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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Church March
Non classifié
204
Piano & claviers
Piano seul
99
Orgue
43
Accompagnement Piano
7
Piano, Voix
7
2 Pianos, 4 mains
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano, Voix et Guitare
3
Piano Trio: piano, violon, violoncelle
3
Piano Facile
2
Orgue, Piano (duo)
1
Orgue, Trompette (duo)
1
Accordéon
1
+ 7 instrumentations
Retracter
Guitares
Guitare
6
Guitare notes et tablatures
4
4 Guitares (Quatuor)
3
3 Guitares (trio)
2
Ligne De Mélodie, (Paroles) et Accords
2
Ukulele
2
Paroles et Accords
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
29
Chorale 2 parties
9
Chorale 3 parties
7
Voix duo, Piano
3
Voix Soprano, Piano
1
Chorale Unison
1
Voix Mezzo-Soprano, Piano
1
+ 2 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
21
Clarinette et Piano
16
Saxophone Alto et Piano
13
Flûte traversière et Piano
13
Saxophone Tenor et Piano
12
Quatuor de Saxophones: 4 saxophones
12
3 Saxophones (trio)
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Flûte, Hautbois, Clarinette, Basson
7
Saxophone Soprano et Piano
7
Saxophone Baryton, Piano
6
Quintette de Saxophone: 5 saxophones
4
Clarinette Basse, Piano
4
Flûte, Clarinette (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Flûte, Clarinette et Basson
3
Clarinette, Violon (duo)
3
Flûte, Violon et Violoncelle
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte traversière
3
Flûte, Hautbois, Clarinette (trio)
3
Quatuor de Clarinettes: 4 clarinettes
3
Trio de Flûtes: 3 flûtes
3
Flûte, Clarinette, Piano (trio)
3
2 Flûtes traversières, Piano
3
Clarinette, trompette et piano
3
Clarinette
3
Saxophone Tenor
2
2 Clarinettes (duo)
2
Flûte, Violoncelle, Piano (trio)
2
Saxophone Alto
2
3 Clarinettes (trio)
2
Flûte, Basson et Piano
2
2 Saxophones (duo)
2
Flûte, Hautbois, Basson
2
Flûte, Violoncelle, Guitare
2
Quintette de Flûte : 5 flûtes
2
Flûte, Hautbois, Piano (trio)
2
Flûte et Guitare
1
Flûte, Violoncelle
1
Hautbois, Clarinette et Piano (Trio)
1
2 Flûtes traversières (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Violon, Guitare
1
Flûte, Hautbois, Violon
1
Flûte, Violon, Violoncelle et Piano
1
Ensemble de Clarinettes
1
Ensemble de saxophones
1
Flûte, trombone et piano
1
Flûte, Violon, Piano
1
Flûte, Violon
1
Flûte, Alto et Piano
1
Flûte et Trio à cordes
1
+ 48 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
27
Trombone et Piano
20
Cor et Piano
13
Trompette
11
Trompette, Piano
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Euphonium, Piano (duo)
6
Trombone, Orgue
5
Trombone
4
Ensemble de Trompettes
4
Quatuor de cuivres: 4 trombones
3
Quatuor de cuivres: 4 trompettes
3
Trompette, Cor (duo)
2
Ensemble de Trombones
2
2 Cors (duo)
2
Quatuor de Cuivres
2
Trompette, Trombone (duo)
2
Trio de Cuivres
1
Tuba et Piano
1
2 Trompettes (duo)
1
2 Trombones (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor, Violoncelle et Piano
1
Quatuor de cuivres: 4 cors
1
Trompette, Trombone, Piano
1
+ 21 instrumentations
Retracter
Cordes
Alto, Piano
20
Violon et Piano
17
Quatuor à cordes: 2 violons, alto, violoncelle
16
Violoncelle, Piano
13
4 Violoncelles
9
Trio à Cordes: violon, alto, violoncelle
9
Violon, Violoncelle (duo)
7
Trio à Cordes: 2 violons, violoncelle
6
Violon
5
Contrebasse, Piano (duo)
5
2 Violoncelles (duo)
5
Trio à cordes: 3 violins
4
Quatuor à cordes: 4 violons
4
Trio à Cordes: 3 violoncelles
2
Violon, Alto (duo)
2
2 Violons (duo)
2
2 Violons, Piano
1
Ensemble d'Altos
1
Ensemble de Violons
1
Violoncelle
1
Quatuor à cordes : 4 altos
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
9
Orchestre d'harmonie
6
Fanfare
6
Orchestre
5
Orchestre de chambre
3
Orchestre à Cordes
3
Cloches
2
Instrumentation Flexible
1
Jazz combo
1
Ensemble Jazz
1
Ensemble de Percussions
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Numériques
Librairie Musicale
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
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Vous avez sélectionné:
Church March
Chorale SATB
Partitions à imprimer
29 partitions trouvées
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1
26
March of the Three Kings (SATB)
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Chorale SATB
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FACILE
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Stephen DeCesare
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Stephen DeCesare
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March of the Three Kings
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Exultet Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1474009 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Christian,Christmas,Multi...
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1474009 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Christian,Christmas,Multicultural,Sacred,Standards,World. 11 pages. Exultet Music #1051673. Published by Exultet Music (A0.1474009). La Marche des rois is a popular Christmas carol of provençal origin celebrating the Epiphany and the Wise Men. Freshly arranged for SATB with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$3.99
March on Church, United
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Calvary Singers
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Bryan M
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March on Church, United
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Composer Bryan M. Powell's Music
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1048412 By Calvary Singers. By Bryan M. Powell. Arranged by Bryan M. Powell. Contest,Festival,Praise & Worship,S...
