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Come On Back To Me
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--INSTRUMENTS--
ACCORDEON
ALTO
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Vous avez sélectionné:
Come On Back To Me
Chorale SATB
Partitions à imprimer
11 partitions trouvées
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Come, Holy Spirit, Dove Divine
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Chorale SATB
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FACILE
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Musique Sacrée
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Robert Myers
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raised to walk in new life
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Come, Holy Spirit, Dove Divine
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WheatMyer Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.976727 Composed by Robert Myers. Christian,Praise & Worship,Sacred. Octavo. 2 pages. WheatMyer Music #5197337. P...
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Choral Choir (SATB) - Level 2 - SKU: A0.976727 Composed by Robert Myers. Christian,Praise & Worship,Sacred. Octavo. 2 pages. WheatMyer Music #5197337. Published by WheatMyer Music (A0.976727). It was one of those accidents where you find something useful when you’re looking for something else. While reading on the nature of worship, a particular blog article ended with Adoniram Judson’s early 19th Century baptismal poem, Come Holy Spirit, Dove Divine. The flowing text called out (at least to me!) for a musical setting. Accordingly, some melodic and harmonic ideas began to percolate in my thoughts. However, before getting very far along in writing a tune, there were two surprises in store. First many others had already set the text to music before (with a multitude of tunes) going back to at least 1833. Second, despite being a Baptist for over forty years, I discovered that this hymn has been in the Baptist Hymnal since 1956 yet I have no recollection of every singing it! Well, chagrined at my ignorance, I carried on writing a new melody and harmony for this deserving text. I sought to make it friendly to congregational singers while still containing rich and sing-able harmonies and so aimed for a four-part hymn-style form. However, as I suspect my ignorance of the hymn is a common condition, a fresh and modern tune which would be at home in varied musical styles and have popular appeal was also pursued. The result is a delightful and uplifting tune, easy to sing, with an optimistic and forward momentum, commensurate with the meaning of believers’ baptism, Buried with Him in baptism; raised to walk in new life. The music is flexible in application to many church music styles: praise team and band, choir and organ, congregation and piano, or mix and match to fit your needs. May you find Come, Holy Spirit, Dove Divine, singing a much needed text, a means for your congregation to joyfully join with new believers in celebration of their baptism!
$1.99
We're Goin' Up to Bethlehem! (SATB)
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Chorale SATB
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Noël
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Ruth Morris Gray
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Christ, the Eternal Lord)
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We're Goin' Up to Bethlehem!
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Chorister's Guild - Digital
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SheetMusicPlus
SATB chorus - SKU: C7.CGE97 Composed by Ruth Morris Gray. Christmas. Sing! With a cappella. Octavo. 16 pages. Chorister's Guild - Digital #CGE97. Publis...
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SATB chorus - SKU: C7.CGE97 Composed by Ruth Morris Gray. Christmas. Sing! With a cappella. Octavo. 16 pages. Chorister's Guild - Digital #CGE97. Published by Chorister's Guild - Digital (C7.CGE97). UPC: 749193023754.Hymns of Praise is designed to allow for maximum flexibility of use. The uses range from solo instrument with piano (or CD) to full orchestra. A listing of the various books in this series may be found below, as well as on the back covers of each book. With the exception of the Percussion book, each book includes a Solo and an Ensemble part for each hymn. Contents: Crown Him with Many Crowns (Praise to the Living God; Christ, the Eternal Lord); Morning Has Broken (Praise and Thanksgiving; Child in the Manger; Christ Beside Me); Go, Tell It on the Mountain; Lord, Whose Love Through Humble Service (As We Gather at Your Table; Jesus, at Your Holy Table; God, Whose Giving Knows No Ending); Lift Up Your Heads, O Mighty Gates (Christ Is Alive! Let Christians Sing!; High in the Heavens, Eternal God); Joyful, Joyful, We Adore Thee (Christ Is Risen, Shout Hosanna!; Sing with All the Saints in Glory); The Church's One Foundation (We All Are One in Mission; O Living Bread from Heaven); Now the Green Blade Rises (Sing We Now of Christmas); Love Divine, All Loves Excelling (Come, Thou Long-Expected Jesus; God, Who Stretched the Spangled Heavens); Let All Things Now Living (Sent Forth by God's Blessing; The Fruit of the Spirit; The Master Hath Come).
