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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Common March
Non classifié
47
Piano & claviers
Piano seul
10
Instruments en Do
4
Piano Trio: piano, violon, violoncelle
2
Piano, Voix et Guitare
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue
1
Piano Facile
1
+ 2 instrumentations
Retracter
Guitares
Guitare
1
Voix
Chorale SATB
7
Chorale Unison
1
Chorale 3 parties
1
Vents
Flûte traversière et Piano
6
Hautbois, Piano (duo)
5
2 Clarinettes (duo)
4
2 Flûtes traversières (duo)
4
Clarinette et Piano
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Flûte, Hautbois, Clarinette, Basson
3
2 Saxophones (duo)
3
Quintette de Saxophone: 5 saxophones
2
Saxophone Tenor et Piano
2
Saxophone Alto et Piano
2
2 Hautbois (duo)
2
Quatuor de Saxophones: 4 saxophones
2
Flûte, Clarinette (duo)
2
Flûte traversière
2
Clarinette
2
Quatuor de Clarinettes: 4 clarinettes
1
Saxophone
1
Trio de Flûtes: 3 flûtes
1
Quatuor de Flûtes : 4 flûtes
1
Ensemble de saxophones
1
Saxophone Soprano et Piano
1
Ensemble de Flûtes
1
Saxophone Alto
1
+ 19 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Trompette, Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
2 Trompettes (duo)
4
Trompette
3
Trombone et Piano
2
Trompette, Trombone (duo)
2
2 Trombones (duo)
2
Tuba et Piano
1
Ensemble de Trompettes
1
Trombone
1
Cor et Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 8 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
7
Violon et Piano
6
Alto, Piano
4
2 Violons (duo)
3
2 Altos (duo)
3
Violoncelle
3
Violoncelle, Piano
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
2 Violoncelles (duo)
2
Harpe
1
Trio à Cordes: 2 violons, violoncelle
1
Contrebasse, Piano (duo)
1
Violon, Alto (duo)
1
Violon
1
Violon, Violoncelle (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Piano Trio: Violon, Alto, Piano
1
Alto seul
1
+ 13 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
50
Fanfare
5
Orchestre
5
Jazz combo
2
Ensemble de Percussions
2
Orchestre de chambre
2
Ensemble de cuivres
1
Orchestre à Cordes
1
+ 3 instrumentations
Retracter
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Instruments
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIELLE A RO…
VIOLE DE GA…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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METHODE : TECHNIQUES
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Vous avez sélectionné:
Common March
Chorale SATB
Partitions à imprimer
7 partitions trouvées
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Three Evening Canticles — SATB voices, organ
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Chorale SATB
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INTERMÉDIAIRE
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Todd Marchand
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Three Evening Canticles &mdash
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1349231 Composed by Todd Marchand. Christian,Sacred,Traditional. 16 pages. Con Spirito Music #933976. Pub...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1349231 Composed by Todd Marchand. Christian,Sacred,Traditional. 16 pages. Con Spirito Music #933976. Published by Con Spirito Music (A0.1349231). Three Evening Canticles were written as part of a setting of choral evensong for Church of the Holy Apostles - Anglican, Fort Worth, Texas. Metrical, mostly homophonic, and conservative in technical challenges and ranges, these canticles are accessible for small choirs and those of moderate ability, yet musically satisfying for large and accomplished groups. Phos Hilaron (“O Gladsome Lightâ€) is one of the earliest known Christian hymns (ca. 3rd-4th century) recorded outside of the Bible. Intended to be sung at the kindling of lights in the evening, it is sometimes known as the “lamp-lighting hymn†and has been adopted by some Anglican bodies as an optional invitatory canticle immediately preceding the psalm(s) appointed for the day.Magnificat (The Song of Mary) is a scriptural canticle based on an account in the Gospel of Luke (1:46-55). Mary, the expectant mother of Jesus, visits her cousin  Elizabeth, the expectant mother of John the Baptist, who will prophetically proclaim the coming of the Messiah. Elizabeth praises Mary for her faith and subjection to God’s will, and Mary responds, “My soul doth magnify the Lord ... for he that is mighty hath magnified me ... and his mercy is on them that fear him throughout all generations.†The Magnificat is said or sung immediately after the first lesson (scripture reading) in the service of evening prayer. Nunc Dimittis (The Song of Simeon) is also a scriptural canticle taken from Luke (2:29-32).  Simeon, a devout Jew, had been promised by the Holy Spirit that he would not die until he had seen the Messiah. When Mary and Joseph bring the infant Jesus to the Temple in Jerusalem for the ceremony of redemption of the firstborn son, Simeon takes the child into his arms and says “Lord, now lettest thou thy servant depart in peace ... for mine eyes have seen thy salvation.†The Nunc Dimittis is said or sung after the second lesson in evening prayer.Texts for these settings are from The Book of Common Prayer (2019), Traditional Language Edition, according to the use of the Anglican Church in North America, and they are largely the texts of the 1662 Book of Common Prayer of the Church of England.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$3.00
The Plane
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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William Masloske
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The Plane
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Acappellago Presents
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1022992 Composed by William Masloske. A Cappella,Contemporary. Octavo. 8 pages. Acappellago Presents #4355299. P...