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Choral Choir (SATB) - Level 4 - SKU: A0.1048412 By Calvary Singers. By Bryan M. Powell. Arranged by Bryan M. Powell. Contest,Festival,Praise & Worship,Sacred,Traditional. Octavo. 12 pages. Composer Bryan M. Powell's Music #652845. Published by Composer Bryan M. Powell's Music (A0.1048412). Fanfare, Flourishes, and a Grand Finale would describe this unique piece calling the church to fulfill its mission. The unison passages give way to the creative duet between the piano and the organ giving everyone a chance to shine!
$2.25
Pennsylvania Polka
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Lester Lee and Zeke Manners
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&
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Pennsylvania Polka
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as do Ray meflute studio production
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - SKU: A0.874254 Composed by Lester Lee and Zeke Manners. Arranged by Ray-Michael Kauffman - a do Ray me flute studio pro...
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Choral Choir (Mixed) - Level 4 - SKU: A0.874254 Composed by Lester Lee and Zeke Manners. Arranged by Ray-Michael Kauffman - a do Ray me flute studio production. Contemporary. Octavo. 39 pages. As do Ray meflute studio production #4360225. Published by as do Ray meflute studio production (A0.874254). Https://youtu.be/guvb5Jb31rU Written by Lester Lee & Zeke Manners in 1942, and made popular by the Andrew sisters, The Pennsylvania over years has been celebrated as one of the most popular polkas of all times and obviously the most famous State titled polka. A polka is a vivacious couple dance of Bohemian origin in duple time; was a basic pattern of hop-step-close-step; a lively Bohemian dance tune in 2/4 time. The polka was originally a Czech peasant dance, developed in Eastern Bohemia (now part of Czechoslovakia).Growing up in Pennsylvania, nd playing for various local community bands, VFW bands ,Lion's Band , etc we played the Pa Polka for many functions, churches, Seniors, Cake Walks, 4th of July programs, summer and spring concerts, marching bands, parades, and many more events.The Pennsylvania Polka is such a fun, happy song, in a march tempo beat. However, I am so proud of this arrangement as I am of the state I live in. , Another interesting fact is that people not familiar with the song informed me this sounds like a carousel music at an amusement park This arrangement would be great for holidays, church functions, Seniors, July 4th concerts, kid's programs, parades, community concerts, or just any other fun concert. It's a great song for playing and breaking up the typical monotonous flute choir music. A sure flute players favorite as well as your audiences for years to come.Smartly scored for 2 piccolos, 4 c flutes , 2 altos in G , bass flute , and contra bass flute .** however, a 5th c flute made be played for alto flute 1 . Arranged in an intermediate to advanced intermediate style ( considering the top / high instrumentation)Also, please visit my website @ www.doRaymeflute.com
$15.50
Holy Spirit, Ever Dwelling — SATB voices, organ
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Chorale SATB
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FACILE
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Musique Sacrée
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Todd Marchand
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Holy Spirit, Ever Dwelling &md
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1461385 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1040138. Published ...
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1461385 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1040138. Published by Con Spirito Music (A0.1461385). “Holy Spirit, Ever Dwelling” are the opening words to a text written by the Welsh Anglican bishop Timothy Rees (1874-1939). Throughout, Rees employs the adverb “ever” to point to both the immanence and transcendence of the Holy Spirit in its timeless and perpetual activities:Holy Spirit, ever dwelling in the holiest realms of light,Holy Spirit, ever brooding o'er a world of gloom and night,Holy Spirit, ever raising those of earth to thrones on high,living, life-imparting Spirit, you we praise and magnify.Holy Spirit, ever living as the Church's very life,Holy Spirit, ever striving through us in a ceaseless strife,Holy Spirit, ever forming in the Church the mind of Christ,you we praise with endless worship for your gracious gifts unpriced.Holy Spirit, ever working through the Church's ministry,teaching, strength'ning, and absolving, setting captive sinners free,Holy Spirit, ever binding age to age and soul to soulin communion never ending, you we worship and extol.Mostly unison, with limited SATB voicing in verses 2 and 3, “Holy Spirit, Ever Dwelling” is quick to rehearse, easy to sing, and a meaningful declaration of praise to the third Person of the Holy Trinity.©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.00
Three Evening Canticles — SATB voices, organ
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Chorale SATB
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INTERMÉDIAIRE
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Todd Marchand
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Three Evening Canticles &mdash
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1349231 Composed by Todd Marchand. Christian,Sacred,Traditional. 16 pages. Con Spirito Music #933976. Pub...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1349231 Composed by Todd Marchand. Christian,Sacred,Traditional. 16 pages. Con Spirito Music #933976. Published by Con Spirito Music (A0.1349231). Three Evening Canticles were written as part of a setting of choral evensong for Church of the Holy Apostles - Anglican, Fort Worth, Texas. Metrical, mostly homophonic, and conservative in technical challenges and ranges, these canticles are accessible for small choirs and those of moderate ability, yet musically satisfying for large and accomplished groups. Phos Hilaron (“O Gladsome Lightâ€) is one of the earliest known Christian hymns (ca. 3rd-4th century) recorded outside of the Bible. Intended to be sung at the kindling of lights in the evening, it is sometimes known as the “lamp-lighting hymn†and has been adopted by some Anglican bodies as an optional invitatory canticle immediately preceding the psalm(s) appointed for the day.Magnificat (The Song of Mary) is a scriptural canticle based on an account in the Gospel of Luke (1:46-55). Mary, the expectant mother of Jesus, visits her cousin  Elizabeth, the expectant mother of John the Baptist, who will prophetically proclaim the coming of the Messiah. Elizabeth praises Mary for her faith and subjection to God’s will, and Mary responds, “My soul doth magnify the Lord ... for he that is mighty hath magnified me ... and his mercy is on them that fear him throughout all generations.†The Magnificat is said or sung immediately after the first lesson (scripture reading) in the service of evening prayer. Nunc Dimittis (The Song of Simeon) is also a scriptural canticle taken from Luke (2:29-32).  Simeon, a devout Jew, had been promised by the Holy Spirit that he would not die until he had seen the Messiah. When Mary and Joseph bring the infant Jesus to the Temple in Jerusalem for the ceremony of redemption of the firstborn son, Simeon takes the child into his arms and says “Lord, now lettest thou thy servant depart in peace ... for mine eyes have seen thy salvation.†The Nunc Dimittis is said or sung after the second lesson in evening prayer.Texts for these settings are from The Book of Common Prayer (2019), Traditional Language Edition, according to the use of the Anglican Church in North America, and they are largely the texts of the 1662 Book of Common Prayer of the Church of England.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$3.00
As On the Night — SATB voices, organ
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Chorale SATB
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FACILE
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Orlando Gibbons
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Todd Marchand
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As On the Night — SATB v
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1492434 Composed by Orlando Gibbons. Arranged by Todd Marchand. Christian,Christmas,Renaissance,Sacr...
