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Chorale SATB
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Ride On! Ride On in Majesty! — SATB voices, organ
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1367409 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1367409 Composed by English ballad. Arranged by Todd Marchand. Christian,Easter,Lent,Sacred. 5 pages. Con Spirito Music #951781. Published by Con Spirito Music (A0.1367409). Perhaps the most often-sung processional hymn on Palm Sunday, “Ride On, Ride On in Majesty†was written in 1820 by Anglican cleric, poet, and scholar Henry Hart Milman (1791-1868) and first  published in Reginald Heber’s Hymns Written and Adapted to the Weekly Church Service of the Year (1827). The hymn references Jesus’ entry into Jerusalem prior to his Passion, as recorded in Matthew 21:1-11.Writing for the Hymnology Archive of The Hymn Society in the US and Canada, editor Chris Fenner notes in his analysis of the text that:“This hymn ... is much less a narrative or paraphrase of the triumphal entry (Matt. 21, Mk. 11, Lk. 19, Jn. 12) than it is a forward-looking hymn pointing from the palms to the cross to [Jesus’] ascended position on the throne. The triumphal entry itself is a fulfillment of Zechariah 9:9 (‘Behold, your king is coming to you . . . humble and mounted on a donkey’). The recurring opening line is possibly an allusion to Psalm 45:4 (‘in thy majesty ride prosperously’). “Some hymnological commentators connect this hymn with the idea of the great reversal in Philippians 2:5-12, where we find the Christ who humbled himself in a crucified death, later to be exalted, name above all names, to which every knee will bow. As Canadian hymn scholar Stanley Osborne observed, this hymn’s poetic strength is in its exploration of that duality:'Objective, robust, confident, and stirring, it possesses that peculiar combination of tragedy and victory which draws the singer into the very centre of the drama. It is this which gives the hymn its power and its challenge.'In this arrangement for SATB voices and organ, Milman’s text is set to the 15th-century English ballad, “Deo Gratias†(aka The Agincourt Carol), with the refrain Ride on in majesty!†following each verse.©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.84 €
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Chorale SATB
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English ballad
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Todd Marchand
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Ride On! Ride On in Majesty! — SATB voices, organ
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Con Spirito Music
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SheetMusicPlus
God Rest Ye Merry, Gentlemen (Cornish folk tune) — SATB voices, clarinet, piano
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1323225 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1323225 Composed by Cornish folk tune. Arranged by Todd Marchand. Advent,Christmas,Folk,Holiday,Sacred. 10 pages. Con Spirito Music #911489. Published by Con Spirito Music (A0.1323225). “God Rest Ye Merry, Gentlemen†is an English traditional carol dating, perhaps, to the 16th or 17th century. A manuscript, ca. 1650, contains a version with the first line, “Sit you merry gentlemen†and the refrain, “O tidings of comfort and joy.†The earliest known printed edition of the carol is a London broadsheet dated 1760, in which the first line is the familiar “God rest ye merry, gentlemen.†By the 19th century, the carol was well-known, with Charles Dickens referencing it in his 1843 novella, A Christmas Carol.The phrase “God rest you merry†in the first line is an archaic idiom meaning “God grant you peace and happiness.†William Shakespeare used the phrase “rest you merry†in his plays, “As You Like It†and “Romeo and Juliet,†both from the 1590s; but Dickens recorded the phrase as “God bless you, merry gentlemen†in A Christmas Carol.The tune adapted for use in this arrangement was at the time of its notation a wordless, nameless melody noted in 1905 by folk song collector E. Quintrell from the singing of a Mr. Boaden in Cornwall, England. The tune was sent to Lucy Broadwood, editor of the Journal of the Folk-Song Society, who decided that it fit the ballad, “The Maid in Bedlam,†and published the tune and text together. Gustav Holst later arranged the tune as Song without Words ‘I'll Love My Love’†in his Second Suite in F for Military Band, Op. 28, No. 2 (1911) and again as “I Love My Love†in his 6 Choral Folksongs, Op. 36 (1916). Set in F minor (Dorian), the tune brings a contemplative tone to the text, with the high point of the refrain being the subdominant Bb major chord on the word “joy.†The rich, dark timbre of solo clarinet (part included) on introduction, interludes, and ending adds to this tone. SATB voices (with some divisi on soprano and tenor), piano, Bb clarinet©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.84 €
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Chorale SATB
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the 19th century, the carol was well-known, with Charles Dickens referencing it in his 1843 novella,
A Christmas Carol
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Cornish folk tune
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Todd Marchand
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God Rest Ye Merry, Gentlemen
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Con Spirito Music
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SheetMusicPlus
O God of Love, Give Peace Again — SATB voices, keyboard