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Choral Choir (SATB) - Level 4 - SKU: A0.1022992 Composed by William Masloske. A Cappella,Contemporary. Octavo. 8 pages. Acappellago Presents #4355299. Published by Acappellago Presents (A0.1022992). The Plane is an original SATB a cappella composition by WiIlliam Masloske, written for Acappellago's March 2019 concerts.The Plane, explores our love-hate relationship with commercial aviation. Says the composer, Only in recent history has mankind been so fortunate as to have at its disposal a vehicle capable of traveling such great distances in a short period of time. All corners of the earth are now accessible to the common man. Yet, the voyage on these ‘flying machines’ is rarely the highlight of any trip. The use of irregular rhythms to convey the anxiety that so often underlies every aspect of air travel: the fear of missing the flight, the rush to the gate, the momentary calm after take-off that’s quickly interrupted by turbulence, and finally the vain search at the baggage claim.
$2.50
Anthem of World United
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Chorale SATB
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INTERMÉDIAIRE
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Johnson Gao
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Johnson Gao
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Anthem of World United
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Johnson Gao
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1300859 By Johnson Gao. By Johnson Gao. Arranged by Johnson Gao. 21st Century,Multicultural,Patriotic,Wor...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1300859 By Johnson Gao. By Johnson Gao. Arranged by Johnson Gao. 21st Century,Multicultural,Patriotic,World. 11 pages. Johnson Gao #890537. Published by Johnson Gao (A0.1300859). Anthem of the “All nations will be perished, and the world must uniteâ€Â Colorful Number One Scholar October 3, 2023 The world was originally no any nations.The land was plundered and divided into territories.Colonize first after occupying a frontier;If you had formed a country, you must raise an army.Warfare is a deadly killing weapon,The saints use it when there are no other satisfied ways.Today's world is in ruins.The United States, China, Russia, and European Union compete. Each of them wants to dominate the world.They don't want to be cooperative diligently;They use the dirty tricks instead;They use every possible means for cunning.When the saint raises only one foot high,While the devil has already jumped ten feet tall.They are blind at what the Doomsday is coming,They still love to rob and snatch.They would like to die together;You die and I die, too.What a shame.The human body contains cells.All cells have membranes.With membranes they know how to be selfish.Selfish genes have played an important role in evolution.Love yourself and your country is only a low level of selfishness; Sacrifices oneself and destroys countries are the high level of selfishness: The world must be for the global public welfare.It is really a kind of selfish seeking benefit only for human beings. Looking at the world today, Among Emperors, Empresses, Presidents and Chairmen,No one is worthy of become a future world leader.They only know how to love themselvesAnd their countries’ benefits in a naive way;They dislike to destroy all the countries,They don’t practice the rule for world population’s commonwealth, Knowing not the brilliance patriotism in the past Has becoming the hurdles on the road to globalization. How sad, how sad!Preparing to establish the “World Leadership Education Instituteâ€. It should be put to the top priority.I advise you not to be too innocent,All nations will be perished;This is a historical march.Ah, ha, oh, eh, yah!Home sapiensism needs to be promoted.The world must be unified. è¬åœ‹æ¶ˆäº¡, 世界一統æŒÂ 七彩狀元 2023 å¹´ 10 月 3 日 世界原無國。 