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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Chamber music No. 5
Sheetmusicplus
Non classifié
324
Piano & claviers
Piano seul
56
Piano Facile
8
Piano Trio: piano, violon, violoncelle
6
Piano, Voix
6
2 Pianos, 4 mains
3
Orgue
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Instruments en Do
1
+ 3 instrumentations
Retracter
Guitares
Guitare
5
Guitare notes et tablatures
3
2 Guitares (duo)
2
Voix
Chorale SATB
8
Voix Soprano, Piano
6
Chorale SSAA
2
Voix Alto, Piano
1
Chorale TTBB
1
Chorale 3 parties
1
Voix Baryton, Piano
1
Chorale Unison
1
+ 3 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
52
3 Saxophones (trio)
33
Flûte traversière et Piano
32
2 Flûtes traversières (duo)
29
Clarinette et Piano
23
Quatuor de Saxophones: 4 saxophones
21
Clarinette
21
Hautbois, Piano (duo)
19
Quatuor de Flûtes : 4 flûtes
16
3 Clarinettes (trio)
16
Flûte traversière
16
Quatuor de Clarinettes: 4 clarinettes
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
Flûte, Hautbois, Clarinette, Basson
14
2 Saxophones (duo)
13
Saxophone Alto et Piano
13
Saxophone Tenor et Piano
10
Quintette de Clarinettes: 5 clarinettes
10
Ensemble de Clarinettes
9
Saxophone Alto
8
Flûte, Hautbois, Clarinette (trio)
7
Flûte, Hautbois, Basson
7
Saxophone Soprano et Piano
7
Trio de Flûtes: 3 flûtes
6
2 Hautbois (duo)
6
Hautbois (partie séparée)
6
Saxophone Tenor
6
Saxophone Baryton
6
2 Clarinettes (duo)
5
Ensemble de Flûtes
5
Ensemble De Flûte à bec
5
Cor anglais, Piano
5
Saxophone Baryton, Piano
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Hautbois
4
Flûte à bec Soprano
4
Flûte à bec Alto, Piano
4
Flûte à Bec, Piano
4
Flûte à bec Tenor
4
Hautbois, Clarinette (duo)
4
Piccolo
4
Saxophone Soprano
4
Ensemble de saxophones
4
2 Flûte à bec (duo)
4
Piccolo, Piano
4
Flûte et Guitare
3
Flûte, Violon, Piano
3
Flûte, Clarinette (duo)
3
Clarinette, Quatuor à cordes et Piano
3
Flûte et Quatuor à Cordes
3
Quatuor de Flûtes à bec
2
Flûte, Hautbois (duo)
2
Clarinette, Basson (duo)
2
Flûte, Hautbois, Piano (trio)
2
Hautbois, Basson (duo)
2
Quintette de Flûte : 5 flûtes
2
Cor Anglais
2
Saxophone (partie séparée)
1
Flûte, Violoncelle, Piano (trio)
1
5 Flûtes à bec
1
Flûte, Clarinette et Basson
1
Clarinette, Violon (duo)
1
Clarinette, Violoncelle (duo)
1
Clarinette, Guitare (duo)
1
3 Flûtes à bec (trio)
1
+ 60 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
118
Trompette, Piano
23
Cor et Piano
18
Trombone et Piano
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Tuba et Piano
10
Trompette
8
2 Trombones (duo)
7
Quatuor de cuivres: 4 cors
7
Tuba
7
Quatuor de cuivres: 4 trompettes
7
3 Trombones (trio)
7
Trombone
7
Quatuor de cuivres: 4 trombones
6
Cor
6
2 Tubas (duo)
6
2 Trompettes (duo)
5
Cor anglais, Piano
5
Quatuor de Cuivres
5
Tuba et Orgue
4
2 Cors (duo)
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
3 Tubas (trio)
4
Ensemble de Trompettes
3
Cor, Tuba (duo)
2
3 Trompettes (trio)
2
Trombone, Cor (duo)
2
Trompette, Cor (duo)
2
Trompette et Guitare
2
4 Tubas
2
Trompette, Trombone (duo)
2
Trombone basse et Piano
2
Trio de Cuivres
2
Cor Anglais
2
Trompette, Violoncelle (duo)
1
3 Cors (trio)
1
+ 31 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
72
Violoncelle, Piano
36
Violon et Piano
32
Trio à Cordes: violon, alto, violoncelle
26
Alto, Piano
22
Violoncelle
14
2 Violons (duo)
13
Contrebasse, Piano (duo)
10
Alto seul
9
Violon
9
Contre Basse
9
Trio à Cordes: 3 violoncelles
7
Violon, Alto (duo)
7
Trio à cordes: 3 violins
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
4 Violoncelles
6
2 Violoncelles (duo)
6
Violon, Violoncelle (duo)
6
Quatuor à cordes: 4 violons
5
Trio à Cordes: 2 violons, violoncelle
5
2 Altos (duo)
4
Quatuor à cordes : 4 altos
4
Harpe
3
Alto, Violoncelle (duo)
3
Violon, Guitare (duo)
2
Trio à cordes: 3 altos
2
Alto (partie séparée)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle , Guitare (duo)
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre de chambre
63
Orchestre à Cordes
21
Orchestre
17
Orchestre d'harmonie
2
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Ensemble de cuivres
1
Cloches
1
Marimba
1
+ 4 instrumentations
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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
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HAUTBOIS
LIVRES
LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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Vous avez sélectionné:
Chamber music No. 5
SheetMusicPlus
Partitions à imprimer
8 partitions trouvées
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1
Halloween in the Castro (Act I No. 2)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Halloween
#
Jack Curtis Dubowsky
#
GALA
#
Halloween in the Castro
#
De Stijl Music Digital
#
SheetMusicPlus
Chorus SATB chorus & Piano (SATB) - Intermediate - SKU: D3.SM-09-0004A Composed by Jack Curtis Dubowsky. Choral. Contemporary; GALA; LGBTQ; Halloween. O...