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1451982 Compos…
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1451982 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1031298. Published by Con Spirito Music (A0.1451982). Written by Henry Williams Baker (1821-1877) and titled “The Lord Shall Give His People the Blessing of Peace,” the text of “O God of Love, Give Peace Again” was published in the 1861 edition of the landmark English hymnal, Hymns Ancient and Modern. Baker, who is perhaps best remembered for his hymn “The King of Love My Shepherd Is,” was chairman of the committee that prepared that hymnal. Because war is a constant in the world, Baker's text is always relevant. Stanza 1 is an entreaty that God would “make wars throughout the world to cease.” Stanza 2 asks that God recall his “works of old,” for only by God's hand can peace be given again. Stanza 3 extends this thought by asking “Whom shall we trust but thee, O Lord? Where rest but on thy faithful word?” and noting that “none ever called on Thee in vain.” A fourth verse, omitted in some hymnals, ends on the hopeful note that as saints and angels are bound “in holy love,” so we might also be bound to them and to one another in love and peace. In this original setting of Baker’s text, stanza 1 is sung by unison voices, stanza 2 by unison women, stanza 3 by unison men, and stanza 4 in parts following a recapitulation of the introduction and a modulation to the relative major key. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$2.00
1.84 €
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Chorale SATB
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Todd Marchand
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O God of Love, Give Peace Again — SATB voices, keyboard
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Con Spirito Music
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SheetMusicPlus
In the Hour of Trial — SATB voices, organ
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1365141 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1365141 Composed by Todd Marchand. Christian,Lent,Sacred. 7 pages. Con Spirito Music #949447. Published by Con Spirito Music (A0.1365141). Scottish-born James Montgomery (1771-1854) was a poet, writer, and editor, raised and theologically trained in the Moravian Church. As a writer of hymns, his work has been compared favorably to that of Samuel Wesley, Isaac Watts, Philip Doddridge, John Newton, and William Cowper (Cooper). Among his most well-known lyrics are Angels From the Realms of Glory, Go to Dark Gethsemane, and Hail to the Lord's Anointed.In the Hour of Trial consists of four stanzas of eight lines in 6.5.6.5 meter, written in the first-person voice. Stanzas 1 and 2, presented by unison women's voices, then men's, are pleas for Jesus' presence in times of temptation; stanza 3, in full harmony and unaccompanied, expresses the author's reliance on Christ in times of affliction; stanza 4, with full choir and organ accompaniment, expresses the author's reliance, at time of death, on Jesus' truth and promise of eternal life. This anthem is especially appropriate in Lent and for memorial services, and is fitting for general worship as well.©Copyright 2024 Todd Marchand / Con Spirito Music. All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.84 €
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Chorale SATB
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Todd Marchand
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In the Hour of Trial — SATB voices, organ
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Con Spirito Music
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SheetMusicPlus
That We May Give Ourselves — SATB voices, organ
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1472849 Compos…
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1472849 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1050479. Published by Con Spirito Music (A0.1472849). “That We May Give Ourselves” is a short anthem based on a traditional collect — a prayer comprising an invocation, petition, and conclusion — that appears in various Anglican prayer books. The invocation, “Eternal God and Father, by whose power we are created and by whose love we are redeemed” acknowledges the eternity, creative power, and redeeming love of God. The petition, “Guide and strengthen us by your Spirit, that we may give ourselves to your service, and live this day in love to one another, and live this day in love to you” asks for the aid of the Holy Spirit in service to God and recalls Jesus's words in the Gospel of Matthew, 22:37-39: “And [Jesus] said to him, ‘You shall love the Lord your God with all your heart and with all your soul and with all your mind. This is the great and first commandment. And a second is like it: You shall love your neighbor as yourself.’”The conclusion, “through Jesus Christ our Lord,” reflects the mediating role of Jesus Christ the Son, as expressed in I Timothy 2:5 (“For there is one God, and there is one mediator between God and men, the man Christ Jesus”) and Ephesians 2:18 (“For through him we both have access in one Spirit to the Father”).Appropriate at any time of year, this short anthem of dedication is an ideal offertory selection. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.84 €
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Chorale SATB
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Todd Marchand
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That We May Give Ourselves — SATB voices, organ
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Con Spirito Music