æŽ åœ°å‰²ç‚ºç–†ã€‚ 開疆先殖民; 有國必建è»ã€‚ 兵乃凶器也, è–人ä¸å¾—æ„而用之。 如今世é“悪。 美, ä¸, ä¿„, æçˆã€‚ å„想稱霸雄; ä¸æ€åˆä½œå‹¤ã€‚ å用拆臺術。 åˆé‘½è§¸æŠ¼è¨ˆ, 無所ä¸ç”¨å…¶æ¥µã€‚ é“高æ‰ä¸€å°º, é”高已一丈。 ä¸è¦‹æœ«æ—¥è¿‘, é‚„è¦æ¶èˆ‡å¥ªã€‚ 情願åŒæ¸ç›¡; ä½ æ»æˆ‘ä¸æ´»ã€‚ æ¥ç¬‘何ç‰çµ•ã€‚ 人體å«ç´°èƒžã€‚ 細胞皆有膜。 有膜知自ç§ã€‚ 自ç§åŸºå› 在進化ä¸åŠŸå‹³å“著。 å°ç§æ„›å·±æ„›åœ‹; 大ç§æ¨å·±æ»…國, 天下為公。 蓋實為æ§äººé¡žä¹‹å¤§ç§ä¹Ÿã€‚統觀當今世界,皇, åŽ, 總統, 主å¸, 無一é…ç•¶æœªä¾†ä¸–ç•Œé ˜è¢–ã€‚ 唯其åªçŸ¥å°ç§æ„›å·±æ„›åœ‹; 勿崇大ç§æ»…國, 天下為公。 å°ä¸çŸ¥æ˜”日辉煌的爱国主义 æ£åœ¨æˆä¸ºå…¨çƒåŒ–é“路上的攔路虎。 悲哉, 悲哉! ç±Œå»ºä¸–ç•Œé ˜è¢–æ•™è‚²å¸é™¢ã€‚ å¯è¬‚當務之急。 勸å›èŽ«å¤ªè ¢, è¬åœ‹å¿…消亡; æ¤ä¹ƒæ·å²è¦å¾‹ã€‚å•Š, 哈, 哦, ä¾, å‘€! 智人主義需æ創; 世界必æ¸ä¸€ã€‚.
$1.99
Jesus Christ the Apple Tree — SATB voices
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Chorale SATB
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INTERMÉDIAIRE
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Todd Marchand
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Jesus Christ the Apple Tree &m
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1495196 Composed by Todd Marchand. A Cappella,Christian,Christmas,Folk,Sacred. 4 pages. Con Spirito ...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1495196 Composed by Todd Marchand. A Cappella,Christian,Christmas,Folk,Sacred. 4 pages. Con Spirito Music #1071742. Published by Con Spirito Music (A0.1495196). Jesus Christ the Apple Tree is the commonly used title for a poem published under the heading Christ compared to an Apple-tree in the August 1761 issue of The Spiritual Magazine, a London periodical for Calvinist Baptists.Above the poem in the publication are words of its author:Gentlemen,Having spent some of my vacant time in the composition of short pieces of Divine Poetry, have sent you the following, by way of specimen; which, if thought worthy of a place in your magazine, shall communicate the others regularly. I am your well-wisher and constant reader, R.H.R.H. is today believed to most likely be the Rev. Richard Hutchins, a Calvinist Baptist clergyman then serving in Long Buckby, Northamptonshire. The poem's first known appearance in a hymnal, and in America, was in 1784 in Divine Hymns, or Spiritual Songs: for the use of Religious Assemblies and Private Christians compiled by Joshua Smith, a lay Baptist minister from New Hampshire. Because of its popularity in New England churches thereafter, it has often been wrongly attributed to an anonymous early American poet or to Smith.The poem may be an allusion to the apple tree in Song of Solomon 2:3 (As the apple tree among the trees of the wood, so is my beloved among the sons. I sat down under his shadow with great delight, and his fruit was sweet to my taste), which has been interpreted as a metaphor for Jesus. It also alludes to other descriptions of the tree of life in both the Old and New Testaments. Primitive yet profound, Jesus Christ the Apple Tree has been set to music by many composers, including a very popular setting by Elizabeth Poston (1905-1987). This new setting for unaccompanied SATB voices captures the rustic quality of the text with a rising-and-falling folksong-like melody, attractively harmonized. Voices realized by Cantamus (https://cantamus.app/)©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patritic, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.99
Spring from "The Seasons" (Downloadable Piano/Choral Score)
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Chorale SATB
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INTERMÉDIAIRE
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Frank Ferko
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Spring from "The Seasons&
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir and string quartet - Medium - SKU: MQ.8559-E Composed by Frank Ferko. Secular, 21st Century, Creation/Nature, Spring. Score & instrument part...