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1492434 Composed by Orlando Gibbons. Arranged by Todd Marchand. Christian,Christmas,Renaissance,Sacred. 5 pages. Con Spirito Music #1069110. Published by Con Spirito Music (A0.1492434). As On The Night is a song text for Christmas Day by English poet, satirist, pamphleteer, and hymn-writer George Wither (1588-1667), whose life spanned the tumultuous period in English history that included the reigns of Elizabeth I, James I, and Charles I and the continuous tension between Catholic and Protestant faith and practice. Desiring to counter the practice of exclusively using psalms as texts for congregational singing in worship, Wither published in 1623 The Hymnes and Songs of the Church, with The First Part comprehend[ing] Hymns, and such parcels of Holy Scripture, as may properly be sung, with some other ancient Songs and Creeds, and The Second Part consist[ing] of Spiritual Songs, appropriated to the several Times and Occasions observable in the Church of England. As On The Night appears in part two as a song to commemorate Christmas Day. Its first stanza is a retelling of elements of the Nativity story as found in Luke 2:7-20; its second stanza is a consideration of the Incarnation and work of Christ (Our flesh he wore, our sin to wear away; Our curse he bore, that we escape it may; And wept for us that we might sing for aye.).The music accompanying As On the Night is Song 46, one of many tunes written for Wither's collection by English composer and keyboardist Orlando Gibbons (1583-1625). As Gibbons notated only the melody and bass lines of his tunes, the harmonization in this arrangement for SATB choir and organ is largely that of The English Hymnal (1906). ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit www.conspiritomusic.comVoices realized by Cantamus (https://cantamus.app/); organ realized by NotePerformer (https://www.noteperformer.com).
$2.99
For the Fallen (Choral suite - SATB, Piano)
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Chorale SATB
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INTERMÉDIAIRE
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John Ross
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For the Fallen
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John Ross
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1137248 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737448. Published by John Ross ...
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Choral Choir (SATB) - Level 3 - SKU: A0.1137248 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737448. Published by John Ross (A0.1137248). “For the Fallen†was written for Bec Beall and her choir “Lux Alba†and was premiered by them in 2019 at St Matthew’s Church, Albury, NSW, Australia. The words of this choral suite were written by the English poet Laurence Binyon in 1914, immediately after the Battle of Mons, where the British Expeditionary Force suffered a serious loss, soon after the start of World War I. The fourth verse (“They shall not grow old as we that are left grow oldâ€) has become known as the “Ode of Remembranceâ€, regularly recited at memorial services. This suite uses the words of the Ode for the first movement, with echoes of the bugle call “The Last Postâ€. The second movement, “They went with songs to the battle†portrays the soldiers as young men in fine fettle, physically and mentally fit for what lies ahead of them. The third movement, “As the stars that shall be bright as we are dust†compares the war dead to stars and constellations. They move “in marches upon the heavenly plainâ€. Will Longstaff’s painting “Menin Gate at Midnight†(reproduced on the cover of this score) movingly illustrates this concept, with ghostly soldiers marching by the Menin Gate at Ypres, Belgium. The work concludes with an alternate setting of the opening movement “They shall not grow oldâ€. A version of this suite with organ accompaniment is also available on this website.
$1.99
For the Fallen (Choral suite - SATB, Organ)
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Chorale SATB
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INTERMÉDIAIRE
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John Ross
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For the Fallen
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John Ross
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1137245 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737445. Published by John Ross ...
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Choral Choir (SATB) - Level 3 - SKU: A0.1137245 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737445. Published by John Ross (A0.1137245). “For the Fallen†was written for Bec Beall and her choir “Lux Alba†and was premiered by them in 2019 at St Matthew’s Church, Albury, NSW, Australia. The words of this choral suite were written by the English poet Laurence Binyon in 1914, immediately after the Battle of Mons, where the British Expeditionary Force suffered a serious loss, soon after the start of World War I. The fourth verse (“They shall not grow old as we that are left grow oldâ€) has become known as the “Ode of Remembranceâ€, regularly recited at memorial services. This suite uses the words of the Ode for the first movement, with echoes of the bugle call “The Last Postâ€. The second movement, “They went with songs to the battle†portrays the soldiers as young men in fine fettle, physically and mentally fit for what lies ahead of them. The third movement, “As the stars that shall be bright as we are dust†compares the war dead to stars and constellations. They move “in marches upon the heavenly plainâ€. Will Longstaff’s painting “Menin Gate at Midnight†(reproduced on the cover of this score) movingly illustrates this concept, with ghostly soldiers marching by the Menin Gate at Ypres, Belgium. The work concludes with an alternate setting of the opening movement “They shall not grow oldâ€. A version of this suite with piano accompaniment is also available on this website.
