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Three Latin Elegies to Lesbia
Chorale SATB
Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Cen…
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Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.<br> <br> Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.<br> <br> Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:<br> <br> Lesbia keeps insulting me in front of her husband:<br> <br> thisfills the fatuous idiot with delight.<br> <br> Mule, doyou perceive nothing? If she shut up and ignored me<br> <br> that’dshow healthy indifference;…<br> <br> In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.<br> <br> Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.<br> <br> Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.<br> <br> Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:<br> <br> Lesbia keeps insulting me in front of her husband:<br> <br> thisfills the fatuous idiot with delight.<br> <br> Mule, doyou perceive nothing? If she shut up and ignored me<br> <br> that’dshow healthy indifference;…<br> <br> In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.<br> <br> Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99
4.54 €
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Chorale SATB
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
Can't Help Falling In Love
Chorale SATB
Choral,Mixed Chorus Choir,Choral - Level 4 - Digital Download SKU: A0.1455594 By El…
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Choral,Mixed Chorus Choir,Choral - Level 4 - Digital Download SKU: A0.1455594 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by George Wu. A Cappella,Advent,Classical,Film/TV,Pop. 6 pages. Clem & Jun Bascar #1034687. Published by Clem & Jun Bascar (A0.1455594). One of Elves Presley's greatest hits is given a new twist of arrangement. An arrangement for mixed voices as performed by the Pentatonix. Enjoy and explore the grandeur of this piece of music.
$1.99
1.81 €
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Chorale SATB
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Elvis Presley
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George Wu
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Can't Help Falling In Love
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Clem & Jun Bascar
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SheetMusicPlus
Dancing Queen
Chorale SATB
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1396175 By ABBA. By…
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1396175 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Paul Lorenz. Broadway,Disco,Film/TV,Musical/Show,Pop,Wedding. 13 pages. Paul Lorenz #979557. Published by Paul Lorenz (A0.1396175). Discover the Magic of ABBA Dancing Queen Sheet Music with Paul Lorenz Music Elevate Your Performance with Premium Sheet Music At Paul Lorenz Music, we are thrilled to offer musicians, ensembles, orchestras, choirs (SATB), and creatives the chance to dive into the timeless melody of ABBA's iconic hit, Dancing Queen. Our carefully curated collection, including ABBA Dancing Queen piano sheet music, dancing queen sheet music easy, and dancing queen flute sheet music, embodies our commitment to quality, innovation, and accessibility in classical music. A Symphony of Choices for Every Musician Whether you're a soloist seeking the dancing queen lead sheet or an educator looking for dancing queen notes piano, our selection is unmatched. For violinists, our dancing queen violin sheet music captures the essence of ABBA's masterpiece, while our dancing queen music sheet PDF and dancing queen keyboard notes provide versatility for digital musicians. Choirs can revel in harmony with dancing queen choir piano sheet music, and orchestras can fill concert halls with the lush arrangements found in dancing queen orchestra sheet music. Transform Your Sound with Diverse Arrangements Our exclusive editions, including dancing queen mamma mia sheet music and dancing queen piano part, are designed to meet the diverse needs of our audience. Paul Lorenz Music takes pride in offering arrangements that resonate across generations, blending the appeal of beautiful melodies with top-tier production quality. Deutsche Beschreibung: Entdecken Sie die Magie von ABBA's Dancing Queen Noten bei Paul Lorenz Music Bei Paul Lorenz Music verstehen wir die zeitlose Anziehungskraft der Musik von ABBA und insbesondere des legendären Hits Dancing Queen. Unsere Mission ist es, hochwertige und innovative Musikangebote zu schaffen, die Klassik in neuen Höhen zugänglich und geliebt machen. Entdecken Sie unser umfangreiches Angebot an Noten Dancing Queen, darunter speziell arrangierte Dancing Queen Noten Klavier und Dancing Queen Klaviernoten, perfekt für Musiker, Ensembles und Kreativschaffende aller Art. Einzigartige Arrangements und Qualität Unsere Dancing Queen Noten PDF-Sammlung bietet Ihnen die Möglichkeit, dieses ikonische Stück mit auÃ?ergewöhnlicher Klarheit und Präzision zu spielen. Jedes Arrangement, ob für Dancing Queen Chor oder Dancing Queen Orchester, ist sorgfältig konzipiert, um nicht nur die Noten selbst, sondern auch die Energie und Emotion des Originals einzufangen. Chords ABBA Dancing Queen â?? Für Alle Musiker, die auf der Suche nach Chords ABBA Dancing Queen sind, werden bei Paul Lorenz Music fündig. Wir bieten nicht nur Noten, sondern auch Akkorde und Lehrmaterialien, um Dancing Queen in all seiner Pracht zu spielen. Unsere Arrangements sind für Musiker auf jedem Niveau zugänglich, von Anfängern bis zu professionellen Künstlern. Innovation und Zugänglichkeit Die Leidenschaft und das Engagement von Paul Lorenz Music für Qualität, Innovation und Verbindung spiegeln sich in unserem Angebot wider. Von ABBA Dancing Queen Noten bis hin zu modernen Interpretationen klassischer Werke bieten wir etwas für jeden Geschmack und jedes Talent. Verbindung mit der Community Unser Fokus auf Zusammenarbeit und Publikumsbindung macht Paul Lorenz Music zu einem einzigartigen Treffpunkt für Liebhaber klassischer Musik und Fans von ABBA. Unsere Plattform fördert den Austausch und das Lernen unter Gleichgesinnten und hilft, Dancing Queen für neue Generationen zu bewahren und zu feiern.