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SATB choir and string quartet - Medium - SKU: MQ.8559-E Composed by Frank Ferko. Secular, 21st Century, Creation/Nature, Spring. Score & instrument part. 10 pages. Duration 2 minutes, 40 seconds. E. C. Schirmer Music Company - Digital #8559-E. Published by E. C. Schirmer Music Company - Digital (MQ.8559-E). UPC: 600313485596. English.The Seasons was commissioned by the South Bend Chamber Singers, Nancy Menk, conductor, and first performed on March 3, 2013 by the South Bend Chamber Singers with the Euclid Quartet in a concert devoted to music about the weather. The texts for this work were selected by the composer, and they represent three different time periods, the 17th, 19th and early 20th centuries, to show that writers have long been fascinated by the seasons and by the distinct weather conditions that each season brings. Although certain types of weather, such as wind or rain, may occur in any of the seasons, the descriptions of weather in these four poems present specific weather conditions which commonly occur in each of the four seasons: a still, hot, sultry day interrupted by the movement of a light breeze from the hills (summer); the cooling morning mists and light frost which signal the coming of winter (autumn); the bitter iciness of fierce winds and frozen air-in this poem, further compared with man's ingratitude (winter); the warm rains and southerly winds that melt the ice and bring about new life (spring). Throughout this piece various musical devices are employed to underscore or even interpret the words. These devices include text painting, contrapuntal structures (double canon and fugue), and dramatically shifting harmonic colors as each season unfolds. The contrasting performing forces of mixed choir and string quartet are particularly well-suited for presenting, very colorfully, the various musical depictions of the weather conditions and characteristics of each of the seasons. -Frank FerkoDuration: 2:40.
$2.65
A Soldier's Carol (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Noël
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Musique Sacrée
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Ronald Perera
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A Soldier's Carol
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir unaccompanied - Medium - SKU: MQ.8320-E Composed by Ronald Perera. Advanced/Collegiate. Secular, Christmas, Christmas-Sacred. Octavo. 14 page...
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SATB choir unaccompanied - Medium - SKU: MQ.8320-E Composed by Ronald Perera. Advanced/Collegiate. Secular, Christmas, Christmas-Sacred. Octavo. 14 pages. Duration 4 minutes, 40 seconds. E. C. Schirmer Music Company - Digital #8320-E. Published by E. C. Schirmer Music Company - Digital (MQ.8320-E). This setting of the well known Christmas poem 'I Heard the Bells on Christmas Day' restores some of the language that is commonly left out of most hymnals. This setting restores some of the anguish associated with the Civil War and allows for a tension not often associated with this text. A powerful setting. The title of the original Longfellow poem is 'Christmas Bells.' Charles Appleton Longfellow was the eldest son of the famous poet Henry Wadsworth Longfellow and Fannie Elizabeth Appleton, who lived in Cambridge, Massachusetts. In March of 1863, with the Civil War then in its third year, nineteen year old Charley ran away to Washington to join the Union Army. He presented himself for enlistment to the commander of Battery A of the 1st Massachusetts Artillery, who knew the boy. The officer contacted Henry who reluctantly gave his permission for the boy to enlist. Charley proved himself such an exceptional soldier that he was soon offered a commission as a Second Lieutenant of Artillery. He first saw action at the Battle of Chancellorsville. In June he was briefly invalided home following a bout of typhoid fever and malaria, rejoining his unit in August. Then in November, during the Battle of New Hope Church, Charley was shot through the left shoulder, the bullet just grazing his spine. He narrowly avoided being paralyzed. Henry received word of Charley’s wounding on December 1, and he and a younger son went immediately to Washington, where Charley was in hospital, and brought him home to Cambridge. It was while nursing his son in his slow recovery that Henry Wadsworth Longfellow composed this poem during Christmas, 1863. -Ronald PereraDuration: 4:40.
$2.85
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