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SheetMusicPlus
Three Evening Canticles — SATB voices, organ
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1349231 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1349231 Composed by Todd Marchand. Christian,Sacred,Traditional. 16 pages. Con Spirito Music #933976. Published by Con Spirito Music (A0.1349231). Three Evening Canticles were written as part of a setting of choral evensong for Church of the Holy Apostles - Anglican, Fort Worth, Texas. Metrical, mostly homophonic, and conservative in technical challenges and ranges, these canticles are accessible for small choirs and those of moderate ability, yet musically satisfying for large and accomplished groups. Phos Hilaron (“O Gladsome Lightâ€) is one of the earliest known Christian hymns (ca. 3rd-4th century) recorded outside of the Bible. Intended to be sung at the kindling of lights in the evening, it is sometimes known as the “lamp-lighting hymn†and has been adopted by some Anglican bodies as an optional invitatory canticle immediately preceding the psalm(s) appointed for the day.Magnificat (The Song of Mary) is a scriptural canticle based on an account in the Gospel of Luke (1:46-55). Mary, the expectant mother of Jesus, visits her cousin  Elizabeth, the expectant mother of John the Baptist, who will prophetically proclaim the coming of the Messiah. Elizabeth praises Mary for her faith and subjection to God’s will, and Mary responds, “My soul doth magnify the Lord ... for he that is mighty hath magnified me ... and his mercy is on them that fear him throughout all generations.†The Magnificat is said or sung immediately after the first lesson (scripture reading) in the service of evening prayer. Nunc Dimittis (The Song of Simeon) is also a scriptural canticle taken from Luke (2:29-32).  Simeon, a devout Jew, had been promised by the Holy Spirit that he would not die until he had seen the Messiah. When Mary and Joseph bring the infant Jesus to the Temple in Jerusalem for the ceremony of redemption of the firstborn son, Simeon takes the child into his arms and says “Lord, now lettest thou thy servant depart in peace ... for mine eyes have seen thy salvation.†The Nunc Dimittis is said or sung after the second lesson in evening prayer.Texts for these settings are from The Book of Common Prayer (2019), Traditional Language Edition, according to the use of the Anglican Church in North America, and they are largely the texts of the 1662 Book of Common Prayer of the Church of England.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$3.00
2.76 €
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Chorale SATB
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Todd Marchand
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Three Evening Canticles — SATB voices, organ
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Con Spirito Music
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SheetMusicPlus
Holy Spirit, Ever Dwelling — SATB voices, organ
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1461385 Compos…
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1461385 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1040138. Published by Con Spirito Music (A0.1461385). “Holy Spirit, Ever Dwelling” are the opening words to a text written by the Welsh Anglican bishop Timothy Rees (1874-1939). Throughout, Rees employs the adverb “ever” to point to both the immanence and transcendence of the Holy Spirit in its timeless and perpetual activities:Holy Spirit, ever dwelling in the holiest realms of light,Holy Spirit, ever brooding o'er a world of gloom and night,Holy Spirit, ever raising those of earth to thrones on high,living, life-imparting Spirit, you we praise and magnify.Holy Spirit, ever living as the Church's very life,Holy Spirit, ever striving through us in a ceaseless strife,Holy Spirit, ever forming in the Church the mind of Christ,you we praise with endless worship for your gracious gifts unpriced.Holy Spirit, ever working through the Church's ministry,teaching, strength'ning, and absolving, setting captive sinners free,Holy Spirit, ever binding age to age and soul to soulin communion never ending, you we worship and extol.Mostly unison, with limited SATB voicing in verses 2 and 3, “Holy Spirit, Ever Dwelling” is quick to rehearse, easy to sing, and a meaningful declaration of praise to the third Person of the Holy Trinity.©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.84 €
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Chorale SATB
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Todd Marchand
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Holy Spirit, Ever Dwelling — SATB voices, organ
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Con Spirito Music
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SheetMusicPlus
Let All the World in Ev'ry Corner Sing — SATB voices, organ
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1439047 Compos…
