
2 Harpes (duo)
6
2 Violons (duo)
5
2 Violoncelles (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
4 Violoncelles
3
Alto (partie séparée)
3
Trio à Cordes: 2 violons, alto
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Piano Trio: Violon, Alto, Piano
2
Quatuor à cordes: 4 violons
2
Trio à Cordes: 3 violoncelles
2
2 Violoncelles, Piano
1
Ensemble de Violons
1
Contre Basse
1
Harpe, Voix
1
Ensemble d'Altos
1
2 Contrebasses (duo)
1
2 Altos (duo)
1
Trio à cordes: 3 violins
1
Contrebasse, Piano (duo)
1
Harpe, Violon (duo)
1
Alto, Violoncelle (duo)
1
Harpe et Piano
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
116
Orchestre d'harmonie
58
Orchestre
26
Ensemble Jazz
16
Ensemble de cuivres
14
Orchestre de chambre
9
Ensemble de Percussions
6
Jazz combo
6
Cloches
5
Batterie
4
Xylophone, Piano
4
Fanfare
4
Xylophone
1
Percussion
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Marimba
1
Ensemble d'École
1
Orchestre, Violon
1
Piano et Orchestre
1
+ 14 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Crtitères actifs :
Can I Get It
Chorale SATB
Partitions à imprimer
84 partitions trouvées
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1
26
51
76
Nice Work If You Can Get It
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
#
Comédie Musicale
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Frank Sinatra
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John Fries
#
Nice Work If You Can Get It
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John Fries
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1228242 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by John Fries. 20th Century. 4 pa...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1228242 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by John Fries. 20th Century. 4 pages. John Fries #824360. Published by John Fries (A0.1228242). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  This song began life in 1930 as a nine-bar phrase with the working title There's No Stopping Me Now.  Its title phrase Nice work if you can get it came from an English magazine.  It was one of nine songs the Gershwin brothers wrote for the movie A Damsel in Distress in which it was performed by Fred Astaire with backing vocals by The Stafford Sisters.  The song was published in 1937.  The first jazz recording of the work was by Tommy Dorsey three weeks after the release of the film.  The song was recorded by many jazz singers and adopted by bebop instrumentalists; Jerry Newman recorded pianist Thelonious Monk performing the tune in 1941 at Minton's Playhouse, a nightclub closely connected with early bebop, and he subsequently recorded it several times.
$1.99
I'm A Believer
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Chorale SATB
#
FACILE
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Pop musique
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Smash Mouth
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Cat McGill
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I'm A Believer
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Cat McGill
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.887688 By Smash Mouth. By Neil Diamond. Arranged by Cat McGill. Pop. Octavo. 4 pages. Cat McGill #4580577. Publi...
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Choral Choir (SATB) - Level 2 - SKU: A0.887688 By Smash Mouth. By Neil Diamond. Arranged by Cat McGill. Pop. Octavo. 4 pages. Cat McGill #4580577. Published by Cat McGill (A0.887688). This is such a fun song to sing, and should have your whole choir bopping along! This is an SATB arrangement but you can drop out the tenor line and the three part arrangements will work with just about any combination of parts. I have tried to keep it as simple as possible, although the F major chord just before the end of the chorus does make the chord progression a bit tricky! It's a well-known song though, so shouldn't need too much work to get it down.There are no minimum order quantities on this piece as I arrange all my songs to be taught by ear.
$4.60
By The Time I Get To Phoenix
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Chorale SATB
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FACILE
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Glen Campbell
#
Stewart J Wallace
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By The Time I Get To Phoenix
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Stewart J Wallace
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1157801 By Glen Campbell. By Jimmy Webb. Arranged by Stewart J Wallace. Contemporary,Country,Pop,Singer/Songwrit...