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Chorus SATB chorus & Piano (SATB) - Intermediate - SKU: D3.SM-09-0004A Composed by Jack Curtis Dubowsky. Choral. Contemporary; GALA; LGBTQ; Halloween. Octavo. 10 pages. De Stijl Music Digital #SM-09-0004A. Published by De Stijl Music Digital (D3.SM-09-0004A). 8.5 x 11 inches.A fun, raucous, spooky number. For all ages. The opening choral number from the choral chamber opera Halloween in the Castro (2009). Halloween, San Francisco, LGBTQ, Ghosts, Trick-or-treat, Celebration.
$2.25
I will lift up mine eyes
#
Chorale SATB
#
Musique Sacrée
#
John Rutter
#
I will lift up mine eyes
#
Oxford University Press Digital
#
SheetMusicPlus
No. 2 of Two Hymns of Praise. Composed by John Rutter (1945-). Score. 5 pages. Oxford University Press Digital #9780193707788. Published by Oxford Uni...
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No. 2 of Two Hymns of Praise. Composed by John Rutter (1945-). Score. 5 pages. Oxford University Press Digital #9780193707788. Published by Oxford University Press Digital
ISBN 9780193705548.
For SATB and organ or chamber orchestra with words from Psalm 121. Orchestral material is available on hire.
$4.00
Crossing the Bar
#
Chorale SATB
#
INTERMÉDIAIRE
#
Gwyneth W
#
Crossing the Bar
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
SATB choir and chamber orchestra or piano (Strings: 5-5-3-3-3) - Medium - SKU: MQ.6378-E Composed by Gwyneth W. Walker. 12 pages. E. C. Schirmer Music C...
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SATB choir and chamber orchestra or piano (Strings: 5-5-3-3-3) - Medium - SKU: MQ.6378-E Composed by Gwyneth W. Walker. 12 pages. E. C. Schirmer Music Company - Digital #6378-E. Published by E. C. Schirmer Music Company - Digital (MQ.6378-E). English.Crossing the Bar creates images of the sea, with the final voyage leading us out across the water, to see our Pilot, face to face. The musical setting endeavors to express the growth from peaceful to ecstatic moods, the tolling of the bell, the meeting of the Pilot. May there be no moaning of the bar, when I put out to sea.
$2.65
Absalom
#
Chorale SATB
#
AVANCÉ
#
Contemporain
#
Daniel Elder
#
Absalom
#
Daniel Elder Music
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 5 - SKU: A0.854827 Composed by Daniel Elder. 20th Century,Contemporary. 112 pages. Daniel Elder Music #4851907. Publi...
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Choral Choir,Choral (SATB) - Level 5 - SKU: A0.854827 Composed by Daniel Elder. 20th Century,Contemporary. 112 pages. Daniel Elder Music #4851907. Published by Daniel Elder Music (A0.854827). This stunningly incisive chamber choir oratorio tells the whole story of Absalom's rebellion against his father, King David, far beyond the common text When David Heard. Featured alongside the biblical narrative are original studies of other historical characters that illuminate the most vital lessons for achieving peace in today's society. Inspired by a crisis of polarization, Absalom shines a critical light on the tribalism and gridlock of modern social politics in hopes of bringing us closer together again. From the composer, Absalom is a call to listen; not to protest others, not to educate others, but to connect with them. The painful truth I’ve come to in the process of birthing this work is that no one is safe from criticism in this modern struggle, and no one is safely on the right side of history. Every individual, including myself, lies in the crosshairs of this musical statement. Only by stepping outside the borders of what we think is comfortable will we learn understanding. And by learning understanding, peace just might follow. This challenging 30-minute work is recommended for smaller, advanced chamber choirs.
$4.99
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
#
Chorale SATB
#
AVANCÉ
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #...
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Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
#
Chorale SATB
#
AVANCÉ
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #...
(+)
Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
The Star Spangled Banner - AWV 1
#
Chorale SATB
#
AVANCÉ
#
Americana
#
Patriotique
#
John Stafford Smith
#
Charles E
#
The Star Spangled Banner - AWV
#
Askew Music Productions
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 5 - SKU: A0.1303803 Composed by John Stafford Smith. Arranged by Charles E. Askew. 21st Century,A Cappella,Patriotic....
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Choral Choir,Choral (SATB) - Level 5 - SKU: A0.1303803 Composed by John Stafford Smith. Arranged by Charles E. Askew. 21st Century,A Cappella,Patriotic. 5 pages. Askew Music Productions #893338. Published by Askew Music Productions (A0.1303803). This arrangement was written for the Lebanon High School Chamber Choir in 2023. It contains only the first verse and no optional accompaniment.
$2.50
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Chamber music No. 5