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1439047 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1019076. Published by Con Spirito Music (A0.1439047). “Let All the World in Ev’ry Corner Sing” is a short poem from the collection, The Temple, by Anglican priest, poet, and orator George Herbert (1593-1633). A contemporary of William Shakespeare and John Milton, God-child to poet John Donne, Herbert is associated with the 17th-century Metaphysical poets and “is remembered as a pivotal figure: enormously popular, deeply and broadly influential, and arguably the most skillful and important British devotional lyricist of his or any other time.” Shortly before his death in 1633 at age 39, Herbert directed that a manuscript of his religious poems be sent to his fellow clergyman and friend, Nicholas Ferrar, reportedly saying, “Tell him ... if he can think it may turn to the advantage of any dejected poor Soul, let it be made publick: if not, let him burn it: for I and it, are less than the least of God’s mercies.” First published in 1633, The Temple was an enormously popular work, totaling more than 20,000 copies printed in 13 editions between 1633 and 1679.“Let All the World in Ev'ry Corner Sing” is the refrain of Herbert’s poem, “Antiphon (I),” which appeared in the “Christian Life” section of The Temple. An antiphon may be defined as a short sentence or refrain sung or recited before or after a psalm or canticle; and in Herbert's short poem of two stanzas, he may also have intended that the verses be recited antiphonally (alternately) by two groups. The third stanza in this setting for SATB voices and organ, a doxology by an unknown author, was added in the 19th century. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). For more sacred, patriotic, folk, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.84 €
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Chorale SATB
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Todd Marchand
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Let All the World in Ev'ry Corner Sing — SATB voices, organ
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Con Spirito Music
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SheetMusicPlus
Have, Have Ye No Regard? — Good Friday anthem for baritone, SATB, organ
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1381069 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1381069 Composed by Todd Marchand. Christian,Easter,Lent,Sacred. 4 pages. Con Spirito Music #965787. Published by Con Spirito Music (A0.1381069). An allusion to Lamentations 1:12 (Is it nothing to you, all ye that pass by? Behold, and see if there be any sorrow like unto my sorrow....), Have, Have Ye No Regard is a setting for solo baritone, SATB voices, and organ of Robert Herrick's (1591-1674) poem, His Saviour's Words, Going to the Cross:Have, have ye no regard, all ye Who pass this way, to pity Me, Who am a man of misery? A man both bruis'd and broke, and one Who suffers not here for Mine own, But for My friends' transgression! Ah, Sion's daughters, do not fear The Cross, the Cords, the Nails, the Spear, The Myrrh, the Gall, the Vinegar, For Christ, your loving Saviour, hath Drunk up the wine of God's fierce wrath; Only there's left a little froth, Less for to taste than for to show What bitter cups had been your due, Had he not drank them up for you.©Copyright 2024 Todd Marchand / Con Spirito Music. All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.84 €
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Chorale SATB
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Todd Marchand
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Have, Have Ye No Regard? — Good Friday anthem for baritone, SATB, organ
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Con Spirito Music
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SheetMusicPlus
Lord Jesus, Think on Me — SATB voices, organ
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1359972 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1359972 Composed by Todd Marchand. Christian,Lent,Sacred. 4 pages. Con Spirito Music #944462. Published by Con Spirito Music (A0.1359972). “Lord Jesus, Think on Me†is a translation and free paraphrase of a 5th-century poem by Synesius of Cyrene (ca. 375-414), Bishop of Ptolemais in north Africa and contemporary of Augustine, Bishop of Hippo (354-430). Synesius was a public servant and statesman, a neo-Platonic philosopher and poet. In 410, he was popularly chosen as Bishop of Ptolemais, a position he reluctantly accepted, as his views on certain beliefs of the church, including the soul's creation, a literal resurrection, and the end of the world (eschatos) were unorthodox. In the last of 10 odes Synesius authored, he describes himself bowing humbly in the presence of Christ. In the 1930s, a literal prose translation of the ode was made by the Anglican cleric Harold Costley-White:Be mindful, Christ Son of Godwho rules on high, of thy servant,sinful of heart, who wrote these words.And grant to me release from passions breeding death,which are inborn in my unclean soul.But give me to behold, Saviour Jesus,thy divine brightness, wherein appearingI shall sing a song,to the healer of souls,to the healer of limbs,with the great Fatherand the Holy Spirit.Amen. The text of this setting for SATB voices and organ selects verses from a free paraphrase of that ode, crafted by the Anglican priest and scholar, Allen William Chatfield (1808-1896) and published in his Songs and Hymns of Earliest Greek Christian Poets (1876):Lord Jesus, think on me and purge away my sin; from earthborn passions set me free, and make me pure within. Lord Jesus, think on me, nor let me go astray; through dark-ness and perplexity point Thou the heav'nly way.Lord Jesus, think on me amid the battle's strife; in all my pain and misery be Thou my Health and Life.Lord Jesus, think on me with many a care oppressed; let me Thy loving servant be and taste Thy promised rest.Lord Jesus, think on me that I may sing above to Fa-ther, Spirit, and to Thee the strains of praise and love.The incipit of each verse, “Lord Jesus, think on [remember] me, recalls the words of the penitent thief to Jesus at their crucifixion, and the petitions for guidance, forgiveness, and succor make this a fitting anthem for the penitential season of Lent. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, holiday, and patriotic music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.84 €