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Choral Choir (SATB) - Level 2 - SKU: A0.1157801 By Glen Campbell. By Jimmy Webb. Arranged by Stewart J Wallace. Contemporary,Country,Pop,Singer/Songwriter. Octavo. 12 pages. Stewart J Wallace #758133. Published by Stewart J Wallace (A0.1157801). This ballad by Jimmy Webb (writer of MacArthur Park and Wichita Lineman amongst many others) was a hit for country singer Glen Campbell who recorded it in 1967, and it was also covered by Dionne Warwick, Ann Murray, and Isaac Hayes. This arrangement is a straight-forward version for SATB choir, with all parts singing with the same rhythm and phrasing - aim to sing smoothly, with the same rhythms, and blend the voices. The piano part can be played as written note-for-note or with some variation, and the chord symbols will allow other instruments such as guitar and bass to play along too. The printed score includes a reduced score with just the vocal parts.
$2.49
Let's Get Loud
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Chorale SATB
#
FACILE
#
Jennifer Lopez
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Aldo Martinez
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Let's Get Loud
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Aldo Martinez
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.944512 By Jennifer Lopez. By Gloria Estefan and Kike Santander. Arranged by Aldo Martinez. Dance,Hip-Hop. Octavo...
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Choral Choir (SATB) - Level 2 - SKU: A0.944512 By Jennifer Lopez. By Gloria Estefan and Kike Santander. Arranged by Aldo Martinez. Dance,Hip-Hop. Octavo. 14 pages. Aldo Martinez #5317287. Published by Aldo Martinez (A0.944512). Let's Get Loud is a song recorded by American singer Jennifer Lopez for her debut studio album On the 6 (1999). Originally written by the song's co-writer Gloria Estefan for herself, she felt as if the song was too similar to her previous material and passed it onto Lopez. Estefan, who co-wrote the song alongside Kike Santander, stated that Lopez would have more fun with it and would put a new spin on it. Let's Get Loud is sometimes regarded as Lopez's signature song.[2] Estefan eventually released her own version of the song in 2011 as a bonus track on the deluxe Target edition of her album Miss Little Havana.I wish you a lot of fun with Let's get loudSince its release, Let's Get Loud charted on several charts around the world, reaching the top ten on five European countries.
$2.99
I Would Rock My Child to Sleep from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
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Chorale SATB
#
INTERMÉDIAIRE
#
Dandelion Music Press
#
#
I Would Rock My Child to Sleep
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Dandelion Music Press
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion Music Press #3104...
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Choral Choir (SATB) - Level 3 - SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion Music Press #3104497. Published by Dandelion Music Press (A0.891206). This tender lullaby is a touching memorial for an end of life commemoration of a parent or caregiver. Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infantIII. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
When I Survey the Wondrous Cross
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cro
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WheatMyer Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pag...
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Choral Choir (SATB) - Level 3 - SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pages. WheatMyer Music #4775085. Published by WheatMyer Music (A0.976711). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The piano/organ accompaniments are straightforward yet very colorful. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet does not compromise on artistic expression.The parts provided in this version include a full score, a piano-vocal octavo (which may be performed alone), and organ and timpani/percussion parts. Neither organ or timpani are required but adding either or both provides a deep and rich experience. Parts for reduced orchestra (strings and single winds) are available separately.
$2.50
Old Beggarman from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
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Chorale SATB
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INTERMÉDIAIRE
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Traditional Irish
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Laurie Betts Hughes
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#
Old Beggarman from "Lost
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Dandelion Music Press
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.891205 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 26 pages...
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Choral Choir (SATB) - Level 3 - SKU: A0.891205 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 26 pages. Dandelion Music Press #3104495. Published by Dandelion Music Press (A0.891205). The first of three movements, here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project : Encore 2017Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved. I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WASet of three and single movements available for purchase.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Lost Songs of Ancient Ireland [SATB with Treble Descant]
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Chorale SATB
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INTERMÉDIAIRE
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Celtique/Irlandais
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Folklorique/Traditionel
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Traditional Irish
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Laurie Betts Hughes
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Lost Songs of Ancient Ireland
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.891204 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 61 pages...
