A medley of three lesser-known Christmas Carols (\"Ding Dong! Merrily on High,\" \"O Come O Come Emmanuel,\" and \"Sussex Carol\"), this arrangement begins with a brass fanfare before bringing in the full orchestra with a high-energy prelude to \"Ding Dong! Merrily on High.\" The music then shifts to an SATB arrangement of \"O Come O Come Emmanuel\" mashed up with \"Sussex Carol.\" This is a classic \"must-have\" for all church orchestras and choirs!

A collection of carols set in easy to learn arrangements specifically for caroling. These carols are no longer than two pages and in a key sequence that makes it easy to go from one to the next with very little time in between. Angels We Have Heard On High, Hark the Herald Angels Sing,
Infant Holy Infant Lowly, O Come, All Ye Faithful, Silent Night, Ding-Dong Merrily On High, Joy to the World, What Child is This?, and We Wish You a Merry Christmas.

An anthology of beloved Christmas Carols in easy arrangements for SATB chorus, with the following titles:


Gaudete
Personent hodie
Coventry Carol
Quem pastores laudavere
Quitez pasteurs
Pat-a-pan
Still, Still, Still
Fum, Fum, Fum
Adeste Fideles
Fr�liche Weinacht
Noche de paz-Silent Night
Maria durch ein Dornwald ging

This Christmas Carol had its beginnings in Ukraine before 1900. This arrangement is a cappella satb, as was the original. This arrangement needs a moderate to higher level of singing experience, the words sung crisply, on the lips. The three-four time is easily directed in one, lasting a bit short of two minutes. A study in staccato use and in dynamics.

Your audiences will recognize the song and love this arrangement.

This traditional English Christmas carol has been freshly arranged with a more dramatic flair for SATB with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.

This is a very exciting and picture-painting Christmas carol suitable for church choirs and other choir concert venues. Piano accompaniment stands alone, however, other instruments may be added, director's choice. Imagine you're in the desert at midnight, pitch black. You can't see, but you can hear something coming toward you at a distance, which gets gradually louder. It passes before you and moves away from you, fading off into the distance. You see nothing, but you hear: "We are traveling thru this cold wint'ry night; our desert ships bearing presents for a King."

In this third volume of 17 Christmas carols, they are included compositions written over the last 20 years. Are songs composed specially for the choir of mixed voices, a cappella and some chants accompanied by the organ. The texts are taken from ancient sacred texts, from important authors, and some were written by me personally. Most of the lyrics are in Latin, and others in Italian. The songs are composed in decidedly classical style type motet, madrigal, hymn, etc., except for someone who is in a modern style. In this fthird volume, I have tried to diversify the various emotionalmoments that a major event like the Christmas can have a decisive influence on a composer of Sacred Music. - - Santino Cara.

In this first volume of 16 Christmas carols, they are included compositions written over the last 20 years. Are songs composed specially for the choir of mixed voices, a cappella and some chants accompanied by the organ. The texts are taken from ancient sacred texts, from important authors, and some were written by me personally. Most of the lyrics are in Latin, and others in Italian. The songs are composed in decidedly classical style type motet, madrigal, hymn, etc., except for someone who is in a modern style. In this first volume, I have tried to diversify the various emotional moments that a major event like the Christmas can have a decisive influence on a composer of Sacred Music - - Santino Cara.

In this second volume of 16 Christmas carols, they are included compositions written over the last 20 years. Are songs composed specially for the choir of mixed voices, a cappella and some chants accompanied by the organ. The texts are taken from ancient sacred texts, from important authors, and some were written by me personally. All the lyrics are in Latin, except for one which is in English. The songs are composed in decidedly classical style type motet, madrigal, hymn, etc., except for someone who is in a modern style. In this second volume, I have tried to diversify the various emotional moments that a major event like the Christmas can have a decisive influence on a composer of Sacred Music. - - Santino Cara.

This is an easy country western style Christmas carol with soprano and baritone solo and a backup SATB choir. This would be great, not only for church choir use at Christmas, but also as a "knockout" Christmas concert piece for school and civic chorus programs. The song begins: "In Bethlehem town on a cold winter's night, Mary the Virgin, gave birth to the Light. And when she beheld her Son's tiny face, Mary, his mother, cried out filled with grace: 'Jesus, my Savior is born. God's little Boy is come among us. Oh hark! How the Heavenly angels sing.'"