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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BATTERIE
BOUZOUKI
CHORALE - CHAN…
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13
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
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4
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3
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Quatuor à cordes: 2 violons, alto, violoncelle
9
2 Violoncelles (duo)
7
Violoncelle, Piano
7
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4
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2
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2
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2
Harpe, Flûte (duo)
1
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1
Violon, Clarinette, Piano (trio)
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1
2 Altos (duo)
1
Harpe
1
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27
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18
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17
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6
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Vous avez sélectionné:
Conception - Conductor Score
Chorale SATB
Partitions à imprimer
13 partitions trouvées
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Mass Of The Immaculate Conception (Score) (SATB version)
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.622487 Composed by Traditi…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.622487 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 31 pages. Exultet Music #3681217. Published by Exultet Music (A0.622487). Mass setting based on the traditional French Immaculate Mary hymn. Scored for SATB, Voice with Organ accompaniment. Accessible and appropriate for any church setting. Can be used many times throughout the liturgical year.
$10.00
9.2 €
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Chorale SATB
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Traditional
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Stephen DeCesare
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Mass Of The Immaculate Conception
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Exultet Music
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SheetMusicPlus
Holy (from "Mass of the Immaculate Conception") (SATB)
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.622457 Composed by Traditi…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.622457 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 4 pages. Exultet Music #3675461. Published by Exultet Music (A0.622457). Based on the Traditional French Immaculate Mary hymn, this setting from the Mass is scored for SATB with Organ accompaniment. Accessible and appropriate for any church setting. Can be used many times throughout the liturgical year. .
$3.99
3.67 €
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Chorale SATB
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Traditional
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Stephen DeCesare
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Holy
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Exultet Music
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SheetMusicPlus
Lamb Of God (from "Mass of the Immaculate Conception") (SATB)
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.622484 Composed by Traditi…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.622484 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 6 pages. Exultet Music #3680439. Published by Exultet Music (A0.622484). Based on the Traditional French Immaculate Mary hymn, this setting from the Mass is scored for SATB, Voice with Organ accompaniment. Accessible and appropriate for any church setting. Can be used many times throughout the liturgical year.
$3.99
3.67 €
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Chorale SATB
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Traditional
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Stephen DeCesare
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Lamb Of God
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Exultet Music
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SheetMusicPlus
Glory To God (from "Mass of the Immaculate Conception") (SATB)
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.622485 Composed by Traditional. Arra…
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Choral Choir (SATB) - Digital Download SKU: A0.622485 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 8 pages. Exultet Music #3681193. Published by Exultet Music (A0.622485). Based on the Traditional French Immaculate Mary hymn, this setting from the Mass is scored for SATB with Organ accompaniment. Accessible and appropriate for any church setting. Can be used many times throughout the liturgical year.
$3.99
3.67 €
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Chorale SATB
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Traditional
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Stephen DeCesare
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Glory To God
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Exultet Music
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SheetMusicPlus
O Magnum Mysterium
Chorale SATB
Mixed choir (SATB) a cappella - advanced to difficult - Digital Download Composed by …
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Mixed choir (SATB) a cappella - advanced to difficult - Digital Download Composed by Matthew Brown. This edition: choral score. Schott Choral Music. Downloadable. Duration 3 minutes 10 seconds. Schott Music - Digital #Q21338. Published by Schott Music - Digital
Latin.<br> <br> A modern interpretation and setting of the Christmas text about the Immaculate Conception by the award winning American composer Matthew Brown, who has had his choral .works premiered all over the US.
$4.99
4.59 €
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Chorale SATB
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Matthew Brown
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O Magnum Mysterium
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Schott Music - Digital
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SheetMusicPlus
Zwei lateinische Marienmotetten
Chorale SATB
Mixed choir (SATB) a cappella and Interlude for Organ or String Quintet - intermediate…
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Mixed choir (SATB) a cappella and Interlude for Organ or String Quintet - intermediate - Digital Download Assumpta est Maria - Benedicta es tu, virgo Maria. Composed by Andreas Pieper. This edition: choral score. Schott Choral Music. Downloadable. Duration 13 minutes. Schott Music - Digital #Q21325. Published by Schott Music - Digital
With Zwei lateinische Marienmotetten for mixed a cappella choir (SATB) and interlude for organ or string quintet, Andreas Pieper has created two gems of Marian devotion which are perfect for being used in church services. The two four-part chants pay homage to the Virgin Mary and refer to two different solemnities of the Roman Catholic Church celebrated in her honour. Whereas Assumpta est Maria is a motet for the Feast of the Assumption of Mary on 15 August, Benedicta es tu, virgo Maria refers to the Feast of the Immaculate Conception celebrated every year on 8 December. Both choral settings can be easily mastered by ambitious church choirs, and the interlude and postlude for organ or string quintet of Assumpta est Maria, the easier one of the two motets, can be easily performed even by amateur musicians.