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Chorale SATB
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Todd Marchand
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Lord Jesus, Think on Me — SATB voices, organ
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Con Spirito Music
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SheetMusicPlus
Come, Thou Long-Expected Jesus — SATB voices, organ
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1283376 Composed by Todd M…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1283376 Composed by Todd Marchand. Advent,Christian,Sacred. Octavo. 6 pages. Con Spirito Music #874560. Published by Con Spirito Music (A0.1283376). Charles Wesley’s (1707-1788) Advent hymn, “Come, Thou Long-Expected Jesus,†from Hymns for the Nativity of our Lord (1744), reflects the dual nature of Advent for Christians, in that it recalls the first coming and incarnation of the Messiah while also anticipating His return.Each stanza presents a different idea: Stanza 1, the longing for freedom from sin and fear; Stanza 2, attributes of or names for Christ; Stanza 3, the Messiah's birth, kingdom, and purpose; and Stanza 4, a prayer for Christ's rule in believers' hearts. Among the Scriptures referenced in the hymn are 2 Corinthians 4:14, Revelation 3:21, Isaiah 61:1-2, Luke 4:18-19, and Romans 6:22. In this setting of Wesley’s text to an original tune, a short introduction is followed by verse 1, presented by women’s voices (soprano, alto) and verse 2, presented by men’s voices (tenor, bass). Verse 3 is presented by SATB voices, unaccompanied; and following a short organ interlude and modulation from D minor to E minor, the concluding verse 4 is introduced by all voices in unison with organ, then expands both dynamically and in texture to SATB and ends on a glorious E major chord.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.84 €
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Chorale SATB
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Todd Marchand
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Come, Thou Long-Expected Jesus — SATB voices, organ
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Con Spirito Music
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SheetMusicPlus
Softly the Night is Sleeping — SATB voices, organ, solo instrument
Chorale SATB
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1318475 Composed by…
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1318475 Composed by Todd Marchand. Christian,Christmas,Sacred. 10 pages. Con Spirito Music #907143. Published by Con Spirito Music (A0.1318475). “Softly the Night is Sleeping†is a Nativity poem by the Rev. Edward Abiel Washburn (1819-1881), a noted American Episcopal clergyman who studied at both Harvard and Yale, and who served parishes in Newburyport, Massachusetts; Hartford, Connecticut; Philadelphia, Pennsylvania; and New York City. A noted preacher, he also translated Latin hymns as well as authoring a number of his own poems.In three verses, Washburn’s poem recalls the Bethlehem hillside where shepherds watched their flocks by night, the virgin mother Mary, the infant Jesus in the manger, the heavenly host singing “Gloria,†the bright star shining above, the arrival of the Magi, and more. Each unison verse, which may be assigned as written or at the director’s discretion, is followed by a chorus with full SATB voices singing “Glory to God! Peace on the earth, good will to men.†Includes parts for solo C instrument (oboe, flute, violin) or solo Bb clarinet.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.84 €
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Chorale SATB
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Todd Marchand
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Hartford, Connecticut
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Softly the Night is Sleeping — SATB voices, organ, solo instrument
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Con Spirito Music
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SheetMusicPlus
O Dulcis Virgo Mater (anthem for Holy Week) — SATB voices
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1215082 Composed by Edward…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1215082 Composed by Edward Fitzhugh. Arranged by Todd Marchand. Christian,Lent,Sacred. Octavo. 4 pages. Con Spirito Music #811946. Published by Con Spirito Music (A0.1215082). O dulcis Virgo Mater (O sweet Virgin mother) is a petition to Mary, the mother of Jesus, that we might know her pain as witness to the passion of her son and thereby understand his pain, his sacrifice, and his love for us. Especially fitting for Holy Week, the text by Rev. Fr. Edward Fitzhugh, an Anglican priest in the Episcopal Diocese of Fort Worth, Texas (ACNA) pleads:O dulcis Virgo Mater, Maria sanctissima: Adiuva nos ad dolorem tuum sentire. (O sweet Virgin Mother, Mary most holy: help us to feel your pain.) Through your tears we will know his pain; through your woe we will know his love. Adiuva! Adiuva! Adiuva nos sciamus. (Help us know.)O dulcis Virgo Mater, Maria sanctissima: Adiuva nos ad dolorem tuum sentire. For a mother to see her son betrayed, scourged, and hung— Adiuva! Adiuva! Adiuva! Adiuva nos sciamus.O dulcis Virgo Mater, Maria sanctissima: Adiuva nos ad dolorem tuum sentire. To know your boundless sorrow is to truly know our Savior. Adiuva! Adiuva! Adiuva nos sciamus. Adiuva! Adiuva! Adiuva nos sciamus. Amen.The tune, also by Fitzhugh, is arranged for unaccompanied SATB voices by Todd Marchand.Text and tune ©2023 Edward Fitzhugh. This arrangement ©2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved by the respective copyright holders. For more original, sacred, patriotic, and folk music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.84 €