$1.99
Visiting Hours
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Chorale SATB
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INTERMÉDIAIRE
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Pop musique
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Ed Sheeran
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Chris Lawry
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Visiting Hours
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Moonhouse Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.750007 By Ed Sheeran. By Amy Victoria Wadge, Amy Wadge, Anthony Clemons Jr., Ed Sheeran, Johnny McDaid, Kim Lang...
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Choral Choir (SATB) - Level 3 - SKU: A0.750007 By Ed Sheeran. By Amy Victoria Wadge, Amy Wadge, Anthony Clemons Jr., Ed Sheeran, Johnny McDaid, Kim Lang Smith, Michael Pollack, Scott Carter, Scott Macfarland Carter, and Uforo Ebong. Arranged by Chris Lawry. Pop. Octavo. 11 pages. Moonhouse Music #6533263. Published by Moonhouse Music (A0.750007). Visiting Hours is a song by English singer-songwriter Ed Sheeran. It was released on 19 August 2021 as the first promotional single from his upcoming fifth studio album, =, the same day he announced the album. On 2 March 2021, Australian music promoter Michael Gudinski passed away in his sleep at the age of 68. Sheeran first performed Visiting Hours at Gudinski's funeral on 24 March 2021 as a tribute to him in Australia, delivering an emotional performance.[2] Gudinski's close friends and fellow musicians, Kylie Minogue and Jimmy Barnes, also provide backing vocals on the song. This arrangement is in the original key, transcribed from the original recording and arranged for SATB choir with piano accompaniment and would make a wonderful piece for concert use or other occasions such as church services etc. There is a piano and vocal version available separately. For more information about the arranger please visit: www.chrislawry.com
$1.99
Into the Wind, sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Into the Wind, sacred music fo
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1199426 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1199426 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 10 pages. Kevin G. Pace #798494. Published by Kevin G. Pace (A0.1199426). Poignant, sacred choral music. The text is in reference to the sacrifices of the pioneers of the Church of Jesus Christ of Latter-day Saints.  Music by Kevin G. Pace.  Text by Mark R. Fotheringham. Dedicated to the Willie and Martin handcart companies. Text: Into the wind, we suffer the more. To Zion we march, or to heaven's door. We stumble and fall; angels attend To help us rise up and march on again. No never alone, for God is our guide. We know inside.Tattered and torn, our shoes all in shreds. In sage or in snow, we lay down our heads. We dig shallow graves, bury our dead, Then wake the next morn and onward we tred. Through trial and pain, we hold to the rod, And thus know God.All that we have in one little cart, Together we push; we each do our part. And somehow our hearts, knit by our chores, Are strengthened to know we'll see temple doors. These rags will be white, for joy is in store Forevermore.
$1.99
Lord Jesus, Think on Me — SATB voices, organ
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Chorale SATB
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INTERMÉDIAIRE
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Todd Marchand
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Lord Jesus, Think on Me &mdash
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1359972 Composed by Todd Marchand. Christian,Lent,Sacred. 4 pages. Con Spirito Music #944462. Published b...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1359972 Composed by Todd Marchand. Christian,Lent,Sacred. 4 pages. Con Spirito Music #944462. Published by Con Spirito Music (A0.1359972). “Lord Jesus, Think on Me†is a translation and free paraphrase of a 5th-century poem by Synesius of Cyrene (ca. 375-414), Bishop of Ptolemais in north Africa and contemporary of Augustine, Bishop of Hippo (354-430). Synesius was a public servant and statesman, a neo-Platonic philosopher and poet. In 410, he was popularly chosen as Bishop of Ptolemais, a position he reluctantly accepted, as his views on certain beliefs of the church, including the soul's creation, a literal resurrection, and the end of the world (eschatos) were unorthodox. In the last of 10 odes Synesius authored, he describes himself bowing humbly in the presence of Christ. In the 1930s, a literal prose translation of the ode was made by the Anglican cleric Harold Costley-White:Be mindful, Christ Son of Godwho rules on high, of thy servant,sinful of heart, who wrote these words.And grant to me release from passions breeding death,which are inborn in my unclean soul.But give me to behold, Saviour Jesus,thy divine brightness, wherein appearingI shall sing a song,to the healer of souls,to the healer of limbs,with the great Fatherand the Holy Spirit.Amen. The text of this setting for SATB voices and organ selects verses from a free paraphrase of that ode, crafted by the Anglican priest and scholar, Allen William Chatfield (1808-1896) and published in his Songs and Hymns of Earliest Greek Christian Poets (1876):Lord Jesus, think on me and purge away my sin; from earthborn passions set me free, and make me pure within. Lord Jesus, think on me, nor let me go astray; through dark-ness and perplexity point Thou the heav'nly way.Lord Jesus, think on me amid the battle's strife; in all my pain and misery be Thou my Health and Life.Lord Jesus, think on me with many a care oppressed; let me Thy loving servant be and taste Thy promised rest.Lord Jesus, think on me that I may sing above to Fa-ther, Spirit, and to Thee the strains of praise and love.The incipit of each verse, “Lord Jesus, think on [remember] me, recalls the words of the penitent thief to Jesus at their crucifixion, and the petitions for guidance, forgiveness, and succor make this a fitting anthem for the penitential season of Lent. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, holiday, and patriotic music for instruments and voices, visit www.conspiritomusic.com
$2.00
In the Hour of Trial — SATB voices, organ
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Chorale SATB
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INTERMÉDIAIRE
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Todd Marchand