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Choral Choir (SATB) - Level 3 - SKU: A0.891204 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 61 pages. Dandelion Music Press #3104111. Published by Dandelion Music Press (A0.891204). Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$6.25
It was a lover and his lass (a modern madrigal) for SATB choir
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Chorale SATB
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David Warin Solomons
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It was a lover and his lass
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David Warin Solomons
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.576648 Composed by David Warin Solomons. 20th Century,Contemporary,Holiday,Love. Octavo. 6 pages. David Warin Solomons #49...
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Choral Choir (SATB) - SKU: A0.576648 Composed by David Warin Solomons. 20th Century,Contemporary,Holiday,Love. Octavo. 6 pages. David Warin Solomons #49135. Published by David Warin Solomons (A0.576648). A jolly parody of Shakespeare's song by the same name but using my Bell Dance as the melody to represent mobile phones (or cell phones as they say in the USA). A version for men's voices is also available on this site. The sound sample here was performed by the Composer's Choir under Dan Shaw. ring ding dong ding dong ring ding dong ding dong It was a lover and his lass in the spring time that through the city streets did pass in this ring time calling each other every minute or two and texting in case they couldn't get through oh hearken to the lovers in the spring time! Between the supermarket aisles while they're shopping these pretty city folk would chat without stopping vainly the birds are welcoming spring with their song they'll wear themselves out e'er very long while lads and lasses never tire of ringing! Then one day when Romeo must text his Julietta just to say I luv ya yeah I luv ya so much but then she rings back to tell him that it's all over she's met a nicer lad from Folkestone or Dover (It's all over it's all over lad from Dover) so he just rings to all of his pals and calls her a slag! and all the people on the tram hear the show while our pretty city folk live all on their mobile then suddenly the battery's flat as a skate and Romeo can not ring his mate he's sorry that he called her slag in spring time he can't ring her he can't ring his Julietta sorry now in spring.
$3.99
When I'm Sixty-four
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Chorale SATB
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Rock
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The Beatles
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Bas van der Veen
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When I'm Sixty-four
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Bas van der Veen
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.996626 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by Bas van ...
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Choral Choir (SATB) - SKU: A0.996626 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by Bas van der Veen. Rock. Octavo. 6 pages. Bas van der Veen #5196157. Published by Bas van der Veen (A0.996626). An arrangement of this fun song originally written by the Beatles. Can be performed by any size of choir, as well in a small 'barbershop' setting of four people.The song was written by Paul McCartney and John Lennon when McCartney was 16 years old. It is about getting old together. Fun fact: The retirement age at the time was 64.
$1.99
All I Want For Christmas Is You
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Chorale SATB
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INTERMÉDIAIRE
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Mariah Carey
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Cassy Gress
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All I Want For Christmas Is Yo
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Cassy Gress
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 3 - SKU: A0.1516182 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Cassy Gress. Chri...
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Choral Choir,Choral,SATB Chorus divisi - Level 3 - SKU: A0.1516182 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Cassy Gress. Christmas,Pop. 11 pages. Cassy Gress #1090408. Published by Cassy Gress (A0.1516182). This is the cheesy SATB acapella arrangement you've been looking for. Let your altos and tenors ham it up in the background, the soprano 1s get a note at the end higher than Mariah's thanks to a modulation, and your basses can strut in the third verse. If you're worried it's not close enough to the original, Mariah's backup singers make an appearance in the third verse as well, and since an acapella group can't realistically do a fade-out, this ends on a gentle tone cluster.
$2.99
I Stand the Watch Before the Dawn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Michael E
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you are never alone
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I Stand the Watch Before the D
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Michael E. Ropp
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.971687 Composed by Michael E. Ropp. 20th Century,A Cappella,Christian,Sacred. Octavo. 11 pages. Michael E. Ropp ...