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Chorale SATB
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Edward Fitzhugh
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Todd Marchand
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O Dulcis Virgo Mater
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Con Spirito Music
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SheetMusicPlus
For All Thy Saints, O Lord — SATB voices, organ
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1276946 Composed by Todd M…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1276946 Composed by Todd Marchand. Christian,Sacred. Octavo. 5 pages. Con Spirito Music #868640. Published by Con Spirito Music (A0.1276946). Available in both SATB and SAB voicings with organ accompaniment, this anthem with text by Anglican bishop Richard Mant (1776–1848) is ideal for All Saints Day, All Saints Sunday, other commemorations of saints, and appropriate as a general anthem at any time. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.84 €
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Chorale SATB
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Todd Marchand
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For All Thy Saints, O Lord — SATB voices, organ
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Con Spirito Music
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SheetMusicPlus
Before The Day Draws Near Its Ending — evening hymn for SATB voices
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1288836 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1288836 Composed by Todd Marchand. Christian,Sacred. 4 pages. Con Spirito Music #879689. Published by Con Spirito Music (A0.1288836). “Before the day draws near its ending†is an ideal selection for a late afternoon or early evening service of worship such as Evensong (Evening Prayer). A prayer of adoration, it was written by Anglican priest, hymnodist and hymnologist John Ellerton (1826-1893) and first published in the Nantwich (Cheshire, England) Festival Book, 1880, included in the Westminster Abbey Hymn Book in 1883, and re-published in numerous other hymnals. Ellerton is perhaps best known for a similar evening hymn text written a decade earlier, “The day thou gavest, Lord, is ended†(1870).©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.84 €
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Chorale SATB
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Todd Marchand
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Before The Day Draws Near Its Ending — evening hymn for SATB voices
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Con Spirito Music
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SheetMusicPlus
God is Love, Let Heav'n Adore Him - SATB voices, piano
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.726149 Composed by B.F. Wh…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.726149 Composed by B.F. White. Arranged by Todd Marchand. 19th Century,Christian,Folk,Sacred. Octavo. 5 pages. Con Spirito Music #6733809. Published by Con Spirito Music (A0.726149). “God is Love: Let Heav’n Adore Him†pairs a text by the Welsh Anglican bishop Timothy Rees (1874-1939) with the 19th-century American hymn tune BEACH SPRING, attributed to Benjamin Franklin White (1800-1979), compiler and editor of the influential Sacred Harp hymnal.Quick to rehearse, yet satisfying to perform and moving in its effect on listeners, this lovely anthem expresses assurance in God’s boundless love, from His creation of the world (v. 1) to His love for “ev’ry child of ev’ry race†(v. 2) to His ultimate triumph over sin and death. Verses 1 and 2 are assigned to unison women’s and unison men’s voices, respectively. Then, following a modulation upward, the concluding verse 3 is sung by all voices in unison, with 4-part harmony at the peak of the verse before drawing to a peaceful, unison close. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.84 €
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Chorale SATB
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B
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Todd Marchand
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God is Love, Let Heav'n Adore Him - SATB voices, piano
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Con Spirito Music
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SheetMusicPlus
Unto the Hills (Psalm 121) - SATB voices, piano
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.726148 Composed by Todd Ma…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.726148 Composed by Todd Marchand. Christian,Sacred. Octavo. 8 pages. Con Spirito Music #6732731. Published by Con Spirito Music (A0.726148). John Campbell's (1845-1914) metrical paraphrase of one of the most beautiful and comforting psalms is given a fresh treatment in this gentle, pastoral setting for SATB voices and piano. Mostly unison and two-part harmony, with 3- and 4-part harmony in the final verse.©Copyright 2022 Todd Marchand / www.conspiritomusic.com
$2.00
1.84 €
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Chorale SATB
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Todd Marchand