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In the Hour of Trial — S
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1365141 Composed by Todd Marchand. Christian,Lent,Sacred. 7 pages. Con Spirito Music #949447. Published b...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1365141 Composed by Todd Marchand. Christian,Lent,Sacred. 7 pages. Con Spirito Music #949447. Published by Con Spirito Music (A0.1365141). Scottish-born James Montgomery (1771-1854) was a poet, writer, and editor, raised and theologically trained in the Moravian Church. As a writer of hymns, his work has been compared favorably to that of Samuel Wesley, Isaac Watts, Philip Doddridge, John Newton, and William Cowper (Cooper). Among his most well-known lyrics are Angels From the Realms of Glory, Go to Dark Gethsemane, and Hail to the Lord's Anointed.In the Hour of Trial consists of four stanzas of eight lines in 6.5.6.5 meter, written in the first-person voice. Stanzas 1 and 2, presented by unison women's voices, then men's, are pleas for Jesus' presence in times of temptation; stanza 3, in full harmony and unaccompanied, expresses the author's reliance on Christ in times of affliction; stanza 4, with full choir and organ accompaniment, expresses the author's reliance, at time of death, on Jesus' truth and promise of eternal life. This anthem is especially appropriate in Lent and for memorial services, and is fitting for general worship as well.©Copyright 2024 Todd Marchand / Con Spirito Music. All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
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Ride On! Ride On in Majesty! — SATB voices, organ
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Chorale SATB
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INTERMÉDIAIRE
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English ballad
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Todd Marchand
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Ride On! Ride On in Majesty! &
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1367409 Composed by English ballad. Arranged by Todd Marchand. Christian,Easter,Lent,Sacred. 5 pages. Con...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1367409 Composed by English ballad. Arranged by Todd Marchand. Christian,Easter,Lent,Sacred. 5 pages. Con Spirito Music #951781. Published by Con Spirito Music (A0.1367409). Perhaps the most often-sung processional hymn on Palm Sunday, “Ride On, Ride On in Majesty†was written in 1820 by Anglican cleric, poet, and scholar Henry Hart Milman (1791-1868) and first  published in Reginald Heber’s Hymns Written and Adapted to the Weekly Church Service of the Year (1827). The hymn references Jesus’ entry into Jerusalem prior to his Passion, as recorded in Matthew 21:1-11.Writing for the Hymnology Archive of The Hymn Society in the US and Canada, editor Chris Fenner notes in his analysis of the text that:“This hymn ... is much less a narrative or paraphrase of the triumphal entry (Matt. 21, Mk. 11, Lk. 19, Jn. 12) than it is a forward-looking hymn pointing from the palms to the cross to [Jesus’] ascended position on the throne. The triumphal entry itself is a fulfillment of Zechariah 9:9 (‘Behold, your king is coming to you . . . humble and mounted on a donkey’). The recurring opening line is possibly an allusion to Psalm 45:4 (‘in thy majesty ride prosperously’). “Some hymnological commentators connect this hymn with the idea of the great reversal in Philippians 2:5-12, where we find the Christ who humbled himself in a crucified death, later to be exalted, name above all names, to which every knee will bow. As Canadian hymn scholar Stanley Osborne observed, this hymn’s poetic strength is in its exploration of that duality:'Objective, robust, confident, and stirring, it possesses that peculiar combination of tragedy and victory which draws the singer into the very centre of the drama. It is this which gives the hymn its power and its challenge.'In this arrangement for SATB voices and organ, Milman’s text is set to the 15th-century English ballad, “Deo Gratias†(aka The Agincourt Carol), with the refrain Ride on in majesty!†following each verse.©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
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I Am The Way
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Kevin Longley
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I Am The Way
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Kevin Longley
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1019362 Composed by Kevin Longley. Christian,Praise & Worship,Sacred. Octavo. 10 pages. Kevin Longley #6322993. ...
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Choral Choir (SATB) - Level 3 - SKU: A0.1019362 Composed by Kevin Longley. Christian,Praise & Worship,Sacred. Octavo. 10 pages. Kevin Longley #6322993. Published by Kevin Longley (A0.1019362). I Am The Way, Church Anthem for Tenor Solo, SATB and Piano composed in March 2017. Inspiration Each of us, throughout our lives, are faced with choices where the path forward is unclear. Where the decision maybe a crossroad for our lives. Who can guide us? Who should we turn to? Jesus said I Am The Way? The Music A rousing church anthem that begins with the Tenor Soloist searching for answers. Presented with a difficult choice he asks Jesus what should I do now?, who will be my guide?. The choir responds with I Am The Way, offering the response in a polyphonic round, so to speak. Once completed, the opening melody returns sung by the choir followed by a repeat of the chorus. A C section is then introduced, in a minor key, reminding us to follow the Light as Darkness can deceive. The Tenor soloist returns with the opening melody, now with minimal accompaniment, giving a retrospective feeling to the music. The anthem closes with a repeat of the chorus followed by the Tenor soloist giving the piece a finality.
$1.99
The Christ Child's Lullaby — SATB voices and organ
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Chorale SATB
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FACILE
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Hebridean folk melody
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Todd Marchand
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The Christ Child's Lullaby &md
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1490482 Composed by Hebridean folk melody. Arranged by Todd Marchand. Christian,Christmas,Folk,Sacre...