$2.10
Lead Me To Calvary
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Chorale SATB
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INTERMÉDIAIRE
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Evelyn R
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Evelyn Larter Music
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Lead Me To Calvary
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Evelyn R Larter
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.749877 Composed by Evelyn R. Larter. Arranged by Evelyn Larter Music. Christian,Easter,Gospel,Sacred. Octavo. 5 ...
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Choral Choir (SATB) - Level 3 - SKU: A0.749877 Composed by Evelyn R. Larter. Arranged by Evelyn Larter Music. Christian,Easter,Gospel,Sacred. Octavo. 5 pages. Evelyn R Larter #6255989. Published by Evelyn R Larter (A0.749877). This is an accessible SATB setting of the old Gospel hymn, offering simple solo opportunities if desired. It is suitable for Communion and Lent/Easter services, with alternate texts provided. The accompaniment works equally well on piano or organ. More information about my music may be found at www.evelynlartermusic.com, or on my Facebook page for Evelyn Larter Music. Feedback always welcome!
$1.99
Rock - a Roger Jones musical
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Roger Jones, Alison Fuggle
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Annie Routley
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Rock - a Roger Jones musical
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise &...
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Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99
Savin' Jeremiah - SATB Choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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a chariot of fire, But the pro
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Kevin G
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Savin' Jeremiah - SATB Choir
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1129659 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. 20th Century,Blues,Jazz,Religious,Spiritual. Octavo...
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Choral Choir (SATB) - Level 4 - SKU: A0.1129659 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. 20th Century,Blues,Jazz,Religious,Spiritual. Octavo. 14 pages. Kevin G. Pace #730069. Published by Kevin G. Pace (A0.1129659). A fun, jazzy, energetic choral composition telling the story of Ebed-Melech and how he saved the prophet Jeremiah. Music by Kevin G. Pace. Text by Kathryn W. Hales. Text: The Good Book says that Moses Was buried by the hand of God; And those bitten by fiery serpents Were healed by lookin’ at a rod. Elijah was taken up to heaven By a chariot of fire, But the prophet Jeremiah Was cast into a pit of mire. “Can’t you hear me, Lord?†Jeremiah is a’cryin’, “Wilt Thou deliver me? For I am surely dyin’.†The Lord touched the heart On one Ethiopian And says to Ebed-Melech, “Go and save my son.†That black man, he did hearken And went straight up to the king, “What you’ve done to Jeremiah Is a very wicked thing.†“Can’t you see his misery? Can’t you hear him cryin’? Let me deliver him, O King, For he is surely dyin’.†Then Zedekiah repented, Said, “Go get Jeremiah Out of that old dungeon Out of the pit of mire. Take thirty strong men with you Do not delay or wait, Bring the prophet up again Before it is too late.†Ebed went to the pit, Called down into the dark, “I’s a comin’ to save you, Now, oh man, take heart. The king has relented, But before we start, Put old rags beneath your arms, So the ropes won’t leave a mark. Poor Jeremiah was so weak, He’d almost lost all hope, The men did gently lift him up ‘Cause he couldn’t climb the rope. He was kept in prison, But now he had some food, Until the Babylonians came To seize the multitude. ‘Twas an Ethiopian that saved him, A servant to Judah’s King, Blessed be the name of Ebed-Melek For doin’ such brave things. The Lord uses many people From every tribe and race To be an instrument in His hands, An implement of His grace. “Repent all House of Judah,†Jeremiah kept on a’cryin’, “Turn unto the Lord again, Otherwise you’all be dyin’. His words come down through the years To the people of today, “Repent and turn back to the Lord, And walk His chosen Way.â€.
$1.99
A Trumpet Sounded Forth, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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A Trumpet Sounded Forth, a sac
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1135629 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritu...