$4.99
4.54 €
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Chorale SATB
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ABBA
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Paul Lorenz
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Dancing Queen
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Paul Lorenz
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SheetMusicPlus
Shockachi (Shortened Version)
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1354060 Comp…
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Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1354060 Composed by Christian Fortner. A Cappella,Classical,Contest,Festival. 19 pages. Christian Fortner Music #938784. Published by Christian Fortner Music (A0.1354060). This version of Shockachi is shorter so that it can be more accessible for younger/smaller choirs!Shockachi is quite the adventure with fast-paced, cinematic sections contrasting with slower, legato sections. This large choral work involves a rhythmic ostinato repeated throughout and passed from section to section. A strong alto section is essential for the success of this piece, as they carry the ostinato most of the time. A made-up language is used as well, with pronunciations similar to Latin and inspired by Hawaiian. Larger choirs will be best suited for this piece, which takes advantage of divisi to provide multiple instances of contrapuntal lines. If you’re looking for a piece that hits hard, showcases the strength and versatility of your ensemble, or offers a unique experience in text interpretation, then Shockachi is for you. Want a better deal for this music? Purchase unlimited prints at www.christianfortnermusic.com.
$4.99
4.54 €
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Chorale SATB
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Christian Fortner
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Shockachi
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Christian Fortner Music
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SheetMusicPlus
Toxic
Chorale SATB
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1265200 By Britney …
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1265200 By Britney Spears. By Cathy Dennis, Christian Karlsson, Henrik Jonback, and Pontus Winnberg. Arranged by Jason Howard. A Cappella,Contemporary,Pop. Octavo. 9 pages. Jason Howard #858044. Published by Jason Howard (A0.1265200). This arrangement of Toxic is a fresh take on the popular 2000's hit! Taking inspiration from the original and several other different covers of this song, I've written out what is probably one of my favorite arrangements I've written. It's sure to challenge your performers and keep your audience engaged from start to finish!It starts with a soft drone in the Basses that continuously adds chord tones and volume to build sonic intensity and set the tone right out of the gate! We then move on to a slowed down first verse with the melody supported only by chords in the choir. Vocal Percussion leads us into a tempo change and explosive snippet of the melody before the piece hits its stride. Lots of upbeats, syncopations, and altered melodic tones throughout adds a high level of difficulty to this piece. As we get to the end of this piece, the ensemble will suddenly alter time to a half time feel that not only adds to excitement but also helps to bring the piece to a dramatic closing.This is written for Solo voice and SSAATTBB choir and a Vocal Percussionist.As with most of my arrangements I leave many of the syllables blank to encourage the director/performers to put their own spin on the arrangement with their own choice of syllables! Suggested syllables in certain spots and all necessary melodic lyrics have all been included for you!I hope that you and your group enjoys my arrangement! If you do (or even if you don't), please leave a comment and let me know! As a current full time band director who would love to be able to do this full time one day, any and all critiques are appreciated, and I'm particularly interested in formatting suggestions! If you would rather email me than leave a comment, shoot me an email at jhowardarranging@gmail.com!A little about me:My name is Jason Howard, and at the time of this publication, I'm going into my 5th year as a band director at the middle and high school levels. I have quite a bit of experience with arranging of various types of vocal and instrumental ensembles and combos. Most are for personal use, but as I get time, I hope to publish more and more for public consumption! Primarily, I focus on popular music, and I one day hope to bring important and influential classical musics to audiences and younger students everywhere!
$1.99
1.81 €
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Chorale SATB
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Britney Spears
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Jason Howard
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Toxic
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Jason Howard
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SheetMusicPlus
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