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Unto the Hills
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Con Spirito Music
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SheetMusicPlus
Of the Father's Love Begotten - SATB choir
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.726116 Composed by Plainch…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.726116 Composed by Plainchant melody. Arranged by Todd Marchand. Christmas,Classical,Sacred. Octavo. 4 pages. Con Spirito Music #6198933. Published by Con Spirito Music (A0.726116). Set to one of the most beautiful plainchant melodies (DIVINUM MYSTERIUM), this traditional Christmas hymn is arranged for a capella SATB voices and features solo male voice on verse 1, SA voices on verse 2, and full choir on verses 3-4 with harmonies that evoke both the ancient and the modern. Copyright 2020 Todd Marchand / www.ConSpiritoMusic.com
$2.00
1.84 €
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Chorale SATB
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Plainchant melody
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Todd Marchand
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Of the Father's Love Begotten - SATB choir
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Con Spirito Music
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SheetMusicPlus
Giovanni Bononcini - Anthem (for the Funeral of John Duke of Marlborough)
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828704 Composed by Giovann…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina. Baroque,Contemporary,Sacred. Octavo. 44 pages. Guido Menestrina #368381. Published by Guido Menestrina (A0.828704). Anthem which was performed in King Henry the Seventh's Chappel at the Funeral of the most Noble & Victorious Prince John Duke of Marlborough By Giovanni Bononcini (1670-1747) transcribed by Guido Menestrina Il padre, Giovanni Maria Bononcini (Buononcini) (1642-1678), era stato violinista e compositore: attivo alla corte di Modena, aveva scritto un trattato, Musico prattico, pubblicato nel 1673. Il fratello minore di Giovanni, Antonio Maria, fu anch'egli musicista. Proprio dal padre Giovanni ricevette la prima educazione musicale; quando questi morì, nel 1678, divenne studente di Giovanni Paolo Colonna a Bologna, dove vennero eseguiti i suoi primi lavori. Proprio grazie al Colonna entrò a far parte dell'Accademia dei Filarmonici in veste di compositore. Nel 1685 aveva già preparato e pubblicato le sue prime opere. Ottenne nel 1688 il posto di musicista presso la basilica di San Petronio, e più tardi divenne maestro di cappella nella chiesa di San Giovanni in Monte. Sempre a Bologna fece la conoscenza del librettista Silvio Stampiglia, assieme al quale, tra il 1692 e il 1696, produrrà cinque opere. A partire dal 1692 si recò a Milano, Roma (dove fu apprezzato e sostenuto da Filippo II Colonna e dalla sua consorte Olimpia Pamphilj) e Venezia; infine, dal 1698 al 1711 si stabilì a Vienna, dove godette i favori degli imperatori Leopoldo I e Giuseppe I. Di passaggio a Berlino nel 1702, incontrò Georg Friedrich Händel, di quindici anni più giovane di lui, di cui riconobbe il talento precoce: lo avrebbe rincontrato alcuni anni più tardi. Dal 1714 al 1719 fu di nuovo a Roma, al servizio di Johann Wenzel, Conte di Gallas, Ambasciatore dell'Imperatore d'Austria a Roma, molto noto per il suo amore per la musica. Al Conte di Gallas, Bononcini dedicò la Favola Pastorale Erminia, rappresentata al Teatro della Pace nella Stagione del Carnevale del 1719. Il dramma musicale ebbe grandissimo successo sia per la musica, sia per gli interpreti, fra cui si segnalarono Domenico Gizzi (1687-1758), Musico Soprano della Real Cappella di Napoli ed il celebre contralto napoletano Francesco Vitale. Sempre nella Stagione del Carnevale 1719 al Teatro della Pace, Bononcini rappresentò il dramma per musica L'Etearco, dal librettista Silvio Stampiglia dedicato alla Contessa Ernestina di Gallas, moglie dell'Ambasciatore austriaco. Anche in questo dramma per musica Domenico Gizzi e Francesco Vitale fecero apprezzare tutte le spezie più ricercate del virtuosismo canoro. Poi, dal 1720 si stabilì a Londra, sotto la protezione del John Churchill, I duca di Marlborough. Qui si esibì anche al violoncello in numerosi concerti, molto apprezzati dall'aristocrazia inglese. Divenne membro della prestigiosa Royal Academy of Music.[senza fonte] Il pubblico londinese era, all'epoca, totalmente ignorante dell'opera italiana, e Händel stava muovendo i primi passi della sua prestigiosa carriera. Fra i due compositori si accese un forte spirito di competizione, sia che collaborassero alla realizzazione della medesima impresa (i tre atti dell'opera Muzio Scevola furono composti il primo da Filippo Amadi, il secondo da Bononcini, il terzo da Händel, al fine di soddisfare tutti e tre gli artisti), sia che, più spesso, si impegnassero in produzioni rivali. Le opere di maggior successo di Bononcini in quegli anni furono Astarto (1720), Crispo (1722), Griselda (1722), che si rivelò un vero e proprio trionfo, Erminia (1723), Calfurnia (1724). A favore dell'italiano era anche una certa ostilità verso Händel dovuta alle sue origini tedesche e alla contemporanea presenza sul trono inglese della poco amata dinastia di Hannover. Ma nel 1727-1728 scoppiò uno scandalo che compromise il successo di Bononcini e lo costrinse a lasciare Londra: il compositore Antonio Lotti accusò il madrigale di Bononcini In una siepe ombrosa di essere un plagio di un brano dei suoi Duetti, terzetti e madrigali. Fuggito a Parigi nel 1733, a causa di speculazion.
