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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FORMATION MUSI…
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HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Cat's fugue
Non classifié
70
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Piano seul
45
Orgue
19
Piano Facile
13
2 Pianos, 8 mains
1
Accompagnement Piano
1
Instruments en Do
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano grosses notes
1
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1
1 Piano, 4 mains
1
+ 5 instrumentations
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Guitare
7
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3
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2
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Chorale SATB
6
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1
Vents
Flûte traversière et Piano
11
Quatuor de Saxophones: 4 saxophones
10
Flûte, Hautbois, Clarinette, Basson
9
Clarinette et Piano
7
Clarinette
7
Quatuor de Clarinettes: 4 clarinettes
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Saxophone Alto et Piano
6
Saxophone Tenor et Piano
6
Saxophone Baryton, Piano
5
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4
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4
Cor anglais, Piano
4
Clarinette (partie séparée)
3
Flute (partie séparée)
3
Clarinette Basse, Piano
3
Hautbois (partie séparée)
2
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2
Ensemble de Flûtes
2
2 Flûtes traversières (duo)
2
Ensemble de Clarinettes
2
Quintette de Saxophone: 5 saxophones
2
Ensemble de saxophones
2
Flûte, Clarinette (duo)
1
Flûte traversière
1
Quatuor de Flûtes : 4 flûtes
1
Piccolo, Piano
1
2 Clarinettes (duo)
1
Hautbois, Basson (duo)
1
Clarinette, Harpe (duo)
1
Cor anglais et Harpe (duo)
1
+ 26 instrumentations
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Euphonium, Piano (duo)
7
Trompette (partie séparée)
5
Trombone et Piano
5
Trombone (partie séparée)
4
Trompette
4
Cor anglais, Piano
4
Ensemble de Trombones
3
Quatuor de Cuivres
3
Cor (partie séparée)
3
Trompette, Piano
3
Cor et Piano
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Quatuor de cuivres: 4 trombones
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor anglais et Harpe (duo)
1
Tuba (partie séparée)
1
Tuba
1
Cor
1
+ 14 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
28
Violon
8
2 Violoncelles (duo)
7
Alto, Piano
6
Violon, Alto (duo)
5
Violon et Piano
5
Trio à Cordes: violon, alto, violoncelle
4
Violoncelle, Piano
4
Violon, Violoncelle (duo)
3
Alto (partie séparée)
2
2 Violons (duo)
2
Violon (partie séparée)
2
Harpe, Flûte (duo)
2
2 Altos (duo)
1
Alto seul
1
Trio à Cordes: 3 violoncelles
1
Contre Basse
1
Contrebasse (partie séparée)
1
+ 13 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
46
Orchestre à Cordes
25
Orchestre
6
Ensemble de cuivres
3
Percussion (partie séparée)
2
Orchestre de chambre
2
Ensemble Jazz
1
+ 2 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
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GUITARE LAP ST…
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LIVRES
LUTH
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Crtitères actifs :
Cat's fugue
Chorale SATB
Partitions à imprimer
6 partitions trouvées
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1
Toccata and Fugue in D minor, BWV 538 - Transcription for SATB Choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Alessio Niccolai
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Toccata and Fugue in D minor,
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Alessio Niccolai
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1029541 Composed by Johann Sebastian Bach. Arranged by Alessio Niccolai. 20th Century,Contemporary. Octavo. 20 p...
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Choral Choir (SATB) - Level 4 - SKU: A0.1029541 Composed by Johann Sebastian Bach. Arranged by Alessio Niccolai. 20th Century,Contemporary. Octavo. 20 pages. Alessio Niccolai #5794845. Published by Alessio Niccolai (A0.1029541). The transcription for SATB Choir of the famous organ work of J.S. Bach, consists in a counterpoint explosion of the harmonies through a melodic construction that sometimes corresponds to one of the themes identifiable in the original piece and sometimes has been entirely reinvented; to facilitate the vocal performance of each of the four voices, Alessio Niccolai adapted a text to the musical sequences: it is made up of a set of ancient Latin proverbs.The execution is not the easiest: a casual pronunciation of Italian is certainly optimal for being able to correctly execute the Latin passages. Furthermore, the organ has its own native difficulty which could be significantly reduced with the performance on the piano (possibly in combination with an instrument that operates in the lower registers of the sound range) because the percussion of the hammers increases the auditory perception of the rhythm.However, the performance is not impossible even for an advanced amateur choir and guarantees an impact on the public.The idea of a transcription for choir of a purely organist work like this, was born in Alessio Niccolai's head from his first listening.