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Choral Choir (SATB) - Level 4 - SKU: A0.971687 Composed by Michael E. Ropp. 20th Century,A Cappella,Christian,Sacred. Octavo. 11 pages. Michael E. Ropp #2034327. Published by Michael E. Ropp (A0.971687). I Stand the Watch Before the Dawn is a dramatic piece for SATB choir and tenor and soprano soloists, for the season of Advent. The piece begins with the solo tenor and piano, in which the tenor plays the part of the night watchman and expresses longing for the light, and anguish at the condition of the people in the darkness. The tenor solo ends with the words Why have you forsaken us? The choir then enters a cappella (in performance, the choir can be doubled on organ using soft strings if necessary--it's difficult for the choir to get its starting pitches), and a soaring solo soprano provides the answer: the Light has come, but more than that, You were never alone; you are never alone; you will never be alone. One staging idea for this piece is to have the solo tenor up front, and the choir and soprano unseen in the rear, especially if there is a rear balcony that will hold the choir. However it is staged, this piece provides worshipers with a powerful and unforgettable reassurance that they do not face their darkest hours alone. (Please note that the MP3 file has some oddities in the dynamics; the sudden changes are artifices of how the MP3 is rendered from Finale and should not be interpreted literally.).
$2.99
Can't Stop The Feeling from TROLLS
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Chorale SATB
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DÉBUTANT
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Justin Timberlake
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Tim Carey
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Can't Stop The Feeling from TR
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Tim Carey
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SheetMusicPlus
Choral Choir (Mixed) - Level 1 - SKU: A0.883277 By Justin Timberlake. By Johan Schuster, Justin Timberlake, Max Martin, and Shellback. Arranged by Tim C...
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Choral Choir (Mixed) - Level 1 - SKU: A0.883277 By Justin Timberlake. By Johan Schuster, Justin Timberlake, Max Martin, and Shellback. Arranged by Tim Carey. Dance,Pop. Octavo. 76 pages. Tim Carey #3114595. Published by Tim Carey (A0.883277). This arrangement of Can't Stop The Feeling was used for our school's final concert of the year and it worked perfectly. Includes parts for band, orchestra, female choir, and rock rhythm section Very simple to play but also very fun! A good sing along to get the whole audience involved as well. This was arranged for a specific group of students so there may be part you need that are not included, if so, just email me and I can make you a part. - Tim .
$24.99
I Will Praise You, Lord (Psalm 30)
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Chorale SATB
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FACILE
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Musique Sacrée
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Stephen DeCesare
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I Will Praise You, Lord
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Exultet Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.618618 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 13 pages. Exultet Music #32377. ...
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Choral Choir (SATB) - Level 2 - SKU: A0.618618 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 13 pages. Exultet Music #32377. Published by Exultet Music (A0.618618). Joyful hymn that has two countermelodies. The main theme I Will Praise You, Lord for You have rescued me. is sung by the choir while the verses run counter to it and then joined together with an added trumpet. Accessible for any level of choir singing but especially youth choirs. Scored for Solo, SATB, Bb-Trumpet and Piano. Appropriate for church or concert setting. Can be used many times throughout the liturgical year. .
$3.99
Just As I Am (with "Jesus Paid It All") (for SATB)
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Chorale SATB
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FACILE
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William B
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Stephen DeCesare
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Just As I Am
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Exultet Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.622885 Composed by William B. Bradbury, John T. Grape. Arranged by Stephen DeCesare. Christian,Easter,Gospel,Sac...
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Choral Choir (SATB) - Level 2 - SKU: A0.622885 Composed by William B. Bradbury, John T. Grape. Arranged by Stephen DeCesare. Christian,Easter,Gospel,Sacred. Octavo. 10 pages. Exultet Music #3926801. Published by Exultet Music (A0.622885). Two of the most celebrated hymns have now been joined together in one anthem that is scored for SATB with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year but especially during the season of Lent. .
$3.99
I Sing the Mighty Power of God - Choral Score
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Chorale SATB
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DÉBUTANT
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Carol Lynn Mizell
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I Sing the Mighty Power of God
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Chorister's Guild - Digital
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SheetMusicPlus
SATB chorus - Level 2+ - SKU: C7.CGA1173 Composed by Carol Lynn Mizell. General. Score. 8 pages. Chorister's Guild - Digital #CGA1173. Published by Chor...