$9.99
9.2 €
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Chorale SATB
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Giovanni Bononcini
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Giovanni Bononcini, Giovanni Battista Bononcini
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Guido Menestrina
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Giovanni Bononcini - Anthem
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Guido Menestrina
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SheetMusicPlus
Create in Me a Clean Heart — SATB, organ
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1161909 Composed by Todd M…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1161909 Composed by Todd Marchand. Advent,Christian,Lent,Sacred. Octavo. 5 pages. Con Spirito Music #762284. Published by Con Spirito Music (A0.1161909). Ideal for use in Lent and on other penitential occasions, Create in Me a Clean Heart is an excerpt from Psalm 51, which is recited as part of the Ash Wednesday liturgy in Roman Catholic, Anglican, and many other churches:
$2.00
1.84 €
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Chorale SATB
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Todd Marchand
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Create in Me a Clean Heart — SATB, organ
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Con Spirito Music
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SheetMusicPlus
Bread of the World, Bread of Heaven — SATB voices, organ
Chorale SATB
Composed by Todd Marchand. Christian, Sacred. 5 pages. Con Spirito Music #883056. Pu…
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Composed by Todd Marchand. Christian, Sacred. 5 pages. Con Spirito Music #883056. Published by Con Spirito Music
$2.00
1.84 €
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Chorale SATB
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Todd Marchand
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Bread of the World, Bread of Heaven — SATB voices, organ
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Con Spirito Music
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SheetMusicPlus
As With Gladness Men of Old (new tune) — SATB and organ
Chorale SATB
Composed by Todd Marchand. 163, Christian, Christmas, Holiday, Sacred. Octavo. 5 pag…
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Composed by Todd Marchand. 163, Christian, Christmas, Holiday, Sacred. Octavo. 5 pages. Con Spirito Music #757408. Published by Con Spirito Music
$2.00
1.84 €
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Chorale SATB
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Todd Marchand
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As With Gladness Men of Old
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Con Spirito Music
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SheetMusicPlus
10,000 Reasons (bless The Lord)
Chorale SATB
Choral Choir,Choral (SATB) - Level 1 - Digital Download SKU: A0.904858 By Matt Redm…
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Choral Choir,Choral (SATB) - Level 1 - Digital Download SKU: A0.904858 By Matt Redman. By Jonas Myrin and Matt Redman. Arranged by Andrea Mazzer - editing MB. Christmas,Easter,Pop,Praise & Worship,Sacred. 18 pages. Marco Borsoi #6618961. Published by Marco Borsoi (A0.904858). BLESS THE LORD (10,000 REASONS)A contemporary praise song by Jonas Myrin and Matt Redman arranged for SATB Choir and Piano. The words of Psalm 103 combine with the idea that we could never begin to count the reasons for which we come before God with praise. In the final verse, the number 10,000 is further connected to our endless praise in eternity, forevermore.A spirit-filled worship song that will opens its way into the hearts of all who hear and believe! --------------- Un canto di lode contemporaneo di Jonas Myrin e Matt Redman arrangiato per coro SATB e pianoforte. Le parole del Salmo 103 si combinano con l'idea che non potremmo mai cominciare a contare le ragioni per le quali veniamo davanti a Dio con la lode. Nel verso finale, il numero 10.000 è ulteriormente collegato alla nostra lode infinita nell'eternità , per sempre. Un canto di adorazione pieno di spirito che si aprirà la strada nei cuori di tutti coloro che ascoltano e credono!
$9.99
9.2 €
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Chorale SATB
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Matt Redman
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Andrea Mazzer - editing MB
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10,000 Reasons
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Marco Borsoi
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SheetMusicPlus
Remember, O Thou Man — SATB voices, organ
Chorale SATB
Organ, SATB - Intermediate - Digital Download Composed by Thomas Ravenscroft (1590-16…
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Organ, SATB - Intermediate - Digital Download Composed by Thomas Ravenscroft (1590-1633). Arranged by Todd Marchand. Christian, Sacred, Christmas, Lent. Octavo. 7 pages. Published by Con Spirito Music
$2.00
1.84 €
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Chorale SATB
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Thomas Ravenscroft (1590-1633)
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Todd Marchand
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Remember, O Thou Man — SATB voices, organ
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Con Spirito Music
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SheetMusicPlus
Eugenio de Ligniville - Stabat Mater à tre voci in Canone - First Part (canons 1-10)
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.828748 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.828748 Composed by Eugenio de Ligniville. Arranged by Guido Menestrina. Baroque. Octavo. 12 pages. Guido Menestrina #2069709. Published by Guido Menestrina (A0.828748). Dedicato à S.A.R. Pietro Leopoldo Principe Reale d'Ungheria, e di Boemia Arciduca d'Austria Granduca di Toscana & & & (1767) Trascrizione a cura di Guido Menestrina Eugenio de Ligniville (o De Lignyville), spirito libero e inquieto, appassionato ed esperto di musica, agronomia ed esperimenti scientifici, fu «Sovrintendente alla musica della Real Camera e Cappella», il dipartimento musicale della Corte fiorentina, ma anche... Generale delle Poste. Fu proprio a Firenze che negli anni '60 del 1700 produsse le sue migliori composizioni, viste con rispetto, pare, anche dal giovane Mozart, che ne avrebbe in parte riutilizzate qualche decennio più tardi. Qui si propone la prima parte del suo Stabat Mater (i canoni da 1 a 10), sempre per tre voci, ma sempre diverse: tre soprani, tre contralti, soprano tenore e basso, ecc... Follow the score on youtube: https://youtu.be/EA_7gs4q3_s.
$7.99
7.36 €
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Chorale SATB
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Eugenio de Ligniville
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Guido Menestrina
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Eugenio de Ligniville - Stabat Mater à tre voci in Canone - First Part
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Guido Menestrina
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SheetMusicPlus
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