$10.00
Toccata and Food in C minor
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Chorale SATB
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Austin Ralphson
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Toccata and Food in C minor
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Austin Ralphson
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1162929 Composed by Johann Sebastian Bach. Arranged by Austin Ralphson. A Cappella,Baroque,Comedy. Octavo. 8 pag...
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Choral Choir (SATB) - Level 3 - SKU: A0.1162929 Composed by Johann Sebastian Bach. Arranged by Austin Ralphson. A Cappella,Baroque,Comedy. Octavo. 8 pages. Austin Ralphson #763280. Published by Austin Ralphson (A0.1162929). This is a tongue-in-cheek, fun arrangement of Bach's famous organ work, Toccata and Fugue in D minor, arranged here for a cappella SATB choir. The unmistakeable ornament at the start of the piece, coupled with its short-and-sweet 2-minute duration, makes it an excellent and fun opening to any concert.If you are feeling creative, percussive rhythms could be provided by plates, cutlery, mugs etc. as desired by the choir!Have fun!
$1.99
Bach Little Fugue in G Minor for Double Reed Choir BWV 578
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Chorale SATB
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Stephanie Daige
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Bach Little Fugue in G Minor f
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Stephanie Daige
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SheetMusicPlus
Choral Choir (Mixed) - Level 5 - SKU: A0.796870 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. Octavo. 29 pages. Steph...
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Choral Choir (Mixed) - Level 5 - SKU: A0.796870 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. Octavo. 29 pages. Stephanie Daige #3377603. Published by Stephanie Daige (A0.796870). This little fugue is one of Bach's most famous and beloved organ works. Re-imagined for double reed choir, it is a challenging and fun setting for this fugue. The different instruments take turns entering with the subject of the fugue, and interplay back and forth with the other instruments. The timbres of the different instruments adds a whole new textural dimension to this already fascinating work by J.S. Bach. I considered the need to breathe for each of these wind instruments, which obviously wasn't an issue for the original version intended for organ. This piece would be appropriate for advanced high school students, college students, or professionals. It would do well in a chamber music concert, in a church, or between acts of a larger ensemble concert, perhaps in another location of the auditorium while a (quiet!) set change is taking place. It would also work well as prelude or lobby music. The duration is just over three minutes (or longer if you prefer to take it slower). Each measure is numbered individually for convenience during rehearsals. I hope you will enjoy performing this piece as much as I have enjoyed arranging it! There are also versions of this piece available for wind and brass quintets. Please check out my other arrangements at: http://www.sheetmusicplus.com/publishers/stephanie-daige/6875
$17.99
Vampire
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Olivia Rodrigo
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Lia Wiese
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Vampire
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Lia Wiese
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 4 - SKU: A0.1431858 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Lia Wiese. A Cappe...
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Choral Choir,Choral,SATB Chorus divisi - Level 4 - SKU: A0.1431858 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Lia Wiese. A Cappella,Pop,Rock. 13 pages. Lia Wiese #1012326. Published by Lia Wiese (A0.1431858). Olivia Rodrigo's 2023 pop hit is a powerful anthem expressing heartbreak and anger in the aftermath of an abusive relationship. Now arranged for a mixed contemporary a cappella ensemble, this arrangement captures the longing piano chords and stark tempo changes of the original, while also bringing its own unique twists through reharmonization, text painting, and melodic quotes from Bach's Tocatta and Fugue in D minor. Perfect for an intermediate to advanced ensemble, both soloists and ensemble singers will find opportunities for deep emotional expression in this piece.
$2.99
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
The Pet Concerto (SATB Version)
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Chorale SATB
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FACILE
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Comédie Musicale
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Stephen DeCesare
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The Pet Concerto
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Exultet Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.631387 Composed by Stephen DeCesare. Broadway,Concert,Film/TV,Musical/Show. Octavo. 26 pages. Exultet Music #653...
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Choral Choir (SATB) - Level 2 - SKU: A0.631387 Composed by Stephen DeCesare. Broadway,Concert,Film/TV,Musical/Show. Octavo. 26 pages. Exultet Music #6535055. Published by Exultet Music (A0.631387). A vocal concerto about our friends from the animal kingdom that we have as pets. First movement: The Pets Fugue: If you ever wondered what it was like to sing like your favorite pet, well now you can. Each part is a different animal (Dog, Cat, Bird or Frog). Second movement: Take Me Home: This heartfelt song is from a pet's point of view of those who have been abandoned and left at a pound. Third Movement: Rainbow Bridge: Tender, heartfelt song for all those who have had a pet crossover and hope to see again at the Rainbow Bridge. Can be performed live or virtually. Scored for SATB, Vocal Solo with Piano accompaniment. Rehearsal and accompaniment tracks are also available as well as the individualized pieces. Accessible and appropriate for any school or concert setting.
$10.00
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Cat's fugue