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1490482 Composed by Hebridean folk melody. Arranged by Todd Marchand. Christian,Christmas,Folk,Sacred,Traditional. 5 pages. Con Spirito Music #1067324. Published by Con Spirito Music (A0.1490482). “The Christ Child's Lullaby” is an English translation of the Scots Gaelic “Tàladh Chrìosda,” a Christmas carol adapted and popularized in the 20th century from a longer work written in 1855 by Catholic priest Ranald Rankin for his parishioners at Fort William in the Scottish Highlands.Rankin’s hymn, representing a lullaby for the Christ Child by the Virgin mother Mary, was intended for performance at Midnight Mass (the first mass of Christmas) and is still sung then at churches in the Outer Hebrides of Scotland today. Titled “Tàladh ar Slànaigheir” (“The Lullaby of our Savior”) and containing 29 verses, it is altogether a lullaby, a retelling of elements of the Nativity story, and an explication of the nature and work of Christ. The English text of “The Christ Child’s Lullaby” (containing three verses and alleluias) is one of many translations, adaptations, and variants of the original Scots Gaelic text. The tune, too, is one of many variants of a traditional Hebridean folk melody. It has been further adapted and newly harmonized in this medium-easy arrangement for SATB choir and organ, featuring solo soprano on verse 1, sopranos-altos in open harmonies on verse 2, and full SATB in rich harmonies on verse 3 and the concluding “Alleluias.”Voices realized by Cantamus (https://cantamus.app/); organ realized by NotePerformer (https://www.noteperformer.com)©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.99
Jesus Christ the Apple Tree — SATB voices
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Chorale SATB
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INTERMÉDIAIRE
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Todd Marchand
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Jesus Christ the Apple Tree &m
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1495196 Composed by Todd Marchand. A Cappella,Christian,Christmas,Folk,Sacred. 4 pages. Con Spirito ...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1495196 Composed by Todd Marchand. A Cappella,Christian,Christmas,Folk,Sacred. 4 pages. Con Spirito Music #1071742. Published by Con Spirito Music (A0.1495196). Jesus Christ the Apple Tree is the commonly used title for a poem published under the heading Christ compared to an Apple-tree in the August 1761 issue of The Spiritual Magazine, a London periodical for Calvinist Baptists.Above the poem in the publication are words of its author:Gentlemen,Having spent some of my vacant time in the composition of short pieces of Divine Poetry, have sent you the following, by way of specimen; which, if thought worthy of a place in your magazine, shall communicate the others regularly. I am your well-wisher and constant reader, R.H.R.H. is today believed to most likely be the Rev. Richard Hutchins, a Calvinist Baptist clergyman then serving in Long Buckby, Northamptonshire. The poem's first known appearance in a hymnal, and in America, was in 1784 in Divine Hymns, or Spiritual Songs: for the use of Religious Assemblies and Private Christians compiled by Joshua Smith, a lay Baptist minister from New Hampshire. Because of its popularity in New England churches thereafter, it has often been wrongly attributed to an anonymous early American poet or to Smith.The poem may be an allusion to the apple tree in Song of Solomon 2:3 (As the apple tree among the trees of the wood, so is my beloved among the sons. I sat down under his shadow with great delight, and his fruit was sweet to my taste), which has been interpreted as a metaphor for Jesus. It also alludes to other descriptions of the tree of life in both the Old and New Testaments. Primitive yet profound, Jesus Christ the Apple Tree has been set to music by many composers, including a very popular setting by Elizabeth Poston (1905-1987). This new setting for unaccompanied SATB voices captures the rustic quality of the text with a rising-and-falling folksong-like melody, attractively harmonized. Voices realized by Cantamus (https://cantamus.app/)©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patritic, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.99
Surely He Has Borne Our Griefs
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Chorale SATB
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INTERMÉDIAIRE
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David Lasky
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David Lasky
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Surely He Has Borne Our Griefs
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David Lasky
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1397782 By David Lasky. By David Lasky. Arranged by David Lasky. 21st Century,A Cappella,Christian,Lent,S...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1397782 By David Lasky. By David Lasky. Arranged by David Lasky. 21st Century,A Cappella,Christian,Lent,Sacred. 4 pages. David Lasky #981049. Published by David Lasky (A0.1397782). This is a short, unaccompanied anthem (with keyboard reduction for rehearsal use) based on the text from Isaiah 53:4 suitable particularly for Passion Sunday, Good Friday, or a Holy Week Tenebrae service. The first section features lush chords while the main section features imitative counterpoint starting with the bass and rising through the other three voice parts. The anthem ends with chords, including the final open-ended, mildly dissonant chord. This piece isn't difficult to put together, and is quite easy for a choir of average-to-good readers. This MP3 recording was made on March 8, 2024 at the Harvard University Memorial Church and is a live performance by the Harvard Ferris Fellows at that day's Morning Prayer service.
$1.99
And the people stayed home
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Chorale SATB
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Martin Ã…sander
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And the people stayed home
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SATB divisi chorus a cappella - SKU: BJ.1505 Composed by Martin Ã…sander. Kitty O'Meara wrote a poem during the Covid-19 pandemic. Like the virus, th...