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Choral Choir (SATB) - Level 4 - SKU: A0.1135629 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #735685. Published by Kevin G. Pace (A0.1135629). A rousing, sacred hymn with music by Kevin G. Pace and text by Kathryn W. Hales. Text : The trumpet sounded forth: From the watchman on the tower: “Amend your ways, turn back to God, Feel His redeeming power.†The trumpet’s voice is loud and strong, It calls us to gather ‘round, For its clear voice is warning, “Hearken to the trumpet’s sound. A trumpet sounded forth, Calling men to arms: Prepare yourself for battles long, Protect all from danger’s harm. A trumpet sounded forth: “Raise the ensign high, Rally to the Standard Bearer, Yea, to the Lord on High.†His trumpet sounded forth, It will never call retreat: “Go forth in faith to meet the Lord, Kneel at His judgement seat.†A trumpet sounded forth, Proclaiming divine decree: The Gospel is restored to earth, So all men may come to Me. A trumpet shall sound forth, Calling all men from the grave When resurrected souls will sing, “Hosanna to the One Who Saves!†The trumpet sounded forth: “Prepare for the King to appear!†With songs of joy, we await that day, “Behold! Your King is Here!â€.
$1.99
Strano il mio Destino for SATB + Piano (complete score + piano acc. + piano rehearsal + text and tra
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Chorale SATB
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FACILE
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Giorgia Todrani, Maurizio Fabr
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Marco Borsoi
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Strano il mio Destino for SATB
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Marco Borsoi
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.904849 Composed by Giorgia Todrani, Maurizio Fabrizio. Arranged by Marco Borsoi. Jazz,Pop,World. Octavo. 21 page...
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Choral Choir (SATB) - Level 2 - SKU: A0.904849 Composed by Giorgia Todrani, Maurizio Fabrizio. Arranged by Marco Borsoi. Jazz,Pop,World. Octavo. 21 pages. Marco Borsoi #3512071. Published by Marco Borsoi (A0.904849). Strano il mio destino è un brano musicale della cantautrice italiana Giorgia, 3º classificato al Festival di Sanremo 1996. Il pezzo è contenuto nell'album Strano il mio destino (Live & studio 95/96). Autori del brano sono Giorgia e Maurizio Fabrizio. Questa armonizzazione originale per coro misto SATB e pianoforte, esalta ancor più le caratteristiche melodiche e armoniche del brano, rendendolo ancora più unico e magico. Il brano parla di una donna che riflette su una storia passata. Una storia che lei stessa ha voluto o dovuto chiudere, ma non certo senza rimpianti; Che donna sarò, se non sei con me e se ti amerò ancora e di più …. E pensa: Strano il mio destino che mi porta qui … ; un destino che la costringe, per qualche motivo, a riflettere sul suo passato, riportandola al momento in cui ha deciso di andarsene via in silenzio. Un destino che, ancora oggi, la sorprende a ripensare a quell’amore ma senza indicarle una nuova strada dove poter andare, perché, anche se tutto quell’amore, io l’ho spazzato via…, fa male non pensare a te. Nel ritornello, emerge una speranza (sottolineata dall’apertura della melodia): Io non ti perderò, oltre il tempo e le distanze andrò…; speranza che viene confermata nell’ultima strofa: È chiaro il mio destino … io ti raggiungerò, quando la ragazza capisce anche che non tutto dipende da lei: proverò a gridare e forse sentirai, la mia voce che ti chiama, se vuoi.. E la speranza, divenuta certezza, ritorna con la ripetizione, enfatizzata dallo slancio melodico, della frase conclusiva … per non lasciati più. --------------- Strano il mio Destino is a piece of music by the Italian singer-songwriter Giorgia, 3rd at the Sanremo Festival 1996. The piece is on the album Strano il mio destino (Live & studio 95/96). Authors of the song are Giorgia and Maurizio Fabrizio.This original harmonization for mixed SATB choir and piano, enhances even more the melodic and harmonic characteristics of the piece, making it even more unique and magical. The song is about a woman who reflects on a past story. A story that she herself wanted or had to close, but certainly not without regrets; What a woman I will be, if you are not with me and if I will love you more and more.... And she thinks: Strange is my fate, that brings me here…; a fate that compels her, for some reason, to reflect on her past, bringing her back to the moment in which she decided to leave away in silence. A destiny that, even today, surprises her to rethink about that love but without indicating a new way to go, because, even if all that love, I have swept it away ..., it hurts not to think about you. In the refrain, a hope emerges (underlined by the opening of the melody): I will not lose you, beyond time and distance I will go ...; hope that is confirmed in the last stanza: It is clear my destiny ... I will reach you, when the girl also understands that not everything depends on her: I will try to shout and maybe you will hear, my voice calling you, if you want . And hope, become certainty, returns with the repetition, emphasized by the melodic impetus, of the concluding sentence ... not to leave you, anymore.