$3.99
3.67 €
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Chorale SATB
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Andreas Pieper
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Zwei lateinische Marienmotetten
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Schott Music - Digital
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SheetMusicPlus
Lovefool
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1446507 By The…
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1446507 By The Cardigans. By Nina Persson and Peter Svensson. Arranged by Scott S. Stewart. 20th Century,Latin,Pop,Standards. 13 pages. Scott S. Stewart #1026323. Published by Scott S. Stewart (A0.1446507). “Lovefool” was written by the Swedish rock band the Cardigans for their 3rd album ‘First Band on the Moon’ (1996). Persson says of her lyrics: it’s “quite a sad love song; the meaning of it quite pathetic, really.” She had envisioned it more in the style of a bossa nova, yet it evolved in the studio to a “moderate rock” tempo. This arrangement restores her original concept with a Latin bossa nova feel, and is scored for a 4-part SATB ensemble with piano accompaniment. Performance time: 3:45+-.
$2.99
2.75 €
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Chorale SATB
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The Cardigans
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Scott S
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Lovefool
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Scott S. Stewart
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SheetMusicPlus
The Legend of Ramund
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.1007125 Composed by Mogens Eliasen. …
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Choral Choir (SATB) - Digital Download SKU: A0.1007125 Composed by Mogens Eliasen. Folk,Romantic Period. Octavo. 40 pages. Soverenity Enterprises Inc. #2948289. Published by Soverenity Enterprises Inc. (A0.1007125). The 40-page score is a choral symphony with a powerful lesson to modern people, based on an old Danish folk song about the young super-hero Ramund. The score is dense with contents, both musically and lyrically, and alone for that reason, the 8-minute performance takes an advanced choir.The original folk song dates back to the Viking age and consist of many episodes ofRamund's life, almost like a personal saga. Some have undoubtedly been added later,making the total number of stanzas go up around 50, but the main idea of the song isto report about a young lad, whose ideas of what is right for him to do or not doare completely unaffected by other people's opinions, including those of royalties andcelebrities. The stories are in many regards comparable to those of Beowolf.Although the stories generally are dramatic and bloody, Ramund always retains hiscool attitude and shows how unimpressed he is with power demonstrations, even hisown when he is provoked to use his strength. It is a common element throughout thestories that Ramund detests evil and aggression, and he goes to great lengths to fightpower abusers and aggressive elements. He just wants to live in peace and not haveto be bothered by all those who like to abuse power!Included in this presentation for piano and 8 voices are 11 stanzas from what is believedto be original, in English translation, with focus on clarity of meaning, more so thanpoetical rules and rhymes. The first ruling concept has been to obtain clarity and agreat fit to the music. The second concept has been to add the inspiration this old folksong has created in the mind of a modern rebel who would like to see some ofRamund's attitude to power and power abusers put into action in our modern corruptsociety. Maybe in a less bloody version, but definitely with a similar effect! The added2 stanzas and the attached coda, as well as the added lyrics to the intermezzos and theincorporated commentaries to the action should serve that purpose.In addition, the original tune itself, as well as the lyrics and the intermezzo, haveinspired some musical development throughout the piece, to further accentuate themeaning and the messages about respecting each other, standing together againstabuse, and not letting power abusers get away with their crimes.The 8 voices cover ranges as follows: First sopranos: C4 through Bb5 (possibly G5); Second sopranos: C4 through E5; All altos: G3 through D5; All tenors: C3 through G#4(possibly F#4); First basses: F2 through D4; Second basses: D2 through B3
$7.00
6.44 €
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Chorale SATB
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Mogens Eliasen
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The Legend of Ramund
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Soverenity Enterprises Inc.
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SheetMusicPlus
Beowulf: A Classical Melodrama in Four Scenes for Chorus, Soiloists and Piano
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.939813 Composed by Richard…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.939813 Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 139 pages. Richard St. Clair #4760561. Published by Richard St. Clair (A0.939813). This work, running over 50 minutes performance time, is a dramatic presentation of the Beowulf epic from Medieval England. The action is compelling throughout, with prominent solo and full chorus passages. The Audio Clip presents the complete Overture and highlights from Scene 1 and the battle with Grendel and the joyful conclusion of Scene 4. This work is not intended for stage production, but with imagination it could be presented on stage. Rather, the concept is for concert performance. The Score, 139 pages long, is the complete piano-vocal score.
$100.00
91.98 €
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Chorale SATB
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Richard St
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Beowulf: A Classical Melodrama in Four Scenes for Chorus, Soiloists and Piano
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Richard St. Clair
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SheetMusicPlus
I Measure Every Grief I Meet
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1408592 Compos…
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1408592 Composed by Cam Moll. A Cappella,Chamber. 8 pages. Cam Moll #991189. Published by Cam Moll (A0.1408592). This piece is a setting of the poem of the same name by Emily Dickinson for SATB choir unaccompanied. I chose this text because I was immediately drawn to its rich language and subtle elegance. I think that the poem is a beautiful representation of the complex nature of grief, and the effect that it has on the human experience. All of us have experienced the grief that comes with loss, and each of us deals with grief in our own ways. The vocal parts interact with each other in a variety of interesting ways and textures, in order to communicate this complex notion of grief. Featuring two soloists towards the end, the piece aims to allow the audience to reflect on the concept of grief, and is designed to be accessible for choral ensembles of varying experience levels.A preview of the score with audio can be found here. Learning tracks also available for purchase.