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SATB chorus - Level 2+ - SKU: C7.CGA1173 Composed by Carol Lynn Mizell. General. Score. 8 pages. Chorister's Guild - Digital #CGA1173. Published by Chorister's Guild - Digital (C7.CGA1173). UPC: 749193013991.Level 2+ (Level 1 for opt. Auxiliary Bells and Handchimes) • As an anthem or congregational hymn, this joyful setting of FOREST GREEN, featuring a text by Isaac Watts, will add a festive air to any worship service. This extremely versatile arrangement may be rung by bells alone or together with any or all of the optional forces. It offers the opportunity to combine two or three groups of ringers playing independent parts and can also function as a festive choral setting with handbell accompaniment. This piece is a great selection for handbell or hymn festivals.
$1.95
In Christ Alone
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Chorale SATB
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The Newsboys
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Marco Borsoi
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In Christ Alone
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Marco Borsoi
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.904855 By The Newsboys. By Keith Getty and Stuart Townend. Arranged by Marco Borsoi. Christian,Gospel. Octavo. 24 pages. M...
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Choral Choir (SATB) - SKU: A0.904855 By The Newsboys. By Keith Getty and Stuart Townend. Arranged by Marco Borsoi. Christian,Gospel. Octavo. 24 pages. Marco Borsoi #5707393. Published by Marco Borsoi (A0.904855). In Christ Alone is a popular modern Christian song written by Keith Getty and Stuart Townend, both songwriters of Christian hymns and contemporary worship music in the United Kingdom.The song, with a strong Irish melody, is the first hymn they penned together. The music was by Getty and the original lyrics by Townend. It was composed in 2001. This song is considered a Christian credal song for belief in Jesus Christ. The theme of the song is the life, death and resurrection of Christ, and that he is God whom even death cannot hold.The song is commonly known as In Christ Alone (My Hope Is Found) and In Christ Alone (I Stand) taking verses from the song. It has become very popular and has been the subject of many cover versions and many language translations.-------------------------------------- In Christ Alone è un brano della musica moderna pop Cristiana, scritto da Keith Getty and Stuart Townend entrambi cantautori di inni cristiani e brani sacri di culto contemporanei nel Regno Unito. La canzone, con una forte melodia Irlandese, è il primo inno che hanno scritto insieme. La musica è stata composta da Getty e il testo originale da Townend. Il brano è stato composto nel 2001.Questo brano è considerato un canto di fede cristiana in Gesù Cristo. Il tema è la vita, la morte e la risurrezione di Cristo, e che egli è Dio che nemmeno la morte può fermare.Il canto è comunemente conosciuto come In Christ Alone (My Hope Is Found) e In Christ Alone (I Stand), in base ai versi del canto. È diventata molto popolare ed è stata oggetto di molte versioni e di molte traduzioni in altre lingue.
$9.99
Beyond The Sea
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #89803...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00
Bring His Love
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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the first of the year I had th
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Kevin Longley
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Bring His Love
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Kevin Longley
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1019370 Composed by Kevin Longley. Christian,Praise & Worship,Sacred. Octavo. 12 pages. Kevin Longley #6532899. ...