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SATB divisi chorus a cappella - SKU: BJ.1505 Composed by Martin Åsander. Kitty O'Meara wrote a poem during the Covid-19 pandemic. Like the virus, the poem got viral and spread across the world – but with a message of hope. Here put to music for choir a cappella. Secular. 11 pages. Bo Ejeby Forlag - Digital #1505. Published by Bo Ejeby Forlag - Digital (BJ.1505). 8.27 x 11.7 inches.We all remember the pandemic that swept the planet in early 2020. Lifestyles changed: less social contact, followed by rapid change in workplaces, health care and other institutions. Everyone was affected in some way. Playing music – and choir singing in particular – was considered by many countries to pose an increased risk of spreading infection and was discouraged. During these strange times, I found a poem by Kitty O’Meara on social media. The text originates from her own blog post in March 2020 with the title In the Time of Pandemic. The poem poses an image for a distinctive perspective during the coronavirus outbreak, the hope that something good can come from a collective state of together, apart. The idea of individual freedom of action when things are beyond our control, and at the same time a notion that the time after this will not only exist but can be better than before. The lyrics inspired the music to be both meditative with repetitive phrases and motifs and also uplifting and full of confidence and joy. And the People Stayed Home was commissioned to commemorate the 15th anniversary of the St Jacob’s Vocal Ensemble and was first performed at St Jacob’s Church in Stockholm on November 19, 2022. – Martin Åsander.
$4.50
In Paradisum
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Chorale SATB
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FACILE
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Contemporain
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David Hawkins
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In Paradisum
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David Hawkins
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.939464 Composed by David Hawkins. Contemporary. Octavo. 5 pages. David Hawkins #3018753. Published by David Hawk...
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Choral Choir (SATB) - Level 2 - SKU: A0.939464 Composed by David Hawkins. Contemporary. Octavo. 5 pages. David Hawkins #3018753. Published by David Hawkins (A0.939464). This piece was begun shortly after the death of Marilyn Nichols, librarian and wife of Kenneth Nichols, composition professor at Brandon University.Intended as the last movement of Requiem, it should be performable by amateur groups and church choirs. The piano interlude is taken from the Gregorian Chant of the In Paradisum from Requiem Mass. The tone of this movement is one of rest - the final peace after the cares of earth have passed. Keep things unhurried and ethereal.In Paradisum was premiered on Sunday, March 18, 1990 at St. Matthew’s Cathedral by the Brandon University Chorale, Earl Davey, conductor.
$1.99
The Star-Spangled Banner
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Chorale SATB
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INTERMÉDIAIRE
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utilizing this tune to the mov
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John Stafford Smith
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Thomas Coker
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The Star-Spangled Banner
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Thomas Rembert Coker Jr
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.933611 Composed by John Stafford Smith. Arranged by Thomas Coker. Folk,Patriotic. Octavo. 4 pages. Thomas Rember...
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Choral Choir (SATB) - Level 3 - SKU: A0.933611 Composed by John Stafford Smith. Arranged by Thomas Coker. Folk,Patriotic. Octavo. 4 pages. Thomas Rembert Coker Jr #3503513. Published by Thomas Rembert Coker Jr (A0.933611). In 2009 when Sanctuary Choir of South Main Baptist Church in Houston where I served as Music Minister was scheduled to sing the National Anthem for the Houston Astros baseball game, I carefully examined the several arrangements in our library and other resources. Finding nothing which met the simple, straight-forward criteria I was searching for, we created this simple arrangement. Since its addition to the music library it has proven very useful on numerous occasions for a variety of groups. About the National Anthem:The lyrics for The Star-Spangled Banner were written on September 14, 1814 from a British ship in the Baltimore Harbor where attorney Francis Scott Key had waited anxiously through the night as the twenty-five hour bombing of Ft. McHenry progressed. He had been sent to negotiate the release of an American civilian and then was held on board the ship. At the dawn’s early light when the flag could still be seen indicating the British had not taken the fort, he jotted down this poem which on March 3, 1931 finally became the National Anthem of the United States. Interestingly, it was Robert Ripley who in November of 1929 drew a panel in his syndicated cartoon, Ripley’s Believe It or Not stating Believe It or Not, America has no national anthem. With the encouragement of John Philip Sousa, President Herbert Hoover signed into law the adoption of The Star-Spangled Banner to rectify this situation. According to the Smithsonian, the melody, written by John Stafford Smith, was originally titled Anacreon in Heaven. Anacreon was an ancient Greek poet known for his love of wine and love. The song had become the constitutional song of a London gentlemen’s club called the Anacreontic Society. Could this explain the wide range of the melody? By utilizing this tune to the moving text, this once merry drinking song took on a bold new and powerful meaning. Thomas Coker, August 27, 2015
$1.99
Sing On! Dance On!
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Chorale SATB
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Christopher Aspaas
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Sing On! Dance On!
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Aspen Hill Music - Digital
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SheetMusicPlus
SATB chorus divisi a cappella - Medium - SKU: MQ.AHM-40-E Composed by Christopher Aspaas. 16 pages. Aspen Hill Music - Digital #AHM-40-E. Published by A...
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SATB chorus divisi a cappella - Medium - SKU: MQ.AHM-40-E Composed by Christopher Aspaas. 16 pages. Aspen Hill Music - Digital #AHM-40-E. Published by Aspen Hill Music - Digital (MQ.AHM-40-E). English.Sing On! Dance On! was premiered by the TCU Chorale in March of 2016 at Ft. Worth United Methodist Church on a program called, Dance On, Sing Praises! Another arrangement of this tune by Fellowes was a favorite of my predecessor at TCU, Ron Shirey, and this work was created to honor his legacy. The piece opens with a simple solo and builds with intensity to end with stomping, clapping and a vocal fanfare.