$2.50
2.3 €
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Chorale SATB
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Cam Moll
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I Measure Every Grief I Meet
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Cam Moll
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SheetMusicPlus
For the Fallen (Choral suite - SATB, Piano)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1137248 Composed by John R…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1137248 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737448. Published by John Ross (A0.1137248). “For the Fallen†was written for Bec Beall and her choir “Lux Alba†and was premiered by them in 2019 at St Matthew’s Church, Albury, NSW, Australia. The words of this choral suite were written by the English poet Laurence Binyon in 1914, immediately after the Battle of Mons, where the British Expeditionary Force suffered a serious loss, soon after the start of World War I. The fourth verse (“They shall not grow old as we that are left grow oldâ€) has become known as the “Ode of Remembranceâ€, regularly recited at memorial services. This suite uses the words of the Ode for the first movement, with echoes of the bugle call “The Last Postâ€. The second movement, “They went with songs to the battle†portrays the soldiers as young men in fine fettle, physically and mentally fit for what lies ahead of them. The third movement, “As the stars that shall be bright as we are dust†compares the war dead to stars and constellations. They move “in marches upon the heavenly plainâ€. Will Longstaff’s painting “Menin Gate at Midnight†(reproduced on the cover of this score) movingly illustrates this concept, with ghostly soldiers marching by the Menin Gate at Ypres, Belgium. The work concludes with an alternate setting of the opening movement “They shall not grow oldâ€. A version of this suite with organ accompaniment is also available on this website.
$1.99
1.83 €
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Chorale SATB
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John Ross
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For the Fallen
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John Ross
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SheetMusicPlus
Not but a seed...
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.1027800 Composed by Justin Casinghin…
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Choral Choir (SATB) - Digital Download SKU: A0.1027800 Composed by Justin Casinghino. Contemporary. Octavo. 11 pages. World Projects Corporation #2989153. Published by World Projects Corporation (A0.1027800). The text for Not but a Seed…, which was written by the composer, follows the growth of tree from a single seed, through its existence as a full-grown member of the forest around it. In the mind of the author/composer, this growth exists as a metaphor for two of the most important elements of life, family and the process of artistic creation. In each, the tiniest of particles is created from elements that it is initially unaware of. Over time, these tiny elements grow to become able to foster creation of their own, ultimately connecting into a single unending web. Musically, this concept is dealt with during the course of the piece, where the opening chord is used as a catalyst for melodic and harmonic expansion throughout. This sonority is also used at important goal points throughout the setting of the three–stanza text. The piece is set for SATB choir, with each section occasionally splitting by half. The work includes rich harmonies throughout, as well as melodic moments for each voice part to shine through. The clear linear progress of each voice, combined with the recurring sonorities mentioned above make this piece a rewarding and accessible musical undertaking. A rehearsal piano reduction is included in the vocal score.
$4.50
4.14 €
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Chorale SATB
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Justin Casinghino
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Not but a seed...
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World Projects Corporation
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SheetMusicPlus
For the Fallen (Choral suite - SATB, Organ)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1137245 Composed by John R…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1137245 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737445. Published by John Ross (A0.1137245). “For the Fallen†was written for Bec Beall and her choir “Lux Alba†and was premiered by them in 2019 at St Matthew’s Church, Albury, NSW, Australia. The words of this choral suite were written by the English poet Laurence Binyon in 1914, immediately after the Battle of Mons, where the British Expeditionary Force suffered a serious loss, soon after the start of World War I. The fourth verse (“They shall not grow old as we that are left grow oldâ€) has become known as the “Ode of Remembranceâ€, regularly recited at memorial services. This suite uses the words of the Ode for the first movement, with echoes of the bugle call “The Last Postâ€. The second movement, “They went with songs to the battle†portrays the soldiers as young men in fine fettle, physically and mentally fit for what lies ahead of them. The third movement, “As the stars that shall be bright as we are dust†compares the war dead to stars and constellations. They move “in marches upon the heavenly plainâ€. Will Longstaff’s painting “Menin Gate at Midnight†(reproduced on the cover of this score) movingly illustrates this concept, with ghostly soldiers marching by the Menin Gate at Ypres, Belgium. The work concludes with an alternate setting of the opening movement “They shall not grow oldâ€. A version of this suite with piano accompaniment is also available on this website.
$1.99
1.83 €
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Chorale SATB
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John Ross
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For the Fallen
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John Ross
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SheetMusicPlus
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