$9.99
Miserere Mei, Deus
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Chorale SATB
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AVANCÉ
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Michael A
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Miserere Mei, Deus
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Michael A. McKay
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SheetMusicPlus
Choral Choir (Mixed) - Level 5 - SKU: A0.1014330 Composed by Michael A. McKay. A Cappella,Contemporary. Octavo. 22 pages. Michael A. McKay #6088247. Pub...
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Choral Choir (Mixed) - Level 5 - SKU: A0.1014330 Composed by Michael A. McKay. A Cappella,Contemporary. Octavo. 22 pages. Michael A. McKay #6088247. Published by Michael A. McKay (A0.1014330). Miserere Mei, Deus is a setting of Psalm 51 for a cappella choir, but it is no motet. It is an expressionistic piece in the horror genre, at times creepy and unsettling, at times dark and violent; it is extremely dramatic.The piece was commissioned for a concert commemorating the late-Renaissance composer Carlo Gesualdo. In it, Gesualdo implores God to have mercy on him for his murdering his wife and her lover in flagrante. He recalls the brutal slaughter, recreated in operatic Sprechstimme by half of the choir, while the other half wails and moans, but as he begs for forgiveness, his own words to his wife come back to haunt him: Pieta?! Non avra la mia pieta! (Mercy?! You will have no mercy from me!). He whips himself furiously and sinks to the floor exhausted, murmuring the groans for forgiveness that opened the work. It is left unresolved whether he has received forgiveness. .
$1.99
The Lord is My Shepherd (ì£¼ë‹˜ì€ ë‚˜ì˜ ëª©ìž)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Karl Kang
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Karl Kang
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The Lord is My Shepherd
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karl kang
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1349636 By Karl Kang. By Karl Kang. Arranged by Karl Kang. Christian,Praise & Worship,Religious,Sacred,Sp...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1349636 By Karl Kang. By Karl Kang. Arranged by Karl Kang. Christian,Praise & Worship,Religious,Sacred,Spiritual. 6 pages. Karl kang #934401. Published by karl kang (A0.1349636). The Lord is My Shepherd(in Korean â€œì£¼ë‹˜ì€ ë‚˜ì˜ ëª©ìžâ€)“ is a hymn with lyrics based on Psalm 23. This song was first introduced to the public through a performance by the Seoul Catholic Singers at the 23rd New Sacred Music Concert hosted by the Catholic Composers Association of Korea, which took place at Jongno Cathedral in Seoul on November 18, 2023. The composer of this song, Karl Kang, is one of the prominent composers representing the Catholic Church in Korea.Looking back, my life so far feels like a miracle. Even when traversing the dark valleys of life, I believe I am where I am today because the Lord has always guided me on the right path. That's why I've always harbored the hope of creating a piece with the lyrics based on Psalm 23. This is a scripture that has consistently provided me with great strength, especially in difficult times. After pondering the words and melodies for a long time, I finally completed the composition. I express my gratitude to the Vox Coeli Youth Choir of Dogok-dong Cathedral, who first performed this song. Without the voices of Vox Coeli, this song might never have come into existence. I hope that through 'The Lord is My Shepherd,' many people will find the strength to take a step forward in a life that feels like a miraculous journey led by the Lord..
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Cry Heaven
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Chorale SATB
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INTERMÉDIAIRE
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Ethan R
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Cry Heaven
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Ethan R. Ray
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1038298 Composed by Ethan R. Ray. A Cappella,Classical. Octavo. 5 pages. Ethan R. Ray #643236. Published by Etha...
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Choral Choir (SATB) - Level 3 - SKU: A0.1038298 Composed by Ethan R. Ray. A Cappella,Classical. Octavo. 5 pages. Ethan R. Ray #643236. Published by Ethan R. Ray (A0.1038298). A meditative, introspective, and pensive a cappella SATB written primarily for college choirs. The piece foregoes complexities and flourishes and focuses on simplicity and melody. Text: Believe when you’re gone I don’t feel my soul When you are not here And when you leave me on some shore I think of how I’ll always love you And in ways I will grieve I will cry heaven If the beauty of the day is enough to break your heart Then come back angel See that your meadows give way to the sun I’ll always love you And in ways I won’t know You may grieve me too You may grieve me in heaven.
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Anim Zemiros
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Chorale SATB
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AVANCÉ
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
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Come On Back To Me