$2.85
Byzantine hymn: APOLYTIKION EVANGELIZMOU
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Chorale SATB
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INTERMÉDIAIRE
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Classique
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Byzantine hymn
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Marilena Zlatanou
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Byzantine hymn: APOLYTIKION EV
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Marilena Zlatanou
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1343534 Composed by Byzantine hymn. Arranged by Marilena Zlatanou. Classical. 3 pages. Marilena Zlatanou ...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1343534 Composed by Byzantine hymn. Arranged by Marilena Zlatanou. Classical. 3 pages. Marilena Zlatanou #929060. Published by Marilena Zlatanou (A0.1343534). BYZANTINE HYMN: APOLITIKION EVANGELIZMOU (Apolytikion of the Annunciation): Arrangement for SATB choir a cappella Panayia, (St. Mary, always referred to as all-holy in Greek), is celebrated several times during the year in the Greek Orthodox Church, and on the 25th. of March, the Annunciation celebration, this Apolytikion is performed during the liturgy. duration: 2'20'' Phonetic transcription in the Latin alphabet is notated right below the original Greek text, English translation, and a key to Greek Pronunciation are provided on the title page.The mp3 file provided is exported from the sibelius file.For more information on the arranger, (member of TONO, the Norwegian copyright org.), please visit website www.zlatanou.netAs a Greek living in Norway for most of my adult life, and in my many years’ work as a conductor of a Norwegian choir specializing in Greek music (!), I have experienced the need to enrich the choir’s repertoire with both folk song- as well as other -arrangements of Greek music: This gave me the opportunity to share with our audiences some of the centuries-long musical heritage, as well as helping me make known to them some of the History behind the music of a country of such international historical influence in the past, and such a tourist magnet in our times.
$20.00
Work
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Chorale SATB
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INTERMÉDIAIRE
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Melissa Dunphy
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Work
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir (choir divisi) unaccompanied - Medium - SKU: MQ.1.3603-E Composed by Melissa Dunphy. 11 pages. Galaxy Music Corporation - Digital #1.3603-E. ...
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SATB choir (choir divisi) unaccompanied - Medium - SKU: MQ.1.3603-E Composed by Melissa Dunphy. 11 pages. Galaxy Music Corporation - Digital #1.3603-E. Published by Galaxy Music Corporation - Digital (MQ.1.3603-E). English.Commissioned by the Donald Sinclair Sutherland Endowment for the Bradley Hills Presbyterian Chancel Choir, Matthew Robertson, Conductor, and was premiered on March 24, 2019 at Bradley Hills Presbyterian Church, Maryland. The text is adapted from a chapter of the 1923 prose poetry book titled The Prophet by Lebanese-American author Kahlil Gibran, who was influenced by Christianity, Islam, and Sufism. It addresses a path out of despair and meaninglessness through working with love, a message that has as much relevance to today’s world as that of a century ago. -Melissa Dunphy.
$2.65
Ah, Holy Jesus
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Chorale SATB
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INTERMÉDIAIRE
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Daniel Ficarri
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Ah, Holy Jesus
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir unaccompanied - Medium - SKU: MQ.8941-E Composed by Daniel Ficarri. Holy Week, Lent, Tenebrae. Instrument part. 11 pages. E. C. Schirmer Musi...
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SATB choir unaccompanied - Medium - SKU: MQ.8941-E Composed by Daniel Ficarri. Holy Week, Lent, Tenebrae. Instrument part. 11 pages. E. C. Schirmer Music Company - Digital #8941-E. Published by E. C. Schirmer Music Company - Digital (MQ.8941-E). English.Composed in March 2019 for the St. Paul Choir at the Church of St. Paul the Apostle in New York City and first performed there on Sunday, April 7, 2019. Based on the familiar German hymn “Herzliebster Jesu,†this unaccompanied motet offers a sublime musical experience for congregations and audiences alike during the season of Lent. Anchored by a homophonic four part middle, the piece alternates between a soloist or unison section and imitative settings of the text.
$2.65
A Soldier's Carol (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Noël
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Musique Sacrée
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Ronald Perera
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A Soldier's Carol
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir unaccompanied - Medium - SKU: MQ.8320-E Composed by Ronald Perera. Advanced/Collegiate. Secular, Christmas, Christmas-Sacred. Octavo. 14 page...
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SATB choir unaccompanied - Medium - SKU: MQ.8320-E Composed by Ronald Perera. Advanced/Collegiate. Secular, Christmas, Christmas-Sacred. Octavo. 14 pages. Duration 4 minutes, 40 seconds. E. C. Schirmer Music Company - Digital #8320-E. Published by E. C. Schirmer Music Company - Digital (MQ.8320-E). This setting of the well known Christmas poem 'I Heard the Bells on Christmas Day' restores some of the language that is commonly left out of most hymnals. This setting restores some of the anguish associated with the Civil War and allows for a tension not often associated with this text. A powerful setting. The title of the original Longfellow poem is 'Christmas Bells.' Charles Appleton Longfellow was the eldest son of the famous poet Henry Wadsworth Longfellow and Fannie Elizabeth Appleton, who lived in Cambridge, Massachusetts. In March of 1863, with the Civil War then in its third year, nineteen year old Charley ran away to Washington to join the Union Army. He presented himself for enlistment to the commander of Battery A of the 1st Massachusetts Artillery, who knew the boy. The officer contacted Henry who reluctantly gave his permission for the boy to enlist. Charley proved himself such an exceptional soldier that he was soon offered a commission as a Second Lieutenant of Artillery. He first saw action at the Battle of Chancellorsville. In June he was briefly invalided home following a bout of typhoid fever and malaria, rejoining his unit in August. Then in November, during the Battle of New Hope Church, Charley was shot through the left shoulder, the bullet just grazing his spine. He narrowly avoided being paralyzed. Henry received word of Charley’s wounding on December 1, and he and a younger son went immediately to Washington, where Charley was in hospital, and brought him home to Cambridge. It was while nursing his son in his slow recovery that Henry Wadsworth Longfellow composed this poem during Christmas, 1863. -Ronald PereraDuration: 4:40.
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