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Choral Choir (SATB) - Level 3 - SKU: A0.1019370 Composed by Kevin Longley. Christian,Praise & Worship,Sacred. Octavo. 12 pages. Kevin Longley #6532899. Published by Kevin Longley (A0.1019370). Bring His LoveInspiration (below is a note I sent to my sister) Hi Karen! In the fall of last year I started working on a new church anthem for FUMC. Over the years your choir has sung several pieces of mine; so I felt I should do something in return. I quickly got an idea for the music only (sometimes I will get some lyric ideas also, but didn't this time.) By the first of the year I had the basic structure sketched out on paper but then put it aside for Easter Rehearsals. When the pandemic stopped all church choirs I returned to the music and by early May had the score in the computer, close to completion. At that point I still didn't have any lyrics but began feeling that it should be about God's creation. All I could envision was a singer with his arms stretched out to the sun, the ocean, the moon, etc. while singing this piece. So I started searching for a possible prayer that might fit and came upon Canticle of the Son. As I read it through I liked the structure and began sketching out the lyrics. I couldn't help but wonder what our response should be to God's creation. How should we thank him or praise him or take care of it? I then turned my thoughts to FUMC and considered this - what phrase would sum up this churches mission? I almost immediately got Bring His Love. From there the balance of the lyrics fell into place. So attached is the recording and the music. I have no expectations but hope you and the choir enjoy the music. The Music The piece starts with 16th note broken chords in the upper register of the piano which lead to the opening theme. A tenor soloist begins by singing God's praises for all he has given us; ending with the thought How can we thank such kindness?; The answer Bring His Love the B section. At its conclusion we are returned to the opening theme, this time sung by the choir which again leads us to the same questionHow can we thank such kindness?, The answer Bring His Love the B section. A C section is then introduced with a change to a more beat driven accompaniment with the vocals alternating between the upper and lower voices. A return to the opening theme, with minimal chordal accompaniment, features the original soloist but then adds a second voice leading to a duet and a return to the broken chord accompaniment.. Finally the B section,Bring His Love is repeated and concludes in a rousing fashion.. Program Notes The piece could work very well for Earth Day celebrations.
$1.99
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
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Chorale SATB
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INTERMÉDIAIRE
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Stuart Brown
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An Omani Dance Suite - COMPLET
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Stuart Brown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681...
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Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
Illumine le tenebre
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Chorale SATB
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AVANCÉ
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Sarah Labrie, Conductor - Cham
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Illumine le tenebre
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Mary Ellen Haupert
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.900166 By Sarah Labrie, Conductor - Chamber Choral Conducting Workshop, Sarteano, Italy. By Mary E...
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Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.900166 By Sarah Labrie, Conductor - Chamber Choral Conducting Workshop, Sarteano, Italy. By Mary Ellen Haupert. Easter,Sacred,Spiritual. 5 pages. Mary Ellen Haupert #3031789. Published by Mary Ellen Haupert (A0.900166). ILLUMINE LE TENEBRE (SSAATTBB) For Jean Saladino and the Viterbo University Concert Choir TRANSLATION of TEXT: Most High, glorious God, enlighten the darkness of my heart and give me true faith, certain hope and perfect charity, sense and knowledge, Lord, that I may carry out your holy and true command. Amen. - St. Francis of Assisi's Prayer before the Crucifix NOTES from the composer: One year ago, I had the privilege of participating in the Leadership Pilgrimage to Assisi and Rome (2011) sponsored by the Franciscan Sisters of Perpetual Adoration, Franciscan Healthcare, and Viterbo University. I carried with me, not only the responsibility of bringing back a hint of Francis’ lived experience to my students, but the desire to compose something wholly Franciscan. The San Damiano Cross is one of the most distinctive Franciscan images we have on campus. The gentle Jesus that hangs on this 12th-century icon will forever be linked to Francis’ dramatic step from citizen to sainthood-welcoming his earnest prayer to enlighten the darkness of his heart. The Basilica of Santa Chiara in Assisi holds both the San Damiano Cross and the remains of his confidante, St. Clare. It seemed a good place to start getting serious. Copying the prayer in at least six different languages, I tucked it away in my travel books, not digging it out again until the following summer (2012). The opening phrases in the piece came easily enough (Altissimo, glorioso Dio), but I stumbled through a handful of ideas before coming up with the mantra (illumine le tenebre…). It made sense that Francis would joyfully address God singing forte (Altissimo and Signore), while quietly chanting his humble prayers for faith, hope, charity, and knowledge. The friendship between Francis and Clare can’t be missed, not only in the intermingling of SATB voices, but in the setting of che faccia lo tuo santo e verace comadamento (that I may carry out your holy and true command). The phrase is sung only once by the women before the final return of the illumine chant (which is repeated throughout by the men). Maybe I chanced on weaving some of Clare’s courage with Francis’ persistence into Illumina le tenebre, all while trying to compose something wholly Franciscan?  ---Mary Ellen Haupert, October 2012. Â
$3.99
Soon We Will Be Done (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Gospel Spirituel
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Kyle Pederson
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Soon We Will Be Done
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporati...
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SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporation - Digital #1.3610-E. Published by Galaxy Music Corporation - Digital (MQ.1.3610-E). English. From the arranger, Kyle Pederson To me, spirituals are the most powerful type of music. Spirituals were birthed and rooted in the experience of chattel slavery in the United States—and arose out of, as Arthur C. Jones asserts, “deeply meaningful, archetypically human experiences, relevant not only to the specific circumstances of slavery but also to women and men struggling with issues of justice, freedom, and spiritual wholeness in all times and places.†The original text of Soon Ah Will Be Done is as follows: Soon ah will be done with the troubles of the world (repeat) Goin’ home to live with God No more weeping and a-wailing (repeat) Goin’ home to live with God I want t’ meet my mother (repeat) Goin’ home to live with God I want t’ meet my Jesus (repeat) Goin’ home to live with God When I sang this spiritual growing up, I was struck by both the withering sorrow and expectant hope throughout. The melody and emotion has stuck with me since. When approaching my own arrangement, I hoped to honor the voice of the original writers and their experience of slavery, and I also sought to extend a voice to people today who are suffering from oppression and discrimination. I hoped an appropriate way to honor the experience of the original writers might be to invite the contemporary listener to envision and commit to a better, more just world today—a world of inclusion, radical kindness, compassion, love, and grace—a world where we have the courage to champion the inherent dignity and value of all people, a world where we will be done with all the ways we deny a person’s worth. A world where “heaven has come to earth.†In this arrangement, spoken word is incorporated throughout, intended to heighten the intensity of the performance, and meant to give a sense of immediacy to the challenge for the choir and audience to work together for justice, equity, and wholeness. Spoken word has often been used as the language of protest—and I include it intentionally as a way of giving voice to the choir members (and listener)—where all can stand in solidarity against oppression and injustice. If desired, choir members are encouraged to write their own spoken word text that speaks to issues of inequity and injustice in their own communities. I am writing this program note not long after George Floyd was killed in Minneapolis, MN, on May 25, 2020. As a Minneapolis area resident for the past 25 years, I want to take a more active role in working towards justice in my community. All proceeds received from the sale and performance of Soon We Will Be Done will be directed to ISAIAH—a multi-racial, state-wide, nonpartisan coalition of faith communities fighting for racial and economic justice in Minnesota. You can read more about the phenomenal work ISAIAH is doing at isaiahmn.org.
$3.20
Written in the Stars
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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Written in the Stars
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1157142 Composed by Sally Whitwell. Classical,Contemporary. Octavo. 15 pages. Sally Whitwell #757469. Published ...
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Choral Choir (SATB) - Level 4 - SKU: A0.1157142 Composed by Sally Whitwell. Classical,Contemporary. Octavo. 15 pages. Sally Whitwell #757469. Published by Sally Whitwell (A0.1157142). Written in the Stars -- text and music by Sally Whitwell Written in the Stars was originally conceived in the aftermath of the 2019-2020 bushfire season, the most destructive Australia has yet seen. At the time, we thought things couldn’t get worse, but then followed more extreme weather events, insect and rodent plagues, and a deadly pandemic that brought the world to its knees. All these things are connected, the result of humanity’s exploitative relationship with the planet and its other inhabitants. But we continue to deny the problems and to fail to act. As a species, in our more optimistic moments, we talk about having great opportunities to reinvent, that to live the status quo means that we will be faced with an untenable future. Talking about it is one thing but as far as I see it, we are not taking any opportunities to act. It is clear that we do not learn from our mistakes. As Spanish American writer George Santayana once said “Those who cannot remember the past are condemned to repeat it.†It is from this notion that this song was born. Written in the Stars is about society’s propensity to go through cycles of behaviour, never learning from the mistakes of the past. Written in the Stars was originally commissioned by Adelaide Chamber Singers, directed by Carl Crossin. Sally Whitwell January 2023.
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